I'm not as self-destructive as Dylan Thomas, but I've certainly been around that behavior enough to have found it a release. The thing that I really enjoyed was being able to play misery.

Whether youre a quarterback and you just threw a pick, or youre a corner and you just got beat for a touchdown, youve got to have a short-term memory, shake it off and play the next play.

You can bring truth to anything, whether it's a dance movie or an incredibly poignant indie drama or a really broad comedy. As long as you show up to play, I don't think you can go wrong.

Our experience is coloured through and through by books and plays and the cinema, and it takes patience and skill to disentangle the things we have really learned from life for ourselves.

And so we went away to play, and we'd come back to Liverpool. And while we were doing this - 'cuz we did it for two years. And then we'd go to Germany, and that's where I met the Beatles.

I'm a golfaholic, no question about that. Counseling wouldn't help me. They'd have to put me in prison, and then I'd talk the warden into building a hole or two and teach him how to play.

I don't like Los Angeles. The people are awful and terribly shallow, and everybody wants to be famous but nobody wants to play the game. I'm from New York. I will kill to get what I need.

I'm all in favor of banks that play their part in community endeavors, private individuals looking for loans, people who want to start up a little business, and that's what banks are for.

I was always an Alabama fan growing up, but when the Alabama recruiter told me I would probably not be able to play until the end of my sophomore year, or the beginning of my junior year.

I've gone through back surgery a couple times, and of course, my radiation treatments for six weeks got me to the point where I was not able to play at the level that I was accustomed to.

Midwives and doctors play a crucial role preventing unnecessary maternal deaths. They educate women about nutrition, health and family planning. And they step in when complications arise.

And I don't really like golf. I know a lot of English footballers play, but I know that if I go with the club to play, sooner or later I will end up trying to smash the ball with my foot.

Did you know there's probably more golf played in Iceland than most places in the world? They play 24 hours a day in the summertime and the northern part is warmer than the southern part.

You cover 50 yards on the playing field of faith with a story that downplays your success. You cover 3 yards, or you may even end up backward, with anything that up-plays or promotes you.

Basically, I composed the musical structure in one pass. The rest was editing and small adjustments. And when the play was read by actors with the music, the sequence timed-out perfectly.

I have tried to improve telescopes and practiced continually to see with them. These instruments have play'd me so many tricks that I have at last found them out in many of their humours.

There are so many choices I made simply for health insurance. Is it the ideal role I wanted to play, or the TV show I wanted to be a part of? No, but it let me afford to go to the doctor.

Before I moved into the mainstream of American movies, I wrote a script as an experiment. I wanted to get very far away from the clichés about the three-act play - structure, development.

I first saw Arnold Palmer when I was just a kid and he came to Columbus to play in a tournament. I watched him on the driving range hit balls that day. We went on to become great friends.

Tell me not here, it needs not saying, What tune the enchantress plays In aftermaths of soft September Or under blanching mays, For she and I were long acquainted And I knew all her ways.

As a composer I could never find use for over 4 or 5 notes in any musical number, and as a playwright most of my plays have two acts because i couldn't think of an idea for the third act.

Trying to solve the worlds problems by making things 5% more efficient is like trying to play the violin with gardening gloves. Not much good will come out of it. We must invent new ways!

I have always identified with Joan Didion's depiction of Los Angeles and Southern California, ever since reading 'Play It As It Lays,' 'Slouching Towards Bethlehem' and 'The White Album.'

A helpful hand is a lesson in sharing and if you have the means why not play your part. Those who refuse your help are foolish, as we all know appreciating the helpful hand is just smart.

The genuine artist is never 'true to life.' He sees what is real, but not as we are normally aware of it. We do not go storming through life like actors in a play. Art is never real life.

You have to have sympathy for the villain. Even the most disgusting ones, you have to find something to connect with. I try to put as much of myself in every single character that I play.

Whenever anyone does as this ad does, plays the actual words of Donald Trump on national television, his response is to yell, "Liar." Their strategy is simply to yell, "Liar, liar, liar."

I started acting in second grade - my first role was in the Thanksgiving play. I was the Indian chasing the turkey. All the other mom's encouraged my mom to get me into acting after that.

Playing in New England and the Boston area, the fans are so passionate about their sports if you don't play well, they'll let you know so I know it's not something that they take lightly.

For hundreds of years, that was the major form of entertainment: The grown-ups sat around and watched the kids play. Now they sit around and watch the television. The actors are the kids.

I would love to work with Gena Rowlands. I just don't know in what capacity. I'd play her daughter or granddaughter, or whatever. I would just love to work with her, in whatever capacity.

I bought the book, One Flew Over the Cuckoo's Nest. I paid to have it made into a play and I played in it for six months. I came back and I tried to make it into a movie, without success.

Depending on whom you ask, time is money, time is love, time is work, time is play, time is enjoying friends, time is raising children, and time is much more. Time is what you make of it.

I'm no Ripley. I had doubts that I could play her as strongly as she had to be played, but I must say that it was fun exploring that side of myself. Women don't get to do that very often.

If it's total freedom, I guess the ultimate thing you can go into is total silence between the audience and performer, with the performer projecting something he doesn't even have to play.

You never know what you're going to share. I can play, I know what is written - the marks, the things the composer tells me to do - and I do it, but it will still sound different each day.

That's why basketball was so good, because I didn't really need you or anyone else to play it. It would be better if we played four-on-four or five-on-five, but I could go out there alone.

I don't know if I'd want to do that anymore, because you always get bigger laughs on college campuses. So, when the film plays in front of a city audience, you've probably cut too loosely.

When you can become completely impassive in play, then you become fluid and completely unpredictable. No one knows, including yourself, what you will do next. You couldn't even explain it.

The music was great for teaching about human nature. but I couldn't do any instruments or play anything. I like to sing. I'd rather sing than eat, but most people would rather hear me eat.

In Moscow I feel most comfortable. I'm used to four different seasons; it's difficult for people in London to understand. People brought up in Russia like my kids want to play in the snow.

If you write interesting roles, you get interesting people to play them. If you write roles that are full of nuance and contradiction and have interesting dialog, actors are drawn to that.

I like to play things that people understand, or maybe tunes that they could recognize. And so — I play for the people, just as much as for myself. Because, as I say, I still like to play.

When I play live, it's a conversation that we're all having with the song, and the audience... their response and relationship with the songs is as valid as my relationship with the songs.

The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.

I started really young, like 12 or 13, and then I started doing school plays. We had a really good drama department, so the kind of drama-geek stigma wasn't really there in my high school.

I started playing instruments. Writing didn't come until later. I didn't know how to play a keyboard but I'd listen to hits off the radio, learn them, then my hands would be ready to play.

I was modeling since I was four and acting in commercials since I was five- this was when I was in New York. I then moved to LA when I was 16…but before that I had done a play on Broadway.

The only reason why I tend to pass on a movie is either I don't think I'm right for the material and can't play it honestly, or because of time constraints with personal things in my life.

I've matured a lot as a pitcher. I understand what my strengths are. I've learned that I've got a great sinker, I get a lot of ground balls, and it's easy to get a ground-ball double play.

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