Quotes of All Topics . Occasions . Authors
It was fun to be in a scene again with [my wife LaTanya Richardson]. We used to do plays together all the time. We hadn't really worked together since Losing Isaiah [1995]. That was kind of early on in both of our cinematic careers. Things have changed a little bit since then.
I really find myself doing a lot better when I'm injured, so sometimes I look forward to it. This is the style that I play-being physical, running the football, making adjustments on the pass, avoiding the rush. Those sorts of things go with the total package of a quarterback.
What we have done over the last 40 or 50 years is systematically attacked and weakened the parties, the political machines, the professionals, and insiders, and hacks, and all the tools that they use to get politicians to play well together. And with those gone, you get chaos.
I think actors go along a continuum from Simon Callow down to kind of Ross Kemp, and I like to think of myself as the Ross Kemp of comedy. He's very good in 'East Enders' because he plays a version of himself. I think I can play a version of myself - that's about all I can do.
I was shocked by the reaction I got for Bleak House. It was very intensive but one of the best jobs of my life. It was a chance to play a character that grows and develops and I was very enmeshed in it. But I didn't realise how stylish it was and how much people would love it.
Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
I'll always understand the Schadenfreude aspect to short-selling. I get that no one will always like it. I'm also convinced to the deepest part of my bones that short-selling plays the role of real-time financial watchdog. It's one of the few checks and balances in the market.
I never even considered writing a career option. I just liked the play of words. I was certainly interested in story, but the stories I was telling then were in narrative verse and prose poems, short and succinct, except for one novel-length poem written in narrative couplets.
When you ride your bike, you're working your legs, but your mind is on a treadmill. When you play chess, your mind is clicking along, but your body is stagnating. Climbing brings it together in a beautiful, magical way. The adrenaline is flowing, and it's flowing all the time.
The important thing is not what we look like, but the role we play in our best friend’s life. Friends choose certain friends because that’s the kind of company they are looking for at that specific time, not because they’re the correct height, age, or have the right hair color
It's quite a famous story that takes place on Christmas Eve, and the Germans, French, and Scottish are trying to make peace one night and they bury their dead and they play football. I play a German opera singer, in German, which I never have so I am really excited about that.
Most performers take themselves too seriously. They forget there is a difference between the characters they play on the screen or stage and themselves, but the public doesn't forget there is a difference. They see how silly it is if you try to be the same person all the time.
At 24, my head was as shiny as a cue ball on a billiard table. I naturally thought this meant curtains. Actually, I found it helped. When I was too young to play real character parts, they mistook me for older because of the bald noggin. I got juicy roles right from the start.
As a young man, even if I was going to see a play or a film by myself, I didn't feel like I was alone. There was something that was unfolding up there that brought me into it. And I recognised that. For those two hours, it made me feel like I belonged to something really good.
And I love the twist. I love to fool you once, I love to fool you twice, and on the very last page, quite often - very last paragraph sometimes - I like to just play with your perception one more time in a way that makes everything that came before just a little bit different.
It's one of my favorite times of day. I'll have an array of notes, things that I want to think about. Something will start to take shape, and I'll play around with it. It's not usually an intense time. It's sort of a playful time. But it's when some really good thoughts arise.
I like to play in the deep register. I was never a high-note specialist. My range goes from the bottom of the horn up to around C or D. High D is about it for me ... about two-and-a-half octaves, I think. But in these two-and-a-half octaves, I can say everything I have to say.
I'm one of those actors who's just standing there, waiting and ready for something to come my way. I don't really try to think about, "Oh, I feel the next thing I should do should be a feature. Now, I think I should do a play." I just hope someone wants to cast me in something.
One time I picked it up and a voice goes, 'Hi, it's Sinatra. Can you play me a record?' I was like, 'Oh yeah, very funny,' and hung up. I thought someone was having a joke, but it was actually Frank. My manager told me there aren't many people who put the phone down on Sinatra.
That is a gift to have four weeks to rehearse something. But remember, when you're doing a play half of that time you're getting to know the play and the other actors and then finally in the third week you have it pretty much on its feet. So it's all relative in different ways.
My favorite play is Hamlet. It was my first love when it comes to Shakespeare, and I've read it and seen it performed more than just about every other Shakespeare play. I've had the "To be or not to be" monologue memorized since I was 15, and it's just really close to my heart.
Sometimes, the smaller roles in movies can be the most interesting. If you only take the stance that you'll only play central characters in movies, you'll find yourself not being able to indulge in that morally grey terrain that makes support characters so rich and interesting.
Miles Davis would have this lineup of all these amazing musicians and one day would just say, 'We're done.' After tons of great records and tickets sold, he said, 'Now I'm going to grow my hair out and play my horn through a wah-wah pedal.' Rather than play it safe, he went on.
Forever. My brother is not a bad person. The best thing for Marc now is leaving college, getting away from a bunch of people he was around every day. Now he'll have a chance to play in the NFL and have somebody who can be there with him and can guide him in the right direction.
At the end of the day, it's a show [Daredevil ] not about a superhero, but it's about a man. Hopefully, that's what we're doing with The Punisher, as well. It's an enormous honor to play this character. It's a character that's quite iconic and very important to a lot of people.
If a play is good and you're effective in it, you suddenly hear a silence that is loud, and that moment makes the whole schmageggy business of an actor or an actress worthwhile, because you suddenly know that they are human beings like you, who are receiving something from you.
I want to go get a stop on defense so James can do it again. It was a big spurt for him. That made then get out of their game plan and play him closer. But when he does that, we want to make sure we capitalize and get timely stops. And that's what got us right back in the game.
The eye speaks with an eloquence and truthfulness surpassing speech. It is the window out of which the winged thoughts often fly unwittingly. It is the tiny magic mirror on whose crystal surface the moods of feeling fitfully play, like the sunlight and shadow on a still stream.
I was living in different accommodation and it was never in a place where I could set up my drums and play, so my drums would end up back in their cases and then in the garage. In the end I got used to the drums being locked up, I went a good eight years without touching drums.
Vengeance is having a videotape planted in your soul that cannot be turned off. It plays the painful scene over and over again inside your mind...And each time it plays you feel the clap of pain again...Forgiving turns off the videotape of pained memory Forgiving sets you free.
There are so many other people involved in the making of a play or a television series or whatever... even if you're a novelist there's so much in just the marketing of a book, or even the time... the zeitgeist, the moment at which it comes out. There's a lot you can't control.
Man is a luxury-loving animal. Take away play, fancies, and luxuries, and you will turn man into a dull, sluggish creature, barely energetic enough to obtain a bare subsistence. A society becomes stagnant when its people are too rational or too serious to be tempted by baubles.
That's another thing about my father. He made me very conscious of the fact I wasn't very good and I had to prove to him that I was good. And that hung with me, and I always wanted to play golf with him and show him. He said Never, Never tell anyone how good you are. Show them!
But most men regard their life as a poem that women threaten. They may not have two spondees to rub together but they still want to pen their saga untrammelled by life-threatening activities like trailing round Sainsbury's, emptying the dishwasher or going to the nativity play.
It's something you have to find from within. You have to keep pushing yourself from within. It's not about what other people think and what other people say. It's about what you want to accomplish and do you want to go out there and be prepared to beat everyone you play or face.
There's a good case to be made that having fun is a key evolutionary advantage right next to opposable thumbs in terms of importance. Without that little chemical twist in our brains that makes us enjoy learning new things, we might be more like the sharks and ants of the world.
It's incredibly fun to play someone that you don't like. It exorcises your own demons in a way. It's cathartic. We all have things that we don't like about ourselves, little things. And I get to amplify those things and put them out there. It's fun and it has a cleansing effect.
It's not always possible to play a song exactly as it is on the album. That's also something that I really don't want to do because I like to have versions that also adapt to the band, so that is always a big challenge to see how we can transform those songs so it feels natural.
The greatest gift an actor can have is not revealing who he is but through the parts he plays. Unfortunately, we live in a world where everyone wants to know everything all the time and I think it takes away part of the fun of acting that we have to go through that all the time.
Nothing remains intact without effort. Repetition of formulas does not assure the transmission of thought. It is not safe to entrust a doctrinal treasure to the passivity of memory. Intelligence must play a part in its conservation, rediscovering it, so to speak, in the process.
I don't put on a face. I'm the same guy every time you see me. I like to laugh, I like to smile, and I don't take myself too seriously. I can be a goofball. When I come home, the only thing that changes is that I take off the suit and put on tennis shorts and play with the kids.
It's not like if I play in big places I won't be happy. But I don't want to start adapting to what's in style to make my music. I want to stay true to my roots, to keep making the music I love, that comes from my soul. And if there are people who want to listen to it, I'm happy.
Too many countries that do not play by the free trade rules of the World Trade Organization - including, notably mercantilist China and monopolist Saudi Arabia - have been allowed in, to the detriment of both the WTO and the liberal trading environment it is supposed to sponsor.
There are certain times in a concert when I'll call an audible because I feel like God is calling me to play a different song. But truthfully, I feel called to play for the church whether it's song being played on Christian radio or it's concerts I'm doing primarily in churches.
People say you should go out at the top but I was enjoying my football so much. Robbie Fowler's exactly the same: he's not playing for money any more, he's playing for enjoyment. Why go out at the top if it's going to make you miserable? I just wanted to play as long as I could.
You get a pretty good read by watching the play, and knowing what you would have done - having done most of the things that these guys are accused of doing. I put myself in their shoes: Would I have been wanting to send a message? Is it a hockey play that went a little sideways?
Everyone on my team is different in terms of how long before a workout they prefer to eat. I like to eat my big meal 4.5-5 hours before I play. I usually eat a carb either rice or pasta with tofu or chicken. Around 2 hours before I play to like to eat greek yogurt with a banana.
People want everything to come out of a drive thru window. They want it instant and they want it fast. I succumb to that, we all succumb to that. We're in it. That's the culture. So the enemy, the powers that be, the manipulators behind the scenes play to our natural weaknesses.
I know never to take a wine for granted. Drawing a cork is like attendance at a concert or at a play that one knows well, when there is all the uncertainty of no two performances ever being quite the same. That is why the French say, 'There are no good wines, only good bottles.'
I have no preferred team, but everyone wants to go No. 1 in the draft. Even the guy who gets picked last in the draft wants to go No. 1. But I just know that whoever picks me, I'm going to be excited to play for that team, and I can't wait to see myself in 'Madden' on that team.