Quotes of All Topics . Occasions . Authors
I've listened to music all my life. I've always felt that music tells more stories sometimes than films, with more possibilities. Every time you listen to them, songs bring different images and moods - depending on where you are in your life, you can listen to a song, and it means something different.
We live in a world where sports have the potential to bridge the gap between racism, sexism and discrimination. The 2012 Olympic Games was a great start but hopefully what these games taught us is that if women are given an opportunity on an equal playing field the possibilities for women are endless.
I usually work in a direction until I know how to do it, then I stop. At the time that I am bored or understand - I use those words interchangeably - another appetite has formed. A lot of people try to think up ideas. I'm not one. I'd rather accept the irresistible possibilities of what I can't ignore.
I don't choose to make low-budget films. But that is the reality of surviving in the Japanese film industry. However, the trade off is, since we're working on small budgets, we have freedom. You can't buy this freedom with money. With this freedom, I think there are an infinite number of possibilities.
I pretty quickly move from an idea to possibilities for execution. If there's one advantage, I think, with working in television for even a short amount of time is trying to gain a faculty for processing a storyline or an idea and how to then best implement that and execute that as swiftly as possible.
The aggregate of everybody's emotion, it's such a powerful thing. You can see it in the Trump rallies, where people - I just know, in their living rooms, would be better people - are driven to the worst possibilities by the bloodlust in a crowd. It just gets ginned up, and they're outside of themselves.
Rap has so many possibilities that need to be explored. There are different factions of rap, but some are in a rut. Rap doesn't have to be about boosting egos and grabbing your crotch and dissing women. There's a way to make political and social issues interesting and entertaining to the young rap audience.
But I think it's more that when you're young, you're invincible, you're immortal - or at least you think you are. The possibilities are limitless, you're inventing the future. Then you get older and suddenly you have a history. It's fixed. You can't change anything. I find that a bit disturbing, to be honest.
Adventure has to do with private, personal experiences. But, the possibilities, there are millions of unclimbed mountains - I have seen in the Eastern part of Tibet, mountains 6,000-6,500 meters high, vertical walls twice as tall as the Eiger... but nobody is going there, because they aren't 8,000-meter peaks.
'Your Name' is a film created with the innate imaginations of a Japanese team and put together in a domestic medium. When such a work is imbued with Hollywood filmmaking, we may see new possibilities that we had been completely unaware of - I am looking forward to the live-action film with excited anticipation.
The use of chance operations opened out my way of working. The body tends to be habitual. The use of chance allowed us to find new ways to move and to put movements together that would not otherwise have been available to us. It revealed possibilities that were always there except that my mind hadn't seen them.
The traditional Hollywood system is pretty rigid, but the film scene in, say, South Africa is booming with a lot of possibilities. If you have the cameras and reasonable capital, you can put your film in theatres next to 'Guardians of the Galaxy.' A great example of that was Kagiso Lediga's film 'Blitz Patrole.'
Technology has changed the fan/actor interaction quite a bit. Now it's really easy to communicate with a large group of people in a really short time, and that... opens a lot of possibilities. You can do a lot of things with it that you couldn't do before. It's kind of fun to figure out how that can be employed.
I've got dreams now of reinventing 'Hellraiser' and just getting my head on anything I can get my hands on that maybe I would love. 'Cause the possibilities are endless: I can make my own movies; I can make other people's movies. But if someone had a 'Hellraiser' script and had funding, and I loved it, let's go.
I think about a young person who is sitting at home, 13 or 14, a person of color, possibly questioning their sexuality, and watching Dr. Hugh Culber and saying, 'I'm a part of an ideal future that we could work towards.' We're planting seeds in the minds of young people to say, 'Your possibilities are limitless.'
I have a very unsatisfactory and incomplete knowledge of Brooklyn and cannot discuss specifically either what you can do here or what possibilities the city shows in an artistic way. I am not a foreigner but coming here as I do after a long stay abroad, I think things here strike me much as they strike a foreigner.
I've always loved the power of stories to transport me to another world, to imagine extraordinary possibilities, to experience things I may not have access to in my regular life - like being a superhero! Also, I would always put on shows for my family and the neighbors; I guess I was an actor before I even knew it.
Look at baseball, with its defensive shifts - outfielders looking at cards on the field much like a quarterback would. It's possible that someday defensive backs will be playing with similar cards based on where receivers are lined up and what those receivers' route-running strengths are. The possibilities are endless.
It is pure mythology that women cannot perform as well as men in science, engineering and mathematics. In my experience, the opposite is true: Women are often more adept and patient at untangling complex problems, multitasking, seeing the possibilities in new solutions and winning team support for collaborative action.
If something comes that it is so extreme that you have difficulty thinking of it as a good thing, don't think of it as a good thing and kid yourself. To the extent that you can, don't label it a bad thing. Refusing to label something a bad thing opens you up to possibilities you would not have even considered otherwise.
Design is important. I spend much of my working life as a designer. But how can you design for materials if you don't know what they can do? The feel of them, the possibilities, the capabilities? These are things you learn only by working with materials all the time. Frankly, a university degree is not much help in that.
I always like to believe that my work is about the expansion of the possibilities of the viewer. So if you have a sense of a heightened situation where there's an excitement, a physical excitement and an intellectual stimulation, there's just this sense of expansion. Because that's where the art happens. Inside the viewer.
I spent two years figuring out how I could turn it into something that would satisfy me as a musician but also make some kind of cross-cultural link. I feel that I kind of at least touched on the possibilities of cross-cultural music, but it is a lifetime's work, and I don't profess to be anything other than a novice at it.
Success gives you a platform for further success - suddenly everybody wants to work with you, and your opportunities and possibilities open up. But at the same time, success is also immensely challenging - it ultimately often creates pride, stubbornness, and sloppiness that beget failure, taking down people and organizations.
Like many other scientists who hold the Catholic faith, I see the Creator's plan and purpose fulfilled in our universe. I see a planet bursting with evolutionary possibilities, a continuing creation in which the Divine providence is manifest in every living thing. I see a science that tells us there is indeed a design to life.
In my teaching, I try to expose my students to the widest range of aesthetic possibilities, so I'll offer them stories from Anton Chekhov to Denis Johnson, from Flannery O'Connor to A.M. Homes, and perhaps investigating all that strange variation of beauty has rubbed off on me. Or perhaps that's why I enjoy teaching literature.
There are certain artworks that I respond to, artists that I respond to. It's an intellectual reaction but it's also a biological reaction. And the excitement that the work can generate - how it makes you feel about not only your intellectual possibilities but your physical possibilities in this world. How it feels to be alive!
Classical - perhaps I should say 'orchestral' - music is so digital, so cut up, rhythmically, pitchwise and in terms of the roles of the musicians. It's all in little boxes. The reason you get child prodigies in chess, arithmetic, and classical composition is that they are all worlds of discontinuous, parceled-up possibilities.
The fundamental aspect of video is not the image, even though you can stand in amazement at what can be done electronically, how images can be manipulated and the really extraordinary creative possibilities. For me the essential basis of video is the movement - something that exists at the moment and changes in the next moment.
My grandmother bought me a set of Encyclopedia Britannica's when I was little, and I remember sitting on the floor reading through these just dreaming of all the possibilities. My mind would always go toward me becoming a nurse or a teacher because, even back then, I knew I wanted to do my part to make the world a richer place.
Michael Jackson fundamentally altered the terms of the debate about African American music. Remember, he was a chocolate, cherubic-faced genius with an African American halo. He had an Afro halo. He was a kid who was capable of embodying all of the high possibilities and the deep griefs that besieged the African American psyche.
I think the plasticity of the novel is its greatest challenge. There are no rules; there is no necessary form. You can know what you want it to be, or do, and still not know how to write it. There are endless possibilities, infinite choices. What voice should it be in? What events to start with? What characters will be part of it?
The same products, services or technologies can fail or succeed depending on the business model you choose. Exploring the possibilities is critical to finding a successful business model. Settling on first ideas risks the possibility of missing potential that can only be discovered by prototyping and testing different alternatives.
Oh God, it's such a big world right now for artists. There are as many possibilities as you can have time for, getting your music out there with the internet, and Youtube, Vimeo, Facebook, and everything that you have, there is a way to spread the word. To me, the first thing you have to have is substance and content and real depth.
If it's possible, 2018 was a year in which it felt like everything was changing, and also like nothing was. While we set our global expectations for the next one, teeming with significant political, social and economic volatility, we're also considering more local possibilities - changes within our own communities, homes and bodies.
Communications technology changes possibilities for communication, but that doesn't mean it changes the inherited structure of the brain. So you may think that you're addicted to online reading, but as soon as it isn't available anymore, your brain will pretty immediately adjust to other forms of reading. It's a habit like all habits.
I owe a debt of gratitude to two other living Justices. Sandra Day O'Connor and Ruth Bader Ginsburg paved the way for me and so many other women in my generation. Their pioneering lives have created boundless possibilities for women in the law. I thank them for their inspiration and also for the personal kindnesses they have shown me.
When I reached America, there was so much space and colour. The possibilities seemed endless. At least that's how I felt at 18. But of course, I didn't have to take the usual immigrant route of battling to find a job and a home in a strange country. I could play tennis. I spoke the language, and I was making money. It was easy, really.
Sci-Fi is the genre that explored both possibilities: the end of our existential crisis and the end of our existence. My novel, 'The 5th Wave,' explores the latter scenario, because, frankly, I believe it represents the likeliest outcome of an extraterrestrial encounter. In short, if they're out there, we better hope they never find us.
I feel today, with all the possibilities we have in our hands, all the new technology at our disposal, everything is becoming obvious. Nothing is surprising. You can see beautiful things on Instagram, but there is something that doesn't touch you deeply. Everything is normal, while there's nothing that grabs you and turns you upside down.
I learned a good deal about economics, and about America, from the author of the Reagan tax reforms - the great Jack Kemp. What gave Jack that incredible enthusiasm was his belief in the possibilities of free people, in the power of free enterprise and strong communities to overcome poverty and despair. We need that same optimism right now.
There was a time in my 40s where I thought, oh, it's all over - not just work, but I'm never going to feel young again, I'm always going to feel like I know what's going to happen, I'll know what to expect. Looking back I don't know if that was a midlife crisis, I don't know - but I don't feel that now. There's possibilities. It gets better.
The field of the novel is very rich. If you're a composer, you're well aware of the history of composition, and you are trying to make your music part of that history. You're not ahistorical. In the same way, I think, if you write now, you are writing in the historical context of what the novel has been and what possibilities it has revealed.
Because you've been exposed to Western tonal music, you know after a certain chord sequence what the next possibilities are. Your brain has compiled a statistical map of which ones are most likely and least likely. If the song keeps hitting the most likely notes, you'll get bored, and if it's always the least likely ones, you'll get irritated.
Science works because the phenomenon being described can be relied on to remain the same. Even in quantum physics, where phenomena are changed by observation, the way in which observation interferes is regular and falls within a limited range of possibilities. Human culture, however, has the nasty habit of never staying the same for very long.