Since the printing press came into being, poetry has ceased to be the delight of the whole community of man; it has become the amusement and delight of the few.

I wrote a great deal of verse. In fact, every time I fell in love, which was rather often, I burst into the emotional sort of thing which is perennially salable.

In verse one can take any damn constant one likes, one can alliterate, or assone, or rhyme, or quant, or smack, only one MUST leave the other elements irregular.

Those who are not very concerned with art want poems or pictures to record for them something they already know - as one might want a picture of a place he loves.

The fact of the matter is that the most unexpected and miraculous thing in my life was the arrival in it of poetry itself - as a vocation and an elevation almost.

When I said. A rose is a rose is a rose. And then later made that into a ring I made poetry and what did I do I caressed completely caressed and addressed a noun.

All the senses awaken and fall into harmony in poetic reverie. Poetic reverie listens to this polyphony of the senses, and the poetic consciousness must record it.

Always learn poems by heart. They have to become the marrow in your bones. Like fluoride in the water, they'll make your soul impervious to the world's soft decay.

In science one tries to tell people, in such a way as to be understood by everyone, something that no one ever knew before. But in poetry, it's the exact opposite.

Our earliest poets were shamans. Today, as in the earliest times, true shamans are poets of consciousness who know the power of song and story to teach and to heal.

You I am sure will forgive me for sincerely remarking that you might curb your magnanimity and be more of an artist, and 'load every rift' of your subject with ore.

A story of particular facts is a mirror which obscures and distorts that which should be beautiful; poetry is a mirror which makes beautiful that which it distorts.

The job of the poet is to render the world - to see it and report it without loss, without perversion. No poet ever talks about feelings. Only sentimental people do.

The truth is... everything counts. Everything. Everything we do and everything we say. Everything helps or hurts; everything adds to or takes away from someone else.

One had a lovely face, And two or three had charm, But charm and face were in vain. Because the mountain grass Cannot keep the form Where the mountain hare has lain.

Some certified nut Will try to tell you it's poetry, (It's extraordinary, it makes a great deal of sense) But watch out or he'll start with some New notion or other.

Poetry is easier to learn than prose. Once you have learned it you can use it as a light and a laser. It shows up your true situation and it helps you cut through it.

Nine-tenths of English poetic literature is the result either of vulgar careerism or of a poet trying to keep his hand in. Most poets are dead by their late twenties.

For wheresoe'er I turn my ravish'd eyes, Gay gilded scenes and shining prospects rise, Poetic fields encompass me around, And still I seem to tread on classic ground.

These poems are a mental sketch as formed / Passage by passage of light and shade / Maintained and preserved to this point / Brought together in paper and mineral ink

Poetry should surprise by a fine excess and not by singularity, it should strike the reader as a wording of his own highest thoughts, and appear almost a remembrance.

The poet may say or sing, not as things were, but as they ought to have been; but the historian must pen them, not as they ought to have been, but as they really were.

Everything in creation has its appointed painter or poet and remains in bondage like the princess in the fairy tale 'til its appropriate liberator comes to set it free.

Not only every great poet, but every genuine, but lesser poet, fulfils once for all some possibility of language, and so leaves one possibility less for his successors.

The materials of true poetry are always humble, absolutely idiosyncratic, the autobiographical tatters that, in gifted hands, are made into the memoir that fits us all.

poets are privileged to utter more than they can always quite explain, bringing up from the mind's unplumbed depths tokens of the nature of the world we carry within us.

For Mallarmé naming an object meant suppressing three-quarters of its poetic pleasure (which consists in the joy of guessing bit by bit - "le suggérer, voilà le rêve!").

Poetry is the language in which man explores his own amazement... says heaven and earth in one word... speaks of himself and his predicament as though for the first time.

The tragic element in poetry is like Saturn in alchemy, — the Malevolent, the Destroyer of Nature ; but without it no true Aurum Potabile, or Elixir of Life, can be made.

Poetry is ordinary language raised to the Nth power. Poetry is boned with ideas, nerved and blooded with emotions, all held together by the delicate, tough skin of words.

We need a safe place, a reserve of truth, a place where words kindle ideas and set ideas sparking off in others, a word sanctuary. Poetry is this gathering place of words.

One of the uses of poetry - one says it to oneself in distressing circumstances, ... or when one has to wait at railway stations, or when one cannot get to sleep at night.

Regarding R. H. Blyth: Blyth is sometimes perilous, naturally, since he's a high-handed old poem himself, but he's also sublime - and who goes to poetry for safety anyway.

In a meadow full of flowers, you cannot walk through and breathe those smells and see all those colors and remain angry. We have to support the beauty, the poetry, of life.

A poet must be a psychologist, but a secret one: he should know and feel the roots of phenomena but present only the phenomena themselves in full bloom or as they fade away.

German poetry is going in a very different direction from French poetry.... Its language has become more sober, more factual. It distrusts "beauty." It tries to be truthful.

The poet in prose or verse - the creator - can only stamp his images forcibly on the page in proportion as he has forcibly felt, ardently nursed, and long brooded over them.

Poetry, whose material is language, is perhaps the most human and least worldly of the arts, the one in which the end product remains closest to the thought that inspired it.

Poetry speaks most effectively and inclusively (whether in free or formal verse) when it recognizes its connection - without apology - to its musical and ritualistic origins.

It is very difficult to pass from pleasure to work. Accordingly more poems have been swallowed up by sorrow than ever happiness caused to blaze forth in unparalleled radiance.

Poetry exists partly to undermine the certainties of an accepted intellectual system, by opening a fissure of awareness at which the reality of the unconquered world may enter.

I didn't love Jim Morrison 'cause he was self-destructive. I loved him because of his work. Because of the way he merged poetry and rock-and-roll. Because he did something new.

Functions of technical information, historic record, analytic argument, which are integral and obvious to Dante's use of verse are now almost completely a part of the 'prosaic'.

What is a poet? An unhappy person who conceals profound anguish in his heart but whose lips are so formed that as sighs and cries pass over them they sound like beautiful music.

I approach video games the same way I approach theatre, filmmaking, poetry, or painting. I wish more people would take that point of view. It would help the industry to move on.

Now that I have written many words, and let out so many loves, for so many, and been altogether what I always was a woman of excess, of zeal and greed, I find the effort useless.

Therefore we value the poet. All the argument and all the wisdom is not in the encyclopedia, or the treatise on metaphysics, or the Body of Divinity, but in the sonnet or the play.

Painting gives the object itself; poetry what it implies. Painting embodies what a thing contains in itself; poetry suggests what exists out of it, in any manner connected with it.

Dance me to your beauty with a burning violin Dance me through the panic 'til I'm gathered safely in Lift me like an olive branch and be my homeward dove Dance me to the end of love

There is so much poetry, and yet nothing is more rare than a poetic work. This is what the masses make out of poetical sketches, studies, aphorisms, trends, ruins, and raw material.

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