Winning the Super Bowl was obviously a great one, but the joy I felt of going to the Super Bowl, it was what I felt about the Pittsburgh Steelers and where we came from, the history of us to that point.

My dad was the one who took me to concerts and introduced me to new artists. One time, he drove me from Pittsburgh to Washington, D.C., on a school night to see 'U2' - he was a pretty dedicated Bono fan.

I went to Florida State for college. Then I went to Oxford in England for a master's degree. I was drafted by the Titans and was with them for two years, and then one year in Pittsburgh with the Steelers.

They always say you don't want to follow a legend. A few have been able to do that. I think Bill Cowher followed Chuck Noll pretty well with the Pittsburgh Steelers. But it's hard to do at a lot of places.

I come from what we call the pre-'Drag Race' drag world where I didn't start doing this with aspirations of being a reality television star, or this going any further than the small smoky bars of Pittsburgh.

When I was younger, growing up in Pittsburgh, they had a 'Golden Gloves' program through the Boys and Girls Club. In Pittsburgh, New York, Philly, Washington, those areas, I would go and spar at competitions.

That is all that we want, what people want, what people want in New York, in Washington, in Pittsburgh, in any other place in the United States or in Europe. People want to live peacefully. That's what we want.

I love meeting fans. The people who are fans of my books are really smart and dedicated, because some independent comics are hard to get. I will drive all the way to Pittsburgh or Detroit to put it in their hands.

Seeing Jennifer Holliday from 'Dreamgirls' perform on the Tony Awards telecast and later discovering Barbra Streisand by listening to her albums at the Carnegie Library in Pittsburgh really changed everything for me.

I learned from Chuck Noll in Pittsburgh that speed and explosiveness on defense is the way to build a team. Both are difficult for your opponent to assimilate in practice and then in games it is even harder to match.

With my good friend Rob Penny, I founded the Black Horizons Theater in Pittsburgh with the idea of using the theater to politicize the community or, as we said in those days, to raise the consciousness of the people.

You can't work in a steel mill and think small. Giant converters hundreds of feet high. Every night, the sky looked enormous. It was a torrent of flames - of fire. The place that Pittsburgh used to be had such scale.

Pittsburgh felt like the perfect size of a city to me. There's enough to do, but it's not like living in a circus. I also really loved how sports-enthusiastic Pittsburgh people are: how proud of their sports they are.

I grew up in Pittsburgh, and regularly, my parents would take us to the Holiday House Supper Club to see acts like Nancy Wilson, Sarah Vaughn, Ben Vereen, Freda Payne, Stephanie Mills, and The Temptations, to name a few.

Pittsburgh have showed me a couple deals, but we all know the money ain't what it's supposed to be. If I quit the game right now, I can take tax-free money, and that's a difficult thing that I'm going through with myself.

Like most people, I have this sort of love-hate relationship with Pittsburgh. This is my home, and at times I miss it and find it tremendously exciting, and other times I want to catch the first thing out that has wheels.

My earliest memories are listening to my Grandmother playing the piano at our house as I jumped up and down on the couch. She was a violinist with the Pittsburgh Symphony in the 30s and 40s, and was a huge influence on me.

I think I first learned about Stonewall in Queer Theatre class at the University of Pittsburgh. It made me mad that queer people out at bars could be raided and arrested and harassed by the police just for being who they were.

I was happier going back to my roots: training like men do in my hometown of Pittsburgh. Back home the guys in the gyms don't lift to look good; they're lifting to lift. They do it because they want to squat more and bench more.

With 'Dance Moms' in L.A., we film on Wednesday, Thursday, Friday, and Saturday. When we film in Pittsburgh, we film the same days, but we still dance in our studio when we're not filming, so I'm dancing every day except Sunday.

What interested me was the story of Bennet Omalu. You hear his narrative: Immigrant from Nigeria, landing in Pittsburgh, only to learn and tell the truth about this most American - and sacrosanct - cultural institution: the NFL.

I've been on Wall Street once in my life in 1980 as a tourist. I went to see the stock exchange when I was 18 years old. I'm not a Wall Street lawyer, I'm a Stanwix Street lawyer. Stanwix Street is a street in downtown Pittsburgh.

I was born in Brooklyn and raised in Pittsburgh. I've never been to Iran, I don't speak the language, and, probably most important of all, my Iranian father left home when I was nine months old. That's the extent of my connection to Iran.

Bud Johnson, God rest his soul of fame, a tenor saxophonist. Bud was always a big, big, big booster of mine and he always when I first met Bud in Pittsburgh when he came through there, he heard me sing and he wanted me to come to Chicago.

My eight years in Detroit, obviously, were my most successful years managing. I think that Pittsburgh and Detroit are probably very, very similar. We kinda rekindled the fire of baseball in Pittsburgh. We did the exact same thing in Detroit.

If you grow up in the South Bronx today or in south-central Los Angeles or Pittsburgh or Philadelphia, you quickly come to understand that you have been set apart and that there's no will in this society to bring you back into the mainstream.

I'm not usually vain about my body. It's like Pennsylvania: The same way the Keystone State comprises Philadelphia and Pittsburgh with not much in between, I've got good legs and shapely eyebrows, and it's kind of a wasteland outside of that.

More people work at Walmart than anywhere else in the United States, but you wouldn't know that from our literature. I'm trying to get at the reality of this country by portraying the lives of many of my friends who I left behind in Pittsburgh.

I come from a working-class family in Pittsburgh, whereas 'Mike & Molly' deals with the working class in Chicago. I swear a little, but I pretty much talk the same. It's not like when you see someone like Tim Allen and he's a lot bluer onstage.

I started doing repertory theatre in upstate New York when I was 15, went back when I was 16, and by that time decided that I really wanted to study drama seriously and go to an acting conservatory called Carnegie-Mellon University in Pittsburgh.

The summer I got to Pittsburgh for graduate school, I house-sat for a Ph.D. student who had a lot of books. One of the books that I found was 'Lolita' by Vladimir Nabokov. That was eye opening. I've probably read it every other year since my 20s.

You know what I'm realizing? I always love a place if I like the movie I'm doing there. I've heard people say, 'I hate Pittsburgh,' and I'm like, 'I love Pittsburgh so much!' I loved what I was doing there, and I loved Austin for the same reason.

My first season with Pittsburgh was 1969. We were still in the old NFL. My second year, we moved to the AFC when the leagues merged. I went to the Pro Bowl that season, and there must have been nine Raiders and nine Chiefs. I got to know all those guys.

My mother felt we'd be earning a living during our entire adult lives, and therefore believed we should spend summers in learning activities. Consequently, I got to see a plate glass factory in Pittsburgh, a U.S. Steel plant, and how Heinz made ketchup.

It is certainly a most tremendous and unprecedented honor and distinction that I have received from Pittsburgh. Let us hope that it is not too late in my case to be of value to American art in something that I may yet possibly do from this encouragement.

There were so many Pittsburgh poets in my hallway that if, at that instant, a meteorite had come smashing through my roof, there would never have been another stanza written about rusting fathers and impotent steelworkers and the Bessemer convertor of love.

It would be nice if areas could be revitalised - like places in the U.S. such as Pittsburgh, for example, which have been transformed through shale. There you have shiny cars in a shiny city because of the development of shale in an old industrial heartland.

I grew up in Los Angeles, and I've made movies all over the world... I've been in New York, Norway, Chicago, Pittsburgh, Philadelphia, London - I've been in all these cities, shooting away in the winter, thinking, 'People who choose to live here are insane.'

First of all, when I was making the decision, I never thought that Pittsburgh fans would want me back. Every time I played there, they were booing me every time I touched the puck. I didn't think it would be such a big deal that I didn't sign with Pittsburgh.

My dad grew up in Pittsburgh in the '50s, and he used to sing Four Seasons songs on the stoop. He made me listen to Cousin Brucie - the guy who broke the Four Seasons on the radio. So I knew all of their songs, but I didn't know they were all by the same group.

Carly Simon abandoned the stage for seven years after collapsing from nerves before a concert in Pittsburgh in 1981. When she resumed performing, she would sometimes ask members of her band to spank her before she went onstage, to distract her from her anxiety.

Getting hurt and watching Tom Brady take over and beginning what's been just a spectacular run of his, and to come back and play in the AFC Championship Game against the Steelers in Pittsburgh, and help us win that game, is a memory that stands out very clearly.

Sharon Needles is definitely Pittsburgh - always rough around the edges, a little ignorant, a little uneducated. And she's dead. And Pittsburgh is, after all, the zombie capital of the world, a little financially lower class, and just all-around a gritty, rough city.

I am proud of my heritage and have happily taken advantage of every opportunity to educate my teammates and Steeler Nation about American Samoa, both as a player and in the community, through the Troy and Theodora Polamalu Foundation Fund of The Pittsburgh Foundation.

My first-ever job in the movie business, I was an art student at Carnegie Mellon, and they were shooting the movie 'Gung Ho' in Pittsburgh, and I worked as an extra for a few days. Michael Keaton bumped into me in one scene, and it's in the movie. And I worshipped him.

Stasis is something that has marked my life since I was a boy growing up in Pittsburgh with my mother. It was the natural state that we existed in. For one thing, she suffered from a debilitating depression throughout my childhood, and depression is nothing if not static.

Michael Chabon has long moved easily between the playful, heartfelt realism of novels like 'The Mysteries of Pittsburgh' and 'Wonder Boys' and his playful, heartfelt, more fantastical novels like 'The Amazing Adventures of Kavalier & Clay' and 'The Yiddish Policemen's Union.'

Pittsburgh is an underdog city because it's been in a recession for a really long time, since the steel industry collapsed, so it has this underdog mentality. Yeah, there are a lot of people who are conservative, but I also think they want to rally around their Pittsburgh people.

When you're from the East Coast or you're from the South, people expect you to sound a certain way. So if you don't sound that way, people won't label you as that type of artist. For me, I had a whole new lane to create for myself being from Pittsburgh and being a Midwest artist.

I went to a really diverse and wonderful school in inner-city Pittsburgh, where all the various groups and types of people got along pretty great, and a lot of interesting stuff was going on all the time - and I still hated high school. It's just a rough, rough period in one's life.

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