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How much soccer training is it needed to become a top player? It depends on the efficiency of your training routine. Setting long and short-term goals is a must. When planning out a soccer training regime, one must strive for realistic and consistent program that will diminish specific weaknesses. Broad versatility of soccer skills is the Nirvana of every dedicated trainee.
Instead of working hard to keep their share of a shrinking pie, or working even harder to make sure the industry stays as is, I think the most essential thing legacy book industry players can do is set up independent ventures with great people and little interference and work really hard to put themselves out of business by starting at the bottom, not by reinforcing the top.
I'm in touch with Stick players all over the world, so I have a unique perspective on what they need from a website. Stick Enterprises is a small family-run business, but they have a depth of experience and committment that's pretty rare these days. I try to make sure that all the bases are covered for them, because I think what they do is really valuable to the music world.
When covering the man with the ball, the defense should be able to touch the ball with his hand. He should assume this touching position as the ball is being received. When the ball is received, the defense should discourage the pass into the post area. The hands should be kept up. Keeping the hands up reduces a tendency to foul and allows a player to move his hands quickly.
I was sixteen, I became a working guitar player gigging in LA, mostly in top 40 bands, then touring. I learned to take songs apart, down to their bones. Songwriters would hire me to produce their demos, which lead me to become a songwriter. The relationship and power music has to TV and film attracted me to composing [and] I learned to write for instruments other than guitar.
Find your own picture, your own self in anything that goes bad. It's awfully easy to mouth off at your staff or chew out players, but if it's bad, and your the head coach, you're responsible. If we have an intercepted pass, I threw it. I'm the head coach. If we get a punt blocked, I caused it. A bad practice, a bad game, it's up to the head coach to assume his responsibility.
It's interesting that the greatest minds of computer science, the founding fathers, like Alan Turing and Claude Shannon and Norbert Wiener, they all looked at chess as the ultimate test. So they thought, "Oh, if a machine can play chess, and beat strong players, set aside a world champion, that would be the sign of a dawn of the AI era." With all due respect, they were wrong.
Each culture has some knowledge. That's why I studied with Saj Dev, an Indian flute player. That's why I studied Stockhausen's music. The pygmies' music of the rain forest is very rich music. So the knowledge is out there. And I also believe one should seek knowledge from the cradle to the grave. With that kind of inquisitiveness, one discovers things that were unknown before.
I've always thought that I'm not really a guitar player, but I just practised so much that I developed into a kind of a bit of a musician, but I've often doubted my musical ear. If someone sings me a melody, I have to improvise on that melody, because I can't retain the information they've given me. That's why I still practise today, I suppose, because I still feel inadequate.
I always tell the players, "We are in the business that's very much like a marathon race only we're gonna be doing it for 260-something days or so." And the race is something you get ready to do. There's gonna be some trial inside of there, but you put yourself through it because ultimately it brings a lot of meaning to your life, it gives a lot of energy to what you're doing.
Playing so many important games in a prestigious competition like the Champions League, I have experience to call upon and I'm thankful for that. I hope the other players can feel more confident because of that. Of course we're facing a very tough tie; we know Juventus F.C. are the favourites, but sometimes excitement, desire, effort and bravery can overcome individual ability.
I can understand the frustration felt by the many basketball players who feel that they have been forced to conform with the league's new dress code, .. Iverson and other NBA players have suggested that they will not abide by the league's dress code, and Bodog.com will offer to reimburse any fines levied, and match the payment with a donation to each player's charity of choice.
If you go to Japan, they're still buying vinyl, and they want the education. They know who's playing on what tracks from the '60s and the '70s - who the guitar player is, who the drummer is, who the producer was, what studio it was recorded in. That's how I grew up listening to music. We bought albums. We read the liner notes. It was important to know the whole history behind it.
We are told No, you're unimportant, you're peripheral - get a degree, get a job, get a this, get that, and then you're a player. You don't even want to play that game. You want to reclaim your mind and get it out of the hands of the cultural engineers who want to turn you into a half-baked moron consuming all this trash that's being manufactured out of the bones of a dying world.
Once we get out on the road, my tour manager who is also my guitar player does a great job of taking weight off of my shoulders where I can just focus on playing the shows.About two hours before every show, the pacing starts and the anticipation builds. I prepare for it just like I would when I used ride bulls, slap yourself in the face, wake yourself up and get your heart going.
Is there anything as incredible as the love story of your own parents? Anything as hard to grasp as the fact that those two over-the-hill players, permanently on the disabled list, were once in the starting lineup? It's impossible to imagine my father, who in my experience was aroused mainly by the lowering of interest rates, suffering the acute, adolescent passions of the flesh.
'Jazz Artist of the Century' would have to be a distinctive soloist and ensemble player, a composer, an arranger, a bandleader, and a driver; would have to span all the genres and periods of jazz; would have to have run her own label; [would] possess a deep spirituality, with grace and a sense of humor; and would have to have succeeded against all odds. Who else? Mary Lou Williams.
To me, all guitar players can play, because I know they're getting to where they're at. It's a very hard instrument to accept, because it takes years to start working with it, that's first, and it looks like everybody else is moving on the instrument but you. Then when you find a cat that's really playing, you always find that he's been playing a long time, you can't get around it.
As a kid, I was a little self-conscious because I was so much taller than everyone. A bad habit of mine used to be slouching. Eventually, I realized my height was something I couldn't control, so I might as well accept it. I've certainly turned it into a positive, because without my height I probably wouldn't be as good of a tennis player. It's a gift, and I've made something of it.
You see, I know change I see change I embody change All we do is change Yeah, I know change We are born to change We sometimes regard it as a metaphor That reflects the way things ought to be In fact change takes time It exceeds expectations It requires both now and then See, although the players change The song remains the same And the truth is... You gotta have the balls to change
The bad player is the one who tries to calculate and play with the odds, as if his game, his life, were one of a large number of games. To do so is at best to succumb to another necessity, the necessity of large numbers. The good player does not fool himself, and accepts that there is exactly one chance, which produces by chance the necessity and even the purpose that he experiences.
It is a great honor to be inducted into the Pacific Coast League Hall of Fame. When you honor me with this distinction, you really honor the players who put me there. All of the honors I receive became a reality only through the contributions of my players. In addition to myself, you also honor my family and the Dodger organization. I accept this recognition with pride and gratitude.
This time last year I would have said Federer would beat Sampras's record. Now I'm not so sure. His aura has gone. He's not as dominant as he was, and since I beat him in Australia he's looked frustrated. Players are beginning to challenge him now, especially myself and Rafa. He's got 12 Grand Slams to his name and maybe he will beat Sampras, but now I'm here it will be tough for him.
I always believe that every song tells a story, so the last thing I want to do is edit out like the meat of the story. I would pick songs based off a), whether I felt like I could do anything with them, and b) whether I felt like I could keep the story intact. And then you sit in with one of the piano players and one of the vocal coaches and kind of work out your arrangements that way.
The pleasure of sport was so often the chance to indulge the cessation of time itself--the pitcher dawdling on the mound, the skier poised at the top of a mountain trail, the basketball player with the rough skin of the ball against his palm preparing for a foul shot, the tennis player at set point over his opponent--all of them savoring a moment before committing themselves to action.
We were 6-4 and everybody doubted us. We lost to the Kansas City Chiefs and that week we had a players meeting and really talked about where we really want to go. It's not about the record. At the end of the day it comes down to are we going to keep focusing on each other and are we going to keep getting better day by day? We ignored the noise, we ignored all the talk from the outside.
As I was a kid, I had a bunch of musicians, they always told me that I should listen to all styles of music and try to play all styles and be authentic at it, if I can, because you never know who's gonna call you. This was coming from fellow horn players who would get the call to play with different types of people. Since I was a kid, that was just something I was always interested in.
Ornette Coleman wasn't sure whether he was going to continue with Charlie Haden-Charlie had some personal problems. I said "You've got to be kidding! There's no one on the globe who will be able to accompany you" and no one ever did. [Scott LaFaro] was playing atonally and certainly Ornette was not an atonal player. Jimmy Garrison was a tonal player. He wasn't even polytonal or atonal.
I have played against (Michel) Platini, (Diego) Maradona, (Johan) Cruyff and played with George Best — a lot of big names, but none of them has been able to do what Messi does. Two years ago I said that the best player I played against was Maradona and the best player I have played with was Bestie. But I can now say I have never seen a player as good as Messi. He’s in a league of his own.
It is not true that the English invented cricket as a way of making all other human endeavors look interesting and lively; that was merely an unintended side effect... It is the only sport that incorporates meal breaks. It is the only sport that shares its name with an insect. It is the only sport in which spectators burn as many calories as players - more if they are moderately restless.
The best illustration I can give of his talent is that at Manchester United there was always a possession drill in training designed to develop our passing ability, which might be three players against another three players, or six versus six, or nine versus nine. But no matter what the numbers were, the side with Paul Scholes on their team would always win by keeping the most possession.
Pushing myself against my own will really, because some of this stuff is hard. I don't consider myself to be a great guitar player, so pushing myself as a guitar player or pushing myself as a singer, as a performer, and just riding that fine line between being so hard on yourself that it's counter-productive and being so hard on yourself that nothing is ever good enough is what drives me.
I got to play with some of the best players in the game, from Victor Martinez and Travis Hafner and Grady Sizemore in Cleveland, to here with Ryan Howard, Chase Utley, Cole Hamels. Obviously, to Seattle with Ichiro and Felix Hernandez, and then to Texas with Josh Hamilton, Ian Kinsler, Mike Young. It was a great experience. Without being traded I never could have gotten to do any of that.?
I think every coach has to adapt to what they have, because they're what you get. You can't just go out to the player tree and pick all the great ones. That doesn't happen. You get a Barry Sanders every now and then. You get a Billy Sims every once in a while. And when you have it, you adapt to their strengths. Whoever comes in here and whoever has this job needs to adapt and will do that.
Age is as much an asset for character players as it is for good wine. Human experiences, both good and bad, leave their marks on one's face and bearing. A few lines on the face and a few gray hairs coupled with the idiosyncrasies an actor adopts throughout life help out round out the actor's personality. So far as I'm concerned, the older a character actor gets, the firmer his position is.
What interested me about Chuck Berry was the way he could step out of the rhythm part with such ease, throwing in a nice, simple riff, and then drop straight into the feel of it again. We used to play a lot more rhythm stuff. We'd do away with the differences between lead and rhythm guitar. You can't go into a shop and ask for a "lead guitar". You're a guitar player, and you play a guitar.
As a young man just beginning to publish some short fiction in the t&a magazines, I was fairly optimistic about my chances of getting published; I knew that I had some game, as the basketball players say these days, and I also felt that time was on my side; sooner or later the best-selling writers of the sixties and seventies would either die or go senile, making room for newcomers like me.
In today's retail environment, competition comes from every conceivable retail format. To succeed, we have to operate more efficiently and compete more effectively against players at all levels of the retail demographic. There is no question that this is a bold and exciting move, and one I believe will have a positive impact on competitive retailing for American consumers in the longer term.
I discovered early on that the player who learned the fundamentals of basketball is going to have a much better chance of succeeding and rising through the levels of competition than the player who was content to do things his own way. A player should be interested in learning why things are done a certain way. The reasons behind the teaching often go a long way to helping develop the skill.
When you're in a start-up, the first ten people will determine whether the company succeeds or not. Each is 10 percent of the company. So why wouldn't you take as much time as necessary to find all the A players? If three were not so great, why would you want a company where 30 percent of your people are not so great? A small company depends on great people much more than a big company does.
I don't care how much people understand what it is that I'm doing, except if they're players in my ensemble or other ensembles. I just want people to be moved by the music. If you're not moved by the music, then everything else falls away. You're not interested in the text, you're not interested in how it was done, and you're not interested in interviewing the composer and all the rest of it.
Kobe was hell-bent on surpassing Jordan as the greatest player in the game. His obsession with Michael was striking. When we played in Chicago that season, I orchestrated a meeting between the two of them, thinking that Michael might help shift Kobe’s attitude toward selfless teamwork. After they shook hands, the first words out of Kobe’s mouth were, ‘You know I can kick your ass one on one.’
I think of myself as a jazz player, and my music as a natural extension of the jazz tradition. What I'm doing is completely free improvisation ('composing in real time') with nothing predetermined. I've had a lot of experience playing many different kinds of music and several different instruments, and since I tend not to waste anything, it all shows up somewhere in the music I'm playing now.
I do preach the idea of individualism as in not adapting any kind of style or model other than that one of your own. I always found it strange in art history when studying about the different guilds and movements. It sounded too contrived and having to follow devised parameters to create art. I personally am not a team player in that manner. The art should be labeled by the artist's name only.
In the early years of the Roaring Twenties, American women not only won the right to vote but they also earned headlines along side their male counterparts during the Golden Age of American sports. Michael Bohn shares an engaging story of how two sports heroines, tennis player Helen Wills and swimmer Gertrude Ederle, helped embolden women to seek self-fulfillment by challenging the status quo.
I'm definitely a frustrated musician, though it's more in terms of wishing I was a better guitar player and songwriter. But I've never regretted becoming an actor instead. I think it's been a more pure form of self-expression for me. I luckily found something that I could aspire to be good at, whereas I never... I think I'd never quite reach that level of artist that I enjoy in the music world.
It's possible at any time during a player's career to get into top physical shape or to try to win every game! But you can't teach skills to an old player. Youth coaches should keep in mind that individual skills need to be nurtured at an early age. Players who haven't mastered the fundamental skills become frustrated because the game gets too difficult for them as they move into higher levels.
Charles Babbage proposed to make an automaton chess-player which should register mechanically the number of games lost and gained in consequence of every sort of move. Thus, the longer the automaton went on playing game, the more experienced it would become by the accumulation of experimental results. Such a machine precisely represents the acquirement of experience by our nervous organization.
Basketball is a great mystery. You can do everything right. You can have the perfect mix of talent and the best system of offense in the game. You can devise a foolproof defensive strategy and prepare your players for every possible eventuality. But if the players don’t have a sense of oneness as a group, your efforts won’t pay off. And the bond that unites a team can be so fragile, so elusive.
The question is, do we have a shadow government? And, if we do, who are those intelligent minority that is -- that is guiding us through? And where are they guiding us to? If you skip past all of the puppets and the strings, if you stop looking at the puppets themselves, you have to see who's behind the puppets. Who is choosing the puppets and the players? Who's the puppet master? George Soros.