Quotes of All Topics . Occasions . Authors
My agent had told me that he was going to make me the Janet Gaynor of England—I was going to play all the sweet roles. Whereupon, at the tender age of thirteen, I set upon the path of playing nothing but hookers.
I lose all track of time on that level. I used to have a really good sense of time. I didn't need a clock to play, and I had a sense of when five, ten, twenty minutes had passed. Now I can only play with a clock.
I thought my chances to make the Braves were better and that they were being fairer to me, paying me more money to play in a lower classification ... Besides, the Giants spelled my name "Arron" on their telegram.
When I say, 'I can't stay long, I'm in-between meals,' that plays differently on the radio than it does in person. So I have to pick material that works because the words are funny, not just because of the images.
In '57, I got a job at the Blue Angel nightclub, and a gentleman named Ken Welch wrote all my material for me. I lived at a place called the Rehearsal Club that was actually the basis for a play called Stage Door.
The United States does not have a choice as to whether or not is will or will not play a great part in the world. Fate has made that choice for us. The only question is whether we will play the part well or badly.
Videos? Videos are important because millions of people watch TV and we can only tour and play so many places. But if you've got a video, then you're able to air it and millions and millions of people will see it.
I write plays and movies, I live and work at the borderline between word and image just as any cartoonist or illustrator does. I’m not a pure writer. I use words as the score for kinetic imagistic representations.
I do sometimes play characters that are a bit ambiguous. You've got to be brave about that sort of stuff. I like the sense of people not feeling too secure, not immediately knowing what they have in front of them.
A joke is not a thing but a process, a trick you play on the listener's mind. You start him off toward a plausible goal, and then by a sudden twist you land him nowhere at all or just where he didn't expect to go.
If you go to Japan for instance, you should know that they have a different way of playing Beethoven or Brahms. But if you play with them Mozart, Debussy, Mendelssohn, they have a wonderful light feeling for that.
I used to play the piano, I was pretty decent, so that was the only thing I could hold onto in terms of coming up with melodies; but at the time I [still] just couldn't, so my early beats were really sample-based.
Jabs are the lightweight pieces of content that benefit your customers by making them laugh, snicker, ponder, play a game, feel appreciated, or escape; right hooks are calls to action that benefit your businesses.
I first reported to our Marlins spring training complex in Jupiter as well as the other draft picks to receive physicals and to sign contracts. From there I flew to Jamestown, NY to play for the Jamestown Jammers.
So, you know, I think that Democrats are being more successful in Congress and I'm really going to be proud of the role I will play tomorrow as ranking Democrat on the Intelligence Committee when this bill passes.
I've never worked with a co-author before [Alison McGhee]. Writing for me is a pretty scary thing, so it was a huge comfort to have someone in the room working with me. It became less like work and more like play.
You set the standards for how you will be treated. People will treat you the exact way you treat yourself. So be good to you. Take time for yourself. Rest. Play. Shower yourself with affection, support, and gifts.
The two hours onstage is great. But I can only play a show and then take a night off. I have to sing for two hours, and then I've gotta rest it for a night. So it's the other 46 hours that are just boring as heck.
Gamers should be able to take the experience with them in their living rooms, on the go, when they travel - wherever they are and whenever they want to play. It should be the same software and the same experience.
I don't think there are that many parts I could say unequivocally "I would not play that," but there's lots of parts I read and I think, "I don't really want to do that. I don't really think that's how women act."
It's easier to play a dim character, for me, because I have a natural bent for comedy. It's not intrinsic for me to be crafty, so I would have to go outside for a source of origin. I think of myself as pretty dim.
Success is a balance thing, it's about work and play together, so we need to work on how we embrace that. The conversation we need to keep having is how women and businesses learn to embrace women having children.
I think more obvious to others, is that I'm most vulnerable on stage. Even though I know which songs I'm going to play, I try and keep it loose and base my stage time more on what the audience is requesting of me.
I've actually been looking at plays, and I have read a bunch of stuff. I would love to do it. I have thought about theatre on and off over the years, but other things kept getting in the way. Maybe now's the time.
I'm so sad that I'm old enough to play, and I'm so grateful that I am. All that clichéd things, you really do learn something if you get the luck of being able to hang around. Even if it's a rough ride, you learn.
Those who turn against the Church do so to play to their own private gallery, but when, one day, the applause has died down and the cheering has stopped, they will face a smaller audience, the judgment bar of God.
I think being recognized more is something you have to get used to, whether it's your homeland or when you're traveling. People recognize me from my play or a commercial I've done. It's just a normal part of life.
A core part of the global market is what might be called the 'Nike Economy' - footloose companies that play countries against one another while seeking subcontractors with the lowest wages and cheapest conditions.
At first I didn't think I was going to fit into Barcelona's way of playing. There was a lot of tiki-taka and I was thinking that without a lot of space to play in, I'd find it more difficult. I worried about that.
I played Liddy Dole last year and met her as well. From the artful way she phrased it, I still don't know if she had actually seen me play her. She made it sound like it was good, but that's just a gift they have.
Always when I directed the play, I was always trying to cast people not who were necessarily like the characters, but people who I felt had the essential component that the character had, some kind of soul for it.
When you prepare for something, you can then play around; you're not as worried about remembering your lines because you already know them so well. That's where you can find the freedom. So I'm all about prep work.
Serious sport has nothing to do with fair play. It is bound up with hatred, jealousy, boastfulness, disregard of all rules and sadistic pleasure in witnessing violence. In other words, it is war minus the shooting.
I'm getting to a point where everything is becoming streamlined in my life. I'm learning how to stand onstage for two hours and play in front of thousands of people as if I am completely in the moment every moment.
One of the people I've always wanted to emulate in pursuing that dream was Meryl Streep, in terms of the different types of roles she's been able to play and the number of different stories she's been able to tell.
I go to movies expecting to have a whole experience. If I want a movie that doesn't end I'll go to a French movie. A movie has to be complete within itself, it can't just build off the first one or play variations.
There is a great amount of precision within each individual's technique and role in the play. When you put 22 of them out there, it can look chaotic but when you break down individual performance, it looks less so.
Macbeth is a very popular play with audiences. If you want to sell out a theater, just mount a production of Macbeth. It's a short play, it's an exciting play, it's easy to understand, and it attracts great acting.
Each poem seems to demand its own formal approach. In both drafting and revision, I'll play around with line lengths and stanza formations, eventually letting the poem settle into what I think is its own best form.
There's got to be something that you can do that will not just be a nice honor to the play, or the book, or the movie you're dealing with, but some aspect that maybe can explore something that the play couldn't do.
I think that sometimes when they see me in a movie they expect me to be something nasty. I mean, I play a lot of villains and you show up and they think maybe... That's why it's good to defy expectations sometimes.
Then I got the offer to play Buck Rogers, but I turned it down thinking it was a cartoon character. Well I was wrong, it wasn't at all. So I read the script and decided I liked the character, it had a good concept.
I've played heavies for years and years and years. I was bald. I came to Hollywood. I did a play about junk. I was a pusher, so I played pushers for years and years and years. I did war movies and things like that.
As the president of the Council of Fashion Designers of America, I represent the designers. And while we can by no means take the blame for eating disorders, we can play our part in addressing this important issue.
I think that's where it comes into play, when you are just looking at a document or whatever and you see the word "disability." Does that automatically trigger something in you that denies someone their personhood?
You have comfort. You don't have luxury. And don't tell me that money plays a part. The luxury I advocate has nothing to do with money. It cannot be bought. It is the reward of those who have NO Fear or Discomfort.
You can play older than yourself. You can play younger than yourself up to a point, and then that just becomes impossible because you carry a weight with you that you can't shift, unless you have very boyish looks.
For me, it's been liberating to put myself in the mind of a fictitious six year-old each day, and rediscover my own curiosity. I've been amazed at how one idea leads to others if I allow my mind to play and wander.
I always wanted to do dramas. Ever since I was young, I wanted to be in a role where I could play a prostitute or a drug addict, because it's nice to be able to portray someone who is so far from you, which I love.
I met a lot of amazing people whose lives were changed (for the better) by the power of music. Music gave them strength to get out of abusive relationships or to just pick up a musical instrument and learn to play.