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When I first heard the minstrel banjo - I played a gourd first - I almost lost my mind. I was like, Oh, my god. And then I went to Africa, to the Gambia, and studied the akonting, which is an ancestor of the banjo, and just that connection to me was just immense.
For some peculiar reason, two films about Oscar Wilde were started at the same time, back in 1959 or 1960. I played Wilde in one, and Robert Morley was in the other. As it turned out, at that particular moment there was no market for any Oscar Wilde movie at all.
I really enjoyed the period in which I played my cricket. I can look back now and wish I started 10 years later and played in the T20s. But I also wish I was born 10 years earlier so that I could have been part of the all-conquering West Indies team of that time.
I had joined Yes in 1971. I was a classically trained musician who had worked with numerous artists as a session musician. I played on David Bowie's 'Life On Mars,' Cat Stevens's 'Morning Has Broken' and even on some Des O'Connor records, though I kept that quiet.
Politics thrives on simple, clean messages, something that played to Obama's advantage in 2008. Stagnant unemployment and the loss of America's AAA rating are as simple and tough as they come. This is the economy on Obama's watch, and there's no one left to blame.
We used to listen to Lionel Barrymore do 'A Christmas Carol' on the radio long ago, and I like Reginald Owen, who played Scrooge in the first treatment for the screen. But my favorite Scrooge was Alastair Sim. He was enchanting, an absolutely beautiful performance.
I had only played five games in my senior year in high school. I was not large enough. Hell, when I graduated, I was about five foot four and weighed 120 pounds. I didn't go with the Dodgers until spring training of 1940 and I weighed all of 155 pounds soaking wet.
It was so weird that I would end up directing 'The Greatest Game Ever Played,' because, y'know, I'm not a big golfer myself. But I grew up around the game. My mom and dad kind of built their dream house off the 11th fairway of Shady Oaks Country Club in Fort Worth.
We played New Year's Eve in Los Angeles, maybe 1978, opening for Kansas or somebody. Driving to the hotel after the gig, we came on KLOS. It was like, 'All right! We're in L.A., we just played a big gig, and we're on the radio!' That was the start of something big.
The only band I was really over-into was Cream. And the only thing I really liked about them was their live stuff 'cause they played two verses, then go off and jam for 20 minutes, come back and do a chorus and end. And I love the live jam stuff, the improvisation.
I didn't do any football stuff when I was a kid... Mostly baseball and basketball the whole time. That's all I did. I played football starting in seventh grade. As I got older, I started playing a little bit more. Then in high school, I really fell in love with it.
There's pride on Bourbon Street for the musicians that work there. They take it very seriously. I've never worked there or played in band there, but it's a part of the city. They play for the tourists and represent a whole different side of the culture of our city.
James Ralston, my guitar player, has performed with Tina Turner for about 22 years. Jim Hanson on bass has played with Johnny Cash, Rodney Crowell and Bruce Springsteen, and they're fantastic musicians and amazing singers they get a really cool vocal sound together.
So much has been said about Michael Jordan as a basketball player, but when I played with him, the Michael I knew was just Michael. I guess more than anything is that I got to experience the human side of the so-called gladiators, warriors and heroes that we worship.
When I played Ivanhoe, kids used to come along and kick me because they thought I wore armour under my clothes. When I was Maverick, I was accepted as a cowboy. And in 'The Persuaders,' I became Lord Brett Sinclair. In other words, I am what I am for as long as I am.
The little things I used to take for granted before I don't take for granted anymore. This whole situation has evolved me into a better person. Mentally, I'm much stronger, I'm more loving. I'm a man now. Cancer has played a huge role into making me into this person.
I have never seen a talent like Ronaldo. He always scores, scores, scores. The first game he played for Milan, Sienna away, I said to him, 'I can't put you on the pitch. You are 100kg.' 'Mister,' he said, 'don't worry, I will score.' I put him in, and he scored twice.
When I was four, we had to choose a musical instrument to play at school, and I chose the cello. I played until I was 18, and although I found it nerve-racking to play solo, I loved playing in an orchestra. When I left school I didn't carry on with it, which I regret.
There are times when success doesn't make sense on a purely mathematical basis. I've played absolutely perfectly before, put in a masterful performance, and then my perfect play evaporated because one guy lost his mind and got lucky. Of course, I've also won that way.
I think it is true that, post the global financial crisis initially - and for some period after that and particularly with how the mining investment boom and commodity prices played out - there was a dislocation that occurred in some of the more traditional mechanisms.
It was always difficult for me to listen to my singing voice for the first 20 years or so. I mean, I really enjoyed singing, and I enjoyed doing live shows, but being in a recording studio and having to hear my voice played back to me would really drive me up the wall.
I hate to say it, but Christmas as a kid was always a moneymaking venture for me. I played trumpet, and a friend of mine who played trombone and a guy who played tuba, every Christmas we'd go out for three or four days beforehand and play Christmas carols on our horns.
I sort of always had an inkling towards some kind of an art form. I grew up in a very small town, and I just figure-skated. My dad played hockey and I was surrounded by sports, but it wasn't quite doing it for me. I wasn't totally fulfilled, and I did a lot of skating.
I've played under some of the biggest and best managers and achieved almost everything in football. Of course it hurts when people question it, but I've come to the end of my career and can look back and say I've achieved everything with every club that I've played for.
Growing up, my parents always played artists like Alanis Morissette, Aerosmith and Michael Jackson, so I just grew to love their music. And I just love so many diverse artists for different reasons; some for their instruments, some for their edge, some for their vocals.
My brother was a drummer, and he was always, like, smashing the kit around when I was a kid, and my dad was, like, one of them old musicians, and he played in, like, loads of different bands in the '70s and '80s. Him and my brother were kind of like my main inspirations.
I remember the first club we played in San Francisco. There were a lot of people on motorcycles standing around outside, and I had trouble getting in. I didn't have any ID, and the guy at the door wouldn't let me in, even though I told him I was gonna be singing in there.
You learn to respect team chemistry. It's the fourth quarter, there's two minutes left, the shot clock is winding down, and we're like, 'What do we do?' We didn't have that flow. Chemistry comes down to repetition. It's not, 'We've played some games; we have chemistry now.'
I thought I was pretty average height. And then it just clicked to me - 'Yo, you're undersized.' I guess when I got older and my body started hurting, I'm like, 'I'm not as big as I thought I was.' So I always played with the mentality that I was bigger than I actually was.
Whenever I'm in Kansas City, I think back to all the jazz-blues greats who played the blues here - like Count Basie, Charlie Parker and Jay McShann. I watched those guys jam in different places and heard a lot of things - but I couldn't do what they did. They were too good.
When I had bone cancer, I was just 11 years old. I think my parents suffered a lot because they worried about my health, my life, so much. For me, it was quite bad feeling during the treatment. But I quite enjoyed staying in the hospital because so many kids played with me.
Number one in high school, when I was sort of entrenched in the street life, if you will, the major thing that kept me plugged in the mainstream was athletics. I played basketball throughout high school. I also played football, but I played basketball throughout high school.
We first started to rent old VFW halls in Philly or whatever; we rented kegs and did parties and played our own music. We had to find a way to do it because nobody else was helping us, and I think now it's important to keep those dialogues happening, those parties happening.
Will Smith is my favorite actor, because he has so much variety in his career. He's done all types of roles, played in all types of worlds, and to me, that's the fun of acting. That's why I started doing it when I was eight years old, because you get to be whatever you want.
I've had calf problems for many years, and it has been very difficult for me because I've played out of position, which means more sprints. Ten minutes into the game, I've not been able to feel my feet in a few games. I didn't like to go to the media and say, 'I am injured.'
Shakespeare was the main thing I did in my life from the age of 16 when I first played 'Hamlet' at school. I then did summer stock the next summer and then went to RADA and joined the RSC and ran my own company and then worked at the Globe. That was about 30 years of my life.
Retiring from international football was a personal decision, and I was very sure about what I was doing. I played for my country for more than ten years, and there were highs and lows. It was a fantastic experience, though, and the most wonderful thing is that it ended well.
Ever since John Kennedy, Democrats have had a weakness for dashing younger men like Bill Clinton and Barack Obama and, I suppose, Jimmy Carter. They balance their tickets with senior statesmen - Lyndon Johnson, Joe Biden, Walter Mondale. (Al Gore was young but played ancient).
I was in a Montessori school. There was a drum circle with all the kids passing around a little bongo drum. I was the last person in the circle, and when it got to me I played 'Shave and a Haircut, Two Bits' - in front of all the parents. Blew the crowd away at five years old.
There are not many athletes who are out. And I think it's something that's important. It felt important to me. I guess it seems like a weight off my shoulders, because I've been playing a lot better than I've ever played before. I think I'm just enjoying myself, and I'm happy.
I went to the William Penn Charter School in Philadelphia, where I had a teacher really named Edward Shakespeare. He was a very influential figure in my childhood - I acted in high school a few times, but Mr. Shakespeare got me to lead in 'The Crucible.' I played John Proctor.
During my years of professional cricket in England, I realised that although the Australians were talented players, tactically they were a bit naive when compared to those who played full-time on the English circuit. You might find this arrogant, but that was the reality then.
When Alcatrazz played in Japan in early '84, the record label offered me the opportunity to do a solo album while continuing to play in the band. I wanted the whole album to have vocals, but the record company didn't want that. Initially, the album was released solely in Japan.
In high school, I had a wonderful teacher who, coincidentally also taught Meryl Streep before me. At the same time I had my own rock band, I played bass and sang. I was one of those kids who really enjoyed being with my friends and doing rather insane, but fun, creative things.
I played several maids in my career. I was tired of the maid after 'Far From Heaven.' I said, no more maids. Until I realized how difficult it was to get a role other than a maid, sometimes, in Hollywood, and sometimes you have to choose your battles, for lack of a better term.
We played in a number of these neutral site games, I would call them, whether it's a playoff game, a bowl game, or one of these kickoff classic type things, which I think is helpful to, you know, our players in terms of playing some place that's not really a home game for them.
I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
Of course Lothar Matthaus is always going to be associated with the 1990 World Cup. But does everyone immediately remember what titles Gunter Netzer, Johan Cruyff or Luis Figo won? Or do they also think about how those players played their football and how they led their teams?
I was born Joseph Lane, but when I applied to the actors union, they said they already had a Joe Lane on the books and I'd have to change my last or first name. I had played the character of Nathan Detroit, whom I liked very much, in 'Guys and Dolls,' so I took the name Nathan.
All the really good guitar players - Jimi Hendrix, Jimmy Page, or even Bert Jansch or John Martin - I love all those people. But I didn't start out thinking that I would be a guitar player. In the beginning, I played the guitar so I could sing. I mainly concentrated on my voice.