Quotes of All Topics . Occasions . Authors
I need to work with great directors and actors, people who are better than me, so that I am challenged. It is like playing sports - surfing, basketball, it doesn't matter what it is, if you play with people who are better than you, then you get better too. It is the same thing with acting.
Bond? It is a bit like saying, 'Do you want to play Superman?' Anyone would dream of it. It's one of the most coveted roles in film. I'd be honoured. But I don't know if it will actually happen. I'm just happy with the idea of being associated with it. It's nice there's a lot of good will.
From a simple, mammal perspective, you think you're going to make friends through the movie. You think, "Oh, this kind of humor that I play with will bring people that have a similar kind of humor. I'll make new friends," or something. You don't even think in terms of audience or of money.
I see a strategy for fracturing humanity well in play: just keep people separated and let them reinforce invented boundaries in their imaginations. Because when people come together and really listen to each other, doing the hard work of human kindness, virtually every barrier is breached.
I understand I'm supposed to be feminine and dainty, but I'm not. There are two sides to the coin. People are more impressed with things that I do because they almost treat you as if you're handicapped if you're a woman... people can be impressed that I can play a few chords on the guitar.
There are no hopeless positions; there are only inferior positions that can be saved. There are no drawn positions; there are only equal ones in which you can play for a win. But at the same time, don't forget that there is no such thing as a won position in which it is impossible to lose.
As far as I'm concerned, this guy should never play football again. The answer you normally get after a tackle like that is 'he is not the type of guy who does that.' It's like a guy who kills one time in his life - it's enough. You have a dead person. This tackle is absolutely horrendous.
When I first met Benny Goodman he wouldn't talk about anything but clarinets, mouthpieces, reeds, etc. When I tried to change the subject, he said 'But that's what we have in common. We both play clarinet.' I said, 'No, Benny, that's where we're different. You play clarinet, I play music.'
We went from being thought of and talked about as "a band that plays a so-and-so style of music" (a grunge band, a stoner band, etc) to "a band that plays music with a certain sensibility or style to it". I'm not able to see quite what that is, but it's there and some people like it a lot.
Drue [Langlois] and I started making music together before we started the Art Lodge, so I guess musical collaboration came first. The music we made, and our performances, always had a visual component. I could never play an instrument, so these other elements compensated for that a little.
My style is a mix and match of everything. Like I said, It's Play Cloths, it's Saint Laurent, and I know I sort of won when everything can be understated, it can be three different brands, and you can't really see what it is and then you just ask, "Well damn that looks good, what is that?"
President Bush said yesterday that it was appropriate for the White House to invoke Supreme Court nominee Harriet Miers's religion in making the case for her to skeptical conservatives, triggering a debate over what role, if any, her evangelical faith should play in the confirmation battle.
I have not chosen to create a linear story, but a series of different narratives: in the end there are five plays that almost, but don't quite, add up to one play... I start with the story of Candide, being performed as a play within a play, to bring the audience up to speed with the story.
You need to understand the receiver and the offense you're facing that week. Know his tendencies and what routes he runs out of what formations. This will help you understand the concepts of what the receiver is going to give you on a given play, and make you that much better defending him.
My father told me when I first started that standup is exciting and I should pursue it, but that writing would be the thing that would give me power over my career. I never have to take a road gig or a writing gig I don't want because I always have the ability to play one against the other.
Ben Hogan was not really a big hitter. He was long enough. But Ben Hogan today? Ben Hogan today could not compete at Augusta because he did not have the massive length to compete against the long hitters. Power was always an issue at Augusta, but never so dominant that you couldn't play it.
I can't play anywhere near like I used to, and I was a hot drummer. It doesn't bother me, because frankly, if you get to that point where you can't hold a drumstick properly, there are many other things in life which are far more important, like cutting a loaf of bread or a piece of cheese.
I make the music as if I was scoring it. I do my best that the sounds will fit the theme of that track, but then there are many other times where it can be random and things happen for no reason, just for fun! A storyline can let me organize changes in the music better, like acts in a play.
I never got to play with Art [ Blakey], but he was kind and spoke to me a number of times. He said, "You know, the people who are working 40 hours a week. Those are the ones who are really paying dues. Sitting at a desk doing the same thing every day. We're really blessed to do what we do."
My life is not a political campaign. I just write about what is on my mind. I just play whatever I feel like playing. Whatever is in my soul at the time is what I want to do. I have, thank god, enough people who are still interested in what I am doing so that I can go out and keep doing it.
Some pianists seem to really remember the keys and not so much the notes they play. They want to learn until it's a physical habit that can be replicated. For pianists, this is much more of a problem than for other instruments, like the violin, where you actually have to think of the pitch.
Every time I step onto the field, whether people like it or not, I'm not trying to play dirty - I'm just playing tough. And I'm trying to earn my spot on the team. I'm trying to earn a starting spot. I'm trying to become a complete midfielder who attacks, who defends. So that's the mindset.
You should have seen Willie Wells play shortstop: as good as Ozzie Smith and a better hitter. How I wish people could have seen Ray Dandridge play third base, as good as Brooks Robinson and Craig Nettles and all of those. He was bowlegged; a train might go through there, but not a baseball.
When I played the Shins, I changed someone's life. When I play Belle and Sebastian in a pivotal scene in my next movie...well, let's just say I made sure I that I can't be held legally responsible for all the deaths people will suffer out of shock upon hearing them. They're a terrific band.
Family reunification has been an essential aspect of these policies.Many of those who are brought in, in terms of families, have become actively involved. They open small stores, play a significant role in the economy. The families and the importance of family unity are extremely important.
As human beings, of course, we're all compromised and complex and contradictory and if a screenplay can express those contradictions within a character and if there's room for me to express them, that's a part I'd love to play, so much more than a character who is heroic and one-dimensional.
Which is why you deal with demons. (Acheron) Who are even more pathetic than humans when you think about it. Personally, I’d rather play video games. Wouldn’t it be great if we could suck the souls of the people we hated into the box, shoot them down and then dance on their entrails? (Jaden)
An actor is looking for conflict. Conflict is what creates drama. We are taught to avoid trouble [so] actors don't realize they must go looking for it. Plays are written about...the extraordinary, the unusual, the climaxes. The more conflict actors find, the more interesting the performance.
Typecasting is an interesting thing because, in a way, if you're good at something, you're going to work at that thing. In other ways, you constantly have to change people's opinion of you as one thing, especially if you want to play different roles. You have to shatter that image sometimes.
I think about all the people who have created something that lives after them - works of art, plays, music, films, literature, poetry that will be read, seen, performed, and heard for the rest of time. If I could do something that lives after me, then I think I will have had a life well led.
Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
The characters I tend to play are a little more interesting than the standard heroes. Romantic leads can be a little more straightforward, I guess. But it just seems to be the parts I get, I don't know what that says about me. I enjoy interesting characters and interesting people, I suppose.
If God does not enter your kitchen, there is something wrong with your kitchen. If you can't take God into your recreation, there is something wrong with your play. We all believe in the God of the heroic. What we need most these days is the God of the humdrum, the commonplace, the everyday.
The idea of freedom is quite in accord with a general, though vague, sentiment among us; it is an idea of fair play, of giving everyone a chance; and nothing arouses more general and active indignation among our people than the belief that some one or some class is not getting a fair chance.
I think that there are many things in the New Testament that show us that the godliness of our conversation plays an important evangelistic role. The apostles are clear that we mustn't limit the explicit sharing of the gospel to formal preaching. It can also happen in ordinary conversations.
When I look at acting careers that I really admire, I see that it's been a precise decision-making process for these people. They make decisions based on what they love, and they do only the things that they are passionate about. They play only characters that they can't stop thinking about.
I want to establish a wide range and play all kinds of parts. It's that sort of acting career I really respect. I like to turn a sharp left from whatever I've done before because that keeps me awake. That's why I want to be an actor - I don't want to play endless variations on one character.
Who is it that loves and who that suffers? He alone stages a play with Himself; who exists save Him? The individual suffers because he perceives duality. It is duality which causes all sorrow and grief. Find the One everywhere and in everything and there will be an end to pain and suffering.
When I was growing up, my parents asked me what I wanted to do, and I said that I wanted to live in Springfield. They were like, "Well, that's not how it works. There is an actor who play Homer, and someone who writes what Homer says." So, I was like, "Well, I want to write what Homer says."
If you're going to play a hooker in a movie, the movie has to have the perspective, of course, that it isn't such a great thing. Probably the only way to really play a hooker well is to believe you're doing something that's good. But at the same time, the movie can't have that point of view.
The commercial theatre may still be considered one of New York's primary tourist attractions, but . . . there is no longer an audience for serious Broadway plays. . . . Perhaps we should acknowledge that, having lost its traditional audience, Broadway can never again be a home for new plays.
If I add a negative element to the piece, you are not a villain necessarily but you bring a stronger, more negative aspect to the film, and if you don't do that, the film goes off balance where you can't worry about likability, you have to come in and play the part the best way that you can.
There are times when I love to play all kinds of complicated games in painting. But this is one case when I need to be fairly straightforward. I'll just try to paint the man, his intelligence, his amiability and his stature, maybe paint him fairly close to humor and try to get it just right.
You complain and demand zero compromise - so the GOP obstructs Obama so the economy doesn't improve - then you complain and demand even more zero compromise. Then you get to blame Obama for the slow recovery, which is sorta like John Wilkes Booth blaming Lincoln for missing the end of a play.
For me, it was never a choice not to play the game because I was never attracted to it in the first place. I have plenty of friends who get stalked by the paparazzi, but it's not anything you'd aspire to. Fame is like Frankenstein's monster - once you've created it, it can get out of control.
Some people will say, "Why read a comic book? It stifles the imagination. If you read a novel you imagine what people are like. If you read a comic, it's showing you." The only answer I can give is, "You can read a Shakespeare play, but does that mean you wouldn't want to see it on the stage?
I had the chance to play with Benny 'The King' Carter here in Copenhagen for three days in the Montmartre, and two days in Paris. 'What a Thrill.' He knows so much music, and he is the only person that I get the shakes trying to play my horn behind or with him (smile). However, it was a ball.
With all the media attention, all the love from the fans, I felt I needed to prove myself. Prove that I'm not a marketing tool, I'm not a ploy to improve attendance. Prove I can play in this league. But I've surrendered that to God. I'm not in a battle with what everybody else thinks anymore.
When I began rapping, I only had one form at my disposal. All I had, all I needed was a rhyme verse; sixteen bar, thirty-two bar, whatever it was. If I had an idea it came out as a rhyme. When I challenged myself to think beyond that, my first thing other than a rhyme that I wrote was a play.
I think there is unnecessary conflict right now between the vehemently religious and the LGBT community. The extremes of religion I think and the LGBT community have an issue and because a lot of black families in America are more religious, I think that is where the conflict comes into play.