Quotes of All Topics . Occasions . Authors
What I have learned first and foremost is to follow your instincts. As a filmmaker, there are no rules as to how to play this game. That is a big problem I think that exists in the education on how to be a filmmaker or how to make movies.
A lot of the time, you're supposed to play to the top of your intelligence, as truthful as possible. But when you're on stage making people laugh, you're still acting. I think it helped me a bunch to go on stage two or three times a week.
Say you’ll marry me when I come back or, before God, I won’t go. I’ll stay around here and play a guitar under your window every night and sing at the top of my voice and compromise you, so you’ll have to marry me to save your reputation.
Once I can focus in on something, I just play it in my mind until an idea comes from out of nowhere, and it's usually the key to the whole song. It's the idea that matters. It's like electricity was around long before Edison harnessed it.
For me the ideal date would be to drink wine in the backyard under the stars, listen to music and just talk. Then we'd eat steak and, later, dessert. If all went as planned, we'd save some of the dessert and play with it while making out.
I think the drummer should sit back there and play some drums, and never mind about the tunes. Just get up there and wail behind whoever is sitting up there playing the solo. And this is what is lacking, definitely lacking in music today.
The actress I had the most fun working with was Alex Kingston. It was a fun relationship to play because it was a combination of occasional sexual harrassment with genuine affection. She's such a terrific actress and such a lovely person.
On Saturday afternoons when all the things are done in the house and there's no real work to be done, I play Bach and Chopin and turn it up real loudly and get a good bottle of chardonnay and sit out on my deck and look out at the garden.
I know it sounds very typical to say, but the best part of being an actor, and the reason why I think a lot of actors do it, is that it's always changing. You get to play so many things that it's like you've had so many different careers.
I thought I might spend the rest of my time on golf. But thinking about it now, I'm happy playing whenever I have some downtime in my busy schedule, and even if I had all the time I wanted to play, my score probably wouldn't be very good.
I don't feel super attached to a certain time when I hear the music. Some of the songs I still play live and, through that I feel like I've been able to have it move with me through my life as opposed to being just a little piece of time.
I don't really worry about the size of the part much any more. It's nice to have more time to work on the character, and to have big scenes to play. But if there's something playable there, and if it's interesting to do, then that's nice.
When people say that a certain sport is not a sport - have them play that sport and see if they can do it. Golf is one of the hardest sports you've ever played. Bowling is all about concentration, it's all about focus, it's all about aim.
Many times, I like to read the script before I even know who they want me to play, so I can read it and really enjoy it as an audience member. I think that's given me the ability to ferret out the really special scripts from all the rest.
You gotta be the right size, height, speed - all those are a big factor in what position you play. If you love the game, play the position you love. Some positions get paid more, but at the end of the day you gotta play the game you love.
We will never meet our own expectations of public education unless the federal government is willing to play a consistent, long-term role; unless education truly becomes a matter of national policy, not just a matter of national rhetoric.
Unfortunately, music is a male-dominated industry. It's not that there aren't plenty of women working in the industry, it's just, the higher up you go... it's like how women who play in the WNBA make so little, compared to men in the NBA.
We wanted to impress the crowd so much. The city has done so much for us and welcomed us right in, and we just wanted to give them a good show and show them that we're going to play for them. I think guys just had a little bit of jitters.
The middle class, in any society, plays the role of graphite rods in nuclear reactors: they slow down the reaction and, if it weren't for them, the reactor would explode. A society without a middle class is a society primed for explosion.
It is very difficult to know exactly what good should come out of a particular situation. To attempt to manipulate circumstances so your idea of good can come about, is to let the ego play God-and that, as you know, can and does backfire.
It's one thing to write the music, it's another thing to write it down, it's another thing to play it, and something else altogether again to learn how to play it. These are the elements that are fascinating, and, you know, move my world.
Yeah, I've always been accused of having a sense of mischief and I'm very flattered that you say you can see it in the roles I play, because I think that's important, even if I do play intense characters, like especially Christine Cagney.
Since when do we even play games?” “Since when don’t we play games? Games of life, games of death. Games of love, of hope, of chance, of despair, and of all the myriad wonders in between.” I rolled my eyes at the newcomer. “Hello, Carter.
If a professional musician in a symphony orchestra is playing Beethoven. But this particular orchestra have played this particular chestnut so many times, they can play it in their sleep. Does the genius remain present in the music or not?
I asked them if it wasn't too much trouble, if I wasn't being too pushy, if they could execute what we were trying to do. And if it didn't make them too angry, if they also wanted to play some defense on the other end, that would be great.
I doubt if many of my contemporaries, especially the older ones, did many exercises. I have often tried to picture (Godfrey) Evans and (Denis) Compton doing press-ups in the out field before the days play, but so far have failed miserably.
I could dance with you till the cows come home. Better still, I'll dance with the cows and you come home." Groucho Marx was never one to pass up an opportunity for a play on words and this occurs in his dialogue of the 1933 film Duck Soup.
And now, in honour of the 150th anniversary of Beethoven's death, I would like to play 'Clear the Saloon', er, 'Clair de Lune', by Debussy. I don't play Beethoven so well, but I play Debussy very badly, and Beethoven would have liked that.
The fashions we call English in Paris are French in London, and vice versa. Franco-British hostility vanishes when it comes to questions of words and clothing. God save the King is a tune composed by Lully for a chorus in a play by Racine.
Great clubs have had one thing in common throughout history, regardless of era and tactics. They owned the pitch and they owned the ball. That means when you have the ball, you dictate play and when you are defending, you control the space
I spent so many years of my life as a stage actor and when you do all these plays, a lot of really great plays are very politically driven. They deal with deep social issues, and that's the kind of stuff that I love, as an audience member.
We are the best team of the tournament and deserved the title but luck did not favour us. I think the future of this team is good. If we play more friendly matches and target the SAFF Championship, I think this team can deliver that title.
If you ask an Auin Bushman what realty happens at the puberty ceremonials, he will tell you, "We dance." In the initiation customs of all peoples the dances play an especially important part. The dance is the center of wedding festivities.
The play-it-safe pessimists of the world never accomplish much of anything, because they don't look clearly and objectively at situations, they don't recognize or believe in their own abilities to overcome even the smallest amount of risk.
I try to find out what there is in the character that in a way, you can't put into words. If I could put it into words, then it wouldn't be a performance. And if I do put it into words, as I play it, I start to get boxed in by those words.
Of course, it does depend on the people, but sometimes I'm invited places to kind of brighten up a dinner table like a musician who'll play the piano after dinner, and I know you're not really invited for yourself. You're just an ornament.
America used to have a strong 'moral safety net' for its people. Today that net is badly frayed, not only because families are disintegrating but also because the church doesn't play the same role that it once did in many Americans' lives.
The private sector must play a role in ensuring the prosperity and health of the people who comprise its market. It is time for the private sector to become a proactive partner contributing to the efforts of governments and philanthropies.
I see the whole episode in my memory as if it were a very crisply photographed black and white movie. Directed by Bergman perhaps.We are playing ourselves in the movie version. If only we could escape from always having to play ourselves !
I'm like a chameleon. I can kind of change and get my game going to whatever the situation is. If I play well, which I don't think I've even reached yet at all in this tournament, it's really hard for anyone on the women's tour to beat me.
At festivals you kind of have to play the game a bit and you have to play a lot of the big bangers but it's to me it's extra gratifying to be able to play the non-bangers and make it work. Because that's still the craft of the DJ, I think.
I started in radio. I enjoy the mental gymnastics that go along with matching voice to picture and vice versa and trying to accent the action as opposed to provide all of the action through my words. And that's really what play-by-play is.
The number one thing for me is diversity. I always want to ensure that people can't put me in a box. I can play a bad guy, I can play a good guy, I can play a good bad guy, I can be the host of a show, I can be serious, and I can be funny.
My plays are for the kind of black people who relate to funk music, to Parliament-Funkadelic. When those guys get out of a spaceship - the idea that black people are from outer space, theres a poetic truth to that. We are this vast people.
I'm a curious person. I pursue things based on what sparks my interest. I'm not thinking about what role I play. I don't have to be a movie director or this or that. I just want to be part of projects and places that are of interest to me.
To me, life is like the back nine in golf. Sometimes you play better on the back nine. You may not be stronger, but hopefully you're wiser. And if you keep most of your marbles intact, you can add a note of wisdom to the coming generation.
A dish should have flavor, texture, appearance and smell, but I'm doing it differently. We take Chinese food, play with your sentiments, memories of it, and then take you to the border; you won't fall over the edge, but you get excitement.
Unlike with any other art form, filmmakers have this unique web of festivals. There are hundreds. It is a democratic system in which you submit films, and if they are good enough, they play. The only barrier to entry is the submission fee.
The Who always play 'I Can't Explain'; and we'll always play 'Wonderwall'. People ask us if we get bored of it. You can't get bored of 15,000 people shouting for 'Wonderwall'. That's better than drugs. You get a hard-on when you hear that.
Even the cerebral characters I play seem to have physical quirks. They're all "physically inhabited," for lack off a better expression. For instance, Sherlock Holmes has very particular physical gestures which are drawn out in such detail.