Play Quotes - Page 238

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People have a different idea of how movies are made than they really are. On a certain level, everyone throws ideas into the hopper. It's not like the actors are wind-up dolls that you push out onto the floor, play with, then put back in the box. You get people around you who you trust; the writer, the producer, the director and all the actors all contribute.

I could always hold a melody, but I was never like, I'm going to be a singer. So I'm able to use that when I write. I'm actually playing the beat with my voice. Instead of thinking about coming up with melodies, it's like filling in the instruments. So sometimes it's better to have beats with less melodies in them, because then I can play more with my vocals.

while the executive should give every possible value to the information of the specialist, no executive should abdicate thinking on any subject because of the expert. The expert's information or opinion should not be allowed automatically to become a decision. On the other hand, full recognition should be given to the part the expert plays in decision making.

We will learn no matter what! Learning is as natural as rest or play. With or without books, inspiring trainers or classrooms, we will manage to learn. Educators can, however, make a difference in what people learn and how well they learn it. If we know why we are learning and if the reason fits our needs as we perceive them, we will learn quickly and deeply.

Play: It is an an activity which proceeds within certain limits of time and space, in a visible order, according to rules freely accepted, and outside the sphere of necessity or material utility. The play-mood is one of rapture and enthusiasm, and is sacred or festive in accordance with the occasion. A feeling of exaltation and tension accompanies the action.

If the Government gets into business on any large scale, we soon find that the beneficiaries attempt to play a large part in the control. While in theory it is to serve the public, in practice it will be very largely serving private interests. It comes to be regarded as a species of government favor and those who are the most adroit get the larger part of it.

So you play your albums and you smoke your pot And you meet your girlfriend in the parking lot Oh, but still you're aching for the things you haven't got, What went wrong? And if you can't understand why your world is so dead And why you've got to keep in style and feed your head Well, you're twenty one and still you mother makes your bed And that's too long.

It was a very, very intense film for me. I almost lost my mind because there are scenes where I have to kill people, and that energy is absolutely overwhelming. At the same time, as an actor, you never play a character with judgment. It's not my place to judge the fact that she kills people. It's for me to look at her psychology to see what makes her do that.

I would argue that search has made the world a better place. It has done so for reasons that arbitrarily could completely change that - not arbitrarily at all but to completely change how that plays out based upon the needs of profitability. So it's totally unreliable and it has many layers nested underneath that of many ulterior motives nested underneath it.

When I produce someone's record I have to remember it's their record..no matter what I bring to it..er, sometimes that's not too easy:) It is a responsibility made less easy by people I work with encouraging me to play guitar on their record...A soon as I start playing guitar on someone's record it inevitably starts to sound like me...not always a good thing.

I have seen many people, who while you are speaking to them, instead, of looking at, and attending to you, fix their eyes upon the ceiling, or some other part of the room, look out of the window, play with a dog, twirl their snuff-box, or pick their nose. Nothing discovers a little, futile, frivolous mind more than this, and nothing is so offensively ill-bred.

Life is a refining process. Our response to it determines whether we'll be ground down or polished up. On a piano, one person sits down and plays sonatas, while another merely bangs away at "Chopsticks." The piano is not responsible. It's how you touch the keys that makes the difference. It's how you play what life gives you that determines your joy and shine.

Even the great scientists have reported that their creative break-throughs came at a time of mental quietude. The surprising result of a nationwide inquiry among America's most eminent mathematicians, including Einstein, to find out their working methods, was that thinking 'plays only a subordinate part in the brief, decisive phase of the creative act itself'.

I just really enjoying creating in general; I used to also write stories and play music and do different crafts, but illustration ended up being the creative outlet that I focused on for my career. I feel like illustration gives me the flexibility to tackle more abstract or loose ideas, as well as just enjoy the process of putting time into developing a skill.

I guess we all feel like underdogs. I remember being a freshman at Brown University and not knowing what a WASP was. We were reading an Edward Albee play, and - it was just a moment of accepting, certainly that I wasn't very worldly, but also that a lot of the plays that I'd been reading, let's say other kinds of family plays, were speaking a foreign language.

150 years ago in [Charles] Dickens's time there was at least a sense of craft. So some of the things people had inside of them, they had the possibility of expressing in the making of things - even in a daily way with their clothes or their food. People made a good deal of both themselves. Now our daily lives are almost all consumption. Craft plays a tiny role.

If Zen is approached with the usual mental attitude, it will seem quite incomprehensible. Our average Western intellectuality would consider its paradoxical language simply as a play upon words. Its full significance is revealed only when we approach it in a different manner, making our minds available to the new processes of inner perception which it suggests.

Here's why I don't have time to 'play church': at the end of the day, when I was supposed to be discarded, and the tools came in to kill me, to crush my head or whatever you're supposed to do, the Lord took His hand, pushed in there, and pushed me back out of the way. And they thought they got me. But at the end of the day God had a plan for a broken situation.

See, I don’t expect to win a prize for stoic control and dignity at mourning time. Death deserve tantrums. Beating back shocked indignation, kicks in the groin, stones, classified unacceptable, not to be tolerated, not to be wooed, not to be conspired with. Only then can music, dance, movies, plays, rap be about life. Only then can life be cherished and adored.

I think if you talk to the experts in any field where you have to take on a unknown challenge, where you're going to be working on it for a long time you'd find that to work themselves up to their best performance and really throw themselves into it, you know, spend all these hours in there and ah, give it their... give it their best that optimism plays a role.

My advice to teens is to try and do something that scares you every day because it's the only way you can test how far you can really go. Whether it's going out and auditioning for the play or trying out for the basketball team, you have to explore your boundaries and see where you really want to go and the only way you can do that is to break out of your shell.

I've always played Vash [in the Sausage Party]. I played him at the table read. We probably did five or six table reads over the course of the first five years of trying to get it made and finally getting it made. I saw a lot of actors come and go, but I stuck around, so I guess they were happy with what I was doing. No one could play a lavash wrap like I could.

I feel like there's not this black-and-white division between concert hall music and music that bands play in a bar. I don't know if this was ever truly the case, but I don't feel that I need to decide between playing for a sit-down, totally silent audience and playing for a bunch of noisy, drunk people in a bar. What I do with the group is somewhere in between.

The thing that hasn't changed, and I don't think will ever change, is that the operative word in music is "play." You have to have a playfulness about it. As the world shifts, it's starting to understand more and more that to have a playfulness about any and everything is actually the way of having a better life, or being more creative, or being more productive.

The problem is, you can't tell people these things. They'll think you're crazy. And I say to myself: What can I do with this life inside me? I'd like to give it ... to make a present of it ... to go up to people and tell them: You need to be joyful! You know? You have to play at being pirates ... to build cities of marble ... to laugh ... to set off firecrackers

Nothing of importance is ever achieved without discipline. I feel myself sometimes not wholly in sympathy with some modern educational theorists, because I think that they underestimate the part that discipline plays. But the discipline you have in your life should be one determined by your own desires and your own needs, not put upon you by society or authority.

To perform at the Cardiff Millennium Centre was amazing in itself - the theatre is an incredible venue and it was great to be performing so close to home. For me the best experience was in Glasgow, where I got to play Dee Dee for two weeks! The audience sang along to every song with such enthusiasm you actually couldn't hear yourself singing! That was incredible!

We don’t ask why God chose as his prophet a stutterer with a public speaking phobia. But we should. The book of Exodus is short on explication, but its stories suggest that introversion plays yin to the yang of extroversion; that the medium is not always the message; and that people followed Moses because his words were thoughtful, not because he spoke them well.

We live in a wonderful world that is full of beauty and charm and adventure. There is no end to the adventures that we can have if only we seek them with our eyes open. So many people seem to go about their life's business with their eyes shut. Indeed, they object to other people keeping their eyes open. Unable to play themselves, they dislike the play of others.

Children inherit the qualities of the parents, no less than their physical features. Environment does play an important part, but the original capital on which a child starts in life is inherited from its ancestors. I have also seen children successfully surmounting the effects of an evil inheritance. That is due to purity being an inherent attribute of the soul.

WE MADE A MONSTER OF HITLER, A DEVIL. THAT IS WHY (THEREFORE) WE COULD NOT AFTER THE WAR SAY OTHERWISE. WE HAD PERSONALLY MOBILISED THE MASSES NEVERTHELESS AGAINST THE DEVIL. THUS WE WERE FORCED AFTER THE WAR, TO PLAY ALONG WITH THIS DEVILS' SCENARIO. WE COULD NOT POSSIBLY HAVE MADE OUR PEOPLE CLEAR (TO THEM) THAT THE WAR WAS ONLY AN ECONOMIC PREVENTATIVE MEASURE!

I came back and in '63, I was at the British Open, trying to win my first British Open. And I had what I thought was a two-shot lead with two holes to play at Lytham. I remember it like it was yesterday. Anybody with a proper brain would have played the ball short of the hole. I didn't have a proper brain at the time. But you have to make that mistake to learn it.

Questions, inside the larger mystery of sorrow, which contains us and our daily transit, and is large enough indeed to contain the whole shifting tidal theater where I make small constructions, my metaphors, my defenses. Against which I play out theories, doubts, certainties bright as high tide in sunlight, which shift just as that brightness does, in fog or rain.

My [singing] style really has no style, because I try to sing each number differently. I’ve always believed that if style takes precedent over the words and music, the audience get’s cheated. It’s like when people see a fine play or movie. They imagine themselves in the leading role. I want them to imagine that they’re singing - not just listening to someone else.

Am I in love? --yes, since I am waiting. The other one never waits. Sometimes I want to play the part of the one who doesn't wait; I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time. The lover's fatal identity is precisely this: I am the one who waits.

Blood Brothers! I've always wanted to play Linda and when I'm old enough, Mrs. Johnston. I would love it if Cameron Mackintosh brought back Oliver! as I would love to get the chance play Nancy as well.It's also been an ambition of mine to create a role in an original cast - and in the long term I would love a career in television! So much to do... so little time!!

Even in a crowded field, it is a rare pleasure to come across a prose stylist like Kellie Wells, whose intellect and language bid one another beautifully to a dance. She dares to be at play in the most unsettling questions of her day. Surely when the present generation of writers shakes down to its unique and irreplaceable voices, Kellie Wells will be one of them.

Villains can often be one note and I would say in that case, it’s not fun to play the villain. It’s fun to play the villain if he a) has dimension and b) the villain gets to do all the things in the movie that in life he would get punished for. In the movie, you’re applauded for them if you do them with panache. And so that’s why it’s more fun to play the villain.

The history of religions reaches down and makes contact with that which is essentially human: the relation of man to the sacred. The history of religions can play an extremely important role in the crisis we are living through. The crises of modern man are to a large extent religious ones, insofar as they are an awakening of his awareness to an absence of meaning.

We must nevertheless present all possible interpretations for each observation, so that competing theories can be formulated and defended. In science, as elsewhere, intellectual inertia, the fashions of the moment, the weight of institutions, and authoritarianism are always to be feared. Heresies play an essential role by keeping our minds argumentative and alert.

I held out a lead figurine of Hades—the little Mythomagic statue Nico had abandoned when he fled camp last winter. Nico hesitated. "I don’t play that game anymore. It’s for kids." "It’s got four thousand attack power," I coaxed. "Five thousand," Nico corrected. "But only if your opponent attacks first." I smiled. "Maybe it’s okay to still be a kid once in a while.

Listening to as many guitar solos as possible is the best method for someone in the early stages. But saxophone solos can be helpful. They're interesting because they are all single notes, and therefore can be repeated on the guitar. If you can copy a sax solo you're playing very well, because the average saxophonist can play much better than the average guitarist.

When I was about five my dad built a stage for me in our basement. A full stage, with a curtain, a backdrop and a dressing room. There were three colored spotlights - a red one, a white one, and a blue one. Blue was for nighttime scenes, and red was for when we were in hell. If the neighborhood kids wanted to use the stage, they had to incorporate me into the play.

We actually did go on a camping trip together as part of the research, in a caravan, for a week. I guess we picked who annoyed us most from genuine experience. We did a lot of research on camping and what annoys people. It's quite often children playing ball games. It's a huge debate in the caravan world whether children should be allowed to play ball games or not.

All these soft kinds [of stone] have the advantage that they can be easily worked as soon as they have been taken from the quarries. Under cover, they play their part well; but in open and exposed situations the frost and rime make them crumble, and they go to pieces. On the seacoast, too, the salt eats away and dissolves them, nor can they stand great heat either.

Our state of mind plays a major role in our day-to-day experiences as well as our physical and mental well-being. If a person has a calm and stable mind, this influences his or her attitude and behavior in relation to others. In other words, if someone remains in a peaceful and tranquil state of mind, external surroundings can cause them only a limited disturbance.

Yeah, on the records, the guitars are made melodic, and I try to make it memorable. There's not much just wanking, to be honest - it's mostly melodic parts. I try not to play too many notes. It's just more instrumental music. It's a totally valid criticism if you don't like that kind of thing. It also is maybe a little anachronistic or unnecessary in a certain way.

There's nothing personal in it [THE SKRIKER]. I'm not ever inclined with any of the plays to say, This is about that, because plays are about the whole event that they are. . . . I was certainly wanting to write a play about damage - damage to nature and damage to people, both of which there's plenty of about. To that extent, I was writing a play about England now.

Whatever the best scripts are and you just want to play roles that you can really sink your teeth into. That's always the goal no matter if it's a good guy or a bad guy, or a comedy, or a drama. It doesn't matter, you just want something that's substantial you can sink your teeth into and that you haven't done before, something that's really going to challenge you.

In Irena’s head the alcohol plays a double role: it frees her fantasy, encourages her boldness, makes her sensual, and at the same time it dims her memory. She makes love wildly, lasciviously, and at the same time the curtain of oblivion wraps her lewdness in an all-concealing darkness. As if a poet were writing his greatest poem with ink that instantly disappears.

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