One of the first things I created was music for the Paris opera's ballet troupe. That was the first time that electronic music was played at the opera. I really like the relationship between the music and the choreography.

Both social engineering and technical attacks played a big part in what I was able to do. It was a hybrid. I used social engineering when it was appropriate, and exploited technical vulnerabilities when it was appropriate.

Tim Duncan was a marvelous player. He played the game from the four, the five position. He was one of the unique players, like a Michael Jordan, who could get to spaces on the floor you that you couldn't do anything about.

I love insane, stupid comedy, but I can only make it work if it's a character I can give some history to and make real. Like the guy I played in 'Little Miss Sunshine.' He's a maniac, but to me he was absolutely believable.

I played for Sampdoria and stayed there 15 years. Of course, I could have gone to Juventus, to AC Milan, to Inter Milan many times, but I preferred to remain because Sampdoria were my family, from the owners to the players.

Early on, I played a Chinese delivery person, and even that, which was very innocuous, felt like I was somehow betraying myself. I felt very self-conscious on set doing that role, with a crew that was almost entirely white.

I've been very lucky with the roles that I've played in that they were wonderful roles for women. They're incredible, flawed characters that I really gravitate toward. I just never want anybody to be able to put me in a box.

There's been a lot of wedding songs and proposals. It's cool because when they play it at weddings so, it means a lot to them. That's a big deal. They're always going to remember 'Head Over Boots' as played at their wedding.

I played volleyball for Brown University and loved playing there. I played all four years and was captain my senior year. Second team all-Ivy, academic all-Ivy. I really loved it. When I was graduated, I figured that was it.

I understand the rock star deal having been one and still going out strapping my guitar on and performing. Now, I probably do 30 or 40 dates a year and I get to relive how I felt at 19 when I played in some really bad bands.

I played around with GarageBand before, but I'd never actually made a proper song. So it was getting into the studio with him where I made my first proper song. I've always loved creative writing, so I had done that as well.

I was 12 when it really hit me. I did children's theatre camp during the summers and played a fairy in 'A Midsummer Night's Dream.' The next summer, I played Clytemnestra in 'Agamemnon' and I was like, 'OK, this is amazing.'

At my pregnant wife's behest, I took the job for the paycheck and the health insurance, and it turned into 'Sharknado.' I couldn't have played this better if I'd wanted to. It's really captured the imagination of sci-fi fans.

They should have a rule: in order to be a sportswriter, you have to have played that sport, at some level; high school, college, junior college, somewhere. Or, you should have had to have been around the game for a long time.

I played soccer when I was a kid. I started when I was 8 and played for 8 more years. I was pretty good. I used to train with Atletico Nacional, which is one of the most important teams in Colombia. I used to train every day.

Not that there weren't great shows, and not that there wasn't plenty of fine music played. It's just that the consistency and the height of where we could take it, with the help of the audience, was less, I felt, in the '90s.

I was travelling a lot, during the release of 'Dilbar,' to various countries, and the song would be played at random places like lounges, coffee shops, streets, and I realised the song had reached levels that was beyond India.

I had a band called the Sound Of Love, and that was R&B songs about girls in my high school. I played in some other indie bands who were trying to make it big; those sucked. Then I started Makeout Videotape, and that was that.

Everyone knows I'm married; I just don't discuss it. Because it's a part of my life that I'd rather keep private... When your whole life is played out in front of everybody, for your sanity, you need parts that are just yours.

My uncle played rugby, and my dad played football, and they used to argue which game was the roughest - and everybody agreed rugby was. It's a great team sport, and to be successful, every person has to play in the same level.

The death penalty has been one of many examples where racial discrimination has played out. You can see it in the simple fact that someone convicted of the same crime is more likely to face the death penalty if they are black.

Even though I played in the NBA, we tried to give our kids as normal a life as possible. We gave them everything they needed, not everything they wanted, and they had to work for what they wanted. I think that mentality helped.

When I played Candy Darling in 'I Shot Andy Warhol,' that was easy to play that part. They made me into a woman: I'm in heels; I'm waxed. I'm gonna find the femininity and lay on the bed and take the voice of an old movie star.

I was at Pepperdine University in Malibu, and during my sophomore year, I played a dying burn victim on 'ER.' The makeup artist put burn makeup all over my body and I couldn't move or eat for 12 hours. I lost 8 pounds that week.

In 'Mirror Mirror,' I played Prince Charming's side kick Renbock, who was pretty dandy, hapless and innocent. Other than that I've tended to play the complete opposite! I've played gritty, hard characters, generally tough people.

I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.

My dad played guitar, and he taught me enough to play some Beatles' songs. But primarily, I was a bookworm. I loved reading and still do. My whole family does. It was part of the family culture. Accomplished literacy was a value.

In actual fact, I doubled 'Twelfth Night' and 'The Avengers'. I was going backwards and forwards to Stratford. I played matinees Wednesday, matinee and evenings Saturdays, and the other days of the week, I was filming in Elstree.

If you're a woman doing classic theater, the big roles are often destroyers. I've played Hedda Gabler, Lady Macbeth, some of the Chekhovian heroines, Electra, Phaedra - they're all powerful women, but they're forces of negativity.

It's a very competitive world out there. The competitive spirit is fine within limits. But it shouldn't drown the sheer joy of the game being played. It's natural to want to win. But to me, it's not natural to want others to fail.

In 'A Few Best Men,' I play a lesbian character. I played the lesbian sister of the bride who ends up kissing a dude at the end, but she was, like, a full-on lesbian in that. And I beat out famous Australian lesbians for the role.

I think L.A. radio is learning from the Bay. The Bay is a very classic place. Mac Mall, C-Bo, all that stuff, they love their artists, they're old school up there. My first big concert was playing in the Bay; I played the Fillmore.

Magic is a state of mind. It is often portrayed as very black and gothic, and that is because certain practitioners played that up for a sense of power and prestige. That is a disservice. Magic is very colorful. Of this, I am sure.

Baseball is like cricket, and I grew up in a country where they had cricket. So I understand cricket, soccer and basketball. I played basketball at the club level and a little bit in college, so that's why I'm a basketball fanatic.

I played an integral part in helpings formulating that new vision... that we must abandon apartheid and accept one united South Africa with equal rights for all, with all forms of discrimination to be scrapped from the statute book.

You played 'Snake' on it. That's what we had a cell phone for, when my mother would let us use it. When you had it, you set it down at the table, you set it down in the other room, we ate, and you enjoyed your time with your family.

That's the one regret I have in all the years that I've played professional sports, that I didn't win a championship in the N.F.L. And that's why you play on any level of team sports: you want to win a championship as part of a team.

Football has always been a contact sport, and it's always going to be a violent sport, and there are going to be repercussions from that. But every player that ever played this game and will play this game, they're signing up for it.

My grandmother was whip smart as well as an incredible athlete. She played tennis in her sari, cheered on the Indian team in cricket matches, and tried to convince us that her made-up words were real so she could win a Scrabble game.

When playing big festivals, I tend to play big, over the top techno tracks, like hands in the air songs that make sense being played in front of 30,000 people. I steer away from subtlety in the interests of big bombastic dance music.

I am sorry to be leaving the BBC. I have enjoyed a fascinating seven years at the corporation and am particularly proud to have played a small part in the development of the BBC's Global News services, BBC World Service and BBC World.

When punk came along, I found my generation's music. I grew up listening to the Beatles and the Rolling Stones and Pink Floyd, 'cause that was what got played in the house. But when I first saw the Stranglers, I thought, 'This is it.'

I played football for a team called the East Dragons on the east side of town. We only had six regular season games. And six games I played tail back and I had 18 touchdowns in six games. That's when I knew I had some athletic ability.

My grade 3 teacher put on a kids' Christmas concert, and I played the kazoo, so my mother bought me a trumpet. I took lessons for eight years, was in the Kitsilano Boys Band, and I played in the Vancouver Junior Symphony for two years.

The year we went to our first Super Bowl in 1992, we were the youngest team in football. We played in the Super Bowl against a team that had a wealth of playoff experience and Super Bowl experience, and we dominated that football game.

I've never played for my dad. I played against my dad actually in high school. That was fun, but he taught me how to play the game the right way. Respect the game, give it all you've got and regardless of what happens, have no regrets.

I'd love to perform in India, but I don't book the gigs. It's one of the few places I haven't played. One of the Indian instruments that I love is the sitar. I played it on some of my songs, including 'Pyramid of Cheops' and 'Crucify.'

I love all sports! I'm always impressed by athletes. I also love watching the Olympic Games. In high school, I played co-ed soccer and basketball. I really enjoyed both of those sports, but I have to admit basketball wasn't my calling.

As a former Airman First Class in the United States Air Force, like many veterans in America, my military experience played an important part in instilling in me a sense of character and discipline that has served me throughout my life.

I first met Miles Davis about 1947 and played a few jobs with him and Sonny Rollins at the Audubon Ballroom in Manhattan. During this period, he was coming into his own, and I could see him extending the boundaries of jazz even further.

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