In a sense, the first (if not necessarily the prime) function of a novelist, of ANY artist, is to entertain. If the poem, painting, play or novel does not immediately engage one's surface interest then it has failed. Whatever else it may or may not be, art is also entertainment. Bad art fails to entertain. Good art does something in addition.

My father was able to play a number of musical instruments and I fell in love with classical music in my teens and I allowed it to influence me. I like to think I took and still do from classical music and various techniques, I have made classical albums and recorded seven different pieces of Bach on different albums and its all music too me.

A lot of guys in New York will only play with an edge. They find their groove and that's their groove. to me, once I do that, there's no point in playing anymore because it should always be a mystery. Depending on who you are playing with, there are hundreds of ways of playing. I think that a master can play all those different kinds of time.

Directors like Satyajit Ray, Rossellini, Bresson, Buñuel, Forman, Scorsese, and Spike Lee have used non-professional actors precisely in order that the people we see on the screen may be scarcely more explained than reality itself. Professionals, except fo the greatest, usually play not just the necessary role, but an explanation of the role.

[The Ben Sanders voters] are more angry now than ever, knowing how Hillary Clinton insulted them recently, they are not going to be happy about all the pay-to-play that was released today between the DOJ and Friends of Bill [Clinton] (FOB's). If you're a friend of Bill, you can get in on those Haiti earthquake relief contracts. How disgusting.

Americans need to educate themselves, from elementary school onward, about what their country has done abroad. And they need to play a more active role in ensuring that what the United States does abroad is not merely in keeping with a foreign policy elite's sense of realpolitik but also with the American public's own sense of American values.

Taking the politics out of setting the minimum wage provides fairness for workers and predictability for businesses. This legislation will also protect the most vulnerable workers and level the playing field for employers who play by the rules. These are the right steps to take; they will make Ontario a better place to work and run a business.

Self-deceit—It’s in the “Nine Satanic Statements” but deserves to be repeated here. Another cardinal sin. We must not pay homage to any of the sacred cows presented to us, including the roles we are expected to play ourselves. The only time self-deceit should be entered into is when it’s fun, and with awareness. But then, it’s not self-deceit!

I was thrown into a community production of 'Bye Bye Birdie' or something when I was a kid. I wanted to just build the sets, but I wasn't allowed to just build the sets unless I auditioned for the play. So I auditioned for the play and was thrown into the chorus. During the course of that I fell in love with it, and I never really turned back.

We are disturbed - we can't play anymore. Our planet can be renewed or ravaged. Now is the time to awaken and take action. Everyone is needed. You are not here for no reason. Everyone who is here now has an important purpose. This is a hard but a special time. We have the opportunity for growth, but we must be ready for this moment in history.

I just do what I feel and what I like. I don't necessarily censor or feel an obligation to have a particular moral standard - I'm willing to wallow in the mud, if necessary. It appears as if there seems to be a consistency in result, but maybe that has as much to do with the roles I choose as it does with how I play them. I do what pleases me.

Tony Awards boost Broadway attendance and sell the shows on the road. They're the sugar to swat the fly. If you needed more explanation for the yearly ballyhoo, in the metropolitan areas where a Broadway show plays, the local economy is boosted by three and a half times the gross ticket sales. So when we're talking Tonys, we're talking moolah.

When it's all said and done, I'm very, very glad to work in this business, but that's exactly what it is. It's a business, and I get to do the fun half of it. I get paid to pretend. I get to play really great characters. And, we have such a wonderful writer. She just knows people so intricately, and it's so fun to be able to act out her words.

I never set my sights low. I've always believed most people are ruined by the limitations they put on themselves. I was never afraid to take that step, to see what I was capable of doing. Does luck play a role in success, particularly in a creative field? Sure it does. But if you don't have the balls to give it a shot, you're destined to fail.

In using the terms play and playfulness, I do not intend to suggest any lack of seriousness; quite the contrary. Anyone who has watched children, or adults, at play will recognize that there is no contradiction between play and seriousness, and that some forms of play induce a measure of grave concentration not so readily called forth by work.

Eisenhower's career demonstrated how it is possible to fool all the people all the time...'I may be stupid,' he once said at a press conference, 'but at least I'm sincere!' Actually, he was neither, but it suited his purpose to play the part of the bumbling man of good will who was 'not an expert in these matters' but somehow would do his best.

It feels that way when I'm doing a play, absolutely. On film and television, it's more complicated than that I think, and when you start to add the business into the mix, and the industry into the mix, it doesn't maintain it's purity. That's something that's inevitable and unavoidable, but that's why I try to do plays as much as I possibly can.

Nothing is so unpredictable as a throw of the dice, and yet every man who plays often will at some time or other make a Venus-cast: now and then he indeed will make it twice and even thrice in succession. Are we going to be so feebleminded then as to aver that such a thing happened by the personal intervention of Venus rather than by pure luck?

I've worked on other shows where the sense is like, "Well, don't change it too much," you know? But on this one [ Too Much Tuna], Nick [Kroll] and John [Mulaney] - beyond being amazing performers - are also writers, and wanted to keep improving upon the show, particularly the play within a play. I think the writing just got funnier and funnier.

The author tells a story wherein a missionary friend of his was invited by unbelievers on a train ride to play cards. The friend declined, saying that he did not bring his hands with him. He explained to the astonished group that the hands attached to what they saw as his body belonged to the Lord, and he was thereby able to explain the Gospel.

You are an instrument of God. Don't leave the instrument sitting in its case, my son. Play! Leave no part of your instrument unexplored. Why settle for 'Three Blind Mice' when you can can play the 'Gloria'? No, not Bach's 'Gloria.' Yours! Your 'Gloria' lives within you. The greatest sin is not finding it, ignoring what God made possible in you.

Here we go again. Always a few drinks, but sometimes even sober, we play the unhappiness game; endlessly round and round. Ding dong. Tighter and tighter. On and on. Push me pull you. Come here and i'll tell you how much i hate you. Hang on a minute while i leave you. All the while we know we are missing the point, whatever the point used to be.

The threat posed by Bank of America isn't just financial - it's a full-blown assault on the American dream. Where's the incentive to play fair and do well, when what we see rewarded at the highest levels of society is failure, stupidity, incompetence and meanness? If this is what winning in our system looks like, who doesn't want to be a loser?

Technological consciousness takes itself dead seriously; it has no sense of humor. The fool can play no role in it, for there is no other realm that is can see beyond itself to which the fool can point. Consciousness in the throes of desire cannot tolerate laughter any more than criticism of laughter can be tolerated in a moment of sexual lust.

Fences, unlike punishments, clearly mark out the perimeters of any specified territory. Young children learn where it is permissible to play, because their backyard fence plainly outlines the safe area. They learn about the invisible fence that surrounds the stove, and that Grandma has an invisible barrier around her cabinet of antique teacups.

Phronimos, possessing practical wisdom . But the only virtue special to a ruler is practical wisdom; all the others must be possessed, so it seems, both by rulers and ruled. The virtue of a person being ruled is not practical wisdom but correct opinion; he is rather like a person who makes the pipes, while the ruler is the one who can play them.

You may control a mad elephant; You may shut the mouth of the bear and the tiger; Ride the lion and play with the cobra; By alchemy you may learn your livelihood; You may wander through the universe incognito; Make vassals of the gods; be ever youthful; You may walk in water and live in fire; But control of the mind is better and more difficult.

We realized that there's a great need in many churches to use the power of the media...There are a lot of different ways to preach. You can preach by praising. You can preach by preaching sermons. You can preach by just giving someone food when they're hungry. There are people who will never darken a church door but they will come to see a play.

All that you are attached to, all that you love, all that you know, someday will be gone. Knowing this, and that the world is your mind which you create, play in, and suffer from, is known as discrimination. Discriminate between the Real and the Unreal, the known is unreal and will come and go so stay with the Unknown, the Unchanging, the Truth.

Every time, my syncopation is different, because I can never play the same fill twice. I just can't, never have been able to. Even as a Beatle, they'd say, 'Oh, double-track that.' I don't know how you do that, because when I'm in a fill I'm sort of this blackout, just this pure me coming out and I can't pure me the same, twice. So, that's that.

The energy requirements for interstellar travel are so great that it is inconceivable to me that any creatures piloting their ships across the vast depths of space would do so only in order to play games with us over a period of decades. If they want to make contact, they would make contact; if not, they would save their energy and go elsewhere.

There's a good television programme called 'Disco 2.' It's quite good but again it's average, average. It's all on a down play. You know we've got this thing in England to be hip is to speak very down - like John Peel. And that just about sums up England. They don't realize when they talk like that, then that is what they represent - absolutely.

[Joseph Smith] foresaw the time when the destiny of the nation would be in danger and would hang as by a thread. Thank God he did not see the thread break. He also indicated the important part that this people should yet play in standing for the principles embodied in these sacred documents - the Declaration of Independence and the Constitution.

I do believe it's possible to play a lot without overplaying. It's when a musician becomes too self-centred that it becomes problematic. You need to be aware of how what you're doing is affecting everyone else, and that's something young musicians often forget. Playing in a band is a shared experience. It's about what everyone is doing together.

We all have our own takes on things. To being yourself. The abstract, the whole thing that I play with, seems to result in seeing through your lenses, and once you express how you see things to others, you start to see there are similarities between all people. It's kind of like, no matter how far you go, you're still where you started, in a way.

When I was 12 years old, I was just horrible. My parents were ashamed to watch my matches. I would play on a court at the local club and they would watch from the balcony. They would scream, 'Be quiet' to me and I would scream back, 'Go and have a drink. Leave me alone.' Then we would drive home in a very quiet car. No one speaking to each other.

I don't really listen to my old stuff, but on occasion, I would either hear a track on the radio or a friend might play me one, and there was generally a bit of an edgy sound to it, which was mainly due to the digital equipment that we were using, which was state of the art at the time - and I think everyone felt pressured to be working that way.

President Obama is determined that our foreign and national security policies not play into al-Qa'ida's strategy or its warped ideology. Al-Qa'ida seeks to terrorize us into retreating from the world stage. But President Obama has made it a priority to renew American leadership in the world, strengthening our alliances and deepening partnerships.

You play all your life and train all your life and then you are not playing. It's not easy to deal with. But you can't roll up in a ball and hope it goes away. You have to take it on the chin and train hard and be prepared to play. We all know the game changes in an instant and anything can happen so you have to keep the hope that comes your way.

I was not a band geek, per say. But me and my two older sisters played instruments, so I would come home and my sister Dana would be playing the clarinet or playing the piano, and I would play the saxophone, my other sister would be singing, my mom would be singing. I was not afraid to be musical. That was not something that I thought was uncool.

I knew I could only play Cyrano if he were Americanized. I had no intention of writing the script myself. I was afraid of it. You're playing with fire when you tamper with a classic. So I went looking for a writer. But it was such a personal idea, and anyone I would give it to would make it his own. It's hard to ask Neil Simon to write your idea.

But Shakespeare one gets acquainted with without knowing how. It is a part of an Englishman's constitution. His thoughts and beauties are so spread abroad that one touches them everywhere; one is intimate with him by instinct. No man of any brain can open at a good part of one of his plays without falling into the flow of his meaning immediately.

There is no piece of music that could relate to anything else but itself and its world. It is truly an independent. The one thing coplanar with music is the compositional aspect, the fact that you are composing something. Architecture is essentially a score, and what happens with it depends on the people who play it, enjoy it, use it, or hate it.

For instance, let us say that a new stock has been listed in the last two or three years and its high was 20, or any other figure, and that such a price was made two or three years ago. If something favorable happens in connection with the company, and the stock starts upward, usually it is safe play to buy the minute it touches a brand new high.

I had to wear a fat suit to play Mma Ramotswe in 'The No 1 Ladies' Detective Agency.' She's described as being like a small elephant, but she loves her body and size. When we were filming in Africa, it was 110F. It was torturous. I drank a lot of water and ate cucumbers all the time, and underneath the fat suit I shed pounds - I couldn't help it.

Psychoanalysis , which interprets the human being as a socialized being, and the psychic apparatus as essentially developed and determined through the relationship of the individual to society, must consider it a duty to participate in the investigation of sociological problems to the extent the human being or his/her psyche plays any part at all.

I think I will always feel a special relationship with The Umbrellas of Cherbourg, because for me it was something very, very special. It was a modern opera, and to play the heroine in a film that became such a success at a young age, and learning from him when I was so young and impressionable - really it was one of my most important experiences.

A jargon form'd from the lost language, wit, Confounded in that Babel of the pit; Form'd by diseased conceptions, weak and wild, Sick lust of souls, and an abortive child; Born between whores and fops, by lewd compacts, Before the play, or else between the acts; Nor wonder, if from such polluted minds Should spring such short and transitory kinds.

I play for the intense challenges that the game on the highest levels present. The whole team enjoys playng exciting soccer for the fans and my part in that makes me feel good about myself. The whole concept of teamwork is what keeps us all going. It's my role to create scoring chances, and to come through for my teammates is extremely satisfying.

Pianos, unlike people, sing when you give them your every growl. They know how to dive into the pit of your stomach and harmonize with your roars when you’ve split yourself open. And when they see you, guts shining, brain pulsing, heart right there exposed in a rhythm that beats need need, need need, need need, pianos do not run. And so she plays.

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