My success has a lot to do with my private life. I've matured a lot by first becoming a husband and now a father. My life is in the right direction. And that helps a player to thrive. One thing is linked with the other. My private life has helped me.

You have to believe you're great. You have to have an air about you. My success wasn't because I was a great talent, but because I wanted it more than anybody else. Every minute I step on that field, I want to prove I'm the best player in the league.

Take off all the masks, manners, fancy clothes, all the devices you use, and be the most honest person you can be with yourself. Then, whatever love you get then is real. All the false approaches, like trying to be a player, only bring false results.

I feel my spot is somewhere between a bass player and a rhythm guitar player. I play with a pick. I play very aggressively. I always have a distortion pedal in line, and I play less melodies and do more stuff against the guitars that create melodies.

The pace of the game has changed even while I've been a player. It always seems to be getting quicker. You need to be fast, quick to get around the park, need to be able to press and defend and get in peoples' faces, and you need quality on the ball.

I knew I was the second-best tennis player in the state of Florida and No. 8 in the United States of America when I was 12 years old and I couldn't tell you what I was in baseball, but I liked my chances in tennis of getting a scholarship to college.

It is wonderful to work in an environment with a lot of smart people. It challenges you to think and work on a different level. If you play with better players, you learn a lot: perspectives, intellectual arguments, new ways of thinking about things.

As a player, you have one responsibility, to focus yourself and be ready for the game. As a coach, your responsibility is to get 20 guys ready and have them all on the same page. If you can't get every guy ready every night, you're going to struggle.

More and more teams are using almost exclusively the draft to build their teams. And that means you have younger players to develop in those key depth positions. Younger players are more susceptible to streaks than veterans. They go up, they go down.

I would say that we have to explore and find ways to make our game a better game and take care of our players in whatever way possible. Regardless of what other stigmas might be involved, we have to do this because the world of medicine is doing this.

As a scouting department, with the confidence we have in our player development, if a guy has the potential that we think they have and the makeup and they stay healthy, we think they will be a productive Major Leaguer. We take a lot of pride in that.

All seasoned players know, or at least have felt, that when you are playing your best, you are much the same as in a state of meditation. You are free of tension and chatter. You are concentrating on one thing. It is the ideal condition for good golf.

Most of my music theory knowledge is based on piano. But I write on guitar a lot, too. I'm not a great guitar player by any means. I'm not a great instrumentalist. I play piano on stage. I don't play guitar on stage, but I use it to write quite a lot.

To be the first player to do it three consecutive years (fifty or more home runs), you go back through the thousands of power hitters who played this game and nobody has ever done it, and I can sit here and say I'm the first. I'm pretty proud of that.

We ask these players to do some very difficult things, for the team, the coaching staff, the school - at risk of injury. And when they do those things, I feel as if I'm in their debt. It's an honor to coach those guys. I want to be of service to them.

His temperament is always there to be questioned because he plays on the edge. That is just the way he plays. It is a cliche but if you took that edge away from Wayne he wouldn't be the same player and I would rather have the Wayne Rooney we have now.

People in general misunderstand me. I'm very aware of the stereotype that comes with being a basketball player. But I'm well-rounded. I'm cultured. It's funny: When I speak, people are like, "Wow! You can really talk." I'm like, "What did you expect?"

I have learned not to overlook the advantages of being me. From when I was a softball player, and I held the stolen bases record. I would slide into second with my prostheses, and the girl on the base could either step aside or meet two wooden sticks.

In chess so much depends on opening theory, so the champions before the last century did not know as much as I do and other players do about opening theory. So if you just brought them back from the dead they wouldn't do well. They'd get bad openings.

Neymar is undoubtedly the best player in Brazil. He deserves to play in the best team in the world; next to the best player in the world, Messi.He is a very good player with great quality and a great future.I have no doubt. For me, Neymar is a genius.

With any player, especially at quarterback, I don't care if you're talking Tom Brady or Peyton Manning or Drew Brees: you want to make sure to continue to hammer down the fundamentals, and it all starts with your feet. Everything starts with footwork.

There is an old saying about the strength of the wolf is the pack, and I think there is a lot of truth to that. On a football team, it’s not the strength of the individual players, but it is the strength of the unit and how they all function together.

One of the things I noticed more in this draft than in any recent drafts was the importance of the character issue. Players who had baggage, like Justice, fell much farther than his talent dictated. But a lot of coaches didn't want to take the chance.

Scholesy was a genius, absolute genius. He was a center-forward's dream, you could make a run and he'd put the ball perfectly in your path. Any footballer you ask will always tell you that Scholesy was one of the best players they've ever played with.

Tom Watson, Tom Watson blew, what, two PGA Championships and a U.S. Open. Did it destroy his life? No, it didn't destroy his life. He learned from it. He went on to win a lot of major championships and obviously became one of the world's great players.

You wouldn't have had to call a penalty on me, I would've called I on myself'. 9. “I'm the sole judge of my standards”. 10. “I always outworked everybody. Work never bothered me like it bothers some people. You can outwork the best player in the world.

Glue guys aren't superstars. They're not the No. 1 option. They just do things only coaches really appreciate. The stars get the headlines, but glue guys help you get in the winner's circle. I don't think you can win without having that kind of player.

College is a time in life where you get to know yourself as a player on the pitch and off the pitch. My coaches at USF were instrumental in making me understand the discipline it takes to succeed at the next level. Those were four special years for me.

Milan is my favorite team. Every weekend I check the Serie A results to see how Milan fared. Milan has really great players, like Seedorf, Ibra, Pato and Thiago Silva. Then there is Nesta who is a great champion, it's enough just to look at his career.

When I look at the system here and look at my position - not just as a basketball player, but when I look around me at the values of the people and the culture and compare them with the values of where I came from - I feel so blessed to be from Africa.

As with Cesc Fabregas, some players who go and play for foreign clubs improve on a cultural level. It makes them grow on many levels; intellectually, because you have to learn a new language and adapt to another culture, and on a footballing level too.

Beside my obvious physical structure, I have been told on almost every set I've been on that I am a joy to have around. I grew up as a team player on team sports. Later as a doorman where you had to watch each other's back and trust the guy beside you.

Acting is a sport. On stage you must be ready to move like a tennis player on his toes. Your concentration must be keen, your reflexes sharp; your body and mind are in top gear, the chase is on. Acting is energy. In the theatre people pay to see energy.

I don't want to brag, but I do more homework on the course than any other announcer. I chart the greens to get all the breaks. I walk down into the greenside bunkers. I walk into the fairway bunkers to see whether a player can reach the green from them.

I can't see anyone coming out, because the players feel it is no one's business. We all stick together. We're a very tight group. It would be too hard for just one person to do, too stressful. And why should it make a difference? The LPGA is about golf.

If Congress is going to investigate baseball players about whether or not they told the truth, how can we justify giving the most powerful intelligence official, [James] Clapper, a pass? This is how J. Edgar Hoover ended up in charge of the FBI forever.

Dave Rocha is a modern player out of the hard-bop tradition, with a beautiful sound and tremendous facility on the horn. You can hear the influence of Clifford Brown, Lee Morgan and others in his playing, but Dave has his own voice, and it's a nice one!

Because Microsoft seems to sometimes not trust customer choice, they salt XP with all these little gizmos and trap doors to get people to try Microsoft stuff. But the reality is that we're downloading more players than we ever have on a worldwide basis.

I was never promised any special treatment or consideration for fingering star players. I was never coerced to provide information against anyone. All that I was ever told to was to tell the truth to the best of my ability. And that is what I have done.

It's a dream of any player to win the bdo. I came really close to it and I'm very proud of my work, for being one of the 3 bests in the world, for the people who are working with me and that are helping me and supporting me. I hope someday I can win it.

I never wanted all this hoopla. All I wanted was to be a good ball player and hit twenty-five or thirty homers, drive in a hundred runs, hit .280 and help my club win pennants. I just wanted to be one of the guys, an average player having a good season.

It was simple reality - most competitive tennis players in my day were privileged, spoiled, entitled and white. Also, many of them were beautiful, fit, tan and of good stock - great big hair and white teeth and long legs. Then there were the rest of us.

I've never heard anything Wynton [Marsalis] played sound like it meant anything at all. Wynton has no voice and no presence. His music sounds like a talented high-school trumpet player to me... he's jazzy the same way someone who drives a BMW is sporty.

I listen to other guitar players, yeah. It gives me new concepts and shows me where the instrument is going for the future and it is going some places. There are some musicians who are really putting out a good vibe with new theories. I try and keep up.

A player's effectiveness is directly related to his ability to be right there, doing that thing, in the moment. He can't be worrying about the past or the future or the crowd or some other extraneous event. He must be able to respond in the here and now.

I was going to say is that I come from a rock background, but also I was super interested in jazz for a long time. I was training to be a jazz musician for quite a while. I never trained to be a classical composer or player, but I did train to play jazz.

Once you start altering your body's blueprint, things start falling apart. Some players take steroids, and two years later, after they've broken records, suddenly they have back problems, shoulder problems, arm problems. They're out of the game for good.

The linear design of FFXIII had a great advantage in providing players with enough time to become familiarized with the new battle system and the unique world. But on the other hand, it led to players feeling like the majority of the game was a tutorial.

A player's ability to rebound is inversely proportional to the distance between where he was born and the nearest railroad tracks. The greater distance you live from the poor side of the railroad tracks, the less likely that you will be a good rebounder.

It was about finding creative, original musicians. Musicians who are strong composers. Flexible, empathetic musicians, who are great individually but who also have a great sense for cooperation and collaboration, great listeners as well as great players.

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