Quotes of All Topics . Occasions . Authors
I think that when young players really see their game rise next level, it's when practices are like competition and there's no separation there. Of course, there are adrenaline and the butterflies; you don't have that so much in practice. You want to fake yourself out and try to get them there because you want to be as close to that game mentality as you can when you step on that field every single day whether it's practice or in your backyard or down the street with your dad.
A system depends on the players you have. I played 4-3-3 with Ajax, 2-3-2-3 with Barcelona and a 4-4-2 with AZ. I'm flexible. The philosophy stays the same though. I don't think that you can adapt it to every possible situation. You need the right mindset, and it depends on how the players see the coach and vice versa. The coach is the focal point of the team but you need to have an open mind, and so do all the players. Everyone needs to work together to achieve a common goal.
Funnily enough we have never had one enquiry for Paul Scholes. You know why? Because they all know he will never leave. in my time he would be in the top six or seven (best United players ever) without a doubt. His contribution and quality have been great, even without the fantastic goals he has scored. [ . . . ] He has that wonderful velvet touch on the ball. When he gets it, it goes stone dead. It is wonderful to see that amidst all the mayhem that can happen in a football match.
I think there are quite a few new Instro/Surf groups that are really great. The Mermen are good and there doing something different. The Space Cossacks, Penetrators, The Fathoms, I really like The Falcons from Canada, Mike Beddoes is a really fine guitar player. I like Nokie Edwards of The Ventures, who gave me a guitar lesson once when we were playing opposite them in 1962 at The Rose Garden Ballroom in Pismo Beach. That's were The Impacts started and got signed to Del Fi in 1962.
In the economy we guarantee all market players the same conditions, and the private sector plays an increasingly important role. We are in the process of dissolving thousands of state-owned companies and converting them into stock corporations. We even plan to accelerate this development. In contrast, it is the party's responsibility to improve the lives of the people, and this is where our citizens have great confidence in us. Party members who commit crimes are severely punished.
Bridge-players tell me that there must be some money on the game 'or else people won't take it seriously'. Apparently it's like that. Your bid - for God or no God, for a good God or the Cosmic Sadist, for eternal life or nonentity - will not be serious if nothing much is staked on it. And you will never discover how serious it was until the stakes are raised horribly high, until you find that you are playing not for counters or for sixpences but for every penny you have in the world.
As a conscientious objector I did my community service in 1971 in a psychiatric hospital and a friend there, who also was a guitar player, invited me one day to join him recording film music with a band named Kraftwerk which I didn't know at the time. I came along and jammed at this session together with Ralf Hütter and a drummer (I believe his name was Charly Weiß). Florian Schneider and Klaus Dinger were present as listeners and everybody liked the spontaneous music we did together.
When you look back you talk about legends of the game, he's certainly up there. Twenty trophies since 1994. He just seems to get better and better. I've had the honour of playing alongside him. The four years I've played alongside him, he is the best player, one of the first names on the manager's teamsheet. He is just a complete legend. There are not enough players like Paul Scholes around any more for my liking. 'Legend' is over-used but this guy is right up there with the very best.
But what I didnt want to have happen, and I made this clear to Jeremy (Florida AD), if I am able to go coach, I want to coach at one place, the University of Florida. It would be a travesty, it would be ridiculous to all of a sudden come back and get the feeling back, get the health back, feel good again and then all of a sudden go throw some other colors on my shirt and go coach? I dont want to do that. I have too much love for this University and these players and for what weve built.
In the point of view of my personal feelings, I love the music as well as the cinema, but the future of a trumpet player - in the money point of view, but also any point of view - is very short on expectations. The life of a moviemaker can be glorious and wonderful. It can put your life in the best of possibilities. I decided to forget music. Not forget, because this is impossible, but to work in cinema, and just to be someone who loves music, and who tries to make music with his films.
Thinking about the things that happened, I don't know any other ball player would could have done what he (Jackie Robinson) did. To be able to hit with everybody yelling at him. He had to block all that out, block out everything but this ball that is coming in at a hundred miles an hour and he's got a split second to make up his mind if it's in or out or down or coming at his head, a split second to swing. To do what he did has got to be the most tremendous thing I've ever seen in sports.
Most guitar players get a name because the band that they're in has become popular. That doesn't mean that they're particularly good, whereas conversely, you've got people like Albert Lee, an incredible player, one of my favourites who's not in a famous band, so he doesn't get into the popularity polls. I have to laugh at some of the people that do get into the popularity polls - some of them are so bad, but they're in a band that's at the top of the hit parade. I think people mix that up.
The Republican establishment, the Democrat establishment agree and accept that the media is an equal player in the ruling class. Trump has blown all of that out the window. As such, the normal ways that people in politics are controlled, the normal way that people are contained - the ways people are promoted, punished, destroyed, what have you - are all out the window where Trump is concerned. And therefore the media is considered by the ruling class to be one of the great leveling factors.
As in the game of billiards, the balls are constantly producing effects from mere chance, which the most skillful player could neither execute nor foresee, but which, when they do happen, serve mainly to teach him how much he has still to learn; so it is in the most profound and complicated game of politics and diplomacy. In both cases, we can only regulate our play by what we have seen, rather than by what we have hoped; and by what we have experienced, rather than by what we have expected.
What makes the strength of the soldier isn't the energy he uses trying to intimidate the other guy by sending him a whole lot of signals, it's the strength he's able to concentrate within himself, by staying centered. That Maori player was like a tree, a great indestructible oak with deep roots and a powerful radiance- everyone could feel it. And yet you also got the impression that the great oak could fly, that it would be as quick as the wind, despite, or perhaps because of, its deep roots.
There really are two Americas, one for the grifter class and one for everybody else. In everybody-else land, the world of small businesses and wage-earning employees, the government is something to be avoided, an overwhelming, all-powerful entity whose attentions usually presage some kind of financial setback, if not complete ruin. In the grifter world, however, government is a slavish lapdog that the financial companies that will be the major players in this book use as a tool for making money.
Principles are concepts that can be applied over and over again in similar circumstances as distinct from narrow answers to specific questions. Every game has principles that successful players master to achieve winning results. So does life. Principles are ways of successfully dealing with the laws of nature or the laws of life. Those who understand more of them and understand them well know how to interact with the world more effectively than those who know fewer of them or know them less well.
I think that the current climate enables a lot of musicians to do relatively well. Twenty-five years ago, you could be a bass player in a folk-rock band and do pretty well - that sort of means that you're going to have to go get a day job. But a lot of my friends have learned how to write classical music for movies and produce other people and do remixes, and DJ and go on tour, and do all these different things. The more diverse their approach, the better their chances of actually having a career.
It's not that difficult to play well and win titles in a team like Barcelona, but it's in the national side where you see a player's true class. That was the case with figures like Pele, Diego Maradona and Zinedine Zidane. With Spain, Iniesta has shown that he is among the best players of all time and that's why I rate him higher than Messi or Ronaldo. Even though the latter two have incredible scoring records for their clubs, they still haven't won anything with Argentina or Portugal respectively.
The government - the ultimate short-term-oriented player - cannot withstand much pain in the economy or the financial markets. Bailouts and rescues are likely to occur, though not with sufficient predictability for investors to comfortably take advantage. The government will take enormous risks in such interventions, especially if the expenses can be conveniently deferred to the future. Some of the price-tag is in the form of back- stops and guarantees, whose cost is almost impossible to determine.
When a lot of athletes get done playing, they end up in some really tough positions. They have a hard time transitioning because their identity is wrapped up in who they are as a player and what they do rather than who they can be in Christ. We desire to help people understand the invitation that God has given each one of us as Christ followers to be a part of this global redemptive story. If you can't give your life to something with meaning and purpose of that magnitude then there's nothing there.
Coaching staff: I know there's days you look at that film and you want to kill me. I'm not playing defense, taking bad shots, getting too many techs. But you always believe that I can be the guy. Through the tough times, you guys never left my side... That's something that I really appreciate and I never want to take you guys for granted. I thank you so much for being part of my life. And not just on the basketball court, but giving me talks about growing as a man first, and a basketball player next.
I can't get very excited about a musician who can do Art Tatum because I've got the Art Tatum records. I want to hear him take that and do something that hasn't been done. And there's enough of that going around that keeps the music very exciting. There's so many great young players coming out. I think we're in some kind of renaissance, especially in the rhythm section. I mean the musicians on drums and bass and guitar are really trying to figure out different ways to bring a rhythm section together.
I was off the scene for a while during the ska period and when I returned and joined the Treasure Isle studio, I came there with a different mood. The musicians picked up on that and we kept on going in that direction. The music became slower, which gave the bass player the time to play more notes. In 1965 I named it rocksteady. The first rocksteady song was 'Girl I've Got A Date'. That one was still a bit up-tempo, leaning towards ska. It turned the tide and made Treasure Isle the number one studio.
That was very appreciative because all the players vote for that. That's the highest award anyone can get in the NFL. Every team in the NFL votes for the most valuable player. I was injured. I had appendicitis the first part of the season, but I came back after ten days. Nobody came back that early. No player wants to sit on the bench. No player wants to be inactive. Everybody wants to play.I came back in ten days. I had the uniform on and played. I played those next games until I got kicked in the head.
But in my mind, I don't think there's any question Sidney Crosby is the best all-around player in the game. His hockey sense is so strong and so solid, combined with his God-gifted talent of being able to see the ice, see the entire picture in front of him. And, most importantly, I don't care how good you are, if you don't have a work ethic, it doesn't matter. There's no question that each and every game, he's one of the hardest-working guys on the ice. In my mind, he's the best player in the game today.
There are different 'It' factors for different players. There are all kinds of different personalities of quarterbacks around the league, but there are a lot of good ones and they don't necessarily think and act alike. But I do think there are moments during games even on the collegiate level where you can see that this guys is something different, someone sees things differently, they see things a little bit quicker, they're a little bit more cognizant of what's going on. I think it's something like that.
Today's parents have little authority over those others with whom they share the task of raising their children. On the contrary,most parents deal with those others from a position of inferiority or helplessness. Teacher, doctors, social workers, or television producers possess more status than most parents.... As a result, the parent today isa maestro trying to conduct an orchestra of players who have never met and who play from a multitude of different scores, each in a notation the conductor cannot read.
Watch your attitude. I don't mean to sound like so much of an old head, but there is another generation behind me, out there, doing it now. I find that, with the whole hip-hop generation, there's a lot of attitude. Whether it's confidence or arrogance or whichever, I will always say to a young guy, “Nobody wants to work with an asshole.” You know, you can still be a great player. You can still play all of the baddest licks in the world. But if you don't have a good attitude, nobody's going to work with you.
It's the fault of the chess players themselves. I don't know what they used to be, but now they're not the most gentlemanly group. When it was a game played by the aristocrats it had more like you know dignity to it. When they used to have the clubs, like no women were allowed and everybody went in dressed in a suit, a tie, like gentlemen, you know. Now, kids come running in their sneakers. Even in the best chess club-and they got women in there. It's a social place and people are making noise, it's a madhouse.
I visited New York in '63, intending to move there, but I noticed that what I valued about jazz was being discarded. I ran into `out-to-lunch' free jazz, and the notion that groove was old-fashioned. All around the United States, I could see jazz becoming linear, a horn-player's world. It made me realize that we were not jazz musicians; we were territory musicians in love with all forms of African-American music. All of the musicians I loved were territory musicians, deeply into blues and gospel as well as jazz.
I think what happened in the last 10 or 15 years in the art market is that all the players - and that includes artists, dealers, art advisors, everyone - basically became dealers. We've had old-school collectors morph into speculators, flipping works. We've seen auction houses buying works directly from artists or from sleazy middlemen. The last step before the crash was the artists themselves supplying the auction houses. Dealing themselves, you know? The art world is as unregulated as any financial market there is.
I had people who were around me, people that I put a lot of trust in that sort of messed me over. So after that I said, only I can look back over my life and say I was responsible for whom I hired. I was responsible for how I managed my money. So I decided I wanted to do it myself. I understood the business of football. And because I can understand the business of football, I decided it's the best decision for me to be an agent. It made the most sense and I think a lot of players are opening their eyes to it as well.
I do think some games are works of art, although their medium is visual rather than verbal. Both games and novels allow the reader/player to become a protagonist in the theater of the imagination. Both build worlds. In my opinion, the big difference between game and novel is in narrative structure. Communal role-playing games are open-plan without an end. A novel - at least the kind I write - has a closed structure with a beginning, a middle, and an end. I like that closed structure, and I feel I can say more with it.
I could never get bored talking about him, he was my favourite player. I loved watching him because he did everything you'd want to see in a footballer. He could dictate the pace of a game; he could take it by the scruff of the neck and control it; he could score decisive goals; he could make the killer pass; he could switch the play, open teams up, slow the game down, quicken it up; whatever was needed. He would take the ball anywhere on the pitch He was such a selfless footballer, too Scholesy was the man, all right.
There is this ferocious digital revolution coming along and we're in the teeth of that at the time of maximum economic disruption. There are huge opportunities there. I made the point in my supplementary statement that the Guardian is now a very considerable global player, but there are huge challenges in terms of making, of finding, the convincing business model, so I want to see Guardian journalism continue and thrive, although whether and to what extent that is in print or in digital is a sort of second order matter.
Slalom skiers train their whole lives for like a minute and a half. We're not soccer or tennis players that can play the whole game. Once you're in the World Cup, you're physically prepared, so then ski racing almost always comes down to more mental than physical. I've been working on understanding that I've done everything that I can up until this point, and now I need to breathe and enjoy the moment, and do what I know I can do, versus trying to do more. Because you're fighting to do more, but that doesn't always work.
I tend to prefer the band thing. I think playing solo is good for about 45 minutes. I remember when I was on my solo tour that I got a chance to play with Martin Stephenson of the Daintees. He's now refashioned himself as almost a delta blues guitar player and he's got all the technique, all the persona and the charisma on stage. I think I do too, but I'm more of a first position strummer guy with a little bit of filigree work. I could listen to him for hours; I could listen to myself playing solo for about half an hour!
What is scurrilously called ragtime is an invention that is here to stay. That is now conceded by all classes of musicians... All publication s masquerading under the name of ragtime are not the genuine article... That real ragtime of the higher class is rather difficult to play is a painful truth which most pianists have discovered. Syncopations are no indication of light or trashy music... Joplin ragtime is destroyed by careless or imperfect rendering, and very often players lost the effect entirely by playing too fast.
CO2 is a minor player in the total system, and human CO2 emissions are insignificant compared to total natural greenhouse gas emissions. Therefore, lowering human CO2 emissions will have no measurable effect on climate, and continued CO2 emissions will have little or no effect on future temperature....While controlling CO2 emissions from burning fossil fuels may have some beneficial effects on air quality, it will have no measurable effect on climate, but great detrimental effects on the economy and our standard of living.
Each powerful player, or coalition of players, will make concessions in areas where it has relatively less at stake in exchange for other such players making reciprocal concessions in other areas where it has relatively more at stake. Such trades are collectively rational insofar as they get each of the powerful players more of what it wants. But such trades are also dangerous because the whole international rule-system will become incoherent and therefore vulnerable to crises that will continue to become increasingly severe.
Me and my bandmate having known each other and worked together for so long, the process between us is kind of effortless. We've both played in other bands and recorded things outside of Foxygen, but there's something about what happens between our personalities when we make music that works. Also, with it being just the two of us, we don't have the problems that other bands do. We don't have a bass player saying, "What about my parts?" We play all the instruments between us, and we don't really have much ego about that stuff.
My dad was all about music. He was a musician, leading a band when I was born. His band was active all through the 40s. He'd started it in the late 20s and 30s. According to the scrapbook, his band was doing quite well around the Boston area. During the Depression they were on radio. It was a jazz-oriented band. He was a trumpet player, and he wrote and arranged for the band. He taught me how to play the piano and read music, and taught me what he knew of standard tunes and so forth. It was a fantastic way to come up in music.
For me, it's never been an ego situation where I have been "I'm the boss; expletive you." It's always been a situation where someone comes to me and says "I can't tolerate working with you anymore" and I would admit sometimes I wouldn't blame them for that. But I also sometimes think I'm not that difficult to figure out. I don't really know what has driven people to be so angry and bitter - people like my old keyboard player Pogo, who I've known for such a long time. I feel bad for him, but there are grievances with everything.
I have often said to the orchestra, especially to the younger players, 'Do your best, and love what you are doing, because you are allowed to do this thing.' By this I mean, they can do what millions of people cannot do. Many people cannot think of playing music or listening to it until six o'clock in the evening. To be involved professionally in a thing as creative as this is a great privilege and we have a duty to make it in such a way that we can help bring pleasure and a sense of fulfillment to those who are not so fortunate.
So the British, of all ages, still walk the course. On trips to Florida or the American desert, they still marvel, or shudder, at the fleets of electric carts going off in the morning like the first assault wave at the Battle of El Alamein. It is unlikely, for some time, that a Briton will come across in his native land such a scorecard as Henry Longhurst rescued from a California club and cherished till the day he died. The last on its list of local rules printed the firm warning "A Player on Foot Has No Standing on the Course."
Me and a mate picked up two darling birds and they took us back to their flat. I went into the bedroom with my bird and she started getting undressed. I was that drunk I was standing there wondering how to get undressed without letting go of the award. I went to sit on the bed, missed it by four feet and ended up lying on the floor. I remember the bird looking down at me, and saying, ‘Some player of the year.’ Then I fell asleep. I woke up still clutching my award and staggered out of the flat. I hadn’t a bloody clue where I was.
For young players, their minds are not overloaded. I am 54 with four kids and I do many other things. Even if I stopped everything else, spent months working just on chess, for a long match against most of the top players, a classical match, six hours, say, I don't stand a chance. I have a better chance in shorter matches. Rapid is 25 minutes, or blitz events where you have five minutes to make a move, or bullet games, where it is one minute. For blitz, five-minutes chess, I would be top ten, top five. But longer games, no chance.
Computer and video games represent one of the most important new media developments of this generation. Unlike many other forms of entertainment they offer players the opportunity to explore, be creative, learn through interaction and express themselves to others. It is vitally important that we protect and nurture this new art form so that it can reach its full potential. Like most new forms of artistic expression that have come before (music, novels, movies), the primary critics of video games are the people that do not play them.
From the circumstances of my position, I was often thrown into the society of horse-racers, card-players, fox-hunters, scientific and professional men, and of dignified men; and many a time have I asked myself, in the enthusiastic moment of the death of a fox, the victory of a favorite horse, the issue of a question eloquently argued at the bar, or in the great council of the nation, well, which of these kinds of reputation should I prefer? That of a horse-jockey, a fox-hunter, an orator, or the honest advocate of my country's rights?
