Quotes of All Topics . Occasions . Authors
So, to get to play somebody who was insisting on it, in spite of all the evidence was very liberating and exciting. It went quite deep. I suppose I reference a kindness and humility that I would have seen in my parents' generation, a little bit more than now.
'Modern Warfare,' 'Black Ops,' these are all the next level of video games. The people are more detailed, the fighting is more exact, and I can't speak for every gamer out there, but I know when I play, I feel like I'm actually in the game. It's that intense.
We play the music we want to play and we play the places we want to play. I'd hate to be on the usual record company where you get an album out and you do a tour, and you do all the Odeon's and all the this that and the others. I couldn't just do that at all.
I focus for periods of time on creative work and I'm very insular during those times - not a lot of socializing. I play when I want. That means I can take off on a retreat, catch a matinee, make friends. My core desired feelings are my time management system.
I know some artists who come out of country music and the three sessions a day work ethic where you walk in, and you're told you play this note, this note, and this note, and you don't vary it. I know that works great for some people. It wouldn't work for me.
I remember coming in to the studio and meeting Barry Manilow . I was kind of star-struck. He said, "I want to play you this song." We get to the end of the song and I hear him actually sing my name as part of the lyric. I had to pick my jaw up from the floor!
I push myself as hard as I can. Sometimes that can be painful and stressful but inthe end it's worth the price... I like to play characters that I can draw from in my own life. I've invested so much of my life into my work that I almost don't have any choice.
My mythic version of America is very much about parents and children, and in my experience, the suburban setting is where that particular drama plays out. Which isn't to say that there aren't parents and children in cities or on farms. I just don't know them.
The best thing is to motivate people to do their own work. I'm not opposed to making money. But I started to play rock 'n' roll to motivate others, to shake things up, wake people up and to let other skinny, pimply marginalized weirdos know they're not alone.
A lot has been written and said about why he was so great, but I think the best way to appreciate his greatness is just to go back and play some of the old records. Time has a way of being very unkind to old records, but Elvis' keep getting better and better.
Anything has a rhythm to it, comedy or drama. There has to be a musicality to it. And everybody can't play the same instrument, ideally. But I think that we all have the same comedic tendencies, and that's why it works. We all sort of agree with what's funny.
Improvisation is a great mystery. You play something, and you play an answer to it. Then you play something to wrap it up. Nothing is going through your mind; you're not thinking of anything. Every now and then you surprise yourself. Where did that come from?
I've done choir since I was tiny, and I've always tried to get into plays. They all just meshed together. Now with my career, especially with music, people are like, "Which one do you pick?" I don't pick either. They're just different expressions of who I am.
I knew that if I was captured by the Germans I would be shot at once, since I have always been counted as an enemy of Germany because of my play, 'Le Bourgmestre de Stillemonde,' which dealt with the conditions in Belgium during the German Occupation of 1918.
I decided at age 9, but I was reinforced at age 13 when a teacher told me I had talent. I can't say she really motivated me because I already knew. I knew I had talent. I went to the Jewish community theater and got in plays there. Then I went for the movies.
Progressing to where you can play a big role in football is nothing you can achieve in just two years. It will at least take five, six, well more likely seven years. A once-in-a-life-time success does not help you, constant quality is what you have to go for.
I don't see how being a faster runner, or a better mathematician makes you 'deserve' access to a better life, or more influence on policy, in the absence of a social decision to play that game in the way it's proposed to be organised for some set of benefits.
I wish children could grow according to their natural pace: sleep when sleepy, wake up when rested, eat when hungry, cry when upset, play and explore without being unnecessarily interrupted; in other words, be allowed to grow and blossom as each was meant to.
If more people recognized the difference between friendship and mere attraction, or how love must partake of both to prosper, I expect there'd be more happy people." "And a lot fewer poems and plays," I said, laughing as I splashed about in the scented water.
... The Anarchists' [national] anthem is an international anthem that consists of 365 raspberries blown in very quick succession to the tune of Camptown Races. Nobody has to stand up for it, nobody has to listen to it, and, even better, nobody has to play it.
I mean, I was born the day war broke out, but I don't remember all the bombs though they did actually break up Liverpool, you know. I remember when I was a little older, there was big gaps in all the streets where houses used to be. We used to play over them.
Enlightenment is part of everything and so our minds have to be very big to encompass all things, to understand all things - To see the tao in a grape, the act of sexuality, meditation, work, play, taking a shower, brushing your teeth, being sick and hurting.
It's playing with the idea of what musicians wear when they play live, especially focusing on the evolution of what a musician wears when they first start their career, when they are young and wild, to how they dress when they become famous and more polished.
Then I began to play. Variations on a G major chord, the most wonderful chord known to mankind, infinitely happy. I could live inside a G major chord, with Grace, if she was willing. Everything uncomplicated and good about me could be summed up by that chord.
Make a record in your bedroom on a cheap computer, play it on pirate radio, and that's what's it's all about. You can do something really exciting and you don't need any record companies. The way I do everything comes from that, the impact of those two things.
Literate households in the 17th century would have had the Bible, John Bunyan's "The Pilgrim's Progress," and a couple of other books. Shakespeare plays were cheap, so you could buy those, but a folio cost a pound, which was an incredible amount of money then.
We [with Nimai Larson] listened to hardly any music except Hare Krishna music growing up and the occasional Garth Brooks that our babysitter would play for us. From a very early age, we looked at music as mantra based, very cyclical, and having no linear time.
This whole thing that's happened to me, you see, this whole success thing..it hasn't yet really compromised the position that I took a long time ago in Texas, that was to be true to myself, to be the person that I...that was on inside of me and not play games.
Nothing is easy, and life can be extremely tough, but there's always a yin to the yang, so to speak. It's up to you to seek it out, embrace it, and live happily ever after. No matter how bad the hand you've been dealt may seem, there's always a way to play it.
I write intuitively, and with most of my plays, I don't know what is always going to happen. This means I can sometimes go off on a wrong tangent, and with luck then rewrite it in a better direction. But it means I sometimes surprise myself as I'm going along.
The eternal principle, which never was born, never will die: it is in all things: it is in you now. You are the wave on the face of the ocean. When the wave is gone, is the water gone? Has anything happened? Nothing has happened. It is a play, a game, a dance.
We actually say in 'Nightbreed,' 'God is an astronaut, Oz is over the rainbow, and Midian is where the monsters go.' There's a lovely sense in which there's a simple thesis being played out here. These are things you understand as a child out on the play yard.
A person who believes, as she did, that things fit: that there is a whole of which one is a part, and that in being a part one is whole: such a person has no desire whatever, at any time, to play God. Only those who have denied their being yearn to play at it.
It is important that you don't let your opponent impose his style of play on you. A part of that begins mentally. At the chessboard if you start blinking every time he challenges you then in a certain sense you are withdrawing. That is very important to avoid.
I never play a villain that I don't have something I can either do or say so the audience sees there is something redeemable about them. In other words, I don't want to do evil for evil's sake. I don't want to do Jason slasher movies. There's no point in that.
The only safe thing is to take a chance. Play safe and you are dead. Taking risks is the essence of good work, and the difference between safe and bold can only be defined by yourself since no one else knows for what you are hoping when you embark on anything.
I tend to play characters that I can infuse with certain kinds of humour. Even the baddest guy can be funny in his own particular way. I want the audience to engage with the character on some deeper level so that they leave the cinema still thinking about him.
My music, it breathes. It's the mysticism of sound. I'm a sound seeker, and I'm enthralled with it, by what it can do to change the molecules and uplift people. They feel something when we play. I can't take authorship for that. I can take that I'm in service.
In 1972, I got my first electric bass and started playing the kind of instrument I play now. I found that the majority of musicians couldn't bear that. They are not used to listening to the bass because they think the bass is in the background to support them.
My personal, metaphysical belief is Vedanta, which is that ultimately there is a singular consciousness. It's like a Hindu metaphysics, that basically we're all like characters in a play that consciousness is putting on to discover its own creative capacities.
Do you think I should stay away from him?" I asked in a scratchy voice. Todd took a long time to answer. "My advice is, if you're inclined in that direction, go with your eyes open. It's okay to let someone play you, Haven, as long as you know what's going on.
What I've learned, above all, is to keep marching forward because the best news is that since chance does play a role, one important factor in success is under our control: the number of at bats, the number of chances taken, the number of opportunities seized.
Certainly, if you can't manage your game, you can't play tournament golf. You continually have to ask yourself what club to play, where to aim it, whether to accept a safe par or to try to go for a birdie. You can't play every hole the same way. I never could.
Kids are naturally inventive and curious and creative, but most adults have had that beaten out of them. Writing is a form of play; you have to get rid of all those internal censors that we adults have, the things that say, 'Don't go there, that's not allowed.
The 16th-century theatre witnessed the particularly English manifestation of 'the history play.' There can be no doubt that Shakespeare's presentations of 'Henry V' and 'Richard III' have been incalculably more influential than any more sober historical study.
If there is one pleasure on earth which surpasses all others, it is leaving a play before the end. I might perhaps except the joy of taking tickets for a play, dining well, sitting on after dinner, and finally not going at all. That, of course, is very heaven.
You don’t think when you play music, you just try to play and be in it. It is the same for me when the writing is going really well. It’s the same kind of feeling. I’m just in it. It’s not the words, it’s not the sentences, I’m not aware of it. Then it’s good.
There are really only two ways to approach life - as victim or as gallant fighter - and you must decide if you want to act or react, deal your own cards or play with a stacked deck. And if you don't decide which way to play with life, it always plays with you.
If you are called upon to play a church service, it is a greater honor than if you were to play a concert on the finest organ in the world... Thank God each time when you are privileged to sit before the organ console and assist in the worship of the Almighty.
I tend to get comfortable with the dialogue and find out who the person is in the script and try to hit that. People are sort of independent of their occupations and their pastimes. You don't play a politician or a fireman or a cowboy - you just play a person.