Pretend Quotes - Page 18

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You can't pretend to be witty because wit is dry, subtle, lacerating, cynical, elitist, and risque - all impossible to fake. Humor, on the other hand, is broad, soothing, positive, inclusive, and smutty - to make sure everybody gets it. Pretending to be humorous is easy, and a great many people are doing it.

I didn't want to be short. I've tried to pretend that being a short guy didn't matter. I tried to make up for being short by affecting a strut, by adopting the voice of a much bigger man, by spending more money than I made, by tipping double or triple at bars and restaurants, by dating tall, beautiful women.

The question I ask myself is: have I really just become a squeamish middle-aged man, or has something happened to the horror genre that shows a growing appetite for watching torture, or at least a desire to explore it on film? And if so, why would that be? I can't pretend I know. I just know I don't like it.

After a few drinks, my mom would recite her lines as Portia in 'The Merchant of Venice' from her high school play. But I first discovered Shakespeare properly when I was about five. I used to look for the most complicated books I could find and pretend to be reading them. I wanted people to think I was smart.

The real issue that I have is the erasure people are trying to do with my very valid feelings in regard to how plus-size and fat people are treated in fashion. The way that people just kind of overlook us and pretend that, you know, we don't have style, that we aren't trendy or fashionable. It's dehumanizing.

Movies are this thing that came into my life, and it still feels pretend in some way. I kind of do this thing, and I never really accepted this idea that I'm a film actor. That's what I do. I feel like I'm a theater actor that started doing films. Most people have never seen me in a play. They're fun, though.

Behind my door at home, that's when I'm relaxed, and that's when I can allow the emotions or whatever - to feel just what I want to feel - so a lot of people don't know me in that respect. I need a bit of space, a bit of a place to come home to and not have to pretend or perform anymore, where I'm just myself.

I remember playing with some friends and being aware that I was acting as I was playing with them - I would think of a character and pretend to be someone else. My parents also took me to ballet school, and there I think I was able to start communicating those feelings or emotions - I danced for so many years.

Honestly, in the music business, it's all about being cool or being the newest thing or being the 'It' person, and I've tried really hard to be what is expected of me or what would be advantageous to my career, and I just reached the point where I said, 'No, I'm an emotional loser. I can't pretend to not care.'

While you're going through this process of trying to find the satisfaction in your work, pretend you feel satisfied. Tell yourself you had a good day. Walk through the corridors with a smile rather than a scowl. Your positive energy will radiate. If you act like you're having fun, you'll find you are having fun.

For people who are afraid to talk about cancer, for people who are afraid to communicate with their loved ones about it, and for the people who want to pretend cancer doesn't exist, either delaying diagnosis or not getting regular checkups, the consequences can be fatal. Doing nothing about cancer will kill you.

Short of finding a place on the witness protection programme, you don't get many opportunities to completely reinvent your life. Going to university changes that. Away from home, away from parents, away from anyone who remembers you from school, you can pretend to be far cooler and more experienced than you are.

I was on my way to law school when a friend of mine at an extras agency said, 'Do you want to come to this movie set and get paid $100 bucks a day to pretend you're at a party?' And I was like, 'Yeah, summer holiday, let's do it.' So I went, and on lunch, the writer asked me to audition for a role, and I got it.

I always like to pretend two things: one, I'm sitting in the seat beside you watching the game together. I'll say, 'Wasn't that a great shot? Boy, it sure was.' The other thing I do is pretend I'm talking to people who are non-sighted. I try to create a word picture. I get more mail from blind people thanking me.

When I played Robert Howard in 'The Whole Wide World', I was struggling with it. There's this dual thing where you feel real good about being able to play this juicy part, and then there's constant shame: 'Who am I to pretend to know who this guy was? Who am I to represent this guy for people who never knew him?'

Everything about 'Adventure Time' is the purest form of kid's play. A kid does not live in the Land of Ooo. That is one of the wonderful things about the show; it doesn't pretend to be real. That was the great thing about 'Pee Wee's Playhouse'; it existed in a world completely outside any reality a kid recognized.

I believe that mothers should tell the truth, even - no, especially - when the truth is difficult. It's always easier, and in the short term can even feel right, to pretend everything is okay, and to encourage your children to do the same. But concealment leads to shame, and of all hurts shame is the most painful.

It is only from the people I've had the good fortune to meet that I am learning the lessons to guide me. Baz Luhrmann, director of 'Moulin Rouge,' for example, has a childlike curiosity about the world. He doesn't pretend to know all the answers - quite the opposite, in fact. He asks loads of questions of everyone.

If you want your rock stars that are completely 100 percent serious about themselves and you want them to pretend like they're 25, I'm probably not the guy for that. But if you want to come and say, 'Hey, you know that guy right there, he's just being himself. I kind of like him for that,' you know, then that's me.

The issue of migration has played a key role in all of our member states, wherever we are. Only we, as a European Union, can convince our citizens that we do have an answer to this - not deny migration, not pretend you can solve it by building fences and walls, not pretending we can solve it by letting everybody in.

Men are born privileged in the scale of things - I'm generalizing, but it's true. Women have to define themselves in the eyes of men. They have to fight for their rights, especially in a society that will pretend that there is no fight or no battle, that it's a cliche, that feminists are reactionary, all these things.

Every Valentine's Day, I pretend I don't care. Like many of us, I say I don't want the flowers or chocolates or a homemade card. How cheesy. I pretend that it's over-the-top to want the person you like to make you a ridiculously nice dinner, or do some showy gesture, ala John Cusack with the boombox in 'Say Anything.'

When you act, you're being asked to pretend in a very rigid, controlled environment. It's very un-childlike. So a lot of times, when you put kids in that situation, you hope they have a better support system outside of what they're doing to bring them back to reality at the end of the day and to keep them well-rounded.

For most of my life I've liked to pretend I live in a starship. Punching in fake codes to get into doorways that obviously are not secure. I love that idea of living on a spaceship. Because essentially we are: a gigantic thing floating in some infinite darkness that's running on principles that we don't even understand.

I've gone through many phases in music in my life. Before I was signed, I was making completely different music, and my fan base has followed me. They continue to follow me as the music progresses and as I grow as an artist. As long as I stay true and don't pretend to be someone I'm not, I hope they'll come along with it.

When I get on stage, Beyonce is my alter ego. The way that she's Beyonce in real life and then Sasha Fierce on stage, I'm Normani in real life, and then I pretend to be Beyonce on stage. I just love that she's constantly reinventing herself but stays true to who she is as a person - and she wears so many hats in her life.

I live for my work, apart from my family who come first. And I live to tell stories and pretend to be other people, it's something I've been doing since I was 3 years old. Maybe it's because I'm intrinsically bored with myself, and I find other people more interesting. The more different they are, the bigger the challenge.

I was always the poor kid, even though I very much tried to pretend to be the other way. Always well presented. Always really active in the school, doing fashion shows, plays, involved in every single aspect of the school. Overcompensating, I think, for the fact that I knew I wouldn't be going on the ski trip every January.

I always used to pretend to be different characters - cowboys, that sort of thing. I used to think that the Indians lived over the mountains that I could see out of my bedroom. As I grew up, I started to understand that acting was actually a craft, and there was no question about it, that was exactly what I was going to do.

Like many kids, I used to pretend all sorts of things. I would climb into a tree and imagine that I was on an island, that the grass below we was an ocean, that the leaves were the fins of sharks. Perhaps unlike many people, I never really stopped. I still have a childlike predisposition to fantasise and share my fantasies.

Even the very youngest children already are perfectly able to discriminate between the imaginary and the real, whether in books or movies or in their own pretend play. Children with the most elaborate and beloved imaginary friends will gently remind overenthusiastic adults that these companions are, after all, just pretend.

I have always been good at auditioning, but maybe because I had a good trick at the beginning. I would pretend that my agent gave me the wrong scene or lines. They would take pity on me and hand me the right scene. I would act like I had never seen this before - and then do pretty well considering I had already rehearsed it.

I think it's important for us to have a rule that if a system is really an AI bot, it ought to be labeled as such. 'AI inside.' It shouldn't pretend to be a person. It's bad enough to have a person calling you and harassing you, or emailing you. What if they're bots? An army of bots constantly haranguing you - that's terrible.

When I auditioned for Tim Robbins for 'Cradle Will Rock,' the young girl who read with me was very young, and I said to Tim, 'I'm sorry, but I don't have enough imagination to pretend this girl is my husband!' And he said, 'Well, I'll read it with you.' Which was very nice; he was the director. And I ended up getting the part.

Here's the acid test for appropriateness: Pretend that someone near and dear to you is witnessing what you are writing or sending, or knows what you are thinking about sending. If, say, your partner saw this behavior, how would he or she feel? That you are asking yourself this question could mean that you shouldn't be doing it!

There's only one band that could ever even pretend to assume the mantle of what the Beatles did, who have been so pre-eminent and world-dominating that they could effect a paradigm shift in the culture, who have been willing to leverage their success into musical change, and that is U2 - regardless of what the result of that is.

My friends make me laugh: funny Instagram videos, but mostly people falling over. It's so bad, but it never gets old. I just love how people cover up their falls. The whole experience of 'Oh, I just fell, and I'm going to run out of the fall and pretend I did this on purpose.' I just like to see how people cover up their mishaps.

We're so willing to dehumanize entire populations in order for us to conveniently go along with our lives. We know exactly one North Korean, for example. The rest of them, we don't know - but it makes it very easy to bomb North Korea if we pretend they're all one person. Literature makes it harder to dehumanize people in this way.

Indeed, the hype around 'Watchmen' is its curse. If you want to enjoy the comic for what it is, ignore the attributions of literariness and the novelistic pretensions with which some critics have imbued it. This isn't high culture, and it doesn't pretend to be. It's good, juicy pulp fiction with a little nuclear apocalypse thrown in.

That's what Letterman did. He mocked everything and everyone in show business, even though he was at the top of show business. He was in it but not really of it, and that's one thing I came to love about him. I mean, you can't sit there and interview Cher and pretend you're not in show business, but he managed to pull it off somehow.

There have been times when I've been asked to do things and I've thought, 'This is great! This is a great script. But, I do not believe myself in this role.' I pretend I'm the producer and I think, 'If I was making this movie, would I cast myself in this part,' and if that doesn't feel right to me, then I don't even go audition for it.

If you're playing your character and you're running into all these people who know who you are and treat you in a way that doesn't pertain at all to the character, it takes you out of it more, so when you're alone in a city where people don't know you, you can kind of pretend even more and get into the head space of where you need to be.

I was chubby in high school. I used to go to my information technology class, and I would type really fast to get the lesson done quick because the teacher had a little acoustic guitar, and there was a girl I had a crush on in the class. I would take the guitar and pretend to be some great singer-songwriter, serenade her with joke songs.

I always tell myself that when you're playing a character, pretend they're on trial and you're giving the best witness of their life. You really need to think about every element of the character and represent them properly, as if they were a real person. You want to give 100 percent of what they're worth and what they deserve as people.

When I first have an idea, I'll spit-ball it with my husband: he's my beautiful ideas sounding board. I usually have a year deadline from start to finish, so I'll piss about for three months and pretend to get started. Then there's four to six months of actual writing and, after that, submissions, edits, and eventually a finished product.

Novelists who pretend to understand what keeps them scribbling are really just guessing. A profound, unmet childish need to be acknowledged? Maybe. It hardly matters, though. The termite that asks itself why it keeps chewing risks becoming sluggish and inefficient, as does the writer who grows self-conscious in the middle of chapter five.

Being on 'The Vampire Diaries' feels almost like a game you play when you're a kid. When I was a kid, I used to have to take the garbage out at night on Wednesdays. I lived out in the country. I'd take the garbage out, and I used to pretend that I was the only person in the whole world, except for one other person, and he was looking for me.

I like to act. I guess letting what you love be what you do is key. I've worked very hard for that to be the case, probably because I'm very lazy and I only want to do things that are fun and I run away from anything that feels like work... Acting for me is like lunch at school... you're just in a playground where you get to pretend and play.

I think there's the apparent lack of subtlety and sort of make-believe anti-sensibility connected with American art. I think this is a style, and it does relate to our culture, and I think it would be anachronistic maybe to pretend to be involved with subtle changes and modulations and things like that, because it's really not part of America.

I've talked about tall poppy syndrome when I see people. I used to be like, 'Why am I feeling this way? What is that person taking from me that makes me feel inadequate?' That same feeling you feel when you feel uncomfortable because people start talking about racism, lean into that feeling, don't just look away from it, because you can't pretend.

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