Quotes of All Topics . Occasions . Authors
Bette Davis, she was so brilliant and one of my heroes, but she worked a ton, and then she didn't get All About Eve [1950] until the last minute. Claudette Colbert was supposed to be Margo Channing, but then she broke her back and couldn't do it. That allowed Davis to play her age.
In the Indian film industry, especially those of us who are in mainstream cinema, we invariably play a typical hero's role. More often than not, we cater to the public perception. However, there is a latent desire in most actors to do a role where you can go all out and experiment.
I felt so liberated when I first saw Charles Mee’s 'The Glory of the World' at BAM play, because for me this is the gateway to contemplation, or this is the gateway to love, or this is the gateway to faith, not sitting and reading a book by an isolated monk, god bless him. This is.
Without a doubt in my mind, I should be in the Pro Football Hall of Fame. You look at my stats without my USFL stats, and I don't know how you can argue with that. Look at my combined yards. I'm not one to make excuses, so I'll play by their rules and not even count the USFL stats.
When I started off as an actress, I did at a play at the Taper Too Theatre here in Los Angeles, called 'In The Abyss Of Coney Island.' That was more of a dramatic play. It was a small theater house. This was the first time I was literally on the road, doing a play, for four months.
Bill Clinton is like a lot of white politicians. They eat soul food, they party with black women, they play the saxophone, but when it comes to domestic and foreign policy, they make the same decisions that are destructive to African people in this country and throughout the world.
I think it would be great to be a cat! You come and go as you please. People always feed and pet you. They don't expect much of you. You can play with them, and when you've had enough, you go away. You can pick and choose who you want to be around. You can't ask for more than that.
I object to being called a chess genius because I consider myself to be an all around genius who just happens to play chess, which is rather different. A piece of garbage like Kasparov might be called a chess genius, but he's like an idiot savant. Outside of chess he knows nothing.
People in the U.S. always got to be spoon-fed. If it's something to difficult to understand, they don't give it a chance. They want something real simple that they can sing along with and play in the clubs and that's about it. In the UK, their whole mind set is completely different.
Instead of critics reviewing my movies, now what they're really doing is trying to match wits with me. Every time they review my movies, it's like they want to play chess with the mastermind and show off every reference they can find, even when half of it is all of their own making.
A blown-out tube ripped some of the grind from the amplifier, throwing us into a momentary tizzy. The unusual sound led me to play unusually, and the recorded take turned out to be a keeper. Insriration can come from the most unlikely places ... keep your head on and your ears open.
A play is a parenthesis that contains all the material you think has to be contained for the action of the play. Where do you end that? Where the characters seem to come to a pause... where they seem to want to stop - rather like, I would think, the construction of a piece of music.
Even an attorney of moderate talent can postpone doomsday year after year, for the system of appeals that pervades American jurisprudence amounts to a legalistic wheel of fortune, a game of chance, somewhat fixed in the favor of the criminal, that the participants play interminably.
You learn to see by practice. It's Just like playing tennis, you get better the more you play. The more you look around at things, the more you see. The more you photograph, the more you realize what can be photographed and what can't be photographed. You just have to keep doing it.
They didn't send me the script for Scary Movie 4 because the script was very secretive. So I never did get one actually. But it is David Zucker and there is complete trust. So I read my scenes and I thought they were really funny. I thought it would be a riot to play the blind girl.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing. I believe in using the entire piano as a single instrument capable of expressing every possible musical idea. I have no one style. I play as I feel.
In many ways, theatre is more rewarding for a writer. I used to think it was like painting a wall - that when the play is finished, it's done - but now I realise it's more like gardening; you plant the thing, then you have to constantly tend it. You're part of a thing that's living.
I'm aware that at the big, big clubs stuff can change quickly, as can opinions and people in charge. Not everyone is going to like you, not everyone is going to want to play you and that's the business side of it, which I've grown into and I'm certainly not going to take personally.
As playwrights, as poets, we have to look to ourselves, listen to our guts for the final answers about what changes to make. Everyone has advice about how to end your play differently. And it's not about right or wrong. At the end of the day, it's your baby and you know what's best.
With Legion, we're our own universe. It gives Noah [Hawley] the freedom to do what he wants to do. Because we play with so many different timelines, and we rebooted and not really rebooted and all that, we felt like, OK, we're going to throw it out there and hope the fans accept it.
I'm not going to lie: There are times I play mind tricks on myself, like that the french fries are poison. With desserts, I'll let myself have just one bite, but I'll look like a freak when I'm eating it, like when I did Duncan Hines commercials as a kid, just savoring every morsel.
In string theory, all particles are vibrations on a tiny rubber band; physics is the harmonies on the string; chemistry is the melodies we play on vibrating strings; the universe is a symphony of strings, and the "Mind of God" is cosmic music resonating in 11 dimensional hyperspace.
All of us are taking the night off," Wrath said abruptly. "We need some regroup time." Rhage snorted from across the table. "You're not going to make us play Monopoly again, are you?" Yup." A collective groan rose up from the Brotherhood, one that Wrath ignored. "Right after dinner.
I was raised really strongly on The Beatles; they were huge in my family, my parents loved them, and they used to quiz me on who was singing which song, and we'd play certain records for certain events, and things like that. So I mean, they were sort of my introduction to pop music.
In spite of all evidence that life is discontinuous, a valley of rifts, and that random chance plays a great part in our fates, we go on believing in the continuity of things, in causation and meaning. But we live on a broken mirror, and fresh cracks appear in its surface every day.
I was always fascinated with the idea that an imaginary friend was the perfect friend that a child created, and I wanted to play with the idea of a role reversal where the imaginary friend is waiting to find that perfect someone but has doubts about whether that day would ever come.
When people ask me what my dream role would be, I tell them that it's to play someone very dark. Very dark - like someone involved in the drug world or some other criminal venture. Maybe someone who's delusional or not all there or just not well. I really hope I can do that one day.
In string theory, all particles are vibrations on a tiny rubber band; physics is the harmonies on the string; chemistry is the melodies we play on vibrating strings; the universe is a symphony of strings, and the 'Mind of God' is cosmic music resonating in 11-dimensional hyperspace.
The entire universe is God's cosmic motion picture, and that individuals are merely actors in the divine play who change roles through reincarnation; mankind's deep suffering is rooted in identifying too closely with one's current role, rather than with the movie's director, or God.
There may be such a thing as habitual luck. People who are said to be lucky at cards probably have certain hidden talents for those games in which skill plays a role. It is like hidden parameters in physics, this ability that does not surface and that I like to call "habitual luck".
Well you know, the comic strip [Doctor Strange]... yeah, was an Asian man, in fact, a very ancient Tibetan man living on the top of a mountain. The film script that I was given wasn't an Asian man, so I wasn't asked to play an Asian man - I was asked to play an ancient Celtic person.
I'm doing this play right now, the new David Mamet play. It's called 'Race,' and it's very interesting how people really leave the theater filled with the desire to talk about the play and the issues and the characters, and how they're all navigating their personal views around race.
President Obama and House Speaker John Boehner have agreed to play a round of golf together. Imagine the two of them at the end of that golf game? Boehner will be crying over his score and Obama will be giving three explanations as to why his score is actually better than it appears.
Malina looked incredulous. "Are you anything more than a Druid?" "Of course I am. I own this shop and I play a mean game of chess, and I've been told that I'm a frakkin' Cylon." "What's a frakkin' Cylon?" "I don't know, but it sounds really scary when you say it with a Polish Accent.
The only game [Vladimir] Putin can play is to establish a lifelong dictatorship in the country, at first de facto and finally also de jure. In this case, [Dmitri] Medvedev is an interim figure bound to assist Putin in his plan to guarantee a smooth transition to a new term in office.
If you look hard enough, you can find race issues and racism in everything. I know people who say, 'See, I don't play pool 'cuz that's where the white ball chase the black ball off the table. So I prefer bowling, where the big black ball knock down the white pins with the red necks.'
I was doing a play out in L.A. 20-some-odd years ago called 'Goose and Tomtom' by David Rabe, and somebody saw it and the next thing I know I'm doing the table read of the film version of 'Glengarry Glen Ross' with Al Pacino and Jack Lemmon - one of the great films of our generation.
Actor training should be broadly humanistic, involving the study not just of dramatic literature and theatre history, but of languages, literature, and history generally, and should be centered on acting in plays rather than just exercises, improvisations, monologues, or even scenes.
Tommy Nohilly, who plays Tubby [ Valley of Violence], he came down to see the movie for the first time and I was like, "You've got to come just to see people react to your [big scene]." I knew that would go well, but it's satisfying to me when he's sitting there and it actually does.
If the business were a play, Act One is: Woohoo, bright and bushy-tailed. We're going to make something great! Act Two is: We're six months behind on back-end development. We're trying to raise venture capital. We're trying to figure out what furniture we should sell to make payroll.
It's kind of my intention to be myself on the show. My main priority on FOX is to do play-by-play. Nobody's tuning in to listen to me. If I didn't show up to do the games, people would watch, and the ratings probably wouldn't be all that different. That's not why people are watching.
We've played it [Milquetoast] a million times. When you play a song that much you sort of become disconnected with the lyrics. It's just another song essentially about people's opinions and being told how to live your life even though they may have less life experience than you have.
How can you wonder what's going to happen when you don't know who's going to be the new guy in town? It's the age-old thing - it's such a cliché - but why worry about things you have no control over? What I can do is try to get this club to continue to play well. That's all I can do.
I'm not a guy who counts cards. I'm a guy that plays with feeling. Because I feel that if something is going to come up, it comes up; if it doesn't, it doesn't. And a lot of people get pissed at me because that's the way I play but that's the way I learned to play - with my feelings.
Neighborhood is a word that has come to sound like a Valentine. As a sentimental concept, 'neighborhood' is harmful to city planning. It leads to attempts at warping city life into imitations of town or suburban life. Sentimentality plays with sweet intentions in place of good sense.
I'd say that my profession ends where architectural thinking ends - architectural thinking in terms of thinking about programs and organizational structure. These abstractions play a role in many other disciplines, and those disciplines are now defining their 'architectures' as well.
There's no first impressions anymore. You go to a job interview, and they'll probably Google you. It's a shame - people should play it a little closer to the chest as far as what information they release to the world. If I'm angry about something, I'm not going to take to my Twitter.
For me the whole world is like a gigantic theater in which I am the only spectator without opera glasses. The orchestra plays the prelude to the third act, the stage is far away as in a dream, my heart swells with delight—and you want to blind me with a pair of half-ruble spectacles?
In speaking of the work of machines and of natural forces we must, of course, in this comparison eliminate anything in which activity of intelligence comes into play. The latter is also capable of the hard and intense work of thinking, which tries a man just as muscular exertion does.
If you want to understand the nature of something, to find out the truth, that is one thing. If you want to play semantics, make up wild thought 'experiments', that is another thing. I am not so interested in the latter, though I do appreciate that it can be fun, however unproductive.