Quotes of All Topics . Occasions . Authors
To create, I destroyed myself; I made myself external to such a degree within myself that within myself I do not exist except in an external fashion. I am the living setting in which several actors make entrances, putting on several different plays.
Coaching is about, "How do I get people to play at their peak level?" It is a spiritual quest. And if it's not that, you don't have a challenge, you don't have a mission. Forming a brotherhood and trying to move it forward - that's what coaching is.
I've ultimately decided that I will not play this NBA season. I'm going to take the remainder of this season, as well as the upcoming off-season, to reassess my situation, spend time with my family and determine if I will play in the 2015-16 season.
For myself music definitely informs my emotions. And I can literally play a song that will get me where I need to be emotionally. I don't have to think about the tragic things that happened in my life or the greatest things that happened in my life.
I'd teach them to read and to dream and to look at the stars and wonder. I'd teach them the value of imagination. I'd teach them to play every bit as hard as they worked. And I'd teach them that all the brains in the world can't compensate for love.
With BSG, sci-fi is the human experience taken beyond the envelope. When I first became involved with the project, I knew that I would be able to play a human being for many years, exploring and reflecting on issues that would impact people's lives.
So, through all that early professional career I would occasionally do a musical, a pantomime or a play with songs. The next stop would be a Shakespeare, or an Ibsen, or a play by a brand new writer who had never done anything in the theater before.
The people you might lose are the people who look at a marquee and are like, "Oh, John Wesley Harding is playing. I went to see him play 20 years ago." But if they see Wesley Stace, they might make absolutely no link between those two things at all.
I liked to act in plays when I was a kid, and then in college. But that's the last time I really acted. I always loved it. But my interests were more in looking at the whole, rather than getting completely swallowed up in a single part of the whole.
A poet is a poet, whether he rides in a Ford or on a donkey; a sage is a sage, whether he plays golf in New Jersey or bathes in the Ganges, or prays in the desert; and a fool is a fool, whether he be a maharaja or a president of a post-war republic.
I consider Apple to be very closed. Let's say you have a book business, and you are charging 5 to 7 percent gross margins; you can't exist in an Apple world because they want 30 percent, and they don't care that you only have 7 percent to play with.
Suffering makes us capable of the full force of the Master of Delight; it makes us capable also to bear the utter play of the Master of Power. Pain is the key that opens the gates of strength; it is the high-road that leads to the city of beatitude.
A very dear friend of mine great actress named Wendy Rich Stetson was very active in the theater department at Amherst and I went to all the plays she was in, and it became very clear to me that what she was doing was something I wanted to be doing.
My philosophy is, honestly never collected anything that I don't play. I know a lot of people that collect guitars, but for me, I want instruments that I play. And if I don't play them, I don't' want to have them sitting in a closet collecting dust.
I wish I could anticipate some of the stories and lies that will be told. It's going to be great to get everyone together so we can tell all of the families, all of the wives and children, just how good we were because they never got to see us play.
Being blind is as simple as closing your eyes. The blind don't act any different than you or I. You never see a blind person going around saying, 'I'm blind.' So if you want to play blind just close your eyes and keep them closed and fare thee well.
As far as I'm concerned, an audience is an audience. Whether it's an audience in Hull or the National Theatre, that's who you play to. It's not money - it's good to get some, but that's not why I do it. You do it because you have to, to tell a story.
I'm open to doing any kind of role and any kind of genre as long as it's interesting and as long as I feel it could be a great character to play. I never take into my own personal opinions or my own public image into account when I chose movie roles.
For years we have heard of the role the Elders could play in saving the Constitution from total destruction. But how can the Elders be expected to save it if they have not studied it and are not sure if it is being destroyed or what is destroying it.
Japan should get more involved in mediating disputes between countries and seek to play the role of a peace broker. To make this possible, we must train people so they have a solid understanding of international politics and great negotiation skills.
With all of the characters I've played, I feel like I've tried to communicate through my eyes and face, as much or more than with words. That's something that I like to watch in films, and something that I like to bring to the characters that I play.
When I'm doing a film, I love getting together after work with my costars. But we get back to L.A. and I'm like, 'I don't want to go to a club with you, dude. I mean, I think you're rad, and if you want to come play Scrabble with me, that's amazing.'
Mendelssohn I consider the first musician of the day; I doff my hat to him as my superior. He plays with everything, especially with the grouping of the instruments in the orchestra, but with such ease, delicacy and art, with such mastery throughout.
That singular uncompromising nature I think is always quite attractive, not just for an actor to play, we're attracted to uncompromising people whether they're nice or not, because they're 3D, they're solid, you can define them, it's not wishy washy.
It doesn't matter what you feel - ultimately, it's what the audience feels. You can finish a scene and think to yourself, 'Oh, God. I was so deep in that moment,' and find it just didn't play. I don't know if I have very good radar about that or not.
On the chessboard of his godforsaken existence, the pieces were lined up, the play preordained. Man, so many times in life you didn't get to pick your path because the way you went was decided for you. Free will was such bullshit. -Vishous's thoughts
The Grateful Dead were very kind. It was Santa Claus. It did good things. It allowed other people to benefit. The benefits that we played were enormous, and we played free. So you've got a band that loves to play free, and that was a wonderful thing.
Nowadays, there's a lot more that comes before music, that I need to take care of before I can sit down and play, and be a contributing member of a band or society. I have to take care of myself and my recovery, and then my family, and then my music.
When you play a team with as much attacking power as Barcelona and you restrict them to one shot on target in the second leg, you are doing something right. Have the best football team gone through? Yes. Have the best organised team gone through? No.
I have too much respect for the characters I play to make them anything but as real as they can possibly be. I have a great deal of respect for all of them, otherwise I wouldn't do them. And I don't want to screw them by not portraying them honestly.
When you got source material, whether it's a play or a book - a great writer often appreciates being adapted and developed. It's like when you go see a production of a great play and they are always different. There is always room for interpretation.
I have a few films that I'm going to be executive producing - a couple that's really dear to me .This man that I'm going to play next is very revolutionary and he's iconic and the world needs him right now. Hopefully, I can deliver that to the world.
Instead of finding himself in nerd heaven—where every nerd gets fifty-eight virgins to role-play with—he woke up in Robert Wood Johnson with two broken legs and a separated shoulder, feeling like, well, he'd jumped off the New Brunswick train bridge.
A Strat was a thing of wonder .. when I was 14 or 15, the Shadows were a big influence, and they had the first Strats that came to England. I like to play all kinds of guitars, but I wasn't getting the sound I really wanted until I got a Stratocaster
If you have an approach that makes money, then money management can make the difference between success and failure... ... I try to be conservative in my risk management. I want to make sure I'll be around to play tomorrow. Risk control is essential.
Before, shortstops and second basemen were mostly defensive guys that made all the plays and didn't really hit that well. But now it's beginning to change a little bit. Now, shortstops and second basemen are very productive in terms of run producing.
If you play men, in a way it's easier. You can have a voicebox, you can have false hair, mustaches, wigs, you can have all kinds of stuff. But when you're playing women playing men, you only really have yourself to work with, plus tiny little extras.
I had a very linear story line for this particular play, and I wanted to open the piece up a bit, so I started doing that with my writing. I would describe fragments of scenes on index cards, then move the card around to see how it changed the piece.
I was always writing stories, even as a kid. I always wanted to be in the plays and do that sort of thing. Screenwriting started to really appeal to me because the idea of being able to make things that many people got to see became very captivating.
For me, in the third book, when Peeta gets brainwashed by the Capitol, that's going to be fun to play. The rest of the time he's very much into Katniss, and for that to get turned around and to play it the other way, that's going to be very exciting.
My Gram said that I would get the role in whichever show God thought was right but it wouldnt hurt to express a preference. I told her that I would like to do The Brady Bunch because Id have five other kids on the set to play with. God was listening.
I listen to Meek, Blac Youngsta, Playboi Carti, Lil Uzi Vert, Kodak, Lil Bibby of course.I listen to pretty much everybody I like different music I listen to The Weeknd, I may listen to Common I might be in the crib and I might play some New Edition.
American Psychological Association, the girlie-girl culture’s emphasis on beauty and play-sexiness can increase girls’ vulnerability to the pitfalls that most concern parents: depression, eating disorders, distorted body image, risky sexual behavior.
You know what, the drummer is my manager. He's busy. And I'm busy. I don't need the dough, though. But having said that, there's a limit to how much bad music I wanna play. I did it when I was young, and some of the music was OK, but it wasn't great.
I play only classical music. My pianos are my only big indulgence, but they're a necessity. When I'm playing the piano is literally the only time I can be completely abstract and disconnected from the regular world and yet be connected - to my music.
Don't say anything about this to anybody. Any one would say that I am trying to play the good-natured philosopher. I am neither benefactor nor philosopher, but just a human being, and my charities are the pleasantest expense I have on these journeys.
I never think about the next movie. I always think about the situation I'm in now, but you do think about an arc someone can go. I love Johnny Depp, I love "Pirates of the Caribbean", but I never wanted to play the same character over and over again.
Obviously the way that I talk and the way that I dress all has to do with the way that I was raised. As far as the drive, when I was 18 or 21 years old, everything I did was because I wanted to go play music simply because that's what I wanted to do.
Roger (Kellaway) amazed us all. Blessed with great technique, he could play any style, from ragtime to space music. Whatever style he chose to play at the moment would be filled with wonderful surprises that kept the rest of us continually delighted.
I learned not to go in the sun early on in my career. A tan lasts for a week or two before it fades, and the sun is so damaging—it's not worth it. I put sunscreen on my kids every day before school and before they play outside. They know the routine.