Play Quotes - Page 206

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A part of me still says, 'Maybe, Denzel, you're supposed to preach. Maybe you're still compromising.' I've had an opportunity to play great men and, through their words, to preach. I take what talent I've been given seriously, and I want to use it for good.

I don’t care if half the league strikes. Those who do will encounter quick retribution. All will be suspended, and I don’t care if it wrecks the league for 10 years. This is the United States of America, and one citizen has as much right to play as another.

In the three minutes it takes the song to play I'm caught in a magic world of harmony and joy, a truly ecstatic joy, where the aching longing to be somewhere else, out of this city, out of this country, out of this body and out of this life, is kept at bay.

All changes, even positive ones, are scary. Attempts to reach goals through radical or revolutionary means often fail because they heighten fear. But the small steps of kaizen disarm the brain's fear response, stimulating rational thought and creative play.

One of the things I love about negotiations is that you have to be able to play it like an orchestra, different instruments for different circumstances. There's sweetness, and encouragement, and cajoling. There's pressure, there's drama, there's ultimatums.

I'm not one generally to do that stuff anyway, and they didn't even ask me whether I'd seen the show [The Flash]. They didn't tell me anything about what I was going to play, they just inferred that there was going to be a lot of meat to sink my teeth into.

I just love to act. I like to get away, totally play a different character, someone you can get really involved in knowing. I've gotten really involved in some characters and written down little summaries of where they live and what their families are like.

It is hard for an athlete to standout through an email, especially when his email gets mixed in with the emails coming from recruits that think they can play somewhere they really can't. That makes filtering through recruit emails an almost impossible task.

The whole idea of jazz came about was the interpretation of the human dialogue, trading fours. When someone's soloing and someone picks up the solo and plays it back at 'em, it was the imitation of the human dialogue. It was how people spoke, through music.

My favorite jewelry designer is Suzanne Belperron, a great Parisian jeweler who was known for her bold and creative use of stones. I admire the fact that she was a strong successful woman during a time when women did not play a large role in the work force.

To say good-bye is to deny separation; it is to say Today we play at going our own ways, but we'll see each other tomorrow. Men invented farewells because they somehow knew themselves to be immortal, even while seeing themselves as contingent and ephemeral.

I have also just finished three weeks on a soap opera in England. The soap opera is a rather famous one called Crossroads. It was first on television 25 years ago, and it has recently been brought back. I play the part of a businessman called David Wheeler.

I consider myself a person like everyone else, and I take my time writing my records because I feel like it captures more of who I am. You have a much greater chance of hitting on themes and points...that could play into someone else's life in a larger way.

Of course everyone has those moments of frustration now and then, when you say, 'I wish I could play well already - or just stop.' But it's too much trouble to stop just for a moment of frustration. It is when you keep going that you make the most progress.

Although the drama of games of strategy is strongly linked with the psychological aspects of the conflict, game theory is not concerned with these aspects. Game theory, so to speak, plays the board. It is concerned only with the logical aspects of strategy.

I feel like a mother-queen-vampire-Dracula because I want to make more girls so I can have more friends and more girls to play with, you know? For a long time, it was really just me. There were other girls in the niche underground, but not on a world level.

It's funny when people ask an actor what they want to play next, because you don't get to decide what you play. I don't know. I can only say this: I don't want to and have no interest in playing a plastic surgeon. That's for sure. I'm open to anything else.

I've always been attracted to women who are assertive and have confidence - qualities older women possess. They've been on the Earth a little longer. They're more seasoned. They don't play games. They know what they want, and they're not afraid to tell you.

To a chemist, nothing on earth is unclean. A writer must be as objective as a chemist; he must abandon the subjective line; he must know that dungheaps play a very respectable part in a landscape, and that evil passions are as inherent in life as good ones.

I remember reading scripts when I started in the business, and [Latino roles] were either nonexistent or written as the maid or a drug dealer. We're no longer just that. I'll play any part that challenges me. What's important is that all races have choices.

So, you play today! You don't worry about what's gone, 'cause that's already gone and you can't bring what's gone back. It doesn't happen that way. So, every day's a new day and just play it as it comes. And I turned out to be a singer that was not on dope.

I've always said it's flattering to be desired, just as it's flattering that people accept the reality of the character you play. But it was always ridiculous to assume that because I could play a gigolo on screen I'd play anything like that role off screen.

Thus so wretched is man that he would weary even without any cause for weariness... and so frivolous is he that, though full of a thousand reasons for weariness, the least thing, such as playing billiards or hitting a ball, is sufficient enough to amuse him.

And yet the artist will go on with his work without knowing in some way if any of his representations are sound or unsound. The artist knows nothing worth mentioning about the subjects he represents, and that art is a form of play, not to be taken seriously.

At this point we've answered about every question you could possibly imagine about Deep Space Nine, so we do this thing called Theatrical Jazz, where we do a show of bits and pieces of things from plays and literature, poetry... stuff that we like. It's fun.

I love Arthur Rubinstein, especially his live recordings. I think his Chopin Mazurkas, his interpretation of the Polonaises, and the Concertos of Chopin are just incredible. When I was a child, I wanted to play more and more Chopin because of his recordings.

I really like the animated film process. It's kind of like doing a play, because you can experiment with it, rewrite it, screen it, go back, then work on it a little bit more. If the joke doesn't work, you can fix it. It's different from a live action movie.

I was in a Broadway musical called Big Time Buck Wright.The play didn't make it but I was a success. It lasted six days but I sung four songs and there were critics, seriously, in New York who said that my part was perfect. So I can beat Joe Frazier singing.

I've always felt kind of safe on stage, protected. I've talked to other performers about this and they feel the same things, particularly in the live arena. I never get nervous going on stage to do a play. Doing film or television I'll have more butterflies.

I think about how a guy mentally prepared himself to do battle, to go out and face the pitcher. I think so many hitters do not know how to get themselves prepared to play or hit against a pitcher. You have to mentally be prepared to hit against all pitchers.

You know, the truth is that us actors would all like to believe we re-invent the wheel, every time we play a character. But, we're human beings and our instruments are not violins, they are our bodies and our consciousness and our collective life experience.

I always think a good sports movie is emblematic in the same way that a great Greek tragedy really has a certain kind of structure, or a Shakespearean play if you're looking at a comedy or a tragedy, is that these are the heights and depths of human emotion.

The tragedy of "Hamlet" is critically considered to be the masterpiece of dramatic poetry; and the tragedy of "Hamlet" is also, according to the testimony of every sort of manager, the play of all others which can invariably be depended on to fill a theater.

I know the president is quick. I have friends who played with him during the campaign; they say he's very good. I told the president that whenever the next pickup game is, I'll get on the plane to Washington - but sometimes they play so early in the morning.

With regard to the youth vote we should encourage them to partake in the process, making more use of our education system to show the role Government plays in their lives, but also utilise the youth media they relate to to better connect them to our message.

Earl Scruggs wears two finger picks and a thumb pick, and by alternating them, he can play about as fast as he wants. So it's this action. You know, you couldn't move one finger that fast, but all three, it's pretty easy, and it's kind of an incredible leap.

From the time I moved to San Francisco in 1967 to play with the Steve Miller Band, there was a lot of support in the music community for one cause or another, but this one was special because it was put on by people who understood where musicians hearts are.

If you give people an idea these days, they just think you are sharing it with them so they can critique it, play devil's advocate, and so on. It doesn't occur to them that they might help or get enthused or at least have the courtesy to get out of your way.

Optimistic people play a disproportionate role in shaping our lives. Their decisions make a difference; they are inventors, entrepreneurs, political and military leaders - not average people. They got to where they are by seeking challenges and taking risks.

Suddenly you're the mom, or you go from ... You're not an ingénue, you don't want to play an ingénue, but it's like that line in The First Wives Club [1996]: "There are only three ages for women in Hollywood: babe, district attorney, and Driving Miss Daisy."

I was looking for some way to put my music to some service on a nightly basis. You go into a town, you play a little music, you leave something behind. That idea connected us to the local community. It was a very simple idea, but it really resonated with me.

I want to be one of the guys, but I also want to be 'the' guy, the guy that can go out there and they can rely on in crunch time. I'm going to be the guy that they know will show up every day, every game, every play and show up on a consistently great level.

The last 10% of game design is really what separates the good games from the great games. It's what I call the clean-up phase of game design. Here's where you make sure all the elements look great. The game should look good, feel good, sound good, play good.

I think theatre is a democratic act and I think writing a play is not a democratic act. I think we should give writers more leeway and space to write the thing they want to write, and then we should produce the play, multiple times, and let them re-write it.

Almost all human affairs are tedious. Everything is too long. Visits, dinners, concerts, plays, speeches, pleadings, essays, sermons, are too long. Pleasure and business labor equally under this defect, or, as I should rather say, this fatal super-abundance.

It is a tremendous honor to be a No. 2 seed, and to get to play so close to home in Dayton. It is an incredible feeling, and it will be interesting to start preparing. But right now we need some rest and then we'll get our guys going for the NCAA Tournament.

For every age there is a popular idea about what madness is, what causes it, and how a mad person should look and behave; and it's usually these popular ideas, rather than those of medical professionals, that turn up in songs and stories and plays and books.

With a feature film you're dealing with so much more money and you've got to be very aware of the fact that you're really working with an audience. You've got to have a relationship with the audience. Play with them and show them things you want them to see.

I think that was one thing I definitely brought to the table, my aggressiveness and my style of play, and I think that's one of the reasons why the fans here really appreciated the way that I went out and played, just because I think they kind of liked that.

Matchy-matchy is not for me. I don't want things to be too perfect. It's like pairing a matte top with a shiny skirt, so they play off each other. I want there to be relationships with texture and color, and sometimes it's more about the contrast that chimes.

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