All the time I was playing the flute, the lines, the solos, the riffs, the construction, were based on my guitar skills. I did not play the flute to exploit its natural faculties, but I used it as a surrogate guitar.

I'd always loved the theater, and I began by writing plays. I work in the theater a lot in the UK, and I've worked in the theater out here quite a bit. Everything else - the films - followed as a consequence of that.

Well-functioning financial systems are important in achieving sustained economic growth. They play a crucial role in channeling household savings into the corporate sector and allocating investment funds among firms.

The only one that got through was Jimmy Walker, because he plays the gas station attendant. I mean, there's nothing wrong with it, it's just that we were kind of purists at the time, and we didn't want any comedians.

I've been transformed by stories, and I think that storytelling is definitely sacred. I take it very seriously because my life has been changed, whether it was a movie, a play, a piece of writing, poetry, a painting.

[John Coltrane] liked my qualities as a person and that's the reason why he let me play with him. It wasn't what I was doing musically or my instrument or anything like that. He let me play whatever I wanted to play.

I shall have poetry in my life. And adventure. And love, love, love, above all. Love as there has never been in a play. Unbiddable, ungovernable, like a riot in the heart and nothing to be done, come ruin or rapture.

We can find common qualities and common values that have made Britain the country it is. Our belief in tolerance and liberty which shines through British history. Our commitment to fairness, fair play and civic duty.

I represent the Port of Philadelphia, and I know firsthand the important role that ports play in the national and global economy. I have also seen how simple accidents can have devastating impacts on the port system.

I've played with all of the heavyweights in the modern jazz, progressive jazz movement. I've been fortunate enough to play with them, a who's who. All of those guys, I've been fortunate enough to have performed with.

Oh, I haven't reached any peak. I hit the bottom in the '60s. When a certain actress undertook the leading role in a recent play of mine, she referred to me as "that old derelict." Not to my face, but behind my back.

I think sometimes people haven't really quite worked out how to peg me, or exactly what it is that I do. In that way, I feel lucky that I can get to play different things because they haven't quite decided what I am.

The end of the story of Batman is he's dead. Because, in the end, the Batman dies. What else am I going to do? Retire and play golf? It doesn't work that way. It can't. I fight until I drop. And one day, I will drop.

I'm a geeky actor, in the way that I like the craft of acting. I trained as a stage actor and was given a lot of technical tools to play with. I like the craft of acting. It sounds geeky when I say it, but it's true.

If every man possessed everything he wanted, and no one had the power to interfere with such possession; or if no man desired thatwhich could damage his fellow-man, justice would have no part to play in the universe.

I look at the story, I look at the idea and just try to think of it in terms of that whole body of myth and see where the characters fit in and what they ought to be doing-all those archetypes are there to play with.

I love to play in the different keys like B or F sharp, or keys that most people don't play in, because they have a better resonance or something. I'm really not fond of F and C. I just stay away from those if I can.

I didn't do plays at school, because I didn't have the confidence. At 14, I was at boarding school in Devon and I suffered from dyslexia quite badly, but they had a very good department there which specialised in it.

Death did not play favorites—He loved all equally. What you cannot escape, you must fight; what you cannot fight, you must endure . The god's voice—not quite words, just a thread of meaning laid in my receptive mind—

I told another ESPN friend here, I love all sports. I can't think of any I don't love. I've even come to appreciate cricket. Maybe I could play a sportswriter. I don't know. Anything in the sports realm is appealing.

When I would play pop music at underground shows, it was offensive to some people. I wasn't doing it to piss people off: I just didn't believe in those strong divisions that you're supposed to listen to this or that.

I have no rules on drinking. In your young days, you can play strong even if you are not healthy. If they want to get drunk and smoke, they can, but not immediately after a match when the body is weak and vulnerable.

The difference between play and what is regarded as serious employment should be not a difference between the presence and absence of imagination, but a difference in the materials with which imagination is occupied.

I play a lot of characters where I don't even speak in my own voice. I learned about focus and I learned to trust that things can work when they're not heightened and that it's interesting when things are pared down.

One reason why I started fighting was because of my family, and with that, you gotta pay the bills, but I enjoy beating people up in the first place, you know, so it plays hand in hand. Beating up, and getting money!

I'm not crazy about arenas just because I can sell them out. It doesn't do anything for my ego at all. I want to play places where people don't have to sit in the nosebleed seats and wonder what the hell is going on.

Beauty is a fairy; sometimes she hides herself in a flower-cup, or under a leaf, or creeps into the old ivy, and plays hide-and-seek with the sunbeams, or haunts some ruined spot, or laughs out of a bright young face.

I didn't have a regular school experience and wanted a more abstract way of learning. I started exploring in lots of different creative ways. It gave me the opportunity to travel and play music, so it was good for me.

Every future turns into the past. The richness of your past dictates what you are today. It's not your decision what you are today, but what you will be tomorrow. This is where a part of your decision comes into play.

I told my father I wanted to play the banjo, and so he saved the money and got ready to give me a banjo for my next birthday, and between that time and my birthday, I lost interest in the banjo and was playing guitar.

When you play a character that is so emotionally closed there are times when you ask yourself if you are doing enough and if it's reading. That is where you have a director, who is the barometer of what you are doing.

The music is used as a backdrop. I take the kundalini and I play against the notes with it. I do a light show inwardly and outwardly with the vortexes of energy as you sit there. It's no big deal. It's just what I do.

Some people try to get very philosophical and cerebral about what they're trying to say with jazz. You don't need any prologues, you just play. If you have something to say of any worth then people will listen to you.

The best way would be education and kids and all that stuff and then education and working education comes through. Then I started a music school and the music school now teaches kids to play the violin and the viola.

The parts of Shaggy, Daphne, Freddie and Velma played by Linda Cardellini are all iconic and not really personality-driven, so it doesn't really matter who plays those roles, ... But it is true that Matthew nailed it.

Pressure is the single mom who is trying to scuffle and pay her rent. We get paid a lot of money to play a game. Don't get me wrong: there are challenges. But to call it pressure is almost an insult to regular people.

No. No, first comes boyhood. You get to play with soldiers and spacemen, cowboys and ninjas, pirates and robots. But before you know it, all that comes to an end. And then, Remo Williams, is when the adventure begins.

Imagination begins when it' s raining too hard to go out and play and you become really absorbed in something you would never have thought of doing had the sun come out as usual. In which case, thank God for the rain.

[Marco] Rubio, in particular, focused on something far more elemental. Trump`s character and record as a businessman, and in the process perhaps added a few chapters to the Democrat`s play book against [Donald] Trump.

How you handle peer pressure - the pressure your children feel as well as the pressure you feel - in the early years will play a significant role in how your children handle peer pressure when they become adolescents.

I'm pretty darn happy. I really wanted to go to San Diego and play for those offensive masterminds. I'm looking forward to a 15-year career, a couple of trips to the Super Bowl and a parade through downtown San Diego.

Bill and Hillary Clinton are married, so under the law, paying him for a speech is like giving money directly to her [Hillary Clinton] - to the Secretary of State. I cannot think of a comparable 'pay to play' scandal.

First of all the criteria that I have that goes into any career decision is whether or not I have the life experience, emotional resources to play the part truthfully or the imagination. Second, would be the director.

I would quite like to play a big concert as Freddie Mercury. I cant sing that great and I havent yet found a use for the over large size of my teeth. I quite fancy a mustache like that and he was such a great showman.

Thomas Jefferson—another gorgeous white boy who would not have been interested in me. This was my problem in a nutshell. To get some play in Charlottesville, you had to be either a Martha Jefferson or a Sally Hemings.

I never pick a film based on the genre; I choose the characters I play. I will think it through thoroughly - whether I am the best person to play the character, able to excel in it and match with the other characters.

Grind it out. Hanging on just one second longer than your competition makes you the winner. If you can't win, make the fellow ahead of you break the record. The mile has a classic symmetry....It's a play in four acts.

It's a really unfair world because life is, where I am; all day long we listen to American music. So I don't see why the radios in the U.S. cannot even put aside one hour a day just to play music that is not American.

Everyone in this world is dealt a different hand - some better, some worse than others - but what's more important is how you play that hand. This is what builds character. And with great character comes great reward.

The poet…is the man of metaphor: while the philosopher is interested only in the truth of meaning, beyond even signs and names, and the sophist manipulates empty signs…the poet plays on the multiplicity of signifieds.

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