Quotes of All Topics . Occasions . Authors
I like to find characters. Here's the bottom line: I can't play someone if I can't figure out what he cares about. Everybody cares about something, even a rough character. It defines where we step in life. As soon as you find out what somebody cares about, then it all gets real.
One thing I know from personal experience, judges hate it when parties talk publicly about their cases. There are a lot of things about our criminal legal system that need to be changed, and this is just one of them. Prosecutors know how to play the press. Most defendants don't.
She smiles at them as they go by and continues to play, making it clear that this furnace of a place, full of planes that cannot fly, is more than it seems. It is a womb of redemption for every Unwind, and fora ll those who fought the Heartland War and lost - which was everybody.
You know, there's nothing damnable about being a strong woman. The world needs strong women. There are a lot of strong women you do not see who are guiding, helping, mothering strong men. They want to remain unseen. It's kind of nice to be able to play a strong woman who is seen.
There is a sort of fair play, and if you can get in touch with that in your life, if you can have that perception, the world will begin to work for you, it will begin to move toward you... Nature loves courage, and it shows you that loves courage because it will remove obstacles.
As radical as it may seem, it is possible to do things only out of play. I believe that to the degree that we engage moment by moment in the playfulness of enriching life- motivated solely by the desire for its enrichment- to that degree are we being compassionate with ourselves.
I'm very involved in my business and with my family and my friends. I don't play the social world very much, and not to promote my product. I do it for the philanthropic problems because there I feel that I'm making a difference, and that I'm helping. So I do it in a soulful way.
Write plays that matter. Raise the stakes. Shout, yell, holler, but make yourself heard. It's time for playwrights to reclaim the theatre. We do that by speaking from the heart about the things that matter most to us. If a play isn't worth dying for, maybe it isn't worth writing.
Interesting characters are troubled characters. The only problem I've had in my business is very few people - unfortunately, very vocal - confusing the difficult role that I play with me. I play these guys, but I'm not like them. I've been accused of being difficult to work with.
If I couldn't play drums it would have destroyed me. If you're thrown in the deep end you swim, and that's basically what I did. I had to do it and with the rest of the band behind me and the encouragement I got from people from all over the world, I knew that I was going to play
The most charming of theories holds that someone other than Shakespeare wrote Shakespeare's plays -- that he was of too low a state, and of insufficient education. But where in the wide history of the world do we find art created by the excessively wealthy, powerful, or educated?
As someone with a deep faith in competition and the market, I also know that markets only work with tough enforcement of the rules that guarantee competition and fair play - and that the pressure to break those rules only gets stronger as the amount of money involved gets larger.
Who aspires to remain leader must keep in advance of his column. His fear must not play traitor to his occasions. The instant he falls into line with his followers, a bolder spirit may throw himself at the head of the movement initiated, and in that moment his leadership is gone.
Usually I don't think much in terms of interesting sounds. Although I think I want to get one of those whammy pedals, I forget what it's called and who makes it. It's got a whole bunch of different settings. You can play a note and it will raise the pitch when you push the pedal.
We have access to more resources in general, and they are not going to force a situation on us, whether its the producer, or the cover, or what songs we have to play. And it's a small enough company that it seems like the people there care about music and not just about business.
My parents were kind of over protective people. Me and my sister had to play in the backyard all the time. They bought us bikes for Christmas but wouldn't My younger brother will remember that he received a transistor radio for Christmas. I took it apart and it never worked again.
Weaknesses and deficiencies . . . play a most important part in all our lives. It is because of them that we need others and others need us. We are not all weak in the same spots, and so we supplement and complete one another, each one making up in himself for the lack in another.
So what is the role that credit default swaps can play in an economy? Well my feeling is that if these things actually will now be traded on either exchanges or some kind of central clearing, they are going to be a very good measure of the credit worthiness of different companies.
I'm really curious how the private listening - iPods, people listening on their phones - how that might eventual effect music. There'll be a whole genre of music that really works on a kind of one to one headphone or earbud level but doesn't really work when you play it in a room.
Throughout the history of game development, the game control mechanism has become more and more sophisticated, ... Perhaps those who have quit gaming or who have never played games look at the game controller and think it's too difficult to play, even before they dare to touch it.
I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
Having a persona people recognize, it's the thing that probably gets you paid the most - but it's also the thing that virtually every actor in the world doesn't want. 'Cause, like, no one would believe me if I wanted to play something ultra-realistic, like a gangster or something.
The program I use is called MED Soundstudio. It's basically a column of numbers that relate to pitch, duration, the type of sound. If I want to play a chord, I have to press keys on a keyboard - like a computer keyboard, on my Amiga - that relate to sharps and flats, note by note.
Now I'm able to play on the main stage and play my own tracks and the crowd likes them. I feel like a lot the other DJs play a lot of the same songs, and not to knock them, but it's important to me to go up there and sort of sneak in a bunch of stuff the other guys aren't playing.
Remember, that when I speak of pleasures I always mean the elegant pleasures of a rational being, and not the brutal ones of a swine. I mean la bonne chère, short of gluttony; wine, infinitely short of drunkenness; play, without the least gaming; and gallantry, without debauchery.
The thing that drives me crazy is when comics say 'I have low self-esteem.' No you don't. You're standing on stage asking people to pay. You don't play an instrument. You want people to pay to hear what's in your mind. You don't have low self-esteem. You might have other problems.
I was in choir in school. I kind of just did it. I already knew I wanted to sing. My music program in my school wasn't really great - people didn't really want to be part of the choir, they didn't want to do the plays and stuff like that. It definitely wasn't the cool thing to do.
Manners are manners. Jimmy Connors and Ilie Nastase have no respect. I don't want my kid seeing Nastase play. The demeanor you show on the court is important to tennis.... Maybe we (yesterday's stars) were too stereotyped. But we were told to behave or they'd take our racket away.
I think I play tennis for, to against a big legend, big court, short time. That's what I train for. That's why every day I wake up and I wish I could play those matches, you know. It's like, for me it's the best thing can happen is to play against that guy on that stage, you know.
Mozart's joy is made of serenity, and a phrase of his music is like a calm thought; his simplicity is merely purity. It is a crystalline thing in which all the emotions play a role, but as if already celestially transposed. Moderation consists in feeling emotions as the angels do.
My oldest brother used to take me to the theater. The first play he took me to see was 'Black Comedy,' then he took me to see 'Butley.' We'd see all these British plays. And 'Hello, Dolly,' with Pearl Bailey. I was unconsciously thinking, 'Gee, I would love to be able to do that.'
As an actor, you can really play the intensity and gravity and seriousness of the moment, and just rely on the circumstances being funny. The joke is kind of the situation you're in, or the way you're reacting to something, as opposed to the characters just saying something witty.
Pay 2 Play vividly tells the story of the threat posed to our political process by big money interests and what we can do to fight back to defend our Republic. This is a must-see movie for anyone who cares about the cause of democracy and the promise of political equality for all.
To be completely honest, I didn't know Twilight was a book. I thank God for Ashley Greene [who plays Alice Cullen]. She's like, 'Did you read the books?' And I'm like...'What books?' But they were easy reads so it was fine. Emmett's such an easy guy, so it was awesome to play him.
I operate under the assumption that people don't notice the good in me. That's just how things always seem to play out. I get blamed, while con-artist kids like Venus, and Camille, and Gemma get believed. But the rescue lady noticed. In the background, just observing, she noticed.
For me, it works best to plan just enough to come up with a good direction to head out in. Then I start down the path as soon as I can, without a very clear idea of what exactly I'm going to end up with. I try to leave a lot of time for flexibility and play and changing direction.
Teamwork is neither "good" nor "desirable." It is a fact. Wherever people work together or play together they do so as a team. Which team to use for what purpose is a crucial, difficult and risky decision that is even harder to unmake. Managements have yet to learn how to make it.
Social economic problems do not exist everywhere that an economic event plays a role as cause or effect - since problems arise only where the significance of those factors is problematical and can be precisely determined only through the application of methods of social-economics.
It's strange, 'cause a play, you start at the beginning and you go all the way through to the end. So it's naturally very well rehearsed and you get a rhythm and a flow. In film, you can shoot the ending before the beginning. It's very odd. And it's like a craft you have to learn.
Tell me why it is that a toddler will gag over a perfectly wonderful breakfast of ham, eggs, biscuits, juice, and jelly. But then he will enthusiastically drink the dog's water and play in the toilet. Truly, he is his mother's greatest challenge...; and her most inexpressible joy.
Well David "Fathead" Newman was my first experience with improvisation. When I saw him play for the first time I realized that there is an importance of spontaneous music being made on the spot. It was so soulful and singing through his horn. So that's how I was inspired early on.
I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.
In my career, I've often played the protagonist or the hero of the movie, and there are so many rules inherent to that role. The audience needs to stay with you, identify with you and like you. When you play the bad guy, those rules go out the window. There's so much freedom there.
I have friends in different parts of the world, and they'll all go online at the same time and all pull up a movie and hit play, at the same moment, and then they'll comment to each other about it. They're sharing an experience, even though they're on different parts of the planet.
I can't remember the first song I learned to play on bass, but the first song I learned to play on guitar was 'For Your Love' by the Yardbirds. That kind of was the beginning for me. I thought it was a great song and I loved the open chord progression at the beginning of that song.
When I adjust materials of different kinds to one another, I have taken a step in advance of mere oil painting, for in addition to playing off color against color, line against line, form against form, etc., I play off material against material, for example, wood against sackcloth.
The origin of brain disease is in many cases predominantly dietary. Although several factors play into the genesis and progression of brain disorders, to a large extent numerous neurological afflictions often reflect the mistake of consuming too many carbs and too few healthy fats.
When I used to do the action scenes, I would have to play it rough. If you hit an actress accidentally, she would usually take it on the chin and say, `Don't do that again.' But with the guys, they would put ice on it, take a 20-minute break and ask for x-rays. It was unbelievable.
Don't make your audience play Jeopardy. Giving your answer before asking the question puts your audience at a disadvantage. It will also reveal your biases. Make it clear what question you are trying to answer first. Then allow your audience to engage in answering the question too.
Everybody wants to be famous, but nobody wants to do the work. I live by that. You grind hard so you can play hard. At the end of the day, you put all the work in, and eventually it'll pay off. It could be in a year, it could be in 30 years. Eventually, your hard work will pay off.