I don't mind being a symbol but I don't want to become a monument. There are monuments all over the Parliament Buildings and I've seen what the pigeons do to them.

The beauty of where I'm from - this small little town called Wallburg, North Carolina - I didn't have a TV; I was out playing ball with my dad, shooting clay pigeons.

We all have our demons to deal with, Little Pigeon. It's when we cherish them - cradle them to our breasts and feed them, day after day-that's when they curdle our souls.

You have to remain positive and just try your best and part of that is doing things that continually surprise people, including yourself, so that you don't get pigeon-holed.

Pigeons are among the most maligned urban wildlife despite the fact that human beings brought them to our shores and turned them loose in our cities - not something that they chose.

I'd been doing projects outdoors for the public. I made pigeons eat geometry by putting bread out in rhomboids and triangles. I don't know if this activity made sense, but the work was available.

No not pigeon holed me as an actor, or as a character, or as to what I could do - but what I would do... and the fact is the things you don't do are almost as important as as the things that you do.

No one hit home runs the way Babe did. They were something special. They were like homing pigeons. The ball would leave the bat, pause briefly, suddenly gain its bearings, then take off for the stands.

In my real life I live in the countryside, I walk a lot, I shoot clay pigeons, I don't get involved in the film business or anything, and then in my cinematic life, I think I am drawn to the dark side.

Hovering over me was the Chihuly chandelier. Chihulys are the pigeons of Seattle. They're everywhere and even if they don't get in your way, you can't help but build up a kind of antipathy toward them.

I love the pigeons. I just raise them, period, and feed them. Pigeons go away, and they always come back. You get a touch of freedom, and then they are free to come back to you. I love the idea of pigeons.

I am not a fan of rats or pigeons. In New York City, they have become very confident. When I was a child, you went on the subways, and the rats would stay down on the tracks, but now they hang out on the platform.

I never actually wanted to write horror, oddly enough. It was a kind of misnomer, because I didn't ever actually write horror in the sense of the genre known for it. It was more a type of pigeon-holing in bookshops.

I get really nervous if pigeons are flying around before shows. I can't stand them after one once flew in through my bathroom window and went for me while I was having a wee. That was enough. I think pigeons target me.

Here comes Monseiur Le Beau. Rosalind: With his mouth full of news. Celia: Which he will put on us, as pigeons feed their young. Rosalind: Then shall we be news-crammed. Celia: All the better; we shall be the more marketable.

When I was eight or nine, I came to London for the day from Swindon and went to The National Gallery. I remember standing in Trafalgar Square with my best friend Tim, who was covered in pigeons because I put bird seed on his head.

But charity is a very complicated thing. It's important to find an area where you can really help and you can feel the results. Charity is not like feeding pigeons in the square. It is a process that requires professional management.

I live in New York, and the only live animals you see are cockroaches, rats and pigeons, which I admire immensely. When I see an animal that thrives in the garbage, I feel relief; in our urban environment, other animals are dying out.

The pigeons are shitting on George M. Cohan. I shoo them off. They fly up and perch on his hat. Cohan would've never given his regards to Broadway if he saw how dirty they kept his statue in Duffy Square. New Yorkers walk right by. Nobody cares.

A large proportion of mankind, like pigeons and partridges, on reaching maturity, having passed through a period of playfulness or promiscuity, establish what they hope and expect will be a permanent and fertile mating relationship. This we call marriage.

I write a ridiculous number of drafts. The characters change and grow through the drafting, and my understanding of them deepens. Creating characters in a novel is like shooting at clay pigeons and missing, and then missing more productively as the narrative continues.

I'd paint long strips of canvas and abandon them on the beach, or put bread out in geometric patterns for the pigeons downtown. I wanted people to find something nice and intriguing to puzzle over. Then I'd go back to see if the things were still there, or if anyone would notice.

When I was a boy, I had a baseball team of my own. We played on a vacant lot between Ninetieth and Ninety-second streets. I had a little menagerie of my own, some pigeons, guinea pigs, and so on. On Saturday mornings, I had to take my music lesson. Then the members of my team used to come see my menagerie.

I don't eat animals. I rescue strays and take injured pigeons to the wildlife rehab. I carry spiders and wasps outside in a cup covered with a 3x5 card. It would only follow that I'd take pause when contemplating the abrupt and apparently brutal ending of a tiny human being's life, or even a potential human being's life.

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