Quotes of All Topics . Occasions . Authors
If we had an audience to play to, the performance would have gotten too big. Sizing our performances to the camera was an important journey for me at least.
My real experience with video games was watching other people play. That's why a lot of my work isn't really about playing. It's about watching video games.
I didn't have any friends at school, didn't want any. I felt better being alone. I sat on a bench and watched the others play and they looked foolish to me.
The only way I’d ever recruit a white quarterback to play for me is if his mom and daddy would both have to be black, and that’s the only way I would do it.
You play the one song that people want to hear the most every night, and for every audience that's a special thing. And usually that translates back to you.
What call thou solitude? Is not the earth with various living creatures, and the air replenished, and all these at thy command to come and play before thee?
I am God. So it’s easy to play him. They say God is in all things. So if God is in me, then I am in God. Therefore, I am God. God does not exist without me.
Arthur Miller once payed me a great compliment saying that my plays were 'necessary.' I will go one step further and say that Arthur's plays are 'essential'
One of my school friends' parents owned a minigolf course, and a bunch of us kids would play there all day in the summer. Two-under deuces was a good score.
Every professional athlete owes a debt of gratitude to the fans and management, and pays an installment every time he plays. He should never miss a payment.
Surgery is a complicated thing to talk about, but I guess it could also be a dangerous thing to play with if you're not very secure about what you're doing.
Every time you play you have energy within you - universal energy. That's the energy that keeps everything together - the planets, the galaxies. Everything.
I had just lost my dad and I remembered all the songs we used to go and hear at concerts, and the records around the house and sometimes we'd play together.
My mother knew how to read music and everything. But I just kinda learned off of records. And so, I was listening to records and I'd play 'em over and over.
We can escape the commonplace only by manipulating it, controlling it, thrusting it into our dreams or surrendering it to the free play of our subjectivity.
I played a heap of snow in a school play. I was under a sheet, and crawled out when spring came. I often say I'll never reach the same artistic level again.
I play the living hell out of my guitars daily, and as sure as the sun rises in the east, killer licks, ideas, grooves, patterns and songs erupt every time.
don't let us get sick, don't let us get old, don't let us get stupid, alright? just make us be brave, and make us play nice, and let us be together tonight.
You're trying to play an archetype on one hand and a character on the other, so I felt insanely frustrated, right up until the last shot, and then it ended.
I pick up my guitar and play. Something might come, and then the pen comes out. Then an edit, until something comes out that you're actually satisfied with.
He is not someone who went off to play in Europe and only a few Americans follow. He has the potential to be on magazine covers and more newspaper coverage.
The vast majority of people who watch baseball can properly call 95% of all plays that happen on the field. My job is to teach you how to call the other 5%.
The nicest thing about coaching is that one day you feel like you can play handball against a curb, and on other days you feel like you can fly to the moon.
Martin Freeman is a genius, he really is. He gives you every color of the rainbow in every take and it's wonderful just to play off of him and opposite him.
Nature is so perfect that the Trinity couldn't have fashioned her any more perfect. She is an organ on which our Lord plays and the devil works the bellows.
Even though you make twelve hundred bucks a month, if I was making twelve hundred bucks a month to play baseball, I would have done it. I would have stayed.
I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.
Shakespeare's last play was called The Tempest. It wasn't called just plain Tempest. The name of my record is just plain Tempest. It's two different titles.
I guess the characters I play may be at the more destructive edge of the spectrum, more damaged or whatever, but I find a lot of female roles uninteresting.
I was motivated by the fact that I wasn't happy with my play in this series and felt accountable to the guys. That's enough motivation to want to play well.
If you're in a successful play and the play is working well - I mean successful because the audiences like it, the audiences respond well - it's a pleasure.
When somebody can be intimidated, I use this. Because I'm very wise person. I know how to intimidate my opponents. I know how to play tricky stuff for them.
Even the most understated ceremony involves a certain respect for ritual and pageantry. No one plays more of a significant role than the bride's attendants.
I've always had a 'Work hard, play hard' attitude to life - I still do - but sometimes you get involved in something that needs a calm, methodical approach.
Della was my go all in. She was my winning hand. You can't play when you go all in and lose. I'm out." "No, you're not. This hand ain't over yet," Rush said.
My second play, The Birthday Party, I wrote in 1958 - or 1957. It was totally destroyed by the critics of the day, who called it an absolute load of rubbish.
A lot of the people that I play with are electronic-based, so there isn't a direct physical analogue between what they're doing and the sound you're hearing.
The drum is the heart of music. The saxophone can play and then rest, as can all of them except the drums; the drummer keeps going - he can't afford to stop.
There's a little bit of me in all of the characters I've played. I've never really had the opportunity to play something that's a complete departure from me.
We sit here, very different each from the other, until the passion arrives to give us our equality, to make us part of the play, to make the play part of us.
I was 16 and did a play at school. I was a rather good student... And then I did a play when I was 16 and completely lost all my concentration for academics.
Of course, the wind sort of swept up and the music was flying around in mid air and they were trying to play off it. You had to be there. It was quite funny.
I have worked with Tarell Alvin McCraney, who is the play Moonlight is based on. He's a company member at Steppenwolf. I have done a could of his plays here.
If you're going to play a champion athlete, people expect you to look a certain way, and you also have to have the stamina to be able to continue to perform.
I don't always want to play the wacky, crazy parts. I love having the opportunity to play a regular person in an irregular situation in a very realistic way.
I have friends come over and we read plays out loud and I make paintings and I just do things all the time just so I don't ever feel like I'm sitting around.
My job is to come up with something that you like and you agree with that you would play wholeheartedly. If we disagree, I may not be doing my job correctly.
The GH50L is a monster of an amp. It's refreshing to play an amplifier that is loaded with tone but without unnecessary bells and whistles. Raw and powerful.
I do not want actors and actresses to understand my plays. That is not necessary. If they will only pronounce the correct sounds I can guarantee the results.
We are near 2010….2010!! Yet race, sex and religion still play a major role in a hate driven society. For the love of the future and humanity….let’s wake up.