Play Quotes - Page 204

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I wanted to play around with the format, really tear it to pieces and shake it up. For example, if Mitch saves someone from drowning, and that person then goes out and releases a virus that kills a million people. Imagine the moral implications of that.

I understand from my own work that haste makes waste. But I also understand that ... the creative spark dims, and then death puts it out. William Shakespeare, for instance, hasn’t produced a new play for 400 years. That, my friends, is a long dry spell.

There is always competition. Whatever you do, there will be competition, and you have to decide how you’re going to play. For me, I had to be the very best. I had to be the very best. Because, if I was not the very best, I would end up being number two.

There's nothing worse than the feeling of wishing you had another chance at a play because you weren't ready. Every athlete has those feelings to mull over, and over and over ... Don't even expose yourself to the possibility to being caught off-guard. —

The human voice: It's the instrument we all play. It's the most powerful sound in the world, probably. It's the only one that can start a war or say 'I love you.' And yet many people have the experience that when they speak, people don't listen to them.

I also generally play slide guitar in standard tuning, which enables me to switch back and forth between using the slide and fretting notes and chords conventionally without having to relearn the fretboard, as one must do when playing in an open tuning.

There is a homely directness about these rustic apothegms which makes them far more palatable than the strained and sophisticated epigrams of the characters of Oscar Wilde's plays, who are ever striving strenuously to dazzle us with verbal pyrotechnics.

But basketball was always something I was good at, that I was passionate about. I just didn't have the confidence to play in front of people at the time, at that early age. Now, I feel like I'm ready to play in front of people and play on the big stage.

The music has to come from bluegrass first. We always said back in the 70s that if you want to play newgrass you have to go through the school of bluegrass. You know, maybe Jack Black can make a movie now called School of Bluegrass . That would be cool.

Particularly with the plays I choose, they're good parts, and they're parts that have been around long before a bad actor played them, and will be around long after I play them. Part of what I enjoy about the theatre and acting is that sense of history.

The dead think they can get away with anything because you'll feel sorry for them. If you play cards with the dead, make sure you deal and don't let them buy you drinks. They'll slip you a formaldehyde roofie and pry the gold fillings out of your teeth.

As a former NFL athlete, my quality of play on the field was in direct correlation to how I took care of my body. Bulletproof has many practical principles and tips on how, as men, we can thrive and not just survive as we get older. This is a must read.

But at a certain point, and I don't really know... people have asked me this. I don't know exactly what it was that pushed me towards directing, but I think it was a naive notion that if I directed I would be able to play all the roles. A kind of greed.

Three months later, on September 5, 2001, at a pro-am event preceding the Canadian Open at the Royal Montreal Golf Club, I was invited to play a round with Tiger Woods. Nothing in the game of politics had ever been as nerve-racking as that game of golf.

If you let it, the Masters will play you instead of you playing it. Augusta National can pamper you right off the bottom of the leader board. Pampered before and after your round, but mentally and emotionally pulverized during them - that's the formula.

Sometimes, when you briefly glance in Hollywood, there's a tendency to play it in a very "Yes, she's exhausted, and yes, she's working, and yes, she's taking care of her kids full time, and yes, she's a mom, but she's also in a great mood all the time."

Everybody is excited about their projects and I'm excited too. It's not like working. It's like playing with your friends. When I was a kid, I'd say to my mother, "Can I go out and play with the kids now?" Now I'm out playing with the kids all day long.

There is something, yeah, I mean traditionally it's more fun to play bad guys than it is good guys and when you're playing a bad guy, yeah, the fun in it is to see how scary you can be, how horrible you can be. And it's surprising what you come up with.

Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.

I do so play an instrument! I play air! I play the air with my fingers, and I'm in touch with the deepest emotions within. It took me a while to learn that whatever I feel like doing is the right thing. If I want to play an invisible instrument, I will.

I want to be scared. I want to keep taking insane risks. I want to be scared because you're going to grow through that whether you want to or not. I don't want to play the same guy. I want to keep throwing curveballs to you guys and keep telling stories.

I like to kind of change my performance so that there's more to play with in the editing suite. At the same time I think by the time you've done say 55 takes you're exhausted and you've kind of lost the power behind it that you had on take #1 or take #2.

You don't try to duplicate certain things that other cats do, because you could never do it as well as they do. Nobody can get on that tenor saxophone and play like Trane, because he's the only one who can spell out chords and sound good when he does it.

A few weeks after my surgery, I went out to play catch with my golden retriever. When I bent over to pick up the ball, my prosthesis fell out. The dog snatched it, and I found myself chasing him down the road yelling "Hey, come back here with my breast!"

The director, Moisés Kaufman, just received the national medal of the arts from President [Barack] Obama . He wrote and directed The Laramie Project and he has directed several Pulitzer prize-winning plays. He's a pretty profound director in the theater.

After a couple of failed attempts, I came up with a weird tuning where I was dropping the G string down a step so that it became a seventh, and it got me to a place where I could play all these figures fairly easily. It was not an easy thing to work out.

Not only did I get to play with these great international musicians, but I also had the opportunity to jam with the local celebrities in Toronto, people like the Walsh Brothers, David Wilcox, Kim Mitchell and the like. It was a great learning experience.

I started out in a heavy metal band with a guy who could really play guitar, and I thought the only thing missing from Guided By Voices was a lead guitarist. In the early days, I would bring people in just to play leads, like Greg Demos and Steve Wilbur.

Every virile people has established colonial power. All great nations in the fullness of their strength have desired to set their mark upon barbarian lands and those who fail to participate in this great rivalry will play a pitiable role in time to come.

A retaliator behaves like a hawk when he is attacked by a hawk, and like a dove when he meets a dove. When he meets another retaliator he plays like a dove. A retaliator is a conditional strategist. His behaviour depends on the behaviour of his opponent.

I don't suppose you offered to help?" "Sage," Adrian declared. "These hands don't do manual labor." He knocked another ball into a hole. "You want to play?" "What? With you?" "No, with Clarence." He sighed at my dumbfounded look. "Yes, of course with me.

You can't plan your character arc - you have a vague idea, maybe, but I'm constantly surprised. Sometimes actors in films will play the ending of the movie, or even the middle, and you know where it's going - as an audience member you can read the actor.

I quoted David Hare one of his lines the other day to illuminate whatever point we were trying to make in the conversation, and I said 'What play was that?' and he said 'It was your line, you said it about a hundred and fifty times in The Vertical Hour.'

It's more than usually possible that I won't do a play again. But Skylight is one of the great plays in the English language. I was lucky enough to be a part of it at one point in its life, and it's a timely thing to deliver it again in the modern world.

The invisible government [bosses] is malign. But the evil doesn't come from the fact that it plays horse with the Newtonian theory of the constitution. What is dangerous about it is that we do not see it, cannot use it, and are compelled to submit to it.

Quite a few musicians came to our house. And my ma took me to hear many more, hoping to encourage in me a love of music. But she wouldnt consent to my having music lessons, for she feared I might end up as she had done - unable to play except from paper.

If there are no films or plays of interest to me, I don't go. I know how to go to a museum or a library or pick up a good magazine or I can watch the sun set. I know how to live. There's a whole creation out there full of magic and wonder to be explored.

It's a wonderful way to get at who someone is through their own love of music and going right at their subconsciousness if you will. You don't play girl singers for girl singers. You know, there's certain things. You do play Ellington for Bobby McFerrin.

Film acting is really the trick of doing moments. You rarely do a take that lasts more than 20 seconds. You really earn your spurs acting onstage. I needed to do that for myself. I would hate to say at the end of everything that I never did a stage play.

I always talk about movies a lot beforehand, and then we would get there, and I'd say, "Let's play around and see how it goes." And they would do it, and I'd go, "Well, that was awesome." It was really - I don't know, it was really special to watch them.

I certainly enjoyed having my sister, because when she came I felt a certain responsibility to help her fit in, and help her learn English. I wanted her to play with all my toys. I was actually, I think, really scary to her, because I had so much energy.

I love anything that gets me outside of my own head. I love music because it's really just - I tried to play piano as a kid. I was awful. It didn't help, and this is absolutely true, that my piano teacher had arthritis. And that's not a good way to learn.

Sometimes when a record's done, I'm satisfied and I won't listen back to it for a while 'cause I'm usually pretty tired of the songs. Then I've got to learn them again to play them live, and sometimes it takes a while to realise it's a really good record.

All my growth and development led me to believe that if you really do the right thing, and if you play by the rules, and if you?ve got good enough, solid judgment and common sense, that you?re going to be able to do whatever you want to do with your life.

What is very exciting with children is they like to play, and they don't care so much about the meanings [of things], and they are just excited to have weird scenes to do or weird things to do, like playing deaf, or playing sick, or swimming in the water.

If you mess up the tiniest little thing in the Beethoven concerto, or the phrasing isn't just exactly perfectly executed, Beethoven brings out the worst in the best violinist. You almost never hear a satisfying performance, because it doesn't play itself.

In my world, the first thing I reach for is the sound. Technique is Ok, but if you got the technique and I got a good sound, I'll beat you every time. You can play a thousand notes and I can play one note and wipe you out. What I reach for is ... a sound.

You always see actors complaining about being typecast and ruining their career. Really, I don't see the point in complaining. If the only role you can play well is a black dude, you're never going to get ahead in this town, and you should just accept it.

You want to play another kind of character in another genre, and it's been something I've been trying to do if I can in the career so far, and it's something I hope to continue because it's interesting to me and you get to do different things as an actor.

Just before a game, I try to keep a clear mind so that I can focus better. I'm the kind of person who plays fast and relies a lot on intuition, so being at peace with myself is vital. Saying my daily prayers helps me achieve this heightened state of mind.

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