Quotes of All Topics . Occasions . Authors
One can imagine a sane, healthy, cheerful human society based on no more than the principles of common sense, as validated each day by work, play, and living experience. But this remains the most utopian and fantastic of ideals.
What's hardest for me to swallow is when there is a love story, say, with a really high-profile male star and there's no reason I can't play the part. They say, 'Oh, we love Halle, we just don't want to go black with this part.'
I don't want to be a slave to history or facts. As long as I'm getting a good cursory understanding of what it is and I'm not drifting too far away at certain points, then I can play with the idea and take it anywhere I want to.
But I find with Francis Bacon, some of the things were in the place, and someone who was connected with these schools of thought, and someone who had a motivation that equals the scope of the comedy and the tragedy in the plays.
I had always been more interested in playing and improvising than sitting down at a desk and writing out a piece. I'd always found it more fun to play, and the other a little bit tedious. I always had trouble with the decisions.
As Rousseau could not compose without his cat beside him, so I cannot play chess without my king's bishop. In its absense the game to me is lifeless and void. The vitalizing factor is missing, and I can devise no plan of attack.
Hence the genius of having Ken steer this ship as well. You have to invest these characters with a Shakespearian quality and not in a way that might disengage the audience but in a way that actually lets you play to an audience.
It's harder to play a quiet character because everything happens in their stream of consciousness. They're thinking and feeling the world, but they're saying very little, so then you have to communicate it through your behavior.
I've gotten to a place where I still love to play and sing, but I don't have any ego agenda left, outside of just wanting to stay in a creative place and play music. I much prefer to sing for somebody else, and to somebody else.
To put it one way, a collection of Shakespeare's plays is richer than a phone book that uses the same number of letters; to put it another, the essence of information lies in the relationships among bits, not their sheer number.
Erotic intelligence stretches far beyond a repertoire of sexual techniques. It is an intelligence that celebrates curiosity and play, the power of the imagination, and our infinite fascination with what is hidden and mysterious.
I think, in many ways, certain people sought me out maybe because they liked my body language or they liked the way I wore a slit skirt, the way I cross my legs or carry my purse. It's quite inspiring to play the seduction card.
I started to itch to do a play again and 'Macbeth' came to the surface in my mind. I never thought I would do it in a conventional way. A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn't interest me.
I really like to play inside. I really like being able to go one-on-one with an offensive lineman every play. At defensive end, you're more running up the field and containing more than you are just against an offensive lineman.
The effect hip-hop had on me was enormous. I was exposed to it by happenstance. My father worked at a radio station in New York called WKTU Disco 92. It was the first radio station in New York City to play disco in the late '70s.
If you play the cultural game, it's like playing only with clubs or something, or playing only with the red marked cards. You have to play with a full deck, and that includes this pre-linguistic surround in which we are embedded.
I like to play complex characters and the duality, and trying to reach for the light, it's more interesting really. I've gotten to play so many types of guys and I just try to find the humanity in each one of them the best I can.
So when my film career took off, I always felt like I was trying to play catch-up because I hadn't studied acting before. I didn't know how to manage money or my career. When I look back, I think I was a little bit shell-shocked.
I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.
As far as how important the real-life resonance of the stories is, I think it must play at least a small role in the show's success, because it gives the show this sense of suspense from the fact that it seems at least plausible.
The only downside to playing the violin is that you never know when you're going to be asked to play. I could be out to dinner or having a drink at a bar, and someone could just give me a violin, and I've got to be ready to play.
I do a lot of talking, playing with the audience, but I don't really know what that's going to be. Somebody kind of feeds me cold. He gives me these kind of cold games that I play with the audience or quizzes that I do with them.
I really liked drama and being in plays, so when I was playing a character onstage and I could act like somebody else, then I wasn't scared or nervous, but I didn't like meeting new people when I had to be myself. That was scary.
Science seldom proceeds in the straightforward logical manner imagined by outsiders. Instead, its steps forward (and sometimes backward) are often very human events in which personalities and cultural traditions play major roles.
Germany will continue to play a central - perhaps even a more important - role in the European Union. I think that we will all miss the pragmatic approach of the British, however, particularly in those long nights of negotiation.
The best poetry has its roots in the subconscious to a great degree. Youth, naivety, reliance on instinct more than learning and method, a sense of freedom and play, even trust in randomness, is necessary to the making of a poem.
I don't see that many plays, and for me, musicals are rarely pleasing. I feel the actors are being put through a kind of nightmarish labor. They're like animals being forced to pull heavy carts of vegetables at incredible speeds.
I'm from the South, and there's a different understanding of how to chop. There's a syllable play. It's a delicate art. Your accent has a lot to do with it. If you're from a certain area, words don't roll of your tongue as slick.
When I played football was somewhat taboo for a girl. Today it's not as much of a problem. Not all girls want to play football but it's not a case of 'Oh my god she plays football, that's a bit odd.' It's a lot more accepted now.
They're the salt of the earth, those girls. They don't sit each night and compare notes on groups, criticising lyrics, asking if it's valid. They just play the record... yeah, and maybe they dance. I love them. I love them dearly
I've lived a little bit and traveled the world and experienced a lot of things that I can play any role, and I think I can get into stuff that people never thought I would ever do because of my experiences and growth as a person.
Don't market yourself. Editors and readers don't know what they want until they see it. Scratch what itches. Write what you need to write, feed the hunger for meaning in your life. Play at the serious questions of life and death.
I'd love to play in a Red Sox game. It would be so awesome to actually walk out on the field and play, just for one inning. I'd also steal everything I could get my hands on in the clubhouse, which is why they won't let me do it.
Because I used to play a lot of sport, I've always been in decent enough shape. When I used to get asked to do a bit of body work before a photo shoot I'd lie and say, 'Yeah, I'm going to the gym.' I literally never did anything.
Play permits the child to resolve in symbolic form unsolved problems of the past and to cope directly or symbolically with present concerns. It is also his most significant tool for preparing himself for the future and its tasks.
One of the tricks to writing great plays is to get people in a room together and not let them leave. You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
There's a great charm in theatre; I enjoyed doing it for twelve years and did lots of plays. At this chapter of my life, I am a cinema actor, and I would like to continue to be so, and at some point I would return to the theatre.
Maybe I'm wrong, but I think that the people who really enjoy chess are the dubs and the duffers, experts who have resigned their ambitions, those who play only for pastime, and, of course, the great fraternity of the kibbitzers.
I used to play trumpet when I was a kid, and then I got braces, and I couldn't really play it anymore, so sometimes I wish I could still play that; I think it's a great instrument, so maybe one of these days I'll pick it back up.
Number two, we're going to play with a lot of effort. Our guys are going to be in such good shape that fatigue is not going to be a problem. We're going to play with full effort from snap to whistle on every play the entire game.
I think the most important way to understand play is that it's this property that's in things. Like there's play in a mechanism. For example, there's some play in the steering column before it engages as you're turning the wheel.
I actually did a quick survey of how caste plays out in contemporary India. The idea that democracy and development have in some ways eroded caste turned out not to be the case, that it has in fact been entrenched and modernised.
I'm the guy who plays human beings. I understand why the characters are doing what they're doing. When you play a villain, you don't play a villain: you play a human being doing what he thinks he needs to do to get what he wants.
Playing is no challenge; every time that you get a role you get to go play with other people in the sandbox and so there is no challenge, real challenge. The challenge, the major challenge is getting the work, finding the sandbox.
Many people in the world believe that in the 21st century, the Asia-Pacific - Asia in particular - will play a more important role in global economy and politics and that Asia will become an important engine for the world economy.
Like hungry guests, a sitting audience looks / Plays are like suppers; poets are the cooks / The founder's you; the table is this place / The carvers we; the prologue is the grace / Each act a course, each scene, a different dish.
Jehovah is the great Miracle Maker, the unrivaled Wonder worker. None can be likened unto Him, He is alone in wonderland, the Creator and Worker of true marvels, compared with which all other remarkable things are as child's play.
I would love to see a sequel to 'The Rocketeer.' I'd love to see that! I don't know that I would be in it. I may be a little long in the tooth to play 'The Rocketeer.' But I would love to be a part of that in some form or fashion.
Tonight I will suck the marrow from your bones!” it said. “I will dry them and work them most cunningly into instruments of music! Whenever I play upon them, your spirit will writhe in bodiless agony!” “You burn prettily,” I said.
You can drill down on where hunger comes from and figure it out from there, but there absolutely has to be a sense of urgency if you're going to play tennis because you're the team - there's no one for you to rely on but yourself.