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In the process of them developing this instrument, I've been playing the melodica in the style I would like the harmoniboard to be played, which is a mix between a harmonica and keyboard. I play with trumpet style techniques. I really like the mobility of being able to step off the piano and bring the music to the audience.

I don't collect the way other people do. Some people collect rare guitars, like, 'I have a '54 Strat worth $50,000.' And I don't collect the way Nash does. Nash has Duane Allman's guitar and Johnny Cash's guitar. I bought guitars because they sounded good. I played them, they sounded unbelievably good, and I couldn't resist.

My thing was, I loved music. I played music: I played the saxophone. So the little bit of music knowhow I had, I tried to implement that in every thing I did, from my style, my cadence, the way I tried to pause and stagnate it; that all came from John Coltrane and listening to jazz albums. Trying to rhyme like a jazz player.

When I was a kid I watched Steve Nash, Jason Kidd, Allen Iverson - all these great point guards. But then when I was 14, 15-years-old I found a similar guy who played like me - Beno Udrih. He's lefty too and he played in my hometown so I was a huge fan of his. Then after awhile I saw Manu Ginobili when he was playing in Italy.

Marvin Harrison was the best receiver I played against, especially being a young player and just learning the game at this level. He was already at a high level, and the job was made even more difficult because it seemed like every time we played the Colts it was in Indianapolis, where they played on turf - that old AstroTurf.

The sight of allegedly sophisticated politicians parroting complete tripe trivialises and demeans government and it has to be stopped. It's played a significant part in public disillusionment with politics and has led to the absurd situation where more people vote for 'Strictly Come Dancing' than voted in the general election.

Sports have always been a big part of my life. At school, I played a lot of different sports, and I was competing with other schools. I did everything: running, volleyball, basketball, soccer, Olympic-style gymnastics, and more! My history with sports gave me good concentration, focus, strength, and motivation to stay healthy.

I was born in 1928, so in 1943, 1944, we had the war in Rome. There were a lot of hardships, a lack of food, many shortages. So when I worked with the Americans, the English, and the Canadians soon after the war, when I played with them, they paid me with food. That will give you an idea how widespread poverty was at that time.

Some people - which I don't understand - kind of get mad like I'm disrespecting shoes. I'm like, 'They are sneakers, they are meant to be worn, meant to be played in.' And I hate when people use them as trophies. They are sneakers. It's one of my pet peeves. I got pairs if I don't want to wear, I will get a couple pairs of them.

I did quite a lot of fencing when I was a kid. I was a swimmer, and I played a lot of basketball. I was a fencer for Great Britain, but I only did that because I watched 'Robin Hood,' 'Star Wars,' 'Highlander' and 'The Three Musketeers,' and I wanted to emulate Richard Harris and the great British actors that I grew up watching.

I know when I left the game, I could have played more. There is no question. I think I could have played at a very high level, too. But I could not play the way everyone wanted me to play. And I was not willing to compromise what I felt was a standard that I had established in this league and, particularly, for our fans at home.

I watched Leicester City lose in the 1969 FA Cup final with my dad and granddad when I was eight and cried all the way home. I have seen them get promoted and relegated. I played for them for eight years. I even got a group of like-minded fans and friends to stump up a few quid to salvage the club when they went into liquidation.

When I played Darth Maul, it sort of came from inside. I'm not saying it was natural, but I really enjoyed it, and I think I was tapping into my childhood, growing up with 'Star Wars.' And I grew up with G.I. Joe as well. Same as 'Thundercats' and 'Transformers' and 'He-Man.' And so I think it was the inner kid in me just came out.

I had to deal with it so often, I found ways of making a point against racism. When I played against Real Zaragoza, they chanted like monkeys and threw peanuts on the pitch. So when I scored, I danced in front of them like a monkey. When the same thing happened against Real Madrid, I scored and held my fist in a Black Power salute.

I grew up playing softball, and at the age of nine, I decided I was going to be an Olympian. I didn't really know what that meant at the time. I thought it might be in a warm summer sport like softball, but I played a variety of sports growing up - basketball, soccer and track. I really didn't care. I just wanted to be an Olympian.

After I hurt the knee, football wasn't nearly as much fun. I was limited. But you make do with what you have. I adjusted some. I was lucky to play as long as I did, with the different kinds of injuries I got. I played with two severed hamstring muscles in my leg late in my career. I could barely run, other than to drop back to pass.

I didn't have a good time with Lancashire in 2000. Probably I'd played too much cricket and should have taken a rest, but I went there when the offer came because I had always had an ambition to play the county game in England. And I was a bit jaded. And I didn't do myself justice. I want to put that right before I finish my career.

When I was nine years old, I started playing guitar, and I took classical guitar lessons and studied music theory. And played jazz for a while. And then when I was around fourteen years old, I discovered punk rock. And so I then tried to unlearn everything I had learned in classical music and jazz so I could play in punk rock bands.

I went to Dartmouth College, graduated, and had the opportunity to play two professional sports - I played for the New England Patriots in the NFL and professional lacrosse for the Boston Blazers. I had an injury, so I had to stop so I could heal. But when I was playing football, I wasn't making a lot of money; I wasn't a superstar.

Sharpe is my favorite role of all that I've played. He's a very complex character. He knows that he's a good soldier, but he will always have to fight the prejudice of aristocratic officers because of his rough working-class upbringing. On the battlefield, he's full of confidence - but off it, he is unsure, a bit shy and ill at ease.

Coming from the theatre, I have played some fabulous characters where I get to wear gowns, and I get to be a princess or someone from the 1920s, or I get to wear showgirl costumes. I'm used to wearing a wardrobe that changes how I feel. It's a bit of an outside-in approach - so often, the clothing can reveal so much about a character.

Regarding 'Ferris Bueller,' I was in the Czech Republic once, in Prague, making a movie at the same time as Jeffrey Jones, who played the principal, who was making a different movie. The Super Bowl was going to be playing at this bar at midnight, so we decided we would go watch the Super Bowl at this bar at midnight in Prague together.

With rap, you go in the studio, you make music, you put the music out, then all of a sudden, you're a star: you have a big record on the radio, and you're on stage, and you've never done it before. Let's say your first show is 'Summer Jam,' and you're in front of 60,000 people, and you've never played an arena, ever. You're gonna suck.

I just turned 40, and it's weird to think that I've been doing this almost my whole life. I was a child actor and then didn't do it through junior high and high school, then started up again in my late teens doing 'Young and the Restless.' Dabbled with school, went back to college, played around. I think I was doing Pleasantville at 23.

I think of myself as Rebecca Wells from Lodi Plantation, in Central Louisiana, a girl who was lucky enough to be born into a family that encouraged creativity and didn't call me lazy or nuts when I dressed up in my mother's peignoirs and played the piano, having painted a small sign decorated in glitter that read 'The Piano Fairy Girl.'

I see similarities in the sports I played growing up in the sense of how I tackle a role when I get a job. A lot of effort goes in on an individual basis. There is a lot of time spent by yourself working on your craft and what you have to do. But, at the end of the day, you're there to serve the movie just like you would the rugby team.

From my point of view, it is not the coach who becomes world champion, it is a team. Not just the players who played, but the whole squad, and also the team behind the team. Because if you want to achieve success, the whole team has to work perfectly, like a machine, and all the pieces of the puzzle need to fit together into one picture.

With TV, it's the same way as preparing for the game of football. To get better at football, you have to watch the film and watch those who came before you and played the game, and yes, the first year you come in as a rookie and you're not gonna be as good as when you come in as a vet, and I applied that in the same way to 'Ton of Cash.'

I was invited to L.A. when I was 16 for a weekend-long songwriting session by a writer I had met through my voice teacher in Pittsburgh. My first hit, 'Hide Away,' was one of the songs written during those sessions. It was played for a radio rep who then started a new label; the song got a pretty organic start at radio and then took off.

When I played at Minnesota, Green Bay, those northern cities, Buffalo, they wanted to have those championship games at home. It was going to be an advantage to be there with their fans and the cold weather and all that. But when you've got a Super Bowl, and it's the two best teams, you want ideal conditions. You want to play a great game.

I have three goalkeepers who really inspired me. Jens Lehmann was my idol because he played for Schalke and was really progressive in the way he developed the position in Germany. I also have a lot of respect for all that Oliver Kahn achieved with the national team. Outside Germany, I would add that Edwin van der Sar was a big role model.

The book is actually called 'A Mentor Leader, a Different Way to Lead.' It really talks about my experience in the way I tried lead our football team, things that I learned from, basically, the coaches that I played for and my parents about leadership. And it is a little bit different, counter to maybe what society says about great leaders.

Our songs were not written to be listened to in headphones or on the radio. They were written to be played. All of the little infinite detail that went into the arrangements and giving ourselves lots of breathing room in terms of playing what we wanted to play and using up any ideas that we had - all of those were conceived to be performed.

Coming from Montreal, Patrick Roy was the guy that everybody looked up to. He was consistent and successful early in his career; he won the Stanley Cup when he was really young and he played with a great organization. For me it was also a French thing, like one of us had made it that big in the NHL, and you tried to follow in his footsteps.

I'm a gamer, and I became obsessed with 'Resident Evil.' I played the first two games back to back. It took me, like, 10 days. I disappeared from view. Stayed in my apartment. Didn't return anyone's calls. After 10 days, I emerged with 10 days' worth of stubble and kind of bloodshot eyes going, 'I love this! We have to turn it into a movie.'

Sonnymoon and Quadrants are a couple of bands that really inspire me in terms of the melodics of things and certain tones and just what feels good. It takes me back to the type of music that I grew up on in my household. We played a lot of gangsta rap, but we also played a lot of oldies, and I think that mix is part of what inspires my sound.

The advice I like to give to drummers is that there's no right or wrong way of playing the drums. I think the drumming community can be very antiquated and very stuck in the past of, like, this Neil Peart style, technical Guitar Center drum video kind of approach. That you need to have played for 15 years before you ever do anything worthwhile.

Before I joined the Clippers I played basketball at the University of Kentucky. There the game of basketball is very important. It is important for the fans. There is not a lot to do there so they really support the team. It is hard to describe. The fans, the coaching staff, the basketball program is everything and the kids who go there love it.

I was the center on our fraternity team, but I was a center-eligible, so I was known for my ability to go out, and I was pretty sure-handed catching a pass in the flat about ten yards down the field. My father played high school football and was pretty good. He also played center, so I always relished the idea that we both ended up playing center.

I once took a ride to the beach in L.A., and all along the shore there were all these so-called jazz places. And I saw these college guys and session players playing this fusion Muzak stuff. It was just a lot of notes, and the more notes they played, the more it kept them from expressing anything. So I came back home and got out my Zeppelin albums.

I would sit on the street corners in my hometown of Indianola, Mississippi, and I would play. And, generally, I would start playing gospel songs. People would come by on the street - you live in Time Square, you know how they do it - they would bunch up. And they would always compliment me on gospel tunes, but they would tip me when I played blues.

In England I played everything - swimming, athletics, football, rugby, badminton, cricket - all of that stuff. I was in the first teams for all the sports at Brighton, played on the wing in rugby, and ran 100m, 200m, 400m, and did long jump and even the javelin at one point. In the States I did a bit of track, but mainly I was there for the boxing.

When I was a kid, the idea of gettin' paid to paint your face... listen, I grew up in Ossining, New York, a nice little town by the Hudson, and nothin' ever interested me except being your usual high school big shot, which I was an' loved it, played all the sports and goofed around, always out on the street with the guys, everything was funny t'me.

I remember one summer I played, like, with the granddaughter of this known Klan member. Like, all summer we caught cicadas. And we had grown close, and so it was, like, time for her birthday party and I said 'Oh, like, what time do I come for your party?' And she's like 'Oh, no, you can't come to my house 'cause my parents don't like black people.'

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