Quotes of All Topics . Occasions . Authors
As a genre, the best horror poses central human questions - Who can you trust? What is the cost of our secrets? What is our relationship to history? What are we blind to? What evils are lurking under the smooth surface of the self? - through radical dislocations.
Also, what I like about it is that the villains in 'Narcos' are not just only the drug dealers, but it also poses the question of what part does the government have in the problem, and the corruption in it? I think it's a very important question to ask as a society.
Yoga is sort of like acting because it's something you don't really know about - how it happens, why it works. You just do the poses, and you get the benefits. I like sharing that. And I think I have a talent for touching people, getting them in tune with their bodies.
I didn't go Hollywood on the outside with flashy cars, upstairs maids and mink-covered bathroom fixtures. I went Hollywood on the inside, and that's worst of all. I tried to avoid being natural. I lowered my voice. I copied the mannerisms of other stars. I struck poses.
Dealing with environmental lawsuits and grassroots resistance is expensive. Industrial wind and solar developers have to hire lawyers, public relations specialists, and scientists willing to testify that this or that project poses only a modest threat to endangered birds and bats.
So initially getting up on stage I was really nervous, I was like, 'wow, I'm going to be standing there and all these people are going to be looking at me?' But funnily enough it wasn't too traumatic. It felt quite natural because I felt I looked good and I knew how to do the poses.
Standing in front of our hallway mirror, I am practising a few poses - one leg artfully bent, the opposite shoulder up - when the man of the house strides in and decides to share: a) I look like I have dislocated my shoulder and b) Has anyone ever told me I strongly resemble Tom Cruise?
I think that when a film does its job, it poses questions rather than gives answers. It should act as a frustrating counselor who, at your bidding for advice, says, 'What do you think?' I think that's some of what the culture critic Greg Tate meant by art leaving a 'metaphysical stain.'
'In-between' is sort of - an animator does the key poses. He'll do extremes, you know, like a character reaching out for a glass of water and then another one of him drinking. And the in-betweener has to do all the drawings that goes between those two. You know it could be 12, 23 whatever in-betweens.
There's always new work to do. Adjusting to the rapid pace of technological change creates real challenges, seen most clearly in our polarized labor market and the threat that it poses to economic mobility. Rising to this challenge is not automatic. It's not costless. It's not easy. But it is feasible.
And I think the greatest danger that AI poses isn't so much these anthropomorphic beings who look like us and are beguiling are going to fool us. It's the fact that a intelligence without a body or corporeal form will fool us into trusting it with data, which we seem to think is... it has no repercussions.
I think that once people understand the great risks that climate change poses, they will naturally want to choose products and services that cause little or no emissions of greenhouse gases, which means 'low-carbon consumption.' This will apply across the board, including electricity, heating, transport and food.
Many observers believe that the greatest damage Russia has done to U.S. interests in recent years stems from the Kremlin's interference in the 2016 U.S. presidential race. Although there is no question that Moscow's meddling in American elections is deeply worrying, it is just one aspect of the threat Russia poses.
I like a lot of things about yoga - its an intro to good music; with each good teacher you study with, you learn a lot about them personally; it's not just about specific technique or poses. I also like Shavasana - not too many exercise routines let you nap at the end of them. You don't see nap pods in CrossFit gyms.
This is what rhyme does. In a couplet, the first rhyme is like a question to which the second rhyme is an answer. The first rhyme leaves something in the air, some unanswered business. In most quatrains, space is created between the rhyme that poses the question and the rhyme that gives the answer - it is like a pleasure deferred.
There's a misunderstanding that I've always tried to address straight on when this question comes up, which is that a 'Half-Life' story can somehow exist outside of a game. It can't. The story is created through the process of trying to figure out how to best use the features of the engine within the interesting set of constraints it poses.
One of my favorite poses was when working with Steven Meisel. It was one of my first photo shoots with him, and we were trying to get the cover of Italian 'Vogue.' Then, I literally took my Balenciaga hat, pulled it down, and gave a rolling-eye, 'ugh' face, crossed legs on the floor. And lo and behold, that was the cover of Italian 'Vogue.'
