Quotes of All Topics . Occasions . Authors
I play an instrument that has four strings, and I'm still trying to get it right. What I've tried to do in the process of playing these four strings is to try and understand the people I meet, the stories they have to tell. And then become an advocate for them and their stories through music.
I would say I am more concerned with the plays I'm going to do than the movies. I'm more comfortable in a play. In film, there's always a certain sense of control, of holding back. The stage is different ; there's more to act. There are more demands put on you, more experiences to go through.
Methodologically speaking, the rejection by [John] Boswell of the categorical opposition between homosexual and heterosexual, which plays such a significant role in the way our culture conceives of homosexuality, represents an advance not only in scholarship but in cultural criticism as well.
It sounds like I'm channeling or something, and I don't really fully understand what it is. I'll get a piece of paper and write down what I think is coming to me. And I'll play it once. Whether it's being recorded or not, I can then usually remember it for a sometimes shocking amount of time.
I did Albert Hall, I got to play the Hall of Fame with Prince. So I've done that kind of stuff for ages. It wasn't until after we finished working on Brainwash, my dad's album after he died, then it was like 'That phase is over in my life now, now we can get on with our music, with our band.'
My major contribution to the format was to suggest that I be able to step out of the plot and speak directly to the audience, and then be able to go right back into the action. That was an original idea of mine; I know it was because I originally stole it from Thornton Wilder's play Our Town.
Of course, I started as a collector. A true collector. I can remember as if it were only yesterday the heart-pounding excitement as I spread out upon the floor of my bedroom The Edward G. Robinson Collection of Rare Cigar Bands. I didn't play at collecting. No cigar anywhere was safe from me.
I'd like to work with some of the videogame companies for the simple fact that they obviously need some sort of writer's help. I play videogames, and lately it's hard for me to enjoy them because I'm spending all my time cringing at the corny dialogue, thin characters, and glaring plot holes.
Quiet people, people who arent given to emotional outbursts, people who are economic with words - theyre also fun to play, but you find yourself needing a laser precision in those roles. Otherwise you just sort of stand around, looking slightly brain-dead. You worry about being uninteresting.
Since I'm not focusing on my speed as much now as I was heading into the combine, I'm really focusing on my position work, trying to perfect how I play the safety position. I've been doing a lot of backpedaling and drills that focus on turning my hips, which help me out on the football field.
I can't compose or play music; I'm not that fortunate. But I can write and I can talk and sometimes when I'm doing either of these things I realize that I've written a sentence or uttered a thought that I didn't absolutely know I had in me... until I saw it on the page or heard myself say it.
There is a place for everyone, man and woman, old and young, hale and halt; service in a thousand forms is open. There is no room now for the dilettante, the weakling, for the shirker, or the sluggard. From the highest to the humblest tasks, all are of equal honor; all have their part to play.
The maplewood flat-finished Martin had represented the most outrageous luxury in her life when she bought it in 1971 for four hundred dollars. But Lonnie Slocum assured her the Martin was a good investment, even if she never learned to play it better than an acid head who was into heavy metal.
I have always wanted to play different kinds of stuff, but it's hard, first to find good material, and then to change people's perception of you so they'll let you do it. I mean, I would really like to play a poet, but once they get this notion of you as a street guy, it's hard to change that.
I was 3 years old and Mary Poppins [1964] made an impression on me that was seismic, apparently. I fell into some kind of total creative, imaginative rapture over that movie that propelled this industry of Mary Poppins drawings, plays, performances - just an obsessive, creative reaction to it.
Strengthen the female mind by enlarging it, and there will be an end to blind obedience; but, as blind obedience is ever sought for by power, tyrants and sensualists are in the right when they endeavor to keep women in the dark because, the former only want slaves, and the latter a play-thing.
We can see the film stars of yesterday in yesterday’s films, hear the voices of poest and singers on a record, keep the plays of dead dramatists upon our bookshelves, but the actor who holds his audience captive for one brief moment upon a lighted stage vanishes forever when the curtain falls.
I'd have to say Thierry Henry. From the ages of ten to 16, watching him in the Premier League was amazing and he scored all different types of goals - free-kicks, volleys, left foot, right foot. He was entertaining. He's probably the best centre-forward, I think, to play in the Premier League.
The police were also ready with more formidable tools of intimidation. The office also assigned a veteran homicide prosecutor to oversee the investigation. All this activity sent a signal to Condit. If he didn't play ball, he might find himself called to testify before a grand jury under oath.
Sometimes work is a bit slow, and I always wanted to be a princess at Disneyland. There were 1,500 of us who auditioned, and 11 of us were hired. I went through all of the training, but never ended up actually getting to play Belle because 'Revenge' started. It was the time of my life, though!
The man of leadership caliber will work while others waste time, study while others sleep, pray while others play. There will be no place for loose or lazy habits in word or thought, deed or dress. He will observe a soldierly discipline, diet and deportment, so that he may wage a good warfare.
The principle is this: We must not allow anything into our life that feeds our point of weakness. A soldier doesn't dance through a mind field any more than we should play with a hand grenade. When the enemy's entry points are boarded up, it frees us to hear clearly the voice of our Commander.
I'm too young to play lawyers. But I've been really lucky because I never got labeled. I never did the John Hughes thing. I did adult movies. I'm not bragging or anything, but I think that I've chosen really good roles. I've played different people and showed that I have a little bit of range.
Jordan [Ruddes], he learned that way, and that's what he knows how to do. That's how he kind of approaches all music, whether it's to learn a cover song that we're going to play, or to review Dream Theater music - he always uses charts. That's what he knows. I really rely a lot more on memory.
I like to use my Larry Bird analogy, because I'm from Boston. It must have been frustrating playing behind Larry Bird. Because no matter what happens, good or bad, he's the guy. And you've got no chance of getting in. That's just the way it is. It's tough to play behind a future Hall of Famer.
We still wading in the water... Cocaine, blunts, marinating in the water. Lean and took a puff, and then she gave it to my father, Used to take the bullets out so I could play with the revolver. Satan serenading ever since I was a toddler, Tell 'em talk is cheap...niggas living for the dollar.
In the midst of wanton aggression, we still call upon the Arab inhabitants of the State of Israel to return to the ways of peace and play their part in the development of the State, with full and equal citizenship and due representation in its bodies and institutions - provisional or permanent.
When those closest to us respond to events differently than we do, when they seem to see the same scene as part of a different play, when they say things that we could not imagine saying in the same circumstances, the ground on which we stand seems to tremble and our footing is suddenly unsure.
I started trying to do my own music at home, and I was like, 'You know what, I can play the guitar, sort of. And I can do these things, sort of. And I can make these crazy noises on my computer, sort of. But I need a ridiculously good drummer. I need someone to help me with string arrangements.
There's a rumbling with young artists and young filmmakers that are dying to get different points of view, different stories, out there. It's all changing and happening and they're able to maybe not play their movies in theaters but get them on the internet. This is the new wave, the new world.
I play drums, and I'd recommend it to anyone, except maybe your neighbors. It's great exercise - physical, mental, emotional, and social. It takes deep concentration but also activates concentration. If you're doing it right, it's always just a little harder than what you can actually pull off.
The thing with food is that you can give 20 people the same recipe and the same ingredients, and somebody's going to make it better than somebody else, and that's the creativity of it. It's like music. You could have a bunch of people playing the same piece, and somebody's gonna play it better.
If you string together a set of speeches expressive of character, and well finished in point and diction and thought, you will not produce the essential tragic effect nearly so well as with a play which, however deficient in these respects, yet has a plot and artistically constructed incidents.
To me, breakfast is my most important meal. It's often the meal you play a game on. I make sure I have oatmeal, milk, and fruit. It's the fuel you use to hopefully do your best, so eating right is a big part of being a professional athlete. I wish I paid more attention to it earlier in my life.
there is a great choice that awaits us every day: whether we go around carving holes in others because we have been so painfully carved ourselves, or whether we let spirit play its song through our tender experience, enabling us to listen, as well, to the miraculous music coming through others.
In my early life my mother tried to create a nurturing environment in which my mind could play. Her big rule was "Never lose in your imagination." She told me that thoughts were things and that I would become the thing I thought of most. This kind of empowerment is crucial to creative thinking.
The thing is that what you try to do when you play is you try to play not below a certain level. In other words, it can be a special day where it would be phenomenal, but if it's not below a certain level, that's the goal. You know, that's what you want to do. That's why you practice and so on.
I've played an awful lot of people that other people would call villains, but that isn't a very helpful attitude to have if you're about to play them. They are just people, and they may do dreadful things and say dreadful things, but your job as an actor is to know why they do them or say them.
I love the old stuff that's why I included it. I did see them play a lot as they supported the Banshees all the time. And I was a friend of the Banshees so I used to get there early to see the Ants and while the Banshees were on I used to like to go in their dressing room and steal their booze!
I was surprised when I was asked to play Miss Daisy and wondered if I could - only in part because she was Jewish but, also because she was a Southern woman who has hardly opened her mouth before she declares she's not prejudiced, and yet everything she does shows how totally prejudiced she is.
A woman plays such an active role in society. And today, the woman who influences fashion is not that very rich woman who sits at home and polishes her nails. It's the one who works, who is a doer, who does things by dressing. She's very strongly projecting an image of herself as an individual.
Americans must outgrow the unbecoming arrogance that leads us to assert that America somehow owns a monopoly on goodness and truth - a belief that leads some to view the world as but a stage on which to play out the great historical drama: the United States of America versus the Powers of Evil.
The central purpose of the Work that Reconnects is to help people uncover and experience their innate connections with each other and with the systemic, self-healing powers of the web of life, so that they may be enlivened and motivated to play their part in creating a sustainable civilization.
There are dozens of ways of failing to make money. It is one thing to fail to make money because your single talent happens to be a flair amounting to genius for translating the plays of Aristophanes. It is quite another thing to fail to make money because you are black, or a child, or a woman.
I find with television, you have to play personality, whereas onstage, everyone talks about "the character," and what you do. It's a very different thing, because stage is much bigger, but on television, for things to come across to the public, I think you have to play a bit of your personality.
I never want to play a show where it feels overly programmed, processed, and all that. For anybody that comes to one of our shows, the goal for me is to make sure that's their show. That nobody else is going to see that show ever again. You know what I mean? I try to make it different every day.
My father had a lot to do with me thinking about acting, though he never saw me act. He passed away probably - he passed away as I was doing my first play, but I just think being exposed to it and being around it. It wasn't something that I ever thought I couldn't do because I grew up around it.
I distinctly remember a conversation with my band in the van where I was having a complete meltdown. It was 1984, I think, and I was huddled in the back corner of our van and saying, "I can't do this. I can't do this. I can't do this." I didn't want to play any more shows. I just wanted to stop.
I want to be taken seriously as the type of musician that plays stuff like an electric rake. I mean, how seriously do you take someone like Spike Jones? They take him pretty seriously - a really good musician who made a great contribution in terms of humor, which is part of what I try to do too.
There's always a great hue and cry when you sign onto a "remake," and that's always been sort of annoying me and freaking me out. This profession that we're in is drama. What drama has been since the beginning is, you restage plays with new casts, or a writer will take a new run at an old story.