It's interesting - a lot of what you accomplish in your lifetime either as an individual or as a company is determined by other people. I mean, you can do interview after interview and defend a point of view, but more often than not, the collective kind of opinion will be the one viewed historically and taken as gospel.

The car is absolutely central to our approach. Everything we do begins with the automobile, whether it's old, new, bizarre, weird, strange, or cool. We're not going out to make a comedy show, and that's great, certainly from my point of view because obviously I'm totally obsessed with cars and I don't really like people.

When two people talk with mutual respect and listen with a real interest in understanding another point of view, when they try to put themselves in the place of another, to get inside their skin, they change the world, even if it is only by a minute amount, because they are establishing equality between two human beings.

I prefer to call the most obnoxious feminists what they really are: feminazis. Tom Hazlett, a good friend who is an esteemed and highly regarded professor of economics at the University of California at Davis, coined the term to describe any female who is intolerant of any point of view that challenges militant feminism.

You have to go as hard as you possibly can, or it's going to be weak. Whenever I find myself not committing fully to a character, it's not as funny. It doesn't have that clear point of view, and you find yourself wandering all over the place, whereas committed characters make strong choices that are clear to the audience.

Once I will arrive in the ring, I'm going to make the most of this fight because this fight I will remember for the rest of my life. From my point of view, this night is going to be remembered by the British people. Not from the American people as much, but from the British fans here who will watch me beat Canelo Alvarez.

I guess I didn't even know the word 'genre' until I did 'True Blood.' That's how naive I was, and I didn't realize that there was a point of view about certain types of TV. And so I guess I found it disappointing that there is a segment of the critical community that looks at genre as something that is separate, less than.

I don't think the way I portray mother's and son's relationships has anything to do with my age or generation. It has to do with what I lived with my own mother and what it's transformed into and the point of view it has given me on mothers and women. The way I was brought up with women. It's all about personal background.

It's just a lot of fun to be able to see your ideas come into fruition. And to see people translate the things that come out of my mind vocally. And to be able to produce vocals and give people my point of view musically. And to be able to sit in the crowd and see people sing the song that I wrote, it's an amazing feeling.

I spent a lot of my adult life overcoming fear. It was a subject I knew a lot about, and it's one of the most important and most powerful human emotions. Fear is one of the greatest driving forces in the world. So I thought I could go into the horror genre and do things differently and contribute a different point of view.

We wanted to describe society from our left point of view. Per had written political books, but they'd only sold 300 copies. We realised that people read crime and through the stories we could show the reader that under the official image of welfare-state Sweden there was another layer of poverty, criminality and brutality.

My work has always been controversial within certain segments of the Asian-American community. This is a community that is generally not represented well at all on the stage, in the media, etc. So on those few occasions when something comes along, everybody feels obligated to make sure that it represents his own point of view.

A good novel is something that challenges perception, that allows you to see the world anew through a different point of view - something that genre fiction doesn't do, although it sells more because it doesn't disturb people's innate sense of what a novel should be about. Often, people want characters to be nice, for example.

I think in television and film, it's not usually the child's point of view. It's the story of an adult. If there's a child in a drama or an action-adventure movie, they're someone who needs to be saved, someone who needs to be protected, or if they're killed, someone who needs to be avenged. Their character doesn't matter much.

It's crazy because I was 10 years old when 'Macarena' was all over the place, and I remember looking at it from a different point of view. I remember culturally how important that song was, even though people didn't really know what they were saying. It was more about the dance and the movement of it and the cultural side of it.

What we should be teaching are the problems and holes and I think there are legitimate problems and holes in the theory of evolution. And what we need to do is to present those fairly from a scientific point of view. And we should lay out areas in which the evidence supports evolution and the areas in the evidence that does not.

I don't do formal debates, because formal debates where you have two people up on a stage in equal status, and each of them is given 20 minutes to give their point of view, and then 10 minutes for a rebuttal, or whatever, that creates the illusion that you really do have here two equal points of view of equal scientific standing.

Iranians and Arabs aren't considered diversity because we still don't have minority status in America. There was a group of Middle Eastern actors trying to get SAG to recognize us as part of the diversity they should look out for, because we do represent a different point of view. When OscarsSoWhite happened, I felt part of that.

What was unique about me being in City Hall during the Giuliani Administration, I was the only one who wasn't an attorney. I may have been the only one who didn't work in a prosecutor's office. So I took a completely different point of view on how the city should be run. Very close to a business, very close on metrics and numbers.

If you take five wickets, someone has to take the catches. If you score a hundred, someone has to be there with you. You haven't done it individually. Some contributions may be small, but they are still tangible. You have to look at it from a team point of view. When you start looking at it as an individual, then you have no team.

I just believed in 1979 that prog rock was finished. I just saw the handwriting on the wall. And I believed that if we continued in that direction, our career would be finished. So I kind of led the band to making 'Cornerstone,' which is an album from my point of view which was not trying to be necessarily softer, but more natural.

When you are developing your style, you avoid weaknesses. I am not good at describing things, so I stay away from it. And if anyone is going to describe anything at all, it's going to be from the point of view of the character, because then I can use his voice, and his attitude will be revealed in the way he describes what he sees.

The challenge in writing a show that's about people and their flaws is that it can easily tip over - okay, I'll sometimes watch something, and there will be characters that are written in a way that I'll know that the writer just hates human beings. They're expressing this misanthropic point of view with these detestable characters.

We frame things in an off-kilter way because it's unsettling. In the 'Mr. Robot' world, that's the norm, and it's the norm for the point of view that we're looking for, which is Elliot's. With our compositions and our visual language and camera movements, it's important to always evoke that unsettling feeling underneath every scene.

I am kind of a private person, so I don't miss that part of show business at all. Looking back on my career in television and making a movie like 'The Sound of Music' from an adult point of view, it actually seems kind of unreal. I was involved in shows that people grew up with - that hold memories for them - and it's a cool feeling.

It's more like I write multiple first drafts, handwritten. So with my first novel, I wrote whole drafts from different points of view. There are different versions of that novel in a drawer on loose-leaf sheets. I won't even look at the first draft while I'm writing the second, and I won't look at the second before writing the third.

From an England point of view they have put money into white-ball cricket because our performances in World Cups has not been good enough, I understand the reasons for that. But we have to be careful not to go too one-day, we have to find a balance because there is such a legacy of Test cricket in this country and we can't lose that.

Most authors writing books like 'He's Just Not That Into You' dream of doing what I was being asked to do. I didn't like it. I'm good at giving advice, but doing it on TV and radio felt wrong, and when people resisted my point of view, I was like, 'Why am I doing this? This was not the plan.' So I stopped. It didn't make me feel good.

I see racism as institutional: the rules are different for me because I'm black. It's not necessarily someone's specific attitude against me; it's just the fact that I, as a black man, have a much harder time making an art-house movie and getting it released than a white person does about their very white point of view. That's racism.

Readers tell me that my novels are filled with significant mothers. Do I realize this? Do I do it on purpose? The truth is, I don't. I think of myself as a writer of family stories. I write more often than not from a male point of view, and I usually begin by focusing on siblings, spouses, even fathers, before I think about the mothers.

One of the things that's important for anybody adapting source material that is primarily a male buddy picture is to find ways to latch on to strong female characters in the piece and bring them to the forefront and celebrate their point of view alongside the men; otherwise, it becomes a sausage party, and it's a singular point of view.

From a spectator point of view, Test cricket is not important; people hardly watch Test cricket. But as a player, Tests are the real thing. You have to concentrate for five days. It's a lot of time, and not easy to do it day in and day out. If people have played 70-100 Tests, it's a lot of cricket, a lot of concentration and dedication.

I have always been of opinion that all the political workers should be indifferent and should never bother about the legal fight in the law courts and should boldly bear the heaviest possible sentences inflicted upon them. They may defend themselves but always from purely political considerations and never from a personal point of view.

From my point of view, it is not the coach who becomes world champion, it is a team. Not just the players who played, but the whole squad, and also the team behind the team. Because if you want to achieve success, the whole team has to work perfectly, like a machine, and all the pieces of the puzzle need to fit together into one picture.

Boxing is the more dangerous activity from the rugby player's and the general public's point of view, but to me rugby is far more dangerous so I would prefer my sons to box. I love my children too much and do not want to watch them getting hurt. This is in no way intended as a criticism of rugby, which I consider to be a fantastic sport.

It's joyful in that there's another point of view on all things, you know, not just mine. That's why I like to write and collaborate with people. There's another point of view, and when those two things come together, and people work at it really hard, they get something that is the whole is more than the sum of - is that how you say that?

I have to certainly stand for life. I know that there are some who disagree, and I respect their point of view. But I believe that life begins at conception. The only exception I have to have on abortion is in that case - of the life of the mother. I struggled with it myself for a long time, but I came to realize life is that gift from God.

I think at the end of the day, the real sick man of Europe is liable to turn out to be France, not Greece, not Portugal, not Spain, not Italy. The reason is France is very uncompetitive to begin with on a global scale, and the measures that Hollande has been putting in have been very, very negative from the point of view of economic growth.

'To Kill a Mockingbird' is really two stories. One is a coming-of-age tale told from the point of view of Scout Finch, a girl of about nine, and her slightly older brother, Jem. The second story concerns their father, attorney Atticus Finch, who has been appointed to defend a black man, Tom Robinson, falsely accused of raping a white woman.

If you look at the direction that the world is taking from an advertising and marketing point of view, it is significantly becoming a world that's all about video and all about doing things programmatically. Now what AerServ has is best in-class technology in the form of video programmatic... our acquisition of them gives us that capability.

If I'm saying a universal truth, but maybe it's something that people don't feel comfortable saying... It's a strange take, but at the same time, what you're hitting on is kind of right. You can relate. That's the heart of comedy. You have to have a point of view. You gotta commit. And the more you commit to it, sometimes the funnier it gets.

Cultural concepts are one of the most fascinating things about historical fiction. There's always a temptation, I think, among some historical writers to shade things toward the modern point of view. You know, they won't show someone doing something that would have been perfectly normal for the time but that is considered reprehensible today.

This is what we call smart power. Using every possible tool and partner to advance peace and security. Leaving no one on the sidelines. Showing respect even for one's enemies. Trying to understand, in so far as psychologically possible, empathize with their perspective and point of view. Helping to define the problems, determine the solutions.

There is one particular argument that I call our 'ancient war.' If it could be summed up in one phrase, it would be, 'You don't get it. You don't understand what it's like to be me living with you.' There is such truth in that statement. None of us can really appreciate what it is like to be the other person, what that point of view feels like.

Although, from the point of view of sociology, the overt ambition of 'American Pastoral' - to imagine the impact on a good man of America's fall from the family decencies of the '30s and '40s to the self-centred violence of the '60s - outstrips anything Sabbath's Theater attempts, the writing is no less fervid an excurse into the writer's mind.

Who are the governing bodies to say what is a good and a bad behaviour? I think that's unacceptable, even from an ethical point of view. I don't think anyone on this planet should be able to point at people and say this. For example, if it's not dangerous for other people, you should be allowed to break a racket. It's my racket, it's my problem.

I think, as we go through life, we can sometimes, while still staying essentially true to ourselves, pick up mannerisms or modes of expression that are like curlicues. And there was a lot of that that I recognized sometimes. And I remembered, sometimes dimly, why those phrases felt so tasty to me, why that particular curl felt so good to me. But from my point of view now, it was almost inaccurate. It changed the meaning of what I was saying in a way that it seemed like a distortion.

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