A good example of a lyric that makes me laugh but might not hit anybody right away is, "Sit behind the guitar and play the chords," just because it's such a lame image. It's not rock'n'roll at all to be sitting behind a guitar.

And I like to keep whatever is mine remaining that way. It's a funny little game to play and it's a slippery slope. I always say to myself I'm never going to give anything away because there's never any point or benefit for me.

There are those who offer themselves as leaders who even play politics with a nomination of our nations chief law enforcement officer, finally, Loretta Lynch will be able to assume the position she has trained her lifetime for.

I even believe if you're killing a team, you shouldn't stop. You should respect your opponents enough to play 100 percent the whole time. And by the same token, if you're getting killed by the other team, you should never quit.

The press today is an army with carefully organized weapons, the journalists its officers, the readers its soldiers. The reader neither knows nor is supposed to know the purposes for which he is used and the role he is to play.

So I did that for a long time in my career, and I waited for parts to play myself just physically down a little bit. But I do feel like I'm at a place in my career now where I don't necessarily fret about that too much anymore.

I was a Russian dancer in my elementary school production of Fiddler on the Roof when I was in third grade or fourth grade. I was one of the younger kids accepted into the play, and the plays were pretty impressive, let me say.

I don't play roles everybody likes. I'd rather have a career I'm proud of. Like everyone else, I need to eat. But I'm a very unbusinesslike person, and I keep my price low. I'm not a mass product. I'm not everyone's cup of tea.

I began writing and became attached to writing at an early age. I began by writing poetry and experimenting with dialogues: modest plays, in other words. I also used to describe at great length the way people in the area lived.

Our only competition in the theater is boredom, because if I'm bored with a play, if I'm revolted by a play on stage, with the Broadway prices, especially today, I'm going to walk out and not come back and pay that price again.

One aspect of play is the importance of laughter, which has physiological and psychological benefits. Did you know that there are thousands of laughter clubs around the world? People get together and laugh for no reason at all!

I love it. It's the most legitimate way to acquire and sustain an audience of people who are interested in your music. Touring allows me to play material that isn't on the album and that they wouldn't be able to hear otherwise.

I was trying to find ways of not being pigeon-holed like that. I didn't want to be tied down by my accent. I wanted to play Americans. I don't want to ever be doing the same thing twice, and I just didn't want to repeat myself.

I'm more in that Rafa Nadal high-energy high-octane mold out there. I wear that emotion on the court. That's how I play my best tennis. People either like that or not. And I can't change that: that's who I am on a tennis court.

Kids still can be said to live in their own little world. Even if their parents are helicoptering around them, assigning play dates and so forth, I think they're still living in some sense of their own little perceptual worlds.

But as far as dream roles - I know this is so expected of me, but I would to play Elphaba in 'Wicked' on Broadway. I have a lot of dream roles, but that's like my main one because of the vocal track. I love belting high things!

Now, performing is second nature and I love every second of it. It is a very emotional thing when I can't play a song; maybe I'm hitting on something that I don't want to deal with. All of it is so personal. It is like therapy.

You look at Ray Lewis, you look at Brett Favre. I know it's different positions, but you think about the mental mindset it takes to continue to grind and play at a high level. Those are the guys that I look at that motivate me.

After my first knee operation, in January of '65 before I went to the Jets, Dr. James Nicholas told me everything went well and that I could probably play four years in the NFL. The surgery was trailblazing to a certain extent.

Creating video games is an especially important act. To me, video games are something I both play and create, so they're "special." If I lost one half, the balance would crumble. I need to be able to both play and create games.

I've been pretty well treated by the critics, but the critics who didn't like my comedies hated them with an unbridled passion, and then I would see these same people writing very respectfully about ordinary naturalistic plays.

As an actor, the only thing we can do is play the truth at that moment. Because at any point in time if you play the future, or you play that you know something that the audience does not know, it kills the illusion of reality.

You can concede to an opponent something he hasn't earned. It's one thing to underestimate an opponent. But maybe the worst thing is to overestimate. You always play your strengths. But that doesn't mean you become predictable.

the one thing I've observed over the years is the best way to get an actor to not want to play a certain role is to offer it to them. That makes them say, "Well, maybe it's not that good. These guys don't want me to do this..."

Tennis is a young man's game. Until you're 25, you can play singles. From 25 to 35, you should play doubles. I won't tell you exactly how old I am, but when I played, there were 28 men on the court - just on my side of the net.

I think it is very possible he [Donald Trump] could be nominated and depending on how this all plays out, I would take him seriously in terms of being able to win because he's appealing to a very, very - he's appealing to fear.

Since there is no such thing as absolute rightness and truth, we always pursue the artificial, leading, human truth. We judge and make a truth that excludes other truths. Art plays a formative part in this manufacture of truth.

I don't want to look old and worn, but what can you do? My real focus is being an actor. I care more about having the opportunity to play roles that I haven't played than I care if my neck looks like someone's bedroom curtains.

To me, getting up every single night and trying to reach out to an audience, and trying to dig deeper and further in the play to serve the writer and to understand yourself in that context is how you continue to grow and learn.

I enjoy Augusta. I enjoy its challenges. There's no other golf course like this anywhere. Its greens and its challenges on and around the greens are just super, super tough. So the greens are fun to play in sort of a morbid way

When you have to play a character that seems to be a relatively decent person and seems to be like yourself, I think the trick in that kind of character, so that you don't become a cliche, is to find where their weaknesses are.

There is the question of language. Although the play [Candid] is not written in strict verse form, there is an underlying beat of rhyming couplets, with echoes of Pope and the tradition of eighteenth-century philosophical verse.

It's like a cast of actors; you're all working together closely under pressure to produce something everyday. And when we put up an issue, it's like the curtains opening on a new play. I really like that daily sense of surprise.

It's not our job to play judge and jury, to determine who is worthy of our kindness and who is not. We just need to be kind, unconditionally and without ulterior motive, even - or rather, especially - when we'd prefer not to be.

Originally when I went off to work on 'The Lord of The Rings' I got a call from my agent saying that I was just going to do a voice. But I couldn't really approach it like that. To get Gollum's voice I had to play the character.

My impression is that Putin feels that he can basically manipulate the West to do what he ultimately wants to achieve, and that he feels he's gotten away with it so far, and that all he has to do is basically play the same game.

I've always been playing with other people, and that's how I learned. I got a kit of drums I couldn't play, but I also knew a guitarist and a friend of mine played bass and could teach us bass, and we just played. And I learned.

I'm not confident in social situations; just going up to someone in a bar and saying 'Hi' is going to be even more difficult because they won't know the real me. They will just know me as a fictional person I play on the screen.

We all wake up in the morning wanting to live our lives the way we know we should. But we usually don't, in small ways. That's what makes a character like Batman so fascinating. He plays out our conflicts on a much larger scale.

I’m not a risk taker. But astronauts are professionals, so you get out on the field and play ball. I tried to take it in stride because that’s what I had to do to get into space. That’s where I belong, and I’m pretty good at it.

Music is a spiritual thing, you don't play with music. If you play with music you will die young. You see, because when the higher forces give you the gift of music...musicians hip, it must be well used for the gift of humanity.

We are slowed down sound and light waves, a walking bundle of frequencies tuned into the cosmos. We are souls dressed up in sacred biochemical garments and our bodies are the instruments through which our souls play their music.

I grew up in that, when I was a kid. My friends and I used to play cowboys and Indians. We were cowboys killing the Indians, following the Wild West stories. All of this combined into a very strange culture, which is frightened.

Enlightened legislation or enlightened social activity of whatever kind, does play into the hands of people with agendas of their own. If you legalize euthanasia, you provide a field day for people who like killing other people.

No female - young, old, black or white - could ever play the knight-on-charger with meager experience. If she presented herself as the human embodiment of national unity and world peace, everyone would have fallen down laughing.

The forces that are in play on climate change essentially revolve around the generation of power, the transportation of goods and services and people, and the sorts of materials that we use to fuel the whole of our civilisation.

There's a way of playing safe, there's a way of using tricks and there's the way I like to play which is dangerously where you're going to take a chance on making mistakes in order to create something you haven't created before.

Every game's a championship game. When we focus that way, get prepared that way-that this is it, you know, this is the last one, the biggest one-you get ready, you get amped up, you get that laser focus and you're ready to play.

As a busker, one thing that does not work is self-consciousness. A busker needs to be working. A busker needs to shed all ego and get down to work. Play your songs, play them well, earn your money, and don't get in people's way.

I wanted to be an actor and I wanted to be a performer. Like Hugh [Grant] said earlier, we might all have this weird gene. Hopefully I will continue to have the talent to allow that gene to play itself out for as long as it can.

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