Quotes of All Topics . Occasions . Authors
Humanity has a strange fondness for following processions. Get four men following a banner down the street, and, if that banner is inscribed with rhymes of pleasant optimism, in an hour, all the town will be afoot, ready to march to whatever tune the leaders care to play.
It's very important to have a good song - one where you can strip away all the production and just play it on guitar or at the piano. It has to hold its own. That's why I've put videos online with acoustic versions of my songs, so you can hear them in their original form.
I'm trying to manufacture a sleepover feel; like a tree house or a clubhouse. I want people to be silly and play and feel safe and some people, you have to coax them into that space and some people bring me further into that space, even past the point that I wanted to go.
Twilight's soft dews steal o'er the village-green, With magic tints to harmonize the scene. Stilled is the hum that through the hamlet broke When round the ruins of their ancient oak The peasants flocked to hear the minstrel play, And games and carols closed the busy day.
So they all went away from the little log house. The shutters were over the windows, so the little house could not see them go. It stayed there inside the log fence, behind the two big oak trees that in the summertime had made green roofs for Mary and Laura to play under.
I've never had a quarterback run-driven offense. We don't run designed plays where we snap the ball directly to the quarterback and he's just running it. If the defense is cheating and overcompensating for your running back, then the quarterback needs to keep (it) honest.
All medical procedures require two hands, so in a sense it's like when you play an instrument. That's what they call things that they use in their work: They call them instruments. A lot of people start out majoring in medicine and drop it and change their major to music.
I'm not comfortable being around too many people. I don't like being out in public too much. I don't like going to bars. I don't like doing celebrity stuff. So most of the characters I play are people who don't always feel comfortable beyond their small circle of friends.
To play Hillary Clinton? I'm kind of winging it. No, are you kidding me? I prepared obsessively. I mean, as much as I could in the time that I was given. Of course, with someone like Hillary Clinton, obviously, anything you want is on YouTube and at your fingertips there.
Illegal immigrants are beginning to comprise a black market class of workers in our society, jeopardizing the financial health of companies which play by the rules, while themselves vulnerable to the exploitation by those willing to take advantage of their illegal status.
It hath evermore been the notorious badge of prostituted Strumpets and the lewdest Harlots, to ramble abroad to Plays, to Playhouses; whither no honest, chaste or sober Girls or Women, but only branded Whores and infamous Adulteresses, did usually resort in ancient times.
You might not feel like playing pretty all the time. Instead, you might want to play something nasty....you might want to play something out of context with the tune. It might be a note that creates so much tension it becomes unpleasant, but you want it to sound that way.
I'm up for a massive, bombastic tour with hydraulics, robots, lasers, 15 costume changes, projecting on a power station, big impact, big visuals. I'd love to realize the theatricality of the whole thing. To be overwhelming, to surprise you, maybe to play in hidden spaces.
I am looking for movies that are actually about something and that are questioning something. Movies that are provocative in some way and I am also looking for roles that I think will force me to grow or learn something about myself or the world in order to play them well.
When you think about being contrarian, you have to think about - how is it that smart people will disagree with me, disagree with me ...from a position of intelligence, and there is something that I know that they don't know, that will actually in fact play out to be true.
When I'm out in the water surfing, it clears my mind and it makes me want to play music and write music, and then when I'm playing a lot of music and touring, I can't wait to get in the water again and surf. So, I'm striving to find that perfect balance, and it's all good.
I loved playing Walternate because he was completely the same character, version 1985, and then it developed in such a different way, physically and mentally. So, to be able to play that, in the same television series, as playing the other ones was a fantastic gift for me.
Again I want to emphasize that the study of propaganda must be conducted within the context of a technological society. Propaganda is called upon to solve problems created by technology, to play on maladjustments, and to integrate the individual into a technological world.
I think I'm true to myself - you hear that actors have like plans. I'm gonna do this type of movie, then I'm gonna play this kind of character, and that'll get me from A to B. I've never done that. I honestly just follow my gut and I don't think you can go wrong with that.
When you can clearly see yourself being there, you can see much more clearly how to get there. You can imagine the path to your dreams, and then start to actually walk it. Play an active role in your own future. Imagine with passion and detail how you'd most like it to be.
You've got to be dedicated to train as hard as you can, for as long as you can, because in any sport, and especially this environment, there's a lot of contact. It's all about conditioning and good preparation to keep your body in the best condition possible to play games.
I think he is marvellous. I think he will fit in whatever category of Cricket that has been played or will be played, from the first ball that has ever been bowled to the last ball that's going to be. He can play in any era and at any level. I would say he's 99.5% perfect.
I love the Olympics. I love the idea of something happening every four years. I've always had love for Bulgaria, and I've always been a Bulgarian. That's also really part of why I want to play it. I know it's tough for the calendar, but at the same time, it's the Olympics.
Movies serve many purposes, and I've visited many of those genres, from the most light, frivolous comedy that is just trying to make you laugh, to movies that explore the most complicated side of the human soul. As an actor, I play all of those things, and I still like it.
If in the sex scene you happen to be naked in front of a lot of other people you've just got to put that aside, in the same way that you have to put that aside in a fully-clothed intense dialogue scene because you're entering into that particular imaginative state of play.
I went to Hollywood to test for Martha Ivers and I thought I was going to play the part that Van Heflin played.But they wanted me to play the part of Barbara Stanwyck's husband, so I played that. Then when I finished the movie, I went back to Broadway and did another flop.
There are men from whom nature or some peculiar destiny has removed the cover beneath which we hide our own madness. They are likethin-skinned insects whose visible play of muscles seem to make them deformed, though in fact, everything soon turns to its normal shape again.
I'm just glad to see that Pete (Sampras) shut everyone up last year. That was satisfying. You can't bag on guys like Pete or Tiger (Woods) or Michael Jordan. They can play as long as they want, they can do whatever they want. Nobody should be able to tell them differently.
Growing up I was a total movie-holic, but I always wanted to play the role that Clark Gable was playing or Spencer Tracy was playing. I was really never interested in the parts that women were playing. I found the parts that guys were playing were so much more interesting.
My problem is that the audience is more fiction-literate than ever. In Shakespeare's day, you probably expected to see a play once or twice in your life; today you experience four or five different kinds of fiction every day. So staying ahead of the audience is impossible.
When you're depressed, the whole body is depressed, and it translates to the cellular level. The first objective is to get your energy up, and you can do it through play. It's one of the most powerful ways of breaking up hopelessness and bringing energy into the situation.
Hybart is a little community I grew up in, so it was just a wonderful time in those years. I was the youngest of about nine boys in the neighborhood and we played ball all the time, and I looked up to them and they let me play around with them, and we just had a good time.
It is now up to us to see that we embark on the next stage leading to political unity, which I think is the consequence of economic unity, so that Europe can in the future also play a political role on the international stage, leading even as far as a common defence policy.
I had a plot connection that nobody understood for this fourth character, and decided, Oh, nobody gets it, that's all. I'll write another draft to make her make sense. It took me awhile to learn that these three people were the core of this play, which seems so obvious now.
I like to cook for my friends. It is an act of love because in cooking you can create so many plates and recipes, if you know how to - otherwise you make a mess - but I like it because it's like a ceremony. You cook for your friends and after, you drink wine and play cards.
There's no way to play it cool when you meet Paul McCartney. You just start sweating, you trip over your words. Everyone kind of reverts back to being a 10-year-old girl. You can't help it. He's one of the only people on planet Earth that everyone knows who he is. Everyone.
We all know that the theater and every play that comes to Broadway have within themselves, like the human being, the seed of self-destruction and the certainty of death. The thing is to see how long the theater, the play, and the human being can last in spite of themselves.
If you read a part that you want to play, and you already know you have actors you want to work with but it's not on the page, it's not going to be on the screen. So that is the most difficult thing to do for a producer, is to get a script that attracts this kind of talent.
If you would be a leader of men you must lead your own generation, not the next. Your playing must be good now, while the play ison the boards and the audience in the seats.... It will not get you the repute of a good actor to have excellencies discovered in you afterwards.
This is a movie version of the play [All the Way]and when Bryan [Cranston] was on stage the bigness of the man was played to the back of the house. When we turned the cameras on that, it changed a bit with close-ups, but we got just as much power in that beautiful intimacy.
If I make a bogey or three putt I'm on fire inside. But it's not like you're going to play any better slamming your club or getting angry. So you might as well just keep it in. People say I'm pretty calm, but I do make mistakes and I do get angry, but I try and not show it.
You can play anyone if you're open enough. It's a form of possession. Each time you work on something, you allow yourself to be possessed by creating the environment for it. Then you allow the possession to happen - but not at the expense of your sanity or of your identity.
But it has also enabled me to find my feet as a lecturer and a reader of my own plays to audiences who like to hear them; and that experience of immediate appreciation gives greater pleasure and more stimulus towards further activity than even the most laudatory of reviews.
In Chicago it's really a case of the play's the thing - people are just so happy to be acting, you know? We were all actors - not like in New York or Los Angeles, where everyone says they are actors but they are actually waiting tables and hustling for spots in commercials.
I do think there's a relationship between a book and a reader that's more intimate, in many ways, than the relationship between an audience member and a play - just by the nature of it being an object that you can have in bed with you and that you can keep and page through.
Bryan Cranston has got such an incredible light touch. He comes in egoless, but with bold opinions, and he wants to play. He wants to play. And that's what I've seen in great actors all my life and what I've always tried to nurture and keep in myself is that joy of playing.
A good play is a good play. If you want to chalk up your rejection letters to the fact that you're a woman, that's your choice. But often you get a rejection letter because your play isn't ready. Or the time isn't ready for your play. And that has nothing to do with gender.
When the epistemologists' concept of consciousness first became popular, it seems to have been in part a transformed application of the Protestant notion of conscience."Consciousness" was imported to play in the mental world the role played by light in the mechanical world.
I would want to create an amphitheater outside of California where I would play everyday, and then people would have to come to me. I would create all this crazy stage decor and film it. Or I would just stay inside my home and do films. I would be like the modern Maya Deren.
There's just certain styles of playing that you do play in your own way. Maybe it's in the way your fingers bend, for all I know. And so whenever you pick up the guitar it's not so much the sound of the instrument itself, it's like the ting that you add onto it-the attitude.