Quotes of All Topics . Occasions . Authors
The letters TSS that I once read in the fine print buried on the bottom of tampon boxes soon came to define me. TSS - Toxic Shock Syndrome: a potentially fatal complication of certain types of bacterial infections.
I will say this: I know no wise person who doesn't read a lot. I suspect that you can read on the computer now and get a lot of benefit out of it, but I doubt that it'll work as well as reading print worked for me.
People aren't really looking at the result when taking a picture on an iPhone. And they don't print it. So to me, it's almost not a photograph. It's like looking in the mirror. It's a tool I don't relate to at all.
I have that huge print from Pollock by the piano because the influence is reciprocal. He was into hearing music while he created, and I sometimes do the opposite. I'm influenced by everything from an ant to a dream.
Seeing yourself in print is such an amazing concept: you can get so much attention without having to actually show up somewhere... You don't have to dress up, for instance, and you can't hear them boo you right away.
I looked at one little print for a long time. It was called 'The Landing.' It showed men tugging on a rope, pulling a boat up onto skids out of the water. The thought occurred to me that I might paint such a picture.
I put on such a good show, the story is outrageous, and people don't want to hear that I'm basically a reasonable human being. As long as it continues to get me print, I'll continue to perform in an exuberant manner.
We had seen the way the print industry had been disrupted; we'd seen how the audio industry got disrupted, so it just seemed like a natural progression that video was next. We thought we were late to the game in 2003.
The rumors of Frank Sinatra's violence and his ties to organized crime were such that journalists joked in print about me ending up in concrete boots and sleeping with the fishes if I proceeded to write his biography.
When I found the book was condemned as soon as the book was printed, or rather as soon as it was set up ready to print, I held it in plates for a year nearly, waiting to see what would come out of all this discussion.
If I read the small print, and I see that what I love to taste has pantonaponamene or fake smeinlioaimine, then I have to hide in my room when I eat it. I'm still gonna eat it, it's just gonna be 'Don't come in here!'
As a print journalist, if you hear a rumour you try to stand it up and if you can't, the story dies. With a blog you can throw the rumour out there and ask for help. You can say: 'We don't know if this is true or not.'
In 1986 we were trying to help women get in print, stay in print, and come to the attention of booksellers and libraries. At that time, books by men mystery writers were reviewed seven times as often as books by women.
When I work with countries struggling to pay for budgets or finance trade deficits, I reflect on how Americans do not spend a moment considering the unique advantages of being able to issue bonds and print money freely.
In terms of digital photography, I continue to print and use film for the most part. I still shoot with film, 21/4 film specifically, and I love it. I love it because I know what it does, how it really responds to light.
I saw the Kino print of 'The Man From Beyond,' but apparently a superior new print has been produced by Restored Serials. Maybe a few snippets of missing footage will close up some of the plot holes, but I have my doubts.
A lot of the questions raised about television's power and influence on events have applied throughout history to every mass-communications medium - most particularly print, because that's the medium we've had the longest.
I have always loved westerns... supernatural westerns in particular. One of my first professional short story sales was a horror/western story. It wasn't so great, though, so I'm glad the magazine folded before it saw print.
Reporters no longer ask for verification, thus they print charges no matter how outlandish they may seem, and once having done that, when the truth comes out, it's buried in the back page or never makes it on the air at all.
I think there are things that digital can't do as well as print thus far. Even an iPad is only 80% the size of a standard comics page, so the images are going to be smaller. You don't get your big, whopping two-page spreads.
'The Danish Girl' was published in 2000. Then it, too, would disappear, as most books do. It fell out of print almost everywhere. I wrote other books and, as an editor, worked on dozens more. Yet always, Lili stayed with me.
There's an obvious marketing component to doing something digitally where you're reaching out to new readers that you can't do in the existing print marketplace, or that it's difficult to do in the existing print marketplace.
When I first started submitting my work professionally - and we're talking years and years ago - I had no patience for editorial response times. I hated waiting to hear back from people, hated waiting to see my work in print.
New York is the place where they bind books and write blurbs and arrange the publicity and print the galleys... But Chicago is the place where the book is lived out before it is bound and the song is sung before it is recorded.
I think there's always satisfaction that comes from digging in and telling a story and being on the front line and writing about it. I think there's a venue available if you look. Even print journalism is in good shape in areas.
When I was in Congress, I worked with Joe Kennedy to rename the Justice Department for Bobby, and when I retired, Teddy Kennedy sent me this Roy Lichtenstein print of his brother, inscribed: 'Bobby would have been proud of you.'
Without always meaning to, I write really long short stories, 60-pagers, 90-pagers, pieces of fiction that are too long for all but the bravest magazines to print, and too short for all but the bravest book publishers to publish.
We were working with this lousy print and it just wasn't going to be good enough. I said that we should get the original negative and do it from that. Well, a couple guys pointed out that the negative was locked up over at Deluxe.
Of the modern critics, although I disagree with almost everything she says, I admire Mary McCarthy's eloquence and social observation in 'Sights and Spectacles'; she thinks in print, but she doesn't have a real feel for the stage.
There is the intent of the writer and the interpretation by the artist. What the writer intended and what the artist interprets is not a 1-to-1 translation. It's a crossing of ideas that generates the stories that you see in print.
This first print run of the first edition of my first novel, 'When The Lion Feeds.' back in 1964, is so rare it can fetch several thousand pounds at auction. I always wanted to be an author, and I decided to write about what I knew.
What the Web has never figured out is how to pay for reporting, which, with the collapse of print newspapers, is in desperately short supply, and without which even the most prolific commenters will someday run out of things to say.
Bond investors want growth much like equity investors, and to the extent that too much austerity leads to recession or stagnation then credit spreads widen out - even if a country can print its own currency and write its own cheques.
You just have to find a lawyer that won't let you sign certain things - and I mean the fine print, because I was gone from Phil Spector and signed with Gamble and Huff in Philadelphia, and Phil bought my record contract back from them.
Before the Internet, we were in a different sort of dark age. We had to wait to hear news on TV at night or in print the next day. We had to go to record stores to find new music. Cocktail party debates couldn't be settled on the spot.
I hope that not only my documentaries, but everybody's documentaries, last. It will really confuse historians in the next century, because they'll have, in addition to all the print material, they'll have all these pictures to look at.
Wearing a bold print gets harder as you get older. It's safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.
In the Einstein way, I can't believe in a universe that doesn't have some sort of prime mover, identical with all of created nature. I have a whole lot of a harder time with supposing the fine print of the Torah was a direct revelation.
In my mind's eye, I visualize how a particular... sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.
Families rely on financial services more than ever, but those who need them most - who struggle to make ends meet - too often must contend with sky-high interest rates and tricks and traps buried in the fine print of their loan products.
There are some things the general public does not need to know and shouldn't. I believe democracy flourishes when the government can take legitimate steps to keep its secrets, and when the press can decide whether to print what it knows.
For example, I spent a lot of time with Reagan, both before he ran for governor and when he was running for president. As a print reporter without the cameras, I was able to really test the quality of their minds and their knowledge base.
By the time I got to the hospital, I certainly realised that I had a problem because I couldn't write or print at that time, which lasted luckily only about four months. I'd gone numb here and on my tongue and the right foot a little bit.
To own the dominant, or only, newspaper in a mid-sized American city was, for many decades, a kind of license to print money. In the Internet age, however, no one has figured out how to rescue the newspaper in the United States or abroad.
When you print money, the money does not flow evenly into the economic system. It stays essentially in the financial service industry and among people that have access to these funds, mostly well-to-do people. It does not go to the worker.
The days of print media are numbered. Some papers will be around for a few years, but everyone knows news is going online. Then you have to ask, who pays for it? How do you deliver it? Is there any money for proper investigative reporting?
Is it better to go indie and make bigger profits on each book, or stick with a print publisher's 6%-10% royalties? Since I never could figure out what I wanted to do when I grew up, I'm hedging my bets and working both sides of the street.
People often think that reporters write their own headlines. In fact, they almost never do. The people who do write headlines are the copy editors who are the front and last lines of quality-checking in a newspaper before it goes to print.
You already feel unsure of yourself, and then you see your worst fears in print. It really knocked me - which is why, I think, I was working, working, working, because I was trying to run away from the fact that I thought I couldn't do it.
Self-publishing worked for me. Being able to put your work in print, even if it's a tiny print-on-demand print run of a dozen or so copies, shows publishers and editors a completed piece of work and that you can follow through on a project.