Quotes of All Topics . Occasions . Authors
I do a lot of American plays. I've done a lot of Arthur Miller, Tennessee Williams and Neil Simon. I was in 'Sisters Rosensweig,' 'Six Degrees of Separation,' all of that stuff. So we're very familiar with America. I did 400 performances of 'Born Yesterday.' I did 700 performances of 'They're Playing Our Song.'
Business is recognizing the role it can play in combatting climate change. Thank God, is all I can say, for there is a desperately urgent need for business to play that role. Your lobbying influence can be substantial, but together, united and in large enough numbers it could prove decisive in turning the tide.
Right before Pamela Anderson met Tommy Lee I got this crazy script to do this incredible movie with her where I play this cop with a young partner like Brad Pitt who is in love with Pamela Anderson and he gets killed in the line of duty and she falls in love with me and it gets really crazy. I turned that down.
Nobody else in the world can play the way Scholes does. The passes he produces all over the field and the way he changes the game is brilliant. Every manager would like him. But luckily he is here and playing with us. Paul practices that all the time. When he has finished training he always goes out and shoots.
If I had not lived the life I had lived and did not have the wife I have and the children I have, I would never know how to play that role [of Dr. Bedsloe], and I wouldn't have any of those qualities. It's a real example of how it is true that the camera catches everything. Even the stuff you're trying to hide.
I hope somebody makes a movie about Obama's life soon because I could play him. That's the goal. I watch all the addresses. Any time I see him on TV, I don't change the channel. I definitely pay attention and listen to the inflections of his voice. If you ask anyone who knows me, I'm pretty good at impressions.
Any work of art represents a series of conscious choices on the part of the artist - what color to paint, what note to play, what word to use - in that artist's attempt to share what is in his or her soul. The audience is free to accept or reject those choices; it is emphatically not free to substitute its own.
I tell my kids in the Academy at Newcastle to watch Henry. He plays with such a swagger, not an arrogance, and that is a great quality. He always looks so comfortable. You talk about cars going from 0 to 60 in a matter of seconds, and he is like that. He just explodes. I could sit there for hours and watch him.
the association of children and fairy-stories is an accident of our domestic history. Fairy-stories have in the modern lettered world been relegated to the “nursery,” as shabby or old-fashioned furniture is relegated to the play-room, primarily because the adults do not want it, and do not mind if it is misused.
Why do I keep performing at my age? What else am I going to do? Play golf? I tried that years ago and all I did was cuss. I can do that without the walk, cuss at Congress and let [Mark]Twain do it. "Imagine that you were an idiot. And then imagine that you were a member of Congress. Wait - I've repeated myself."
When you play against good people, that's when you focus your concentration. Your sense of urgency to be disciplined in your execution all become more critical. Sometimes you get away with doing things not quite right against lesser competition, but when you play against real good people that's when it shows up.
You stay with the foundation and then you just try different things because you don't know how the director will cut it and you want to give him, what will work, and you want to give him some options, give yourself some options, discover some things when you start to play. That's what we do; we get paid to play.
Sadly, I wish I had been able to play ["Miner's Prayer"] for [grandfather]. Yeah, I'll never escape the influence of him in my life. And my - his wife, my grandmother, Earlene Tibbs - those experiences with them shaped me musically probably more profoundly than anything else in my life and shaped me as a writer.
Tony Vigorito has grown a cult following of thousands for one reason - his stuff is fun to read... It's... filled with the freshness and the freewheeling independence that made his reputation... This book is the 'work' of one of the least pretentious and most enjoyable to read novelists at play in America today.
I remember doing "As Cool As I Am" and Steve Miller, the producer, saying "I really hear a drum loop here. I want to play it for you." When I wrote it, I thought, "This isn't going to sound very folky. I don't think it's going to go with mandolins and banjos." Then he played the loop for me and it sounded right.
As a label I don't care about piracy. I want the music that we [my band] love to be heard by as many people as possible. The more people like the music we put out, the better the label and artists will do. If anyone genuinely likes what we do they will find us, buy our vinyl or come to see the artists play live.
I accepted the forgiveness of God. I got off track as an adult and because I believe in God's grace, I believe that gave me strength then to get that little part of my life realigned, to not play games about it, to confess it, to ask for forgiveness from God and ask others to forgive me as well and then move on.
I often feel like the woman in your life is your driving force. She's your muse. She plays a big role in determining how confident you feel when you walk out the door. She can add 1,000 kilowatts of energy - or drain that out of you. She said, "No, you're not that funny." I thought, She knows better than anyone.
Families of privilege and money would have harps in their parlors, and their cultured daughters would learn to play. It's got such a strange history. But that wasn't the context that I learned it in, so the inherent friction between that history and the more humanist folk-y history wasn't in my conscience at all.
Study Bibles tend to circulate widely, so they play a disproportionate role in helping Christians and others understand holy Scripture. Further, many of our members have long used one or two other Study Bibles, and it is important that Christians not be tied too tightly to only one option, however good it may be.
When you're wearing jeans there's a shift in your center of gravity. A costume like this and a character like this, there's no way to hide. If you try and play him any way sort of modern or normal, you diminish. He's larger than life. He's 150 percent. You've got to go for it all the time. It was just impossible.
The Infinite alone exists and is Real; the finite is passing and false. The Original Whim in the Beyond caused the apparent descent of the Infinite into the realm of the seeming finite. This is the Divine Mystery and Divine Game in which Infinite Consciousness for ever plays on all levels of finite consciousness.
As a kid, I used to come to our offices and play under the desks of people I now work with, or who work for me. I would come in and play with fabrics and make little clothes for my Snoopy. People here feel like family. But if I couldn't make a difference, I wouldn't be here. My father wouldn't want me to be here.
When I hire musicians, I look for that first: every time they sit down do they go for it, you know? And do they try to learn the music and try to get inside the song whatever the tune is? Whether it's my originals or someone else's, it's just whether or not they're gonna play their hearts out, first and foremost.
Experience shows that what great role pratice and experience play in education; pratice, the prolonged exercice lead to habit: exemple suggests imitation. Habit can become a second nature, but, wrongly directed (or guided), it may also heighten (or intensify) unfortunate tendencies and be an obstacle to progress.
In the beginning, I was always playing some kind of gangbanger and the token Mexican dude who didn't have a lot of lines but was in the entire movie. At the same time, everyone gets typecast, and I decided that if I was going to play a stereotypical role, I was going to play it like a three-dimensional character.
I don't stop. It's my nature. People have to tell me to slow down. I plan on playing every role on Broadway. I want to do 'Evita.' I want to do 'Sweeney Todd' with Chris Colfer. We want to do 'Wicked.' I'll be Elphaba and he wants to play 'Guy-linda.' I want to do movies, make music. 'Glee' is only the beginning.
So much of being an actor is trying to force yourself into these roles and sometimes it's a good fit, and sometimes it's not a good fit... you have to get clear about what it is that you do and not try to be a bunch of other people. Not try to be that guy or try to play that part; find the roles that you do well.
Within the university... you can study without waiting for any efficient or immediate result. You may search, just for the sake of searching, and try for the sake of trying. So there is a possibility of what I would call playing. It's perhaps the only place within society where play is possible to such an extent.
There are lots of really good guitarists, but they play with the same pedals that everybody else does. Everybody buys the same pedals, so the sounds tend to be the same. I am looking for different ways of doing that without having to spend days and weeks and months fooling around with pedals, which I don't enjoy.
You will learn more from your failures than your successes - so embrace those mistakes, as difficult as that sounds, and grow from them. When a project is successful, you're never really sure why, because so many elements come into play. However, when you fail, you always know why. That is how you learn and grow.
When you start to do research into gorillas or any kind of apes, if you're going to play them, that's one of the biggest misconceptions. And when I did Kong, you're not doing gorilla movements, you're not doing ape movements, you're looking for a personality. It's like saying okay I'm going to do human movements.
The bad thing about the [tennis] calendar is how it is made and obligates you to play tournaments all year. If you want to achieve the most you can (and) go as high up (in the rankings) as you can, you have to play from the start to the finish because there are important tournaments from the beginning to the end.
I was worried before I saw the play 'The Seven Storey Mountain', thinking I don't really want to see a play about Thomas Merton. He probably wouldn't have either, ideally. Then it isn't. It's more about us and it's about our relationship to what he may or may not have thought about. It's its own thing completely.
My father was overbearing. Very controlling. He was always the way he is, even before my success. He was not always a good person. He'd play mind games to make sure I knew my place. I don't see him, which is unfortunate. But I don't have any desire to see him. I vaguely know where he is, and I don't want to know.
Do you know that fat little guy from Seinfeld? He has become the main pitchman for KFC, Jason Alexander. And beginning in May he is going to star in the West Coast production of 'The Producers.' It's made for us. We can be slamming him as the play opens. If we do this properly, he will wish he never saw a chicken.
I saw several actresses play the part. I did not in fact, as far as I know, do anything that any of the other actresses did. I don't think actresses do that. I think that what we do is we see a role as a role, we don't see it as a person. We look at the role and think, 'What can I, as an actor, bring to that part?
If Shakespeare's great plays are variants of stories, even novels, you can see how each character is telling his story from his perspective; each is vying with the others for dominance, but in the end, in tragedy, most of these voices will die, to be replaced by the yet more vigorous voice of a younger generation.
A play is basically a long, formalistic polemic. You can write it without the poetry, and if you do, you may have a pretty good play. We know this because we see plays in translation. Not many people speak Norwegian or Danish or whatever guys like Ibsen spoke, or Russian - yet we understand Chekhov and the others.
I won't necessarily make new music because when you make a record there are these great expectations on the side of the record company who are going to produce your record, promoters that are going to do your shows. They want you to do interviews, they want you to play shows. I mean, they want it to be a campaign.
As paradoxical as it may seem a great sculptor is as much a colourist as the best painter, or rather the best engraver. He plays so skillfully with all the resources of relief, he blends so well the boldness of light with the modesty of shadow, that his sculptures please one, as much as the most charming etchings.
At least here in Stockholm if you go out to any of our 4 metal clubs and talk to ten guys you can be sure nine of them play in a band! The bad thing is there is no underground movement here anymore. Going to a show with local band's ten years ago would mean at least 300 people, now you can be lucky if 50 shows up!
I don't think I suffered with depression, I don't think I'm a depressed type of person - I just think I suffered a depression to do with snooker, and I just couldn't handle it. I could go out and play, but take me out of there and I couldn't do life. It was a nightmare, my life just felt like a bit of a nightmare.
In the ideology of the new Silicon Valley, work was for the owned. Play was for the owners. There was a fundamental capitalism at work: While they abhorred the idea of being a wage slave, the young men of Silicon Valley were not trying to tear down the capitalist system. They were trying to become its new masters.
In the daily lives of most men and women, fear plays a greater part than hope: they are more filled with the thought of the possessions that others may take from them, than of the joy that they might create in their own lives and in the lives with which they come in contact. It is not so that life should be lived.
I wrote a piece from North Korea called Visit to a Small Planet which is a line I stole from a play of Gore Vidal's, because it did seem to me as if I had left this planet completely to go on this visit to the northern part of the Korean Peninsula, and it was as if coming back from another spatial body altogether.
Software touches all of these different things you use, and tech companies are revolutionizing all different areas of the world...from how we shop to how farming works, all these things that aren't technical are being turned upside down by software. So being able to play in that universe really makes a difference.
I'm a huge fan of Jesus Culture. I absolutely love them. I listen to them a lot. My wife loves them as well. I'm unashamedly a Jesus Culture fan. I love the spontaneity. They'll play a song and it will go for like 25 minutes. That kind of worship, and how they lead people into the presence of God, is just awesome.
My agent asked if I fancied Robin Hood and I thought: 'Yeah, why not?' I hadn't watched it, to be honest, but I'd seen bits and knew it was really popular Saturday family viewing with heaps of action. I thought it would be great fun. I was up for a good old play-fighting and the scripts were terrifically exciting.
The first play I did was 'Philadelphia Here I Come.' Can you imagine that? I am 37 years old I am doing my second professional play and I am on stage with John Malkovich. Joan Allen, Laurie Metcalf and Gary Sinise. One huge name after another. I was terrified and petrified, could hardly get a word out of my mouth.