I've done loads of things people have never seen, dramas on BBC4 and plays upstairs at the Royal Court and the Bush, and because I didn't go to drama school, they gave me an education.

Meadowlark inspired me to play for a long time. I thought, 'If he could do it, I can do it.' The legacy that Meadowlark leaves is something that every child and adult can benefit from.

It takes a lot of devotion and work, or maybe I should say play, because if you love it, that's what it amounts to I haven't found any shortcuts, and I've been looking for a long time.

I came from somewhat of a musical family. I had an uncle on Broadway. My dad kind of knows how to play instruments. Although, I always find it annoying when he does play an instrument.

One must let the play happen to one; one must let the mind loose to respond as it will, to receive impressions, to sense rather than know, to gather rather than immediately understand.

I play Nitin Sawhney's 'Letting Go' repeatedly, nonstop. I find it transformative. I'm so glad iPods were invented so I didn't have to drive everyone around me mad with the repetition.

You have to watch all sides of your advancement, you have to make sure people's bodies and minds are healthy and their morale is cool before you can really go out and play great music.

You're just trying on different identities, like everyone in those Shakespeare plays. And the people we pretend at, they're already in us. That's why we pretend them in the first place.

I have always added dance to my productions. When I was directing theatre, I added dance sequences where they didn't exist in the play. I think dance is the ultimate form of expression.

I'm totally sick of hotels. I'm totally sick of room service. I'm totally sick of how can I help you ma'am? I just want to go home and wash some dishes, play with my cat, watch some TV.

Mindfulness can play a big role in transforming our experience with pain & other difficulties; it allows us to recognize the authenticity of the distress & yet not be overwhelmed by it.

I see someone play, or I listen to a record, and I think, "How did they make that sound?' It's not emulation; it's more building a vocabulary that can be called up at a moment's notice.

I play music a lot but on my own mostly, so it was nice to be around other people. There was a certain sense a relief in the physical act of just playing and being with other musicians.

When I was real young I wanted to play baseball. I really loved playing center field, but that was never anything I was really ever that good at. I played up until I was in ninth grade.

I want to win a Grammy. I want to be on the cover of Rolling Stone. I want to be a musical guest on 'Saturday Night Live.' And I want to play arenas and have tons of people watching me.

Jazz in itself is not struggling. That is, the music itself is not struggling... It's the attitude that's in trouble. My plays insist that we should not forget or toss away our history.

The next day, I got a phone call from him and he told me to come and read for a movie called New Jack City. So I went over there and they told me I was gonna wear dreads and play a cop.

Without the heart it is no worship; it is a stage play; an acting a part without being that person really which is acted by us: a hypocrite, in the notion of the word, is a stageplayer.

I play a slave. How black is that? I have to wear chains. How whack is that? But don’t worry. I get free. I save my wife and I kill all the white people in the movie. How great is that?

The only time I can ever remember Steven crying over any of it was after my treatment, when I tried to use my foot on his bass drum pedal, and we realized I could never play a drum set.

My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.

Also, after people play these Sim games, it tends to change their perception of the world around them, so they see their city, house or family in a slightly different way after playing.

To play a specifically gay event for me is a backwards step. I don't want to play gay events because I don't want anybody coming to the show thinking that they're not part of the group.

Most of my favourite guitarists are self-taught, because in a way there's less of a reverence for the instrument itself, so you end up finding and inventing however you want to play it.

We know about the Detroit offense with Calvin Johnson, the best receiver in the game. If this defense continues to play at this pace, they may have something to say about the NFC North.

Photoshop should be a free-to-play game. There's not really a difference between very traditional apps and how they enhance productivity and wandering around a forest and killing bears.

In my opinion, terrorism is a question which is not a short- term problem for all of us. It is a long-term fight. And NATO can play, and will play, a very crucial role in this struggle.

My routine is fly, play, sleep, record. My center is the music I am making; when I see people together wherever it is on the planet, that we connect, that's what keeps my heart beating.

I understand that Republicans-running-against-Obamacare-in-order-to-save-Medicare is a clever jujitsu. But how long will they play out that argument before they get back to the economy?

People have kind of latched on with my personality and how I play golf and how I carry myself. It seems like every town we go to, I'm experiencing newer things with these types of fans.

Certainly I've lived my whole life through my imagination. But the world of imagination is there for all of us--a sense of play, of pretending, of wonder. It's there with us as we live.

I was the youngest child and really spoiled. I loved to play make-believe. I loved pretending to be all kinds of different people and it just seemed natural that I would go into acting.

Christians today like to play it safe. We want to put ourselves in situations where we are safe 'even if there is no God.' But if we truly desire to please God, we cannot live that way.

Nirvana was pop. You can have distorted guitars and people say it's alternative, but you can't break out of pop music's constructs and still get extensive radio play and media coverage.

I have my parents to thank for that, they raised me to be active and play all sports. They taught me the importance of staying healthy, being focused and setting goals in whatever I do.

When you get a chance to play with people - informally is one thing, but when you hook up and make something that's going to last or mean something to someone, I take it very seriously.

I don't think I've ever been a huge target for the press, and I value that to a degree, because there's a certain value for actors staying beneath the radar so they can play characters.

I went to see "The Piano" with Holly Hunter when I was in a Paula Vogel play, and I was just gone. I couldn't focus at all. It took that creative part of my brain with it so absolutely.

When it's a comedy or drama or horror or romance, it's all the same. You want to be honest with the character. You want to play truthfully and you want to be genuine with your character.

I have an accent, I'm limited, I have to play foreign parts - I would love to play American parts but I can't because I have an accent. You are more limited as a foreigner in every area.

The way a team plays as a whole determines its success. You may have the greatest bunch of individual stars in the world, but if they don't play together, the club won't be worth a dime.

The commonplace expression that life is nothing but a play is verified above all in this: the world speaks absolutely consistently in one way and acts absolutely consistently in another.

It's the way you play that makes it . . . Play like you play. Play like you think, and then you got it, if you're going to get it. And whatever you get, that's you, so that's your story.

I've always just tried to be who I am and be honest in terms of what I play. If that reaches a larger group of people, great. If it doesn't - if it remains obscure - that's okay as well.

If I have a great game, I don't get too high. If I have a terrible game, I don't get too low. I know that there's more to this life and we were created for more than just to play a game.

I wasn't pretty enough to play the popular girl, I wasn't mousy enough to be the mousy girl, so I never fit in. And so I'd get close, but I never got anywhere, and it was really painful.

I'm going to bring my best efforts and do my very best every day to support our new president's [Donald Trump] agenda and to hopefully play some small role in making America great again.

People appreciating my performance is good enough for me. I don't care much for awards and have never given it much thought. And anyway, I can't play the games people play to win awards.

You basically have to play everything (in New Orleans), because you're getting calls to play gigs of all different styles, from classical to R&B to funk; modern jazz to traditional jazz.

I've been a victim in every film I have done so far. It would be nice to play someone who doesn't get killed for once. Then again, I am getting really good at screaming and fake tears...

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