Quotes of All Topics . Occasions . Authors
I never expected to have any kind of film career, to be honest. It was all a bit of a surprise. But I was in a big hit play on Broadway. America, as many people will say, says yes more often than we do. And so I was suddenly surrounded by people saying yes. But I was aware that was 'cause of what I was in. It had a big impact.
I'm attracted to good writing. When I read the page and I know what we're after and where we're headed, and I'm fortunate enough to respect that idea and am able to pitch myself toward that, that feels like the culmination of everything that I've spent my life trying to do, since I played that tree in that play in third grade.
When it's time to focus in and play ball during the season, 100% of my focus is on that. When it's the offseason and I've got time to be away and I can do other interests - they don't conflict. I'm good at compartmentalizing. I can put everything in its appropriate box at the time and open it up when I need to at a later time.
I think that no matter what you do, whether you rodeo, whether you work in an office, you work in the oilfield or you play music for a living, eventually if you do enough of it, the devil in the back of your head tries to turn it into work. You have to find new ways to make it new and make it exciting to keep that drive there.
I always had a very open mind and a very open heart. I always look for the good in everybody and the God in everybody. I play to that. And I just love people. I love the difference in people. I love getting to know people. I appreciate getting accepted myself, because I know I'm unusual. And I love the unusual in other people.
I play these [folk acoustic] concerts and I ask myself, 'Would you come see me tonight?' - and I'd have to answer truthfully, 'No, I wouldn't come. I'd rather be doin' something else, really I would. That something else is rock... The words are pictures, and the rock's gonna help me flesh out the colors of the pictures. (1965)
I want to play Nightwing real bad. I worked with [Arrow creator] Greg Berlanti a while ago on a show called Everwood and jokingly I tweeted him saying, 'Hey, let me come play Nightwing for a couple episodes.' And somebody wrote an article about it, so I was like, let's make it happen, but I haven't heard anything about it yet.
What I try to do is write a story about a detective rather than a detective story. Keeping the reader fooled until the last, possible moment is a good trick and I usually try to play it, but I can't attach more than secondary importance to it. The puzzle isn't so interesting to me as the behavior of the detective attacking it.
I had an uncle who was a postal official at the Polish post office in Gdansk. He was one of the defenders of the Polish postal service and, after it capitulated, was shot by the Germans under the provisions of martial law. Suddenly he was no longer a member of the family, and we were no longer allowed to play with his children.
I absolutely do prefer a dominant guy. I play a very dominant role in my life, in every other aspect of it. And I like to feel like a lady still, at some point. I feel like that's the time when a guy really gets to be a man, and I get to be a woman. And if I'm being a man in the bedroom too, there's nothing really in it for me.
The music has gotten thick. Guys give me tunes and they're full of chords. I can't play them...I think a movement in jazz is beginning away from the conventional string of chords, and a return to emphasis on melodic rather than harmonic variation. There will be fewer chords but infinite possibilities as to what to do with them.
When I auditioned actors I never make them act. I choose a long symphony, then I tell them to sit down and I play the symphony for them. Then I sit and I look at them. I always pick a piece of music that has up and downs, very dramatic parts, very quiet parts and really sensitive parts so that it can produce different emotions.
BYU takes on defending national champion Florida State in the Pigskin Classic in Jacksonville, Fla., eight days after announcing that the 2000 season would be his last before retirement: We looked at it. We knew it would make things tougher. But how many chances does anyone get to play Florida State? It was too good to pass up.
I remember one particular occasion when I hadn't played a solo for, quite literally, a couple of months. And I was asked to play a solo on a rock & roll thing. I played it and felt that what I'd done was absolute crap. I was so disgusted with myself that I made my mind up that I had to get out of it. It was messing me right up.
I think about my art works as paintings, because they refer to the history of painting. I also have to think about them as sculptures, because every part of the process is part of the project. They're sculptures because they play on the idea of what should be hanging in a gallery. In that sense they're also kind of ready-mades.
I was already devouring literature and I was the ripe old age of 15 when I decided to be an actor. I just thought plays were the most fantastic way of expressing life. I thought I'd discovered Shakespeare - 'hey, there's a new guy in town, don't know if anyone's read him.' I was just excited about the whole thing, from day one.
I kind of went into soap opera with 'General Hospital' in the '80s. It's like theater because every day it's a new script, which really doesn't have a beginning, middle or end like a play or a movie script. So you have to be on your toes and bring it every day. And you have to be spontaneous, which is really how I like to work.
I suppose with any character that you play you always bring your personal experience to it. You always bring people that you know or that you've met and sort of - this is what I do, I mean, I don't know what anyone else does - but people that you know or that you've met that have affected you in certain ways, you bring into it.
A free citizen in a free state, it seems to me, has an inalienable right to play with whomsoever he will, so long as he does not disturb the general peace. If any other citizen, offended by the spectacle, makes a pother, then that other citizen, and not the man exercising his inalienable right, should be put down by the police.
Coach Bruce Weber told me in a meeting that all I have to do is play pretty well. The rest of the guys are doing well now. It takes a lot of pressure off Dee and especially myself. Luther and Deron and all the assists and rebounds and all the points that were lost, somebody has to make them up. In reality, you can't do all that.
If it's possible, I will have some noodles in the morning and start talking to people, start to think about a few things in my head - the project or a few ideas which are not finished or if there are possible directions and what will lead into another game. It's always like setting up some kind of game you can continuously play.
I read a lot of detective stories because they always deliver. They give you a beginning, a middle, and an end - a resolution. The modern novels I read don't always deliver because I'm looking essentially for a story. As in Shakespeare, "The play's the thing." In particular I read detective stories for pacing, plot and suspense.
To me, it has always been difficult to understand those evangelical Christians who insist upon living in the crisis as if no crisis existed. They say they serve the Lord, but they divide their days so as to leave plenty of time to play and loaf and enjoy the pleasures of the world as well. They are at ease while the world burns.
I'd love to play a Bond villain. Yeah, I'd love to play a Bond villain. Everyone always says this to me; they always say, 'You've got to be a Bond villain', 'We're going to make you a Bond villain...' But they've never, ever approached me, I've never had a whiff of it. I think I'd love to play a Bond villain; I'd have great fun.
I find that at almost every press junket I get that comment, "this character's different from what you generally play..." And that's OK! But I think "generally play" stems back to Mr Darcy. I'm fine with it but I tend to find that if it's a departure, which in other people's words it always is, it's always a departure from that.
LSD is no longer playing a bad role in the drug scene and psychiatrists are again trying to submit their proposals for research with this substance to the health authorities. I hope that LSD will again become available in the normal way, for the medical profession. Then it could play the role it really should, a beneficial role.
The sympathies of a well-adjusted person can easily be aroused by the plight of strangers. Indeed, the skillful writer of a novel, a play, or an opera can engage our emotions on behalf of people who are not only strangers to us, but who do not even exist! And a person whose emotions cannot be so aroused is not behaving normally.
I always do that at the end of shows, like a Q&A session. First of all it lets people know that this isn't some preprogrammed, press-play show where I have to say the exact same words in the exact same order. That's part of the thing with live comedy is that people like the fun aspect of it and I enjoy the taking questions part.
Anyone who is observant, who discovers the person they have always dreamed of, knows that sexual energy comes into play before sex even takes place. The greatest pleasure isn't sex, but the passion with which it is practiced. When the passion is intense, then sex joins in to complete the dance, but it is never the principal aim.
I've always been fascinated by Picasso and how he would look at a single image through multiple perspectives and from separate moments in time. He would look at a woman's face and he would see almost a three-dimensional look even though it was a flat canvas. I thought, well why couldn't we do the same thing with a football play?
The raven hatches its young; the fish spew forth their eggs; the slim-waisted wasp transforms, and when a younger brother comes along the elder brother weeps. For too long I have not been able to work in harmony with these changes. So, given that I did not play my part in harmony with others, how could I expect to change people?
My parents were kind of over protective people. Me and my sister had to play in the backyard all the time. They bought us bikes for Christmas but wouldn't let us ride in the street, we had to ride in the backyard. Another Christmas, my dad got me a basketball hoop and put it in the middle of the lawn! You can't dribble on grass.
I know everything about everything and before I dry off completely, which is something I truly hate, you better go outside, collect Trates, and have both your asses out of here or I’m going to lose what little patience I have. You will play by the rules I’ve set up for sanctuary, or I’ll use your entrails for armbands. (Savitar)
So, it's always different. Some stuff, you want to do because it's a part that you've never played. It's always for story. Sometimes there's a story that you really dig, but there's no part that you're interested in. Sometimes you read a story and you say, "I could do that. I've never done that before. I could do play that part.
When you're writing a movie or a play and writing isn't going well, which is for me the normal condition - it's an exceptional day when suddenly I've got something and it's going well - you can call the studio or the producer or whoever is waiting for it and say, "I know I said I was going to have it in by the end of the summer.
We carve on our body what society teaches us and continue this task, not knowing the identity they force us to have. This identity is carved on our faces and our skins. Not knowing our bodies have become "the paper made of human meat," we stuff our bodies and make them a theater where cultural symbols or suppressed symbols play.
Well, well. IM (and correspondence GM) Douglas Bryson once told me that he almost never plays a game that flows smoothly from start to finish; there is always a "moment" of sorts where someone misses a big defensive opportunity or the nature of the position changes more than one might reasonably expect. This was such a "moment".
The play I was doing [on a Broadway ], I was playing an obnoxious, outspoken kid, so [the director James Lapine ] saw me do the play, and he was like, "That's what I'm looking for." I tested for the part [in Life With Mikey]. Back then, I used to do screen tests. I mean, they still do every once in awhile, but it was a big deal.
I injured myself quite badly when I was seventeen. I broke my ankle, and it didn't heal in such a way that I could keep dancing at the level I wanted to. It wasn't like, 'Oh my god, I'll never play the violin again.' I could, but not at the level I wanted. So, I segued into acting, the other thing that was also meaningful to me.
You can't be genuinely prosperous unless you have personal freedom. You will have attained true personal freedom in this world when you can get up in the morning when you want to get up; go to sleep when you want to go to sleep; and in the interval, work and play at the things you want to work and play at - all at your own pace.
Working with children is very different than the way in which I work with adults. I never tell the children the actual truth of the thing that I want them to act. Although children are really into play and play acting, and this is a major part of their existence, they never actually find the playing or acting of adults credible.
You look at the absolute scorn that gets poured on a fallen celebrity, whether it's Tom Cruise or Lindsay Lohan or Marlon Brando, or Elvis when he got fat. They're not allowed the dignity of ordinary failure. And I think that plays into people's notions about Los Angeles, too. It's not allowed to be a regular city with problems.
While you're making the film and working with the actors, if you want to have a little room to breathe and experiment and play, it grows, and you want that to happen. It's not enough to just shoot the script. You've gotta come up with new inspiration, as you shoot it. There's gotta be room for that and time for that, so it grows.
We've been shooting the last two weeks with a lot of vampires. I don't want to give away too much, but if you've read the books, it's the standoff with lots of vampires in play. There's like 70 people going through the works at once. It's a little maddening, but fun. We shot pretty much the ending of the two movies the other day.
I managed because of my mother. I managed because I'm strong. I managed the same way every other abuse survivor survives, you just do. So many people have been abused, it's not rare, it's a very common human experience, and we survive. Also, my music plays a big role in my thriving. Having an outlet, it really makes a difference.
When I was younger I was much more polemical and didactic, much less trusting. Inherently my own vision of the world would weave its way through the characters. Also, my concerns are changing. What happens is you write a few plays and get boxed into some idea of what your concerns are and what you're supposed to be writing about.
If you're a woman, it's almost impossible to establish a relationship. You're too much for everybody. It's too much. The woman always has to play this role of being fragile and dependent. And if you're not, they're fascinated by you, but only for a little while. And then they want to change you and crush you. And then they leave.
In the long run magazines can't be a convenience play - the Web has stolen that. So magazines have to be high fidelity - a fantastic experience - to thrive. Magazines will survive the Internet age, but only the ones that give people an experience they just can't get anywhere else. A magazine will have to be truly loved to make it.
I used to play for 200 people and now I'm selling out places that hold 16,000 people. It's a big change, and it's so cool to see people out there screaming the words to songs that I wrote. It just really reassures me that what I'm doing is working, and it really boosts my confidence, as far as on stage as a performer and a writer.
In video you are starting with nothing but a black screen. There's no game there. With pinball you at least start with that basic concept, but not with video. The challenge of going from no game to something today is only different because you have to create something so damn fun people will pay $1.00 every two minutes to play it.