Mehmet was the first sultan, and one of the first Muslims anywhere, to defy religious tradition by allowing his portrait to be made.

I like Jaco Pastorius' 'Portrait of Tracy.' He was this bass player who played jazz fusion. He was the dopest bass player who ever lived.

A true portrait should, today and a hundred years from today, the Testimony of how this person looked and what kind of human being he was.

'The Portrait of Dorian Grey' beautifully articulates how the altruistic part of ourselves clashes with our essentially narcissistic state.

I used to try to draw my girlfriends. I think one of the most romantic things that anybody can do is draw a portrait of the person you love.

If I had gone to art college and everybody was being a conceptual artist, I probably would have wanted to be a portrait or landscape painter.

I prefer black and white and portrait photography. I like old, you know, interesting faces, so I think black and white brings out the contrast.

We know evolution happened because innumerable bits of data from myriad fields of science conjoin to paint a rich portrait of life's pilgrimage.

On 'Underground,' we had used contemporary music to pull you into the present and not just look at it as a portrait on the wall and in the past.

I'm a portrait photographer that's used to shooting celebrities, and I usually need time and all kinds of lights and a studio to set up my shots.

Is it possible that the portrait of the divine Son of God is an exaggeration, at best, or a complete fabrication, at worst, of the original Jesus?

I love prints of skulls and bones and have some taxidermy - a crow and a rabbit - to remind me of home. I like art and have a big portrait of Bjork.

I have a Madonna portrait done in the style of a Russian icon. My mother, the chef Lidia Bastianich, and I bought it together. It reminds me of her.

Not only are Christians writing about Jesus, but also Communists, Jews, atheists and agnostics are taking up their pens to paint a portrait of Jesus.

I had been elected to the National Academy of Design in New York, and one of the requirements was that you give a portrait, a self-portrait of yourself.

My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be.

I would hardly call myself an artist in that sense; I doodle, I draw, I'm not a trained artist, I couldn't sit down and do an accurate portrait of anyone.

I've always had a healthy disregard for authority - it allows me to do my job as a portrait photographer and not as someone who is playing the power game.

The length of exposure (one minute in sunlight) is still too long for the portrait. It was fifteen minutes when I first began my work. Progress may continue.

The challenge for me has first been to see things as they are, whether a portrait, a city street, or a bouncing ball. In a word, I have tried to be objective.

When I was a teenager, I wanted to be a portrait painter. As I got to be older, I realized that as a portrait painter I wouldn't be able to support a goldfish.

Most elected officials don't want you to know about the world of political fundraising because they fear that it paints an unflattering portrait of public life.

I'm very particular who I work with. I'm not interested in portraying women with a cliched, generic look. I'm interested in a model who I can take a portrait of.

Even though I love my mother, I didn't want to make an idealized portrait of her. I'm fascinated more by her defects - they are funnier than her other qualities.

In a portrait, you have room to have a point of view and to be conceptual with a picture. The image may not be literally what's going on, but it's representative.

I had no portrait, now, but am small, like the wren; and my hair is bold, like the chestnut bur; and my eyes, like the sherry in the glass, that the guest leaves.

My mother was willing to support art as a summer program for me. She never supported it as a career decision until I won the National Gallery Portrait Competition.

I was a child prodigy. Like Michelangelo, who could draw a perfect circle at age five. I was extremely gifted. I could paint a perfect portrait of someone at age five.

The landscape is like being there with a powerful personality and I'm searching for just the right angles to make that portrait come across as meaningfully as possible.

What I find really interesting is, whenever you see the person who gives you the portrait of yourself, the portrait seems to be a combination of their face and your face.

I sometimes find the surface interesting. To say that the mark of a good portrait is whether you get them or get the soul - I don't think this is possible all of the time.

Traffic is about drugs. As detailed a portrait as I can muster about what is happening in the drug world, from top to bottom, from policy to how things move on the street.

I found it an interesting portrait of a marriage in exploring notions of how one partner supports the other, whilst not jeopardizing the greater good - which is the family.

Walking down the street with a portrait of the Dalai Lama will get one immediately arrested in most parts of China. Tiny medallions are routinely confiscated and destroyed.

The important thing is for the characters to feel real, and to be given the humanity they are due. That granting of humanity is what separates a full portrait from a stereotype.

'The Means' is about power. I have access to political insiders who helped me write a portrait of the real day-to-day in politics, which turned out to be crazier than Wall Street.

I try to do a lot of asymmetrical, triangular compositions - I find those work really well for comic book covers in that portrait mode, and I don't always see that in other artists.

There's a discipline. When you take someone's portrait, you don't have to take 50 photographs, just find that one so that when you release the shutter, that's the image that you took.

So, did I work with Warhol? I worked with him less on that play then I did on other things. He actually did a portrait of my rabbit and some other stuff. Warhol was definitely... Warhol.

I've jokingly painted some of my favorite collectors as black men, so there's a really great portrait of David LaChapelle, the photographer - my version of him - that's in his collection.

The artist who imagines that he puts his best into a portrait in order to produce something good, which will be a pleasure to the sitter and to himself, will have some bitter experiences.

I became a fashion designer by accident. I loved to make portrait drawings when I was a teenager, and from that came the interest in what people were wearing and why they were wearing it.

Kids would come up to me after concerts and give me drawings they've made of violins or, you know, landscapes with a violin floating in it or some sketch of a concert or a portrait of me.

Hillary Clinton is one of the most compelling figures in the world today... and Carl Bernstein's stunning portrait shows us, for the first time, the true trajectory of her life and career.

I struck upon this kind of crazy idea that I was going to go to New York and stop 10,000 people on the streets and take their portrait and create kind of a photographic census of the city.

I painted with my husband a portrait of a naked Serge Gainsbourg draped with a French flag, and it hangs in our bedroom. I love gritty and dark art like what the German couple Herakut does.

When I take a black-and-white portrait, it's not particularly meant to please you. It's meant to talk to you; it's meant to shame you. It's meant to scream out at you, and it has a message.

I got a portrait of Nipsey at my house, bro. I got to put a platinum plaque by that, and my brother is not here to share that with me. That's his first platinum single. We did that together.

Whenever I do someone's portrait, I'm trying to locate the photo in the lens while reaching into that person psychologically. There's the magic! I don't always achieve it. It's a hit or a miss!

A photographic portrait is a picture of someone who knows he is being photographed, and what he does with this knowledge is as much a part of the photograph as what he's wearing or how he looks.

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