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Today, Lan Lan is one of my favourite classical pianists.... Years ago I had a great admiration for Arthur Rubinstein but I have no doubt that Franz Liszt and Frederic Chopin were also fantastic piano players - though there is no way to listen to them when they were performing.
Free music is in a constant state of surprise and, consequently, presents no surprise at all. So, I'm not really a fan of Free music. Having said that, Jazz is based on individual expression and I'm compelled to respect the Free player's option to express himself as he chooses.
I think the most important thing about coaching is that you have to have a sense of confidence about what you're doing. You have to be a salesman and you have to get your players, particularly your leaders, to believe in what you're trying to accomplish on the basketball floor.
What took me decades to learn, these kids can get on the Internet...What I learned by brute force, dealing out hands, they learn on computers. It tends to make for fairly technical players, but they make up for it with aggression, the kind that comes when you learn things fast.
The best players in the world are playing to make history. There are only four tournaments you can win to make history, and TPC (The Players Championship) is not one of them. And neither are those world events. And you're not going to make history winning some kind of FedEx Cup.
England are very light up front. Eriksson's decision not to include Jermaine Defoe can be declared an error of judgment, regardless of Rooney's situation. The Swede should have forgone one of his nine midfield players; much will have to go wrong for Jermaine Jenas to get a game.
It's about learning your craft. That's a wonderful thing--especially with today's consumerism and instant gratification. You can'tbuy that. It's about making decisions, corrections, choices. I don't think it's so much about becoming a tennis player. It's about becoming a person.
In order to become a grandmaster class player whose understanding of chess is superior to the thousands of ordinary players, you have to develop within yourself a large number of qualities, the qualities of an artistic creator, a calculating practitioner, a cold calm competitor.
The basis of my confidence is that I wasn't a talented player. I was a talented human being. At school, I always had good figures. I was the captain of all my football teams. I studied physical education at the Academy, so I learned to analyse, to observe, and to take decisions.
Look at the NBA players back when Magic and Kareem played in the early 80's with the short shorts, look at what Michael looked like when he first came in the league compared to when he left. Every sport evolves. Every sport gets bigger and more athletic, and you have to keep up.
I don't think I'll ever feel as famous or as popular as I felt when I was a 17-year-old soccer player in Modle. Only about 20,000 people live there and 12,000 of them come to every game. Running onto the pitch each week was just the most fantastic feeling. Nothing can beat that.
Known as a negative player, Karpov sets up deep traps and creates moves that seem to allow his opponent possibilities - but that really don't. He takes no chances, and he gives his opponents nothing. He's a trench-warfare fighter who keeps the game moving just an inch at a time.
At some point, I had to make a decision: I could practice more and become a really great guitar player or I could work on writing better songs. There are only so many hours in the day, and I found writing songs more fulfilling than working on becoming this virtuoso guitar player.
I like to be able to control which players I'm working with. Because it doesn't matter how good a coach you are if the guys you're working with think they already know it all. You need a response, you need to feel they're trying. I want players who are always striving to improve.
I always thought of myself as the piano player in the band. That, I suppose, I'm confident about, and I guess my songwriting developed as I went along and I got a certain amount of confidence in that. The songs are like my kids, I'm proud of all of them for one reason or another.
I think, in general, the sports I've enjoyed covering the most have been the offbeat ones. The more popular, mainstream, the less I like them because they're more, they're more structured and the players don't have much interesting to say because they're interviewed all the time.
We’re not dead yet.” – Sundown “Yet is the operative word. If that’s all that’s in the way, I’ll kill you and end it. Ren? Give me your knife.” – Sasha “It’s their decision.” – Ren “Oh, that’s it. You’re fired buddy. Get off my island until you learn to be a team player.” – Sasha
It's something you dream about as a kid. Like when you play all those NCAA video games as a kid and you create your own player and win the Heisman with a bunch of crazy numbers. It's the biggest, most prestigious award in college football, so it'd definitely be a dream come true.
The way to learn the language is to rip off other players. As Benny Golson told me, "We all start off sounding like other cats. And gradually, a lick here or there,we start to sound like ourselves. But it takes a long time to do so..." That'swhat he told me, and it worked for me.
Having been in football all my life as a player and a coach and having been on the sideline, I think the closer we can get to bringing people what it's like standing and watching the game on the sideline, with a better view, would be the perfect situation for television football.
The image that I remember most of all is of the Fenerbahçe players storming into the stadium before kickoff. They were called the canaries because of their yellow jerseys. It was as if they, like canaries, were fluttering into the stadium out of a hole. I loved it. It was poetry.
Critics have always questioned whether players like Pele from the 50s could play today. Lionel Messi could play in the 1950s and the present day, as could Di Stefano, Pele, Maradona, Cruyff because they are all great players. Lionel Messi without question fits into that category.
I'm a pretty easygoing guy. I'm not hard to get along with. I never had anybody that I had trouble with. On the other team, sometimes you don't like players because of the way they act, but then you get to know them and then they're very good people. But I never disliked anybody.
I am excited about it. No-one really knows him [Kumar Sangakkara] as a person and everyone is looking forward to that. Getting to know players like Amla, Ponting and Smith has been special and this is great, because he [Sangakkara] is here for two years, it's no flash in the pan.
I feel like I have everything else as far as being creative and athletic. But it's the little things that's going to push me over, like ball-handling, passing, boxing out when I'm setting screens. Little things like that that you would overlook that can make me a complete player.
Of course I knew The Band's Canadian keyboard player, the late Richard Manuel, but I didn't play that night because I was there as a guest with my record executives. People ask, "why didn't you play?" If I had known I was going to be playing then I would have been prepared for it.
Funny thing about the volatile and biased French crowds. While they'd prefer to be cheering a countryman and giving his foreign opponent merry hell, if there was no Frenchman in the game, they'd always support a Continental player over an Englishman, an American, or an Australian.
I grew up listening to a lot of player-piano music in my house and a lot of old Tin Pan Alley songs and American standards. My dad listened to a lot of traditional Irish music and I grew up doing musical theater. So most of the music I was exposed to as a kid was pre-rock n' roll.
When I was a young player, I never dreamed of scoring five goals in a game - and in nine minutes is something else. And when it happened, it was incredible that there could ever be anything like that in the history of the game. It took me a couple of days to realise what I'd done.
For me, Paul Scholes is on the same level as Ronaldo. The real Ronaldo, not Cristiano. I always thought he was a great player but after I played alongside him I realised he was Manchester United's greatest player of all time. He did his talking on the pitch which I respected most.
Theres something incredible about putting a helmet on just before a game; its a feeling only a football player knows. Your vision narrows, and the whole world shrinks. You cant hear much of what goes on outside you, but you can hear yourself breathe and you can feel yourself sweat.
In the future, we will play games while floating naked in a tank of warm, sensory-depriving gelatin. Games will be distributed chemically, into the gelatin, and absorbed into the player's skin. The gelatin will be Lingonberry-flavored, and the games will encourage good citizenship.
There are times when players have got to feel that if they work hard and they give everything, they get the carrot, but they also need to know that there's a stick. If performance, discipline or attitude isn't good enough, there is a bit of the stick and there will be a punishment.
Seve Ballesteros was the best trouble-shot player who ever lived. It didn't matter how far in the woods you put that guy, he'd find a way to get out. But Seve inadvertently put a lot of big numbers on the scorecards of average players, because he inspired them to take dumb chances.
What's so amazing in today's society is people look up to football players. And as a football player, you have a platform. And it's so much more important than any touchdown or trophy or anything you could win with football. Its taking that platform and be able to influence people.
'Ready Player One' has it all - nostalgia, trivia, adventure, romance, heart, and, dare I say it, some very fascinating social commentary. The novel follows Wade Watts through the virtual reality world, the OASIS, and on a quest to uncover and unlock the secrets buried deep inside.
You have a white guy as an announcer and sportscaster. Me, I'm black. I do it and I've already done some stuff in the past. We're more expressive than the white guys. You look at the skill players. We're the ones that get into the end zone. We get in the end zone more than they do.
You expect a basketball player to come with a white button-down, Balmain jeans, and Balenciagas. You expect that. But when I come with an extended button-down, camos, no socks, Louboutins that have spikes on them, and a bow tie with diamonds, you'll be like, "What? Who dressed him?"
In Camden, it's just the atmosphere that gets me. It's simple. It's nice. It's real. And it's the people, too. I like to interact with them because they are normal and I am normal. People probably don't expect an Arsenal player to come to Camden Lock and, basically, be a normal guy.
I have seen women walk right past a TV set with a football game on and - this always amazes me - not stop to watch, even if the TV is showing replays of what we call a "good hit," which is a tackle that causes at least one major internal organ to actually fly out of a player's body.
He is the best. The best in the world, yes. Probably the best ever. I saw Maradona a couple of times. I never saw Pele. But Cristiano is amazing. This man is the best... Cristiano is a goals machine. He is an incredible player. He is like Zidane, there will never be another Ronaldo.
I was a football player at college and dislocated my thumb. I was out for a bit and passed the theatre and saw some lovely drama students walking into an audition for 'Much Ado About Nothing' and thought: 'That's what I'll do when I recover.' I joined that production and was hooked.
Oftentimes, whenever I do interviews with guitar magazines and we discuss my influences, I mention people like Steve Morse, Alex Lifeson, Al Di Meola - but John Scofield's name never comes up. And that's funny because he's so amazing; he's the epitome of a really cool guitar player.
I think it's always when you go to caddie for another player, it's no different to when you start with a new player. The very most important thing is when you get the first opportunity to have a win is to try and show them that you know what you're doing. It's easier said than done.
When you see young players coming into the squad and pushing you, no matter what age you are, you have to react. You have to worry about yourself and perform as well as you can. If you end up looking around at others, wondering whos performing better, you take your eye off the ball.
You turn the computer into the storyteller and the player into the audience, like in the old days when the storyteller would actually respond to the audience, rather than just having the audience respond to the storyteller. I had an enormous amount of fun, actually, working on that.
I remember when I was in third grade, I was in a classroom, and the teacher said, 'What do you want to do when you get older?' We were going around the room. I said, 'I want to be a professional basketball player.' She's like, 'That's not realistic.' I thought to myself, 'OK, watch.'
What work I have done I have done because it has been play. If it had been work I shouldn't have done it. . . . The work that is really a man's own work is play and not work at all. . . . When we talk about the great workers of the world we really mean the great players of the world.
[When] I was young and I listened to everything - I took everything to heart. I didn't really realize how much people want to talk badly about you when you're down, or kick you when you're down. As basketball players, people think everybody's ultra-confident. But that's not the case.
Control is the main thing, and the tee shot is the most important shot in golf. You've got to hit the fairway before you have a good chance of putting the ball close to the pin. You can be the greatest iron player in the world, but if you're in the boondocks it won't do you any good.