Quotes of All Topics . Occasions . Authors
I've never had a musical career. So I think it's been unaffected. I play the accordion. In terms of thinking of it as a musical career, I think it's sort of like calling yourself an astronaut because you have a shiny suit.
I was very lucky to have had the opportunity to tour with the Beastie Boys and watched almost every set they played on all those dates. Why not? You do your set and then you get to see the Beasties play? Best deal in town.
You don't want to be told, "Hey, do whatever you want." That's what we think of when we think of play. It's the thing where you get to do whatever you come up with in your own mind, all bets are off, there's no boundaries.
I played cops and robbers and pirates and all the rest when I was a kid, but I didn't want to grow up and be an actor and play cops and robbers and pirates. I wanted to grow up and be that, be cops and robbers and pirates.
But you have to take all of those things, you have to take into consideration the paths, the roadways, how much cloud cover there is, how much foliage cover there is, whether there are streams, all of that comes into play.
Luckily, I have been offered the chance to play a South American, Hispanic and even a character from the Middle East in films. There are also a lot of TV series in the U.S. that have a strong presence of actors from India.
People think that I play effortlessly. I remember doing a record date with Bill Evans and afterwards he said to me, you make it sound so easy but when I get right up next to you you're working hard and making it sound easy!
Places like the National Theatre or Sheffield, these great engines of theatre, make us cutting edge because they can be experimental. They can do plays that nobody else can afford to do in ways nobody else can afford to do.
I've been blessed because every single role I've done has been an educated person. I've never done the stereotypical Latina, even though I have an accent - I've always been able to play educated people. That's a good thing!
However, most of my part, I play a pediatrician, and most of my role had to do with being in another place, staying at the hospital and trying to save kids and stay until people could come. So, it was more based on reality.
The friendless, the weak, the victims of prejudice and public excitement are entitled to the same quality of justice and fair play that the rich, the powerful, the well-connected, and the fellow with pull thinks he can get.
Bing Crosby and I play a lot of golf together and I have a small course at my place where we often play for side stakes. The only troulbe is that when I win, I always have to engage and attorney before I can draw the money.
Science is the exploration of the experience of nature without psychedelics. And I propose, therefore, to expand that enterprise and say that we need a science beyond science. We need a science which plays with a full deck.
Once I got the open tunings for some reason, I began to get the harmonic sophistication that I heard that my musical fountain inside was excited by. Once I got some interesting chords to play with, my writing began to come.
I didn't get paid for my first gig supporting Usher Raymond in the Temple in Tottenham when I was 17 or 18. I bugged the promoter to let me play and it went down a storm. And after that I got loads of gigs, which were paid.
Well, you know, with every character, if you're going to expose yourself, you've got to figure out every detail that you're going to play. So there's no character that you can just go put on his shirt and be fully prepared.
I don't look at business as a zero-sum game. I don't. I've never seen it play out that way in our industry, and I think you innovate and you add value, deliver value back to customers, and you get value back from the world.
If you can play guitar and sing, you can probably get a gig down the road playing at a restaurant, but don't throw your life away chasing something that is so elusive it will only lead you to regret and may turn you bitter.
The whole thrust of theatre is different, just because the writing is so much more respected in a play. Whereas in movies - and having been the writer, I can say from experience - the writer is lower down on the food chain.
Being an actor gives you a chance to play all kinds of roles, very moving and dramatic on one project, silly and girlish on another. That's the most interesting thing out this business, you get to keep reinventing yourself.
Unless you're flat out dead, you have to think of some other questions like: what's on the other side? It brings up issues of God, or no God. How does he play into this? Or he, or she, or it? How does it all play into this?
Every character that I play, even if it's a homemaker, there is an inherent, innate strength in her - you can find strength in every facet of a female personality. It doesn't just come from the physical strength of a woman.
I was a 'Laurel and Hardy' nut. I got to know Laurel at the end of his life, and it was a great thrill for me. He left me his bow tie and derby and told me that if they ever made a movie about him, he'd want me to play him.
In my game, you get brokenhearted a bit. You do a play, get a bad review in the papers... actors are sensitive; you think of all the work you've done, and it breaks your heart, but you learn to shrug it off and to carry on.
At the end of the day, if I can say that I had a career where I was able to play all different kinds of characters and I'm known as someone who is well-respected for my approach to the craft, that would be a beautiful life.
We can never establish with certainty what part of our relations with others is the result of our emotions - love, antipathy, charity, or malice - and what part is predetermined by the constant power play among individuals.
You are not just, "This is the way I play it every night." You are constantly finding new ways in, new attacks, "I want to try it this way. Maybe this scene is affecting that scene. I want to attack this scene differently."
The Midwest breeds funny, eccentric people, to varying degrees. You play shows not because you're expecting to get a record deal, but to do something fun outside of mowing lawns. Everything else is just gravy... Or mustard.
Chance plays a powerful role in every life - our brains and personalities are just chemical soup, after all; a few drops here or there matter enormously - but consequences often become more serious as income levels go down.
Talk about high school and what we identify with in the play; things that have happened to us and all of our high school experiences that we could bring to this. And to talk about what everyone knows in each specific scene.
Oregon is demure and lovely, and it ought to play a little hard to get. And I think you'll be just as sick as I am if you find it is nothing but a hungry hussy , throwing herself at every stinking smokestack that's offered.
'English fair play' is a fine expression. It justifies the bashing of the puny draper's assistant by the big hairy blacksmith, and this to the perfect satisfaction of both parties, if they are worthy the name of Englishman.
I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
That's the attraction of the conference circuit: it's a way of converting work into play, combining professionalism with tourism, and all at someone else's expense. Write a paper and see the world! I'm Jane Austen - fly me!
The classical guitar has a dynamic to it unlike a regular acoustic guitar or an electric guitar. You know, there's times when you should play and there's times when you gotta hold back. It's an extremely dynamic instrument.
Among top grandmasters the Dutch is a rare defense, which is good reason to play it! It has not been studied very deeply by many opponents, and theory, based on a small number of 'reliable' games, must be rather unreliable.
We've seen computers play chess and beat grand masters. We've seen computers drive a car across a desert. But interestingly, playing chess is easy, but having a conversation about nothing is really difficult for a computer.
Mac Rebennack, better known as Dr. John, once told me that when a brass band plays at a small club back up in one of the neighborhoods, it’s as if the audience—dancing, singing to the refrains, laughing—is part of the band.
I definitely play roles that are close to my persona. I was dying to be an actor, my whole life. I just always wanted to be someone else. Then, once I decided that I really thought I was pretty cool, I wanted to see myself.
So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.
.. All you know is your parents telling you that you're not deserving, you're not worthy, and no one will ever want you. Believe me, tapes like that play so loud, you can't hear anything else. Even when it's clear otherwise.
There were bars that began to have acoustic musicians play, it was 1970: Joni Mitchell, Jackson Browne, America, The Eagles, all that kind of stuff was popular. It was very easy for me to just kind of move in and be noticed.
We have been given a role to play. We have been asked to provide, to give lectures on the role of Islamic development and the way we do it here, so the people who are Muslims there would understand what the role of Islam is.
I'm human -- all I do is try to do my job. When I don't do it, the way it happened today, it's out of my control. He put the ball in play and it happened to find a hole. I wish I could take it back, but I can't. You move on.
With no adequate role to play as consumers, many youth are now considered disposable, forced to inhabit "zones of social abandonment" extending from homeless shelters and bad schools to bulging detention centers and prisons.
I didn't want to play a lawyer. I didn't want to play a doctor. I didn't want to play a single dad. I wanted to do something I felt I could learn from, something that would be a challenge and something that would not dry up.
It's very much a character-based play. Conor's writing is almost musical and paints pictures at the same time. It's a joy as an actor to be able to say the words. It's very conversational but at the same time, tells a story.
You’ve got to worry about the next play…Keep believing because people aren’t always going to like you but you have to believe in the people around you…You’re going to get knocked down but it’s how many times you get back up.
On the other hand, I'm very tolerant as well. I expect that everybody can play what they want. I'm only not tolerant when it comes to myself and what is presented on my album that I have to listen to for the rest of my life.
For me, playwriting is and has always been like making a chair. Your concerns are balance, form, timing, lights, space, music. If you don't have these essentials, you might as well be writing a theoretical essay, not a play.