Quotes of All Topics . Occasions . Authors
She comes majestic with her swelling sails, The gallant Ship: along her watery way, Homeward she drives before the favouring gales; Now flirting at their length the streamers play, And now they ripple with the ruffling breeze.
Through Hamas, Iran has been able to buy itself a seat on the table in talking about the Palestinian issue. And, as a result, through Hamas it does play a role in the issue of the Palestinians, as strange as that should sound.
I realized that I wanted to play characters and do traditional theatre. I wanted to make believe again. I like putting on a costume and pretending to be someone else for a few hours, and I have a great respect for playwrights.
And we would play together, like fine musicians should, And it would sound like music, and the music would sound good. But in real life I'm stuck with that same old formula, me and my monophonic symphony, six string orchestra.
But just maybe sometimes being even more patient. Even though I thought I did that much better this year, and sometimes, you know, make my opponents play that one extra ball, and just knowing how to play the big points better.
Film and TV and stuff like that was something that I wanted to do when I was really, really little; like, I remember I used to do these plays with my cousins. We used to do Michael Jackson performances, and I would be Michael.
When I got a little bit older I wanted to play piano - that's all I wanted to do. I remember learning how to play a blues progression on the xylophone in music class and thinking "This is the greatest thing I've ever learned."
I don't know why we play better on the road. I really don't. Chalk it up to coincidence, I guess. I don't think we care where we play, which is a good thing. But you'd like to see our home record be a little better than it is.
It is not the man who is beside himself, but he who is cool and collected,--who is master of his countenance, of his voice, of his actions, of his gestures, of every part of his play,--who can work upon others at his pleasure.
I've heard people say it looks as if I don't care and I've certainly read that, but the way I play is natural. I don't think I can change it. I know I'm working as hard as the next man, even if it doesn't always look that way.
Democrats can neither control nor predict whether our GOP counterparts are really ready to play chicken with the U.S. economy. But we can assure the American people that our party takes the nation's faith and credit seriously.
In my view the plangent artificiality of a lot of creative work results from the fact that the people who write novels, direct films and put on plays tend to read too many novels, watch too many films and go to too many plays.
The question really is what will be the central focus of global politics in the coming decades and my argument is that cultural identities and cultural antagonisms and affiliations will play not the only role but a major role.
[Robert] Ford had the idea that through fame he would receive some personal validity, but he didn't. I feel that these are not the main themes, but certainly themes that are at play in this film [Assassination of Jesse James].
Oh, I get pretty fired up on the court. I try to play with a lot of emotion, especially when I'm playing in front of a large crowd. I want to go out and do my best, and to do that, I have to play with the most energy possible.
You create your own luck by the way you play. There is no such luck as bad luck. Fate has nothing to do with success or failure, because that is a negative philosophy that indicts one's confidence, and I'll have no part of it.
Usually, in the studio, on this sort of thing... you just go out and have a play over it, and see what comes, and it's usually - mostly - the first take that's the best one, and you find yourself repeating yourself thereafter.
To me, it makes more sense to write different songs and to play different kinds of music and to find your own voice. But no matter what, get out and play for people. Get out and learn, and do everything that you can, you know?
A lot of the best acting training I had was in junior high and high school. We had very demanding directors and did real plays. You put our plays up against any theater troupe of any age, and they usually did pretty damn well.
You know, a lot of things changed. What never changed is the illusion to keep playing tennis, the illusion to keep doing well the things, and the illusion to be in a good position of the ranking and play these kind of matches.
. . . what happened, of course, was that I was writing a play set in the 1940's that was supposed to be somehow representative of black American life, and I didn't have any women in there. And I knew that wasn't going to work.
I love the intimacy of venues like the House of Blues. When everyone is packed in and so close to you, it makes you play differently. It's so much more fun to play because there's so much more high energy in a place like that.
If you're the biggest DJ in the world, you're in a position where you can play stuff that people don't know and blow people's minds. But if you just chose to play stuff they know just to get a reaction, that's just being lazy.
I think the moment I discovered I definitely wanted to act was when I saw a play alone by myself when I was fourteen. Maybe it was a Moliere play? I discovered the atmosphere of the theater, and I knew I wanted to be an actor.
Well, I'm not at all like the tough, sexy femme fatale in Confidence but it's fun to play people who're really different from you, from different cultures and places. I suppose I'm a bit quieter than most of the people I play.
The consciousness of the supreme Purusha remains above, but in the mind there may be a Purusha consciousness which they call the cosmic consciousness - it is wide, all-pervading, one. Outside this goes on the play of Prakriti.
As a reader, coming to my reading as a writer immersed in fairytales, I cant help but notice in so many stories, plays, poems that I read, the sort of breadcrumbs of fairytale techniques, so Im very excited when I notice that.
Obama's the one who never worked a day in his life. He never earned a penny that wasn't public money. How many fund-raisers does he attend every week? How often does he play basketball and golf? I wish I had that kind of time.
Going to work is probably my favorite thing to do. I do that five days a week for probably ten hours a day, but it doesn't even feel like work and it shouldn't. When you enjoy a job so much like I do, it's not work, it's play.
...for me the only way I can thank God for his ever-present creation is to offer him a new music impressed of a beauty which nobody had previously understood .... the music we play is one long prayer, a message coming from God
Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration.
There's never been a culture without poetry in the history of the world. In every culture, in every language there is expressive play, expressive word play, there's language use to different purposes that we would call poetry.
Hi." "Hi." I shrug, as though to say "Whatever." In my peripheral vision I can see Magnus exhale. He looks a teeny bit nervous. "So." "So." I can play this game too. "Poppy." "Poppy. I mean, Magnus." I scowl. He caught me out.
I will say that Edward Norton, who plays the scout master, would be a first-rate Eagle Scout. He's got all those techniques. If your plane crashes into the jungle somewhere, he would be the guy you would want to have with you.
It [World of Warcraft] is a touchstone. It has established standards, it's established how you play an MMO. Every MMO that comes out, I play and look at it. And if they break any of the WoW rules, in my book that's pretty dumb.
I remember a discussion with a panel of experts, I asked a question to one of the moderators: "Why is it so difficult for a foreign DJ to play in a club in London?" And you know what the guy said? "Get better than the English."
I think the world is ready for people of color to take on more heroic and leading roles, and not always be the sidekick, the nemesis or any sort of stereotype of what a person of color can play typically in a Hollywood picture.
I just want to carry on the way we [ Joy Division] are, I think. Basically, we want to play and enjoy what we like playing. I think when we stop doing that I think, well, that will be the time to pack it in. That'll be the end.
But, I don't think any arranger should ever write a drum part for a drummer because if a drummer can't create his own Interpretation of the chart and he plays everything that's written, he becomes mechanical; he has no freedom.
I play with feeling so I need to hear what is coming out of the amplifier to inspire me; I dont just play mechanically. I need to hear what I am doing in order to create the next note. If I dont hear it then I cant feed myself.
I just watched so many Westerns as a kid that you end up using archetypes and sort of tropes of that genre, because there's a language there and you can twist it and turn it on its head or play to it or go sideways at any time.
You have to help another person. But it's not right to play God with masses of people. To be God you have to know what you're doing. And to do any good at all, just believing you're right and your motives are good isn't enough.
I apologize for being obvious, but every time I watch the curtain come down on even a halfway decent production of a Shakespeare play I feel a little sorrowful that I'll never know the man, or any man of such warm intelligence.
I enjoy writing plays most. I haven't written a radio play in a while and I don't write short stories anymore because the process of submitting them depressed me. I really enjoy revising novels, but drafting them can be a pain.
The wonderful thing about digital process is that I can be cast in films that I would never be cast in. If I have it in my soul to play the character it doesn't matter what my face looks like, or my age. It's really liberating.
I can embarrass myself very easily on guitar. It's funny because people say to me I can play anything; I'm God on the guitar. But I could make a big list of everything I can't play... I'm grateful that people don't notice that.
On the Old Course at St. Andrews: This is the origin of the game, golf in its purest form, and it's still played that way on a course seemingly untouched by time. Every time I play here, it reminds me that this is still a game.
I often get, 'Oh, you always play the asshole.' An asshole is somebody who knows that they're doing it, but continues to behave a certain way. The one sort of common thread to me has always been that these are imperfect people.
Usually when festivals are really huge it's kind of weird. It's totally fun for me and my band to play in front of a crowd that doesn't necessarily know who we are, but festivals get pretty impersonal when they get super large.
Some musicians play with their heart, you know what I mean? I don't know what to tell a person that can't - if you can't tell a person what you're talkin' about when they're rushin' or droppin' the tempo, you get somebody else.