Quotes of All Topics . Occasions . Authors
People thought it was asinine for me to change my swing after I won the Masters by 12 shots. ... Why would you want to change that? Well, I thought I could become better. If I play my best, I'm pretty tough to beat. I'd like to play my best more frequently, and that's the whole idea. That's why you make changes. I thought I could become more consistent.
I got a drum set at the age of four. I wasn't playing that well, just kind of banging around. I just wanted to play drums and my dad got me a set. I played for several years, but I wasn't meant to be a drummer, I guess. I can play drums on my own things - obviously on some of my own records I play drums. But I didn't start playing guitar until I was 11.
We have to prepare for what life could become in 40 years. We need to outline what is possible and what is impossible with the non-renewable resources of the Earth. What role will technological improvement play? Taking all this into account, what kind of life can we produce in the best way for 10 billion people? That's a problem that needs to be solved.
I love storms and how the whole house shakes. When I was a kid, there would be lots of thunder and lightning storms, and they would knock the electricity out. We had this oil lantern that had been in my grandfather's homestead at the turn of the century, before there even was electricity. He'd bring it down off the top shelf, and we'd always play cards.
Our existence in this place, this microscopic corner of the cosmos, is fleeting. With utter disregard for our wants and needs, nature plays out its grand acts on scales of space and time that are truly hard to grasp. Perhaps all we can look to for real solace is our endless capacity to ask questions and seek answers about the place we find ourselves in.
Because of my age, the roles that I'm in doesn't have as much depth as I would like, but that will change. Halle Berry, Angelina Jolie, they play heavy, meaty roles, which are the sort that I want to play...because of what I look like, I play with my looks, which is cool, but I've done it so many times. But one day I would love to play against my looks.
Discerning the merits of competing claims is where the empirical basis of science should play a role. I cannot stress often enough that what science is all about is not proving things to be true but proving them to be false. What fails the test of empirical reality, as determined by observation and experiment, gets thrown out like yesterday's newspaper.
When I play with the full band, you get to be larger than life, you feel larger than life, and that particular moment in the song where there's passion, you've got nine guys behind you, all driving that sound and that feeling with you. That's like surfing a huge wave, because once you start you really can't stop it, you got it going down a huge mountain.
The Roman Catholic Church has the unique power of keeping remote control over human souls which have once been part of her. G.K. Chesterton has compared this to the fisherman's line, which allows the fish the illusion of free play in the water and yet has him by the hook; in his own time the fisherman by a 'twitch upon the thread' draws the fish to land.
When I start to play a game I try to forget about previous games and try to concentrate on this game. This game is now the most important to me. But of course I am not a computer and you cannot simply press a button, delete, and everything you want to forget disappears automatically. But if you want to play well, it's important to concentrate on the now.
I came to The United States to see what would happen in 2000 after working for 20 years in Australia and asked my agent to look out for the nasty roles because I'd become famous for playing the nicest man in Australia. So I wanted to play bad guys. But I've been doing that now for 13 years so when I was offered the chance to do some comedy, I grabbed it.
People call me for interviews on censorship type topics all the time, like that Gannette interview.I don't hold myself out to be an authority on it, but the reason they call me is that they know that I'll at least open my mouth, and give an opinion, whereas other people will play it safe, and won't say anything, because they don't want to offend anybody.
A champion plays the game; a spectator observes, criticizes and never really gets to live. A champion knows what he or she wants and goes after it with carefully calculated goals and no-holds-barred action. A spectator feels that his or her life is not their own. They let others dictate their destiny. They become victims of life instead of masters of it.
Once you envision something and the Universal forces come into play to help you in the creation of it, there's never again going to be enough action for you to keep up with it. You can't use the Energy that creates worlds to create a situation and then find the action to keep up with it. You have to keep envisioning. You have to keep imagining it better.
I wasn't altered by the things that come with success but as you go about it those things play a part. You have twenty million people in your ear and they all trying to tell you which way to go. Then you have BDS, videos, and all this stuff calling you that you start to analyze because you're constantly around it and everybody is looking at these numbers.
The more you become a part of society, the less and less you are an individual, the less and less you are spontaneous - because the very membership in the society will not allow you to be spontaneous. You will have to follow the rules of the game. If you enter a society, you accept to follow those rules that the society is playing, or has decided to play.
I started playing bass in my friend's band for some reason. It was just something I did because, well, he asked me if I wanted to play bass and he played me this song - Nirvana's version of "Molly's Lips", the Vaselines song - and he said, "You can do this! This is not hard!" and it's like a two-note song. I learned that and then I thought I was a genius.
I think when you start to do well and get your confidence back, everything becomes more fun. When you're playing with not your full capacity of confidence, I think things get a little tough. I knew I could be doing better than what I was doing. Even though I was ranked 5 or 4 or whatever it was, I wanted to get back to the level I thought I could play at.
I was born very, very lazy and I don't always practice very long. but I must say, in my defense, that it is not so good, in a musical way, to overpractice. When you do, the music seems to come out of your pocket. If you play with a feeling of 'Oh, I know this,' you play without that little drop of fresh blood that is necessary – and the audience feels it.
My mind was always set on joining Manchester United. How can you not go to United? I don’t play for money. I play for glory and winning championships. I’m happy here. I hear people complain about the weather, there’s nothing to do and the food. But, for me, it’s not like that. I play for a club I love, the biggest club, and everything else doesn’t matter.
As a kid, I would do all of the plays at my school, and I was notorious for being in five numbers in one show. I'd go onstage, run backstage for a wardrobe change, and then go back out onstage. I'm always trying to do more than I should but when I got my lucky break (or whatever it's called), I was prepared because I studied and worked really hard for it.
There is nothing--no, nothing--innocent or good, that dies and is forgotten; let us hold to that faith or none. An infant, a prattling child, dying in the cradle, will live again in the better thoughts of those that loved it, and play its part through them in the redeeming actions of the world, though its body be burnt to ashes or drowned in the deep sea.
I did a thing called 24 Hour Plays, a thing they do every year on Broadway. A bunch of playwrights and actors get together, you write a play and you act it out in 24 hours, literally. People pay and the money goes to charity. So I did one - I was horrible. I was bad. I was terrified. And I was like, "Oh, I gotta do this again." Because I know I can do it.
Three has always been tougher than Two. Think of any of your famous threesomes. The Three Stooges? Look at the anger there. My bet is that before Curly was born, Moe and Larry could play together for hours without even a single poke in the eye. Huey, Dewey, and Louie? Donald Duck never had a moment's peace. The Good, the Bad, and the Ugly? I rest my case.
For my entire career, I wanted to be a director. When I was in the theater, it was very difficult to get directing jobs, and I fell into the acting by default. I got in the habit of accepting whatever came my way. Not things that I disagreed with, though. It's not like I had aspirations - well, I did have aspirations to play Hamlet, which I ended up doing.
There are few places outside his own play where a child can contribute to the world in which he finds himself. His world: dominated by adults who tell him what to do and when to do it -benevolent tyrants who dispense gifts to their good subjects and punishment to their bad ones, who are amused at the cleverness of children and annoyed by their stupidities.
I'm a cinephile. I love movies, I love film at every level. I'm a student of it. It informs me as does all art in my music, because there's stories, there's acts, there's moods, there's dynamics, there's moodiness, emotion. All of those things that play into a film. I think that could equally be said about music. It definitely informs me. Beats is stories.
But before any of the small appliances who may be listening to this tale should begin to think that they might do the same thing, let them be warned: ELECTRICITY IS VERY DANGEROUS. Never play with old batteries! Never put your plug in a strange socket! And if you are in any doubt about the voltage of the current where you are living, ask a major appliance.
Behold great Whitman, whose licentious line Delights the rake, and warms the souls of swine; Whose fever'd fancy shuns the measur'd pace, And copies Ovid's filth without his grace. In his rough brain a genius might have grown, Had he not sought to play the brute alone; But void of shame, he let his wit run wild, And liv'd and wrote as Adam's bestial child.
In mission, also on a continental level, it is very important to reaffirm the family, which remains the essential cell of society and the Church; young people, who are the face of the Church's future; women, who play a fundamental role in passing on the faith and who are a daily source of strength in a society that carries this faith forward and renews it.
I think that [Donald Trump] clearly was able to tap into a lot of grievances. And he has a talent for making a connection with his supporters that overrode some of the traditional benchmarks of how you'd run a campaign or conduct yourself as a presidential candidate. What will be interesting to see is how that plays out during the course of his presidency.
The more serious the situation, the funnier the comedy can be. The greatest comedy plays against the greatest tragedy. Comedy is a red rubber ball and if you throw it against a soft, funny wall, it will not come back. But if you throw it against the hard wall of ultimate reality, it will bounce back and be very lively. Very, very few people understand this.
It's hard for me to play seated theaters because people tend to sit down and get a little bit complacent, so it's less energy. It's just very dry and dead. People start to feel like they're watching a movie. The environment when they walk into it, it's not standing room only, smoking and drinking and rock 'n' roll. So it's a little bit dangerous to do that.
I had read the scripts that Nora Ephron had written as a movie about Mike McAlary. We were never able to make it at HBO because we couldn't cast it properly and when I left I called Nora and said, "Look, I actually think that the movie luckyguyindustry has changed. It's very unlikely that you'd be able to make this as a movie. I actually think it's a play."
I don't understand racism. We are all the same and I have the perfect hypothesis to prove it. I play to all those countries and they cry in all the same places in my show. They laugh in the same places. They become hysterical in the same places. They faint in the same places and that's the perfect hypothesis. There is a commonality that we are all the same.
My parents said I'd always been attracted to music from an early age. The classic story is I started singing before I talked. My Mom would play me tapes, and I'd be able to sing them back perfectly. She said my pitch was dead on, but I'd fill in nonsense syllables for all the rest of it. The words would be all garbled, because I didn't know how to talk yet.
What we're doing with the digital permissions that we have for Xbox One is no different to that. If I am playing on that disc, which is installed to the hard drive on my Xbox One, everybody in my household who has permission to use my Xbox One can use that piece of content. So I can give that piece of content to my son and he can play it on the same system.
Involve yourself every day. Work hard and figure out how to love acting all day, every day. It's getting into a made-up situation and making it good and making it real and just playing, just practicing and playing. Like the musicians that I played piano with: they never expect to be rich or famous, but they, for the sheer joy of it, play every day, all day.
I listen to everything. As I told you, sometimes I just want to shut off from music and be silent. Then I play a song and it's refreshing. It's almost like initializing yourself. Recently I was in South Africa doing a press day for my tour. I listened to this band called "Freshly Ground." They were doing a live gig there so that's the last thing I've heard.
I believe it has changed so much because of the impact you can have from that position. You are so involved in the game from both a pass and a run standpoint. Anyone that can have an impact on a game like that is going to be held to high standards. You have guys like Ed Reed and Troy Polamalu who make big-time plays which can change the outcome of the game.
Google’s objective is to organize the world’s information and to make it accessible. Unicode plays a central role in this effort because it is the principal means by which content in every language can be represented in a form that can be processed by software. As Unicode extends its coverage of the world’s languages, it helps Google accomplish its mission.
The action stuff takes a long time but when you're there and you're doing it and you go into that take and you run and everything is blowing up around you and you're diving onto something it's actually incredibly thrilling and you feel like a kid again. Like a kid, who used to play and pretend all those things would happen and now they're actually happening.
They [Barnes Theatre Club] were a very good group, and for some reason when I finished the backstage thing, I just decided to that I should try to act. So I auditioned for Guys and Dolls and got a little tiny part as some Cuban dancer or something and then in the next play I got the lead part, and then I got my agent. So I owe everything to that little club.
My point taken further is that True and False (hence what we call "belief") play a poor, secondary role in human decisions; it is the payoff from the True and the False that dominates-and it is almost always asymmetric, with one consequence much bigger than the other, i.e., harboring positive and negative asymmetries (fragile or antifragile). Let me explain.
When you're not playing up to your capability, you gotta try everything, to motivate, to get them going. All of them have to be on the same end of the rope to pull together. It's playing for the name on the front of the shirt, not the back. Individualism gets you trophies and plaques. Play for the front, that wins championships. I try to remind them of that.
The secret of poetry is never explained,— is always new. We have not got farther than mere wonder at the delicacy of the touch, and the eternity it inherits. In every house a child that in mere play utters oracles, and knows not that they are such. 'T is as easy as breath. 'T is like this gravity, which holds the Universe together, and none knows what it is.
To prevent wars, people must criticize, in their own country, the abuses that occur in their own country. The role taboos play in the preparation for war. The number of shameful secrets keeps growing incessantly, boundlessly. How meaningless all censorship taboos become, and how meaningless the consequences for overstepping them, when your life is in danger.
It is now widely and rightly accepted that we live in a world which is more interdependent than ever before, and that problems are increasingly global in character. At the risk of stating the obvious, I would say that when governments realize that certain problems are beyond their powers, it is clear that the United Nations has an irreplaceable role to play.
A true soldier does not argue as he marches, how success is going to be ultimately achieved. But he is confident that if he only plays his humble part well, somehow or other the battle will be won. In is that spirit that every one of us should act. It is not given to us to know the future. But it is given to everyone of us to know how to do our own part well.
Thanks to music I have found a deeper connection to an otherwise elusive God. Thru music I get to commune directly, and daily. On a side note to readers, any service or craft you give your heart to will give you the same effect. Don't be afraid to work less and play more! We are human. We didn't come here to hold down a dayjob. We came here to live and learn!