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Honestly, I believe that you are only as good as your last game. And so there were games and tournaments and days when I was like, "I'm probably the best player in the world." And there were some where I'm like, "Oh god, I'm terrible." I think that pushed me all the time.
The only thing I pay attention to with free throws is what a guy does in the final four minutes of a game. If you can improve players' self-esteem and confidence, get them to relax, teach visualization and routine, they will shoot as well, or better, with the pressure on.
I've been around young, talented, non-coachable players. I've been around veteran, talented, non-coachable players. No matter what you do, sooner or later - even if a coach comes in that's able to connect with them - if that's who they are, they're going to go back to it.
A big market is something that doesn't really concern me too much. It's cool to think about, it's good for off-the-court deals. But I'm more of a basketball player. That's what I want to be known as. And this is the best place for me to play basketball. I'm glad I'm here.
You hear a few people saying that, you know, maybe some of the past male players like to watch me play or whatever else, just because I play a bit differently and maybe they can relate to it a bit more with a bigger forehand rather than a backhand, good serve and whatnot.
I went to play in Brazil when I had just turned 18 and was the world's top junior player. I got to the airport, and no one knew who I was. I couldn't speak any Portuguese, and no one spoke English. Then someone said something that resembled 'tennis,' and I went with that.
I like streaming music. I'll be in the car going, 'I want to hear Scotty Anderson.' He's a great guitar player not many people know about - maybe me and two other dudes know him. But I love him, and I can pull him up on Apple Music, and there it is, right there in my car.
Not infrequently ... the theoretical is a synonym of the stereotyped. For the 'theoretical' in chess is nothing more than that which can be found in the textbooks and to which players try to conform because they cannot think up anything better or equal, anything original.
In our small chess community in Marylebone it would be mock modesty on my part to deny that I have built up for myself a considerable name without ever actually having won a single game. Even the best players are sometimes beaten, and that is precisely what happens to me.
We draft mostly high school kids and we have one of the finest, if not the finest, player development programs and coaching staffs and we teach our players the right way to play. We also have a game plan in scouting, and there are certain types of players that we look for.
Faulty execution of a winning combination has lost many a game on the very brink of victory. In such cases a player sees the winning idea, plays the winning sacrifice and then inverts the order of his fellow-up moves or misses the really clinching point of his combination.
Francisco Garcia could have been a high draft choice last year, probably in the 20s. He's the best wing player I've ever coached. But he's done it the right way. He knew he had to work on his body to become a good pro. When he goes into the pros, he'll be physically ready.
When you play a match, it is statistically proven that players actually have the ball 3 minutes on average ... So, the most important thing is: what do you do during those 87 minutes when you do not have the ball. That is what determines wether you're a good player or not.
Art is my 'solo career' if you like. Musically, as a bass player, I depend on other musicians to play, whereas, with painting, I'm on my own. I find it quite easy to switch heads and I enjoy both the mayhem of being on tour and the serenity of being alone in my art studio.
Vonnegut's earliest novels hint strongly at his familiarity with Wiener's work, The Human Use of Human Beings, especially his first novel, Player Piano (1952), which shows his concern for the social implications of automation, the replacement of human beings with machines.
I'm a really smart player. If you tell me something, I get it quickly. If there is something wrong with my hitting, tell me what's wrong and I'll pick it up right away. That's the best thing I have going for me, my ability to listen to a coach and fix what I'm doing wrong.
Ben [Peeler] and I have known each other for a decade. He trusts my crazy ideas and spontaneous combustion and he gets the players I want and knows the kind of personality players I like. He has taste that I trust and that to me is more important than any technical things.
These data suggest very strongly that participating in the playing of violent video games by children and youth increase aggressive thought and behavior; increase antisocial behavior and delinquency; engender poor school performance; desensitize the game player to violence.
A lot of amateurs are terrified of going up against a player who is clearly better than they are. They never play their best, because they aren't comfortable. There's one surefire way to get over that, and it's to ask yourself, 'What if I beat him?' Imagine the possibility.
I wanted to be a pro volleyball player, and I fell in love with performance and audience response. The pressure of performing and doing something that I love doing in front of people who were grateful to see it. That relationship sort of worked out to be acting and theatre.
My greatest influences in my sport have been two former number one English lady darts players, Deta Hedman and Mandy Solomons. Deta helped me at international events and both helped me to cope with the big occasion which gave me the confidence I needed to become a champion.
The great World Champions Morphy, Steinitz, and Lasker were past masters in the art of Pawn play; they had no superiors in their handling of endgames. The present World Champion has not the strength of the other three as an endgame player, and is therefore inferior to them.
The players are too serious. They don't have any fun any more. They come to camp with a financial adviser and they read the stock market page before the sports pages. They concern themselves with statistics rather than simply playing the game and enjoying it for what it is.
A coach can't be concerned with the poor ballplayer. If the player can't make it, he's got to be out right away. It's a very tough aspect of coaching, and in this aspect I was weak. Also, some guys get fat on coaching, they get healthy and strong, but other guys get ulcers.
It is nice to have the fans recognize you, not because it makes you feel like a big-time player, but because they enjoy watching baseball and they like watching us play. It's going to get even better being here. Pretty soon, the city could be one of the best places to play.
Part of what makes you great as a young player can hurt you at the end of your career, in terms of you need a certain amount of ego, a certain amount of arrogance to be able to play well and to push yourself and trick yourself into thinking you're better than you really are.
I don't like it when a player says, 'I like freedom; I want to play for myself.' Because the player has to understand he is part of a team with 10 other players. If everyone wants to be a jazz musician, it will be chaos. They will not be a team, and nothing will be possible.
Ronaldo could play for Millwall, QPR, Doncaster Rovers or anyone and he'd score a hat-trick. I'm not sure Messi could do it. Ronaldo's got two feet, he's quick, he's good in the air and he's brave, though Messi's brave too of course. I just think Messi is a Barcelona player.
Castle Rock and New Line each have their strengths, but the great thing about New Line is that they are a real focused-market, niche-market player who understand franchises. They probably understand the franchise business in motion pictures better than anyone else out there.
You know how kids will wait outside after a gig and try to get an autograph from the band? I would do that, but when I found the guitar player, I would say, 'What advice can you give me?' And a lot of my heroes would say, 'Have your own style.' I always kept that in my head.
It is not always easy for a young player to come through at the club level, because all the clubs are able to buy for 20 million or 30 million and it is hard for young English talent to come through and to get recognition and be able to be part of the squad or start playing.
I've always been a player that likes to get round the back and get crosses in for other people. When I first burst on to the scene some people only saw the goals I was scoring. More recently they've taken notice of the goals I've set up. It is nice to be recognized for that.
I think that my IQ level grew as a player. I think that I [run] the game a little bit better. I'm waiting for the game to come to me, and I'm picking and choosing my spots instead of just going out there and just doing whatever because I don't have to do that with this team?
I'm just thrilled for so many people. Our players, mostly, but the people in our organization - Rick Welts, Joe Lacob and Peter Guber and the whole group. It's just a phenomenal group of people. I think as a coach you just appreciate kind of the big picture a little bit more.
I don't know what Joe (DiMaggio) wanted (in regards to being called 'the greatest living ballplayer'), but I don't have a problem, if he wanted to do that. He was my hero. Joe was the best all-around player. Joe was the best. I only played against him once, in the '51 Series.
There are people who are great technical players like Eric Clapton, and there are people who are great intuitive songwriters like Daniel Johnston. There are sometimes people who are great at both the technique and the creativity, the two sides of the coin, maybe Jimi Hendrix.
I'm quite certain that if the rest of the world vanished overnight and the development of cricket were left in Australian hands, within a generation, the players would be wearing shorts and using the bats to hit each other, and the thing is, it'd be a much better game for it.
Confidence is the most important thing in this sport, and the confidence from winning Wimbledon would make it easier to win the Olympics, too. Either would be very difficult, both even more-but the player who wins Wimbledon will be the favorite for the Olympics. It can happen.
When a chess player looks at the board, he does not see a static mosaic, a 'still life', but a magnetic field of forces, charged with energy - as Faraday saw the stresses surrounding magnets and currents as curves in space; or as Van Gogh saw vortices in the skies of Provence.
An idea has no worth at all without believable characters to implement it; a plot without characters is like a tennis court without players. Daffy Duck is to a Buck Rogers story what John McEnroe was to tennis. Personality. That is the key, the drum, the fife. Forget the plot.
Most teams have one All-Star, whether that guy made it this year or earlier in his career, and some teams have two All-Stars. What theyre showing is that a group of five guys that play together and play hard will always beat a team with two All-Stars and three average players.
I feel lucky to live at a time when the dominant tennis players are Venus and Serena Williams. And to have lived through the success of a whole slew of boxers and feel I could invest emotionally and psychologically in their victories, and identify with them in their struggles.
It's the one thing that the Devils have always prided themselves on. That comes from recruiting. We try and pick out the players who not only have the on-ice skills, but the off-ice skills too. I think in any job, if you have good people and you work together, you work better.
In short, we accumulate all the information that we can accumulate, wherever that information comes from, and try to analyze it and make the best decision we can make for our football team on a case-by-case basis. It's the same for every single player; the process is the same.
The World Cup only comes around once every four years and is the absolute pinnacle of our sport. It is something we dream about as players. It is a reason why many of us started playing this game. I know myself, my teammates will be focused on what's ahead and what's at stake.
It's frustrating at times when you think you've earned a chance to play on the field and you're over there sitting on the bench. That's not the kind of player I am. I'm the kind of player who wants to be out there on the field and needs to contribute every minute of every game.
I didn't come in and say: "I'm a singer." I came into the band as a second guitar player and a vocalist, but not the songwriter. I had been writing poetry for years, so I sort of had the nature of the words. I felt like no one else could sing my lyrics, so I took a crack at it.
Television is not the truth! Television is a goddamned amusement park. Television is a circus, a carnival, a travelling troupe of acrobats and story-tellers, singers and dancers, jugglers, sideshow freaks, lion-tamers and football players. We're in the boredom-killing business!
I hope I become a better player day after day. This is one of my goals. I want to improve in every situation, but when you are playing along with top figures, it is a quality bonus and a bigger effort. Besides, the Spanish Liga also gives you the chance to progress and improve.
He [Vince Spadea] was about as down and out as you could see from a Top 20 player. Then to claw his way back through the minor leagues and do it the hard way where he wasn't young, wasn't getting wildcards, wasn't getting any help. I guess he decided he was just going to do it.