We were doing press for this movie that my friends and I made for $5,000 called 'Brothers Justice,' that I also wrote and directed. And during the press of that, people kept saying, 'What's next, what's next?' And my best friend Nate and I - Nate produced it - we kept saying, 'Oh, we're gonna do a car-chase movie next.'

I'm telling you, man, after I did 'Land of the Dead,' which Mark Canton produced, Universal picked it up, and I had to use stars. I didn't think I needed stars - Dennis Hopper was in it. I loved him. We hung out. I loved him, but his cigar budget was more than we paid for the entire budget of 'Night of the Living Dead.'

My personal experience has been that in my 25 years of writing, I have not been asked to do more than four or five commercial one-shot scripts. These were performed on major national hook-ups but produced for me no immediate additional jobs or requests. One script for BBC was done around the world with an all-star cast.

As a vegetarian eating a plateful of eggs, I found myself in this weird place where I didn't want to think about where those eggs came from. I didn't want to think about the treatment of the animals who produced those eggs. When I find myself trying not to think about things, it seems to me that I'm practicing avoidance.

'Killer Joe' was originally written in 1991 and first produced in '93 at the Next Theater's Lab - a 40 seat black box theater in Evanston, Illinois - back when I was getting started. I was just 25 and I had been acting for awhile, but it was my first play and the one that really got me noticed, especially by Steppenwolf.

So-called reality TV, which dominates British channels, is destroying what made it cherishable to me and lots of others in the first place. I loved Alan Clarke, Ken Loach and Alan Bleasdale's work. In fact the first TV dramas I ever saw were 'Screen Twos' produced by David Thompson, who also produced a lot of Alan Clarke.

I just did this movie with Kristin Wiig called 'The Skeleton Twins.' That's a straight drama. We play estranged twins, and I end up moving in with her and her husband, played by Luke Wilson. But it's a drama, and the Duplass Brothers produced it and this great guy, Craig Johnson, directed it. And that was great, you know?

The Federal Reserve's objectives of maximum employment and price stability do not, by themselves, ensure a strong pace of economic growth or an improvement in living standards. The most important factor determining living standards is productivity growth, defined as increases in how much can be produced in an hour of work.

I've had people say to me, 'You'll never sell handbags. You don't work with leather, and leather is luxury.' To me, it's the complete opposite: leather is everywhere - it's so cheap a material; it's so mass produced. Over 50 million animals a year are killed just for fashion. For me, it doesn't have a luxury element to it.

I have been intimately involved in the techniques of genetic modification as a scientist since GMOs were first conceived. In that time, hundreds of studies and tests have been done on GMO safety - and we've seen no scientific evidence that GMOs are inherently more dangerous than crops produced by traditional plant breeding.

We are constantly trying to cope with what our fathers or our grandfathers did. I wrote the book 'Great War of Civilization,' and my father was a solider in the First World War which produced the current Middle East - not that he had much to do with that - but he fought in what he believed was the Great War for Civilization.

Imagine if I'd said, 'I have to be the best actress - I want that and nothing else.' I never would have directed. I never would have produced. I never would have done a beauty line. I would have just worried about getting a job or been frustrated that I wasn't getting the job that I wanted. I was ready to be a businesswoman.

Mr. Trump's fiscal policies have produced more growth than Mr. Obama's because they were designed to incentivize businesses to invest, hire, and produce more here at home. The Obama 'stimulus,' by contrast, went for food stamps, unemployment benefits, ObamaCare subsidies, 'cash for clunkers' and failed green energy handouts.

Dickens was born in 1812 and died in 1870, having produced fifteen novels, many of which can confidently be called great, as well as having accomplished outstanding work in activities into which his insatiable need to expend his vast energies - to achieve, to prevail - carried him: journalism, editing, acting, social reform.

There is a profiteer when it comes to oil. 36 to 63 cents per gallon is swept off the top. And who profits from that? The government profits from it. And what does the government do with much of that money? It puts it into so-called 'alternative energy,' with so-called phony 'green jobs' that we're yet to see being produced.

Before the Second World War, I believed in the perfectability of social man; that a correct structure of society produced goodwill; and that, therefore, you could remove all social ills by a reorganisation of society. It is possible that I believe something of the same again; but after the war, I did not because I was unable to.

I'm one of those people who believes that part of the greatness of the United States is our private sector. It's what we do as private citizens for ourselves and our companies. And our economy is essentially the wonder of the world because, in fact, it's produced so much for us over the years. That's not government that does that.

When I was 28, I made this film called 'Drinking Buddies' that I starred in and produced, and we improvised the entire thing, and it was a complete exercise in freedom of expression in making something for only the purpose of making it, not for recognition or money or anything else, and it's still my favorite thing I've ever done.

In treating of the oak, I have considered that the species of it growing in warm climates is superior to that which is produced in cold countries. But we must not imagine this to be the case with all woods; on the contrary, the fir timber grown in cold countries is superior to that produced in warm ones, where its growth is rapid.

Glyphosate is only one of more than 80,000 registered commercially produced chemicals in the U.S. Some of these compounds, such as PFOA and the one I made my name investigating, hexavalent chromium, have also been convincingly linked to health crises - testicular cancer in the case of PFOA and lung cancer in the case of chromium-6.

I've done two motorcycle pictures: I did 'Beyond The Law,' and I did one produced by Tarantino called 'Hell Ride,' with Dennis Hopper and David Carradine and Vinnie Jones. And I just think 'Hell Ride' was a lot more of what a biker movie should be. But the good part of 'Beyond The Law' was that I had a good time with Charlie Sheen.

'Rosemary's Baby' is still one of my favorite movies of all time. The idea of her being impregnated with the devil is just so frightening. I'm actually going to work on a movie in February, called 'Mercy,' from Jason Blum, who produced the 'Paranormal Activity' movies, and there is a similar theme to 'Rosemary's Baby' in the movie.

Fracture of the patella may be produced by muscular action or by direct violence. When produced by muscular action, it occurs thus: a person in danger of falling forwards attempts to recover himself by throwing the body backwards, and the violent action of the quadriceps extensor upon the patella snaps the bone transversely across.

The health of the planet is at stake, because the cruelty and the waste that accompanies the slaughter of billions of animals each year literally infects us all. We could consume healthy plant-based food produced at almost infinitely less cost. What does that say, really, about us and what we're doing... to animals and to ourselves?

We act as if that being of a man or that being of a woman is actually an internal reality or something that is simply true about us, a fact about us, but actually it's a phenomenon that is being produced all the time and reproduced all the time, so to say gender is performative is to say that nobody really is a gender from the start.

I was given the opportunity to write the kind of book that I wanted to write, rather than one that catalogues where I sang and what I sang and what I wore. I wanted to write a book about an American family, the family that has produced me. The longer I live, the more I realise the incredible support and love we were given as children.

I'd done table reads for my own screenplays, and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater, where you get to see plays produced by different directors and different casts, but there's really nothing like that for movie scripts.

I'm not sure how writers and artists of other graphic novels join forces, but this is how the process worked for me: First, I produced my final script. Then, Mark Siegel, my editor at First Second, assembled information about 10 or 12 different artists and had me look through their portfolios to see what kind of styles appealed to me.

Every day, I absorb countless data bits through emails, phone calls, and articles; process the data; and transmit back new bits through more emails, phone calls, and articles. I don't really know where I fit into the great scheme of things and how my bits of data connect with the bits produced by billions of other humans and computers.

Both TV and movies seem to be produced in a more similar way as time goes on. It used to be that movies were much bigger productions on every level and took much longer to shoot. I liked that. But with the advent of digital, everything can be done much quicker and cheaper, and that seems to be the goal of most movies and TV these days.

For 50 years, nuclear power stations have produced three products which only a lunatic could want: bomb-explosive plutonium, lethal radioactive waste and electricity so dear it has to be heavily subsidised. They leave to future generations the task, and most of the cost, of making safe sites that have been polluted half-way to eternity.

If I had done some of the movies that I was offered as an actor - and very good movies, by the way, and some of them big moneymakers - I don't know that I ever would have taken what was the concentration or the time to do the movies that I produced. 'Reds' is a good example, but 'Shampoo' is also an example, and so was 'Heaven Can Wait.'

To expose the hardships experienced by children who are deprived of the right to attend school, Camfed has produced a series of films about educational exclusion. 'Every Child Belongs in School' provides a glimpse into the lives of children who have been forced by poverty to leave school at a very young age and take a difficult life path.

The contracts for Iraqi rebuilding are commercial contracts. I think being in the coalition of the willing puts us in the radar screen, but we also have to compete with other countries that are in the coalition of the willing, but the Philippines is a country that has produced world-class skilled workers that we have seen all over the world.

There's the way modern music is produced, which is, 'Here's a piece of music, and I'm the producer, so pay me and make sure my credit is right and get me my splits.' But I'm trying to go backward. Now, it's more like 'What's the texture? What's the over-arching story?' There are more things to pay attention to than 'Is this the right snare?'

A whole generation of veteran composers has never taken a stand or provided an example and has produced in the music academies generations of docile workers for the music industry. What can you expect from downtrodden workers who see music as a type of profession, like stenography, and not an act of creation that by its nature is subversive?

Like its agriculture, Africa's markets are highly under-capitalized and inefficient. We know from our work around the continent that transaction costs of reaching the market, and the risks of transacting in rural, agriculture markets, are extremely high. In fact, only one third of agricultural output produced in Africa even reaches the market.

No one cares about your ideas. They're not going to come knocking on your door looking for ideas. They're going to want some concrete evidence that you have the potential to serve them or give them value for money. So that's my advice: write your spec scripts, no matter what. They're essential as a calling card, even if they don't get produced.

I'm an aesthetic empiricist. If you like something, it doesn't matter who made it. There really is no objective standard other than your own taste. You develop your own tastes, you find things that do or do not fit your tastes, and therefore are or are not 'good.' Whether they have been labeled as produced by the right person is another matter.

I was in Calcutta and my parents had an offer for me to feature in Falguni Pathak's music video, produced by Universal Music. I was in Class 9 then, and pleaded to decline the offer because I was too shy. My parents explained that it was a once-in-a-lifetime opportunity. I was in tears because I was too shy and conscious in front of the camera.

We tend to think of philosophies as produced by professional philosophers. Traditionally, this has meant people who have written dissertations on obscure subjects or who spend most of their day in libraries. But every human is, in an important sense, a carrier of an implicit philosophy - evident in their choices, pronouncements and commitments.

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