Play Quotes - Page 218

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I've always said about 50% of what happens at a concert has to do with the audience. If you play for a dead audience you're gonna stink. If we play for a great crowd we're much better. You want 'em to make noise. It's kinda like sex, if they don't make noise, you ain't doin' it right.

In the rare event that the Supreme Court refuses to play along [...] there is always a perfectly legal, extra-constitutional, quasi-legislative, quasi-executive, quasi-judicial, "independent" regulatory commission or executive agency to kill off or override constitutional protections.

I'm kind of floating out there as an artist. I'm in a safe place where I can play a girlfriend or a best friend or a mommy or a lawyer, but a huge part of me is unused. I'm classically trained, historically inclined and somewhat revolutionary by nature, so I'm frustrated as an artist.

I've actually thought very little about solo work up until just very recently. Most of it is because in my band, Incubus, it is very much a collaborative effort. I do what I do in the band, and everyone plays their respective parts, but in the end, we are sort of a democratic process.

Oh, I like going down the rabbit hole. You know, that's kind of my job. When you play Macbeth, you gotta dive down that one. The trick is figuring out how to do it with love and a sense of humor so you can pop back out again. But, kind of the actor's job is to go down the rabbit hole.

If you can go out with your live show and turn people on to that, where you have that fan base that's religious and they're going to come see you when you're in that town, once your radio success is gone and you're not a mainstream guy anymore you can still go out and play your shows.

I'm an older, wall-eyed, overweight, tweedy writer who has been lucky enough to be asked to play various iterations of himself in a certain realm of popular cultutre. That gives me great joy and excitement, but I don't go to the media saying, "And I'm also the world's greatest actor."

We all are now very aware of what a connected world we live in - connected to each other and to the earth that gives us everything we have. We need all countries and companies to step up and play their part - setting strong goals, having clear plans, and openly demonstrating progress.

Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.

It's a little bit odd. The first time you do the play, you kind of throw yourself into it, trying to get the most out of all the individual moments. Then, a few hours later, you're still there, wondering what you could possibly do differently than what you just did a couple hours ago.

I'm not going to play pundit on Donald Trump and criticize him. I will say the media's treatment of that illustrates a very, very different - I mean, it dominated the news for a week to 10 days once he was the nominee. In the primary, it didn't get, seemingly, even 30 seconds of news.

A garden is to be enjoyed, and should satisfy the mind and not only the eye of the beholder. Sounds such as the rustle of bamboo and the dripping of water, scents and sensations such as grass or gravel or stone underfoot, appeal to the emotions and play a part in the total impression.

In the theater, which is a sort of jungle, one does have to be a little bit careful. One mustn't be so rigid or egotistical to think that every comma is sacrosanct. But at the same time there is the danger of losing control and finding that somebody else has opened a play and not you.

I've never been able to sit round on my own and play drums, practice in the back room, never been able to. I've always played with other musicians. It's how I play, there's no joy for me in playing on my own, bashing away. I need a bass, a piano, guitar, whatever, and then I can play.

Once I decide to take on a role it's because I find that guy to be really interesting to watch and very compelling to play. And from that point on I can no longer judge him. I can only take on his point of view in order to play him effectively. And his point of view is often not mine.

Both our nations [Malasian and American] are committed to building a regional order where all nations play by the same rules and disputes are resolved peacefully and this visit will be an opportunity to continue deepening our cooperation on behalf of regional stability and prosperity.

I was actually filming in Atlanta when I got a call from Walter Hill saying, "Well, it could be your turn to play Hickok." I said, "Oh, well, great!" He said, "What's your hair look like?" I said, "Well, it's short, Walter, but... I've still got that wig!" . He said, "Well, bring it!"

Before, I was like 'Oh my God, I have to do this media, this media and this media,' but now I've learned these are stages you need to go through. If you play really good golf, you're going to get more media attention and more interest in you, and you'll get more confident handling it.

Looking at acting, in the movies or the theater, and the way I like to look at it, it’s just an extension of childhood play… Kids play and imagine in a very intense fashion and they don’t need any director telling them “You really have to believe in it.” They believe in it completely.

I had great difficulties learning to play initially because I could not think rhythmically properly, although it's an even-paced rhythm, I was not phrasing properly, I was too Western. It took me a while to learn to think in needed form, and the only way I could learn was just by ear.

I can only guess that, for guys in their 30s and 40s who watched me play, they understood that the score never mattered and my paycheck never mattered (in relation) to how I played. I played with Little League enthusiasm and professional flair. That's what fans are really looking for.

With a face like mine, I'm never going to play a character who conquers the universe, I'm going to play characters who are subject to forces bearing down on them. My career's based on how we are rather than how we wish we were - they get the good-looking boys in for that kind of role.

In your actor's heart, you know when you're playing well. Others may not always agree with you, but I'm always aware of when the scene is cooking or not. You have an instinct about that from years of doing scenes and plays, and I think it stands you in good stead even in the TV world.

Upscale young men seem to go for the kind of woman who plays with a full deck of credit cards, who won't cry when she's knocked to the ground while trying to board the six o clock Eastern shuttle, and whose schedule doesn't allow for a sexual encounter lasting more than twelve minutes.

I never thought about becoming a professional singer, but I am in touch with Bono about releasing a musical movie. It will be about an Irish band during the '70s who are looking for fortune in Las Vegas. I should play the singer of the band but I don't want to sing in front of anybody.

A common misperception of me is... that I am a tough, rough northerner, which I suppose I am really. But I'm pretty mild-mannered most of the time. It's the parts that you play I guess. I don't mind it. I'm not a tough guy. I'd like to act as a fair, easy-going, kind man at some point.

I particularly scorn my fondness for paradox. I despise pessimism, narcissism, solipsism, truculence, word-play, and pusillanimity, my chiefer inclinations; loathe self-loathers ergo me; have no pity for self-pity and so am free of that sweet baseness. I doubt I am. Being me’s no joke.

People say, 'Why don't you do interviews? What do you think about this? What do you think about that?' My job in the band is to play drums, to get up on stage and hold the band together. That's what I do. At the end of the day that's all that's important. Everything else is irrelevant.

A lot of people have told me, 'You're not this and so can't play that,' and I can't tell you the amount of times I've been told I'm not sexy. I don't wear my sexiness overtly doesn't mean that I can't become that girl for a role. That's what I do; I become things. Use your imagination.

Time plays like an accordion in the way it can stretch out and compress itself in a thousand melodic ways. Months on end may pass blindingly in a quick series of chords, open-shut, together-apart; and then a single melancholy week may seem like a year's pining, one long unfolding note.

It's supposed to feel totally foreign [to play in a series], every single time. But, going back for another go at it is good, on the one hand, but it's also bad, on another hand, because your ideas dry up sometimes, and also you get lazy sometimes because you're around the same people.

I could play it safe by recording songs that are familiar, but am I expanding myself as an artist by doing covers? It's a catch-22. It's called show business: The word 'business' is in it, and you've got to be a businessman. But then again, you have to be true to yourself as an artist.

The youngsters coming up now just go through the motions necessary to make the play. They should bounce around a little, show some life and zip. It adds a little action and gives the fans something to look at rather than the monotonous routine, no matter how perfectly the play is made.

I play on my phone in public quite a lot. I pretend that I'm getting a very important message that I must attend to immediately. You will often see me in the middle of a huge crowd just staring intently at my phone because I just don't even know how I should interact with other humans.

The moment you tell someone else is the moment you become a whiner and the world’s smallest violin starts to play. The truth is, we all have problems; we all go through hardships and pain, and my pain is paradise compared to a lot of people’s and I really have no right to whine at all.

A buoyant and full-blooded soul has quick senses and miscellaneous sympathies: it changes with the changing world; and when not too much starved or thwarted by circumstances, it finds all things vivid and comic. Life is free play fundamentally and would like to be free play altogether.

I enjoy my solo career because I get to play smaller places like clubs and theaters, and the interaction with the audience is much higher quality. It also sounds better than a baseball stadium. Everybody has a good seat, and I don't have to play a specific part like I do in the Eagles.

I've always wanted to play with this idea - and I didn't want to leave it to the last season, but I wasn't quite sure when it was going to happen - of putting Jax [sons of Anarchy] at the head of the table and the ripple effect on the guys and the loyalties of it and where people land.

There are some guys I know for a fact, like Louis C.K., who always talk about how not-great of an actor he is, and he's terrific on his show. But I know Louis would play a fantastic dramatic role in something, too. He just needs somebody to grab him and say, "Come in here and do this."

Some artists just go and play, and I have no objections to that - but I don't like to do that. People take their very precious time to come to my concert, and they give me the opportunity to share two hours of their lives. I want to do the best I can, for visuals, sound and everything!

My return to the theater in New York was so specific. I didn't want it to be about leveraging my exposure or my fame, so the first show I did in New York was an ensemble piece at an Off-Broadway theater, and I wanted to make sure that it was just about the play and about the experience.

I'd lose weight if I was an actress and had to play a role where you're supposed to be 40 lbs lighter, but weight has nothing to do with my career. Even when I was signing a contract, most of the industry knew if anyone ever dared say lose weight to me, they wouldn't be working with me.

Past humanity is not only implicit in each new man born but is contained in him. Humanity is an ever-widening spiral and life is the beam that plays briefly on each succeeding ring. All humanity from its beginning to its end is already present but the beam has not yet played beyond you.

The FHA's success provides strong evidence that government can and should play a role in the nation's mortgage finance system. It also demonstrates that although government intervention in the economy during the Great Recession was messy, things would have been a lot messier without it.

Any musician who says he is playing better either on tea, the needle, or when he is juiced, is a plain, straight liar. When I get too much to drink, I can't even finger well, let alone play decent ideas. You can miss the most important years of your life, the years of possible creation.

My downtime tends to resemble my uptime. Weekends are workdays, but toned down. Over the whole weekend, I may have five meetings, as opposed to six on a weekday. I used to play piano for 30 minutes at night, but I had to pull that out of my schedule. I don't have time for nonwork stuff.

Common courtesy plays a big role in happy marriages. People who are permanently married are polite to one another. They don't want to hurt one another's feelings, and they don't try to make the other one feel humiliated. People who are married for life are extremely kind to one another.

Finally, let's keep well in mind the most important lesson of the auto rescue: While government should stay away from the private sector as much as possible, markets do occasionally fail, and when they do government can play a constructive role, as it did in the case of the auto rescue.

At every moment, each instrument knew what to play. Its little bit. But none could see the whole thing like this, all at once, only its own part. Just like life. Each person was like a line of music, but nobody knew what the symphony sounded like. Only the conductor had the whole score.

Somebody asked me recently, 'Have you done a lot of plays?' I thought hang on. I used to do nothing but plays. I've been very fortunate that on several occasions I've had jobs where I didn't want to be anywhere else in the world whatever you had to offer - however much money you've got.

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