Quotes of All Topics . Occasions . Authors
About 50 percent of the songs on the radio are like, 'Live like tomorrow doesn't exist. Like it's my birthday. Like it's the last day of my life'... Such a large percentage of pop music is really about party time.
I don't really have a favorite genre. I could listen to a rock song, a metal song, jazz, pop music, whatever. For me, whatever style it is, it always depends on the chord progression, the lyrics, and the melody used.
When you see a crowd of people jumping up and down at a pop concert, all gloriously in the moment, I don't think you'll ever see a comedian there. They'll all be standing at the sides, looking at how it all fits together.
On 'America's Top Model,' I've always told my girls to smile with their eyes. We call it 'smizing.' Over the years, it's actually become part of pop culture. I would be walking down the street, and girls would say, 'Smize!'
I know that a large part of my fan base is gay. They've shown me love from the start. I mean in this industry, everyone from my glam people to my dancers are gay. You can't be homophobic in this line of work - I'm a pop star!
Superheroes fill a gap in the pop culture psyche, similar to the role of Greek mythology. There isn't really anything else that does the job in modern terms. For me, Batman is the one that can most clearly be taken seriously.
The great music for so many artists - the Beatles, the Rolling Stones - was always at the moment when they were closest to pop. It would be easy for U2 to go off and have a concept album, but I want us to stay in the pop fray.
Roxy Music' and 'For Your Pleasure,' those exercises in learning and unlearning of accent and manners, are Pop's equivalent of 'The Talented Mr Ripley.' The clothes , the bearing and the voice are faked, but not yet perfectly.
I've always enjoyed feeling a connection to the avant-garde, such as Dada and surrealism and pop art. The only thing the artist can do is be honest with themselves and make the art they want to make. That's what I've always done.
I never set out to be a groundbreaking artist in the sense of doing something that's never been done before. I set out to make stuff that communicated quickly and effectively, playing off of advertising, pop art, and pop culture.
My personal style reflects my music. My music and how I dress is just how I express myself; it's just me. My music is urban pop, and my style of dressing is urban but still girly. I like that combination. The contrast is very nice.
We are like ignorant shepherds living on a site where great civilizations once flourished. The shepherds play with the fragments that pop up to the surface, having no notion of the beautiful structures of which they were once a part.
If I'm feeling down in the dumps, or like I need a pop of colour, I'll put on MAC's Lipstick in Lady Danger. I discovered red lipstick when I did the Oscar season: Chanel sent me one and I realised how classic and glamorous it can be.
I felt that the elegance of pop music was that it was reflective: we were holding up a mirror to our audience and reflecting them philosophically and spiritually, rather than just reflecting society or something called 'rock and roll.'
Never underestimate the power of being popular in pop culture. You have to be able to do something. You can have a good seat at the restaurant, but you still have to pay for the meal. Fame is important, but to be rich is more important.
Madonna and I are very different. Just saying. We're very different. I wouldn't make that comparison at all, and I don't mean to disrespect Madonna: she's a nice lady, and she's had a fantastic, huge career - biggest pop star of all time.
I didn't like any British music before The Beatles. For me, it was all about black American music. But then I became a successful pop singer, even though the kind of music I liked was more elitist, which is what I'm trying to get back to.
Apple Music is trying to create an entire pop culture experience that includes audio and video. If South Park walks into my office, I'm not going to say, 'You're not musicians.' We're going to do whatever hits pop culture smack on the nose.
Pop culture shapes our ideas of what is normal and what our dreams can be and what our roles are. Politics, of course, decides how the power and the money in the country is distributed. Both are equally important, and each affects the other.
When you are a hero you are always running to save someone, sweating, worried and guilty. When you are a villain you are just lurking in the shadows waiting for the hero to pass by. Then you pop them in the head and go home... piece of cake.
I've always argued that all Tame Impala melodies are pure pop. It's just that 'Lonerism,' for example, is a completely rumbling, fuzzed out psychedelic rock album. But for me, it was just pop music produced the way that I like to produce it.
My first album didn't come out until I was 27, which in pop years is late, you know. But when it came time to arrange it, I became a kid in a toy shop. I had a harp and a saxophone quartet and a symphony orchestra. I went berserk for a time.
If you look at the history of music, you have classical composers, church music, pop music, etc. Music that's existed for centuries. I think there are some songs that are close to immortal. They will last longer than we will in this lifetime.
When I was seven-years-old I discovered the Spice Girls. I fell in love immediately, and I decided I wanted to be a musician myself. This became my goal and my biggest passion to strive for. And so I dressed up as a pop star at Halloween 1996.
Pop music means everything to me. I've been listening to pop since I was kid, running home from school to watch Britney Spears and Spice Girls and Christina Aguilera music videos, and it felt like it was a world to escape to for me personally.
It's a real gift to be able to have the works of brilliant, great people to learn from and build from. It gives you so much more to draw on, and then you don't have to be all about three-chord pop songs. I don't really like that kind of writing.
With pop music and pop musicians, you know everything about everyone all the time, particularly their physical appearance. With female musicians, that's made a big thing of, and I think people, certainly with me, have appreciated a bit of mystery.
Richard Hoggart's cultural analysis 'The Uses of Literacy' was published in 1957, but its influence still hovers over anyone setting out to write seriously about people's affection for things that aren't serious, such as the products of pop culture.
I don't want to be famous or recognizable. I don't want to be critiqued about the way that I look on the Internet... I've been writing pop songs for pop stars for a couple years and see what their lives are like, and that's just not something I want.
Most people I know think that I'm crazy - but anybody who actually knew Billy Thorpe didn't think that. When I was a young kid growing up in Adelaide, he was a big pop star - a well-dressed, nice young guy seen on television every week. Mums liked him.
I think that pop music in general sometimes like to keep things a bit more hidden, and, you know, you censor and you polish to make it fit more people or to not be too vulgar or make sure of, 'Can this really play on the radio?' And I like not doing that.
Once the subject matter of rock n' roll changed from cars and pop love songs to songs about really true love and the blues and death and mortality, this light bulb went off in my head and I went, 'Oh, that's what they're doing. That's kind of - that's art.'
Postmodernists believe that truth is myth, and myth, truth. This equation has its roots in pop psychology. The same people also believe that emotions are a form of reality. There used to be another name for this state of mind. It used to be called psychosis.
Magne Furuholmen is a very dear friend of mine. A-ha are a classic pop band and they've got some brilliant songs. I'd say 'The Living Daylights' was one of my favourite Bond tunes: regardless of it being a Bond song, it stands alone as a great piece of music.
Lauryn Hill's always been a hero of mine. And Bruno Mars, Janelle Monae and Adele, those are the current artists I would reference in terms of who's been able to do really amazing pop records with really cool, organic throwback elements of soul in there as well.
Let's be real: dads get a bad rap in the media. We're talking Vanilla Ice's 'Ninja Rap' bad. More often than not, they're either pop lockin' Soul Train-style after learning they aren't the father, or they're selfish man-children who have more toys than brain cells.
I think there's something antagonistic about bedroom pop. We're reappropriating pop and saying you don't have to be an ex-Disney star to make pop music. You can be from Shepherd's Bush and have spent most of your life listening to the Smiths and still make a pop record.
I like happy endings in movies. I think life has a happy ending. When it's all said and done, it's all something worthwhile, and I want my movies to reflect that. There are enough things to be sad about. When you pop in a movie, let the message be one that's one of hope.
I'm gonna make music, and I'm gonna capture every aspect of being a human being. That's really all I'm trying to do. I think that artists and pop culture identities are used to simplify what it means to be a human and pigeon-hole people into looking up to one role model.
There's a difference between a pop star and an artist. Pop stars have to be perfect all the time; an artist is allowed, on occasion, to suck. And I put myself in that category because I sometimes suck. I'm not trying to please the masses. It's not going to happen, so I don't try.
I like to think of myself as the people's pop star a little bit. I respect Lady Gaga so much, and I love what she does, but she has this kind of mysterious, out-of-reach thing. I'm just not that - as much as I'd love to have that sort of mystique, I think I'm kind of an open book.
Elvis Presley was the big bang. He was the most influential single figure in the history of American pop culture. He changed the way we looked, thought, dressed, held a guitar. He didn't invent rock & roll, but he defined it in a way that everyone who followed him owes him a debt.
Its definition can be a bit murky, but to me, native advertising is a sales pitch that fits right into the flow of the information being shown. It doesn't interrupt - native ads don't pop up or dance across the screen - and its content is actually valuable to the person viewing it.
Pop stardom is not very compelling. I'm much more interested in a relationship between performer and audience that is of equals. I came up through folk music, and there's no pomp and circumstance to the performance. There's no, like, 'I'll be the rock star, you be the adulating fan.'
How can you compare my life to any other MEP? I mean, come on, it's crackers, isn't it? Look, other MEPs do five days a week in Brussels and pop home for weekends. I'm working seven bloody days a week, all the hours God sends. If you include the socialising, it's over 100 hours a week.
I'm over being a pop star. I don't wanna be a hot girl. I wanna be iconic. And I feel like I've accomplished a lot. I feel like I'm highly respected, which is more important than any award or any amount of records. And I feel like there comes a point when being a pop star is not enough.
When I was growing up, Brandy was TV star, reality star, a pop star, a Cover girl, Grammy winner, had her own Brandy doll, and was the first African American to play Disney princess Cinderella. Most importantly, she is a survivor. Many only judge and remember a person's most recent failure.
I was drawn to love songs, but I was just drawn to great music - no matter if it's hip-hop, pop, R&B or whether it's rock n' roll or country. It could be a Garth Brooks song, and if it's a smash, then I'll love the different wordplay and different melodies. That's what I'm a fan of - great music.
One of the disadvantages of poetry over popular music is that if you write a pop song, it naturally gets into people's heads as they listen in the car. You don't have to memorize a Paul Simon song; it's just in your head, and you can sing along. With a poem, you have to will yourself to memorize it.
I think Bruno Mars is a great example of a great voice and classic songwriting with a twist that makes it contemporary. I think he's done a great job of it. I think Katy Perry has undeniable songs for what she does, for that pop market. And, if we're talking in the truly pop market, I would say those two.