A film is born in my head and I kill it on paper. It is brought back to life by the actors and then killed in the camera. It is then resurrected into a third and final life in the editing room where the dismembered pieces are assembled into their finished form.

Beauty commonly produces love, but cleanliness preserves it. Age itself is not unamiable while it is preserved clean and unsullied; like a piece of metal constantly kept smooth and bright, we look on it with more pleasure than on a new vessel cankered with rust.

Every woman I have ever loved has left her print upon me, where I loved some invaluable piece of myself apart from me-so different that I had to stretch and grow in order to recognize her. And in that growing, we came to separation, that place where work begins.

There is so much baggage we burden ourselves with over the years that keeps us from seeing things the way they are. Some baggage we carry with us for a single thought, some for years, and some for lifetimes. But there isn't one piece that isn't our own creation.

A lot of action characters are a little bit too serious as well. They take themselves a bit too seriously, which I don't find particularly interesting, whereas I like the fact that there was at least some humor in this because really it's a piece of entertainment.

How can I tell Bob that my happiness streams from having wrenched a piece out of my life, a piece of hurt and beauty, and transformed it to typewritten words on paper? How can he know I am justifying my life, my keen emotions, my feeling, by turning it into print?

We need to encourage black women to know that they are authors of their own destiny, that they have important stories to tell, and that they are capable, so magically capable, of writing them and creating important pieces of work that will live forever in history.

Vincent van Gogh was sane when he painted that piece of art, because when you you feel the mania and depression, you have all the heaven and hell your heart has ever experienced that you can tap into, to be able to create something that can last several lifetimes.

Sometimes in the past when I was going to perform a piece again I would listen to old recordings and try to reproduce the material. This time I realized that carrying around old information, trying to get everything in, and still be in the moment just doesn't work.

Whoever thinks a faultless piece to see, Thinks what ne'er was, nor is, nor e'er shall be, In every work regard the writer's end, Since none can compass more than they intend; And if the means be just, the conduct true, Applause, in spite of trivial faults, is due.

When you finish a thing you ought to be able to say to yourself: 'There, I am willing to stand for that piece of work. It is not pretty well done; it is done as well as I can do it; done to a complete finish. I will stand for that. I am willing to be judged by it.'

I remember I was a child, and when I grew up I was a poet. It all happened at sixty miles an hour and on days when the clock stopped and all of humanity fit into a little chapel, into a pinecone, a shot of ouzo, a snail's shell, a piece of soggy rye on the pavement.

In every person we meet there's this little piece of God in them and that's who you talk to. And that's the only person that you allow to talk to you. When something else is speaking, you walk away from that. If it's not good, if it's not love, you walk away from it

It is possible to have a pretty good life and career being a leech and a parasite in the media world, gadding about from TV studio to TV studio, writing inconsequential pieces and having a good time. But in the end you have a great sense of personal dissatisfaction.

You're not going to see me in a bikini again, that's for sure. I was horrified to wear that. I was mortified. I was like, "Danny, can you put me in a one-piece?," and he gave me that red bikini. I was like, "That's not a one-piece. That's a two-piece with a string."

A music director cannot and should not be chosen on the basis of a first date. It is not so difficult to make a good impression with a single appearance, usually containing some of a conductor's party pieces, works they have performed successfully many times before.

True expression is hard when performing opera. The problem is that opera relies on the dramatic context of the piece. It can be interpreted and represented, but there are guidelines; there is a vocabulary within the pieces that you must know objectively and reflect.

Well I guess my music came to prominence around one piece called 'In C' which I wrote in 1964 at that time it was called 'The Global Villages for Symphonic Pieces', because it was a piece built out of 53 simple patterns and the structure was new to music at that time.

When her hands reached out and poured the tea, it was as if she also poured something into me while I sat there sweating in my cab. It was like she held a string and pulled on it just slightly to open me up. She got in, put a piece of herself inside me, and left again.

I was working on a piece for one of the things I was dancing to and I needed to have original music. I didn't know where to begin, I'm so bad at computers, and I remembered that he actually made music. I asked Astro Raw if he'd be interested in scoring and he said yes.

Moment to moment, it turns out, is not God's conception, or nature's. It is man conversing with himself about and through a piece of machinery he created."We effectively became "time-keepers, and then time-savers, and now time-servers" with the invention of the clock."

On a piece of paper, write down the thing that is stressing you, the obstacle that is in your way. Then put it in a box and just leave it there. At the end of about a week, dispose of it - throw it in the trash or bury it - some sort of ritualistic act of releasing it.

I'm not a cinematic cinematic person. I go to the movies like I did back when I was a kid. I go to the movies and I sit down. If the music works, hmm. If it doesn't work, hmm. The whole concept of the thing, not as one piece here or there. For me, music is a large part.

Shakespeare and his work will always be relevant. He wrote those pieces hundreds of years ago and we haven't really changed as humans, have we? We have to deal with love, honour and adultery now - people were the same then, too - that's what's so wonderful and powerful.

When I worked with Woody Allen, I only got the parts of the script that I was in. I was able to piece together the narrative from that, but I remember being quite excited to watch the movie - the movie that I was in but didn't know what happened in, like, 65 percent of.

I'm Teoish," Sarene said, successfully spearing something that looked like a marinated piece of shrimp. "We're all this tall." "Father's Teoish too, Kaise," Daorn said. "And you know how tall he is." "But father's fat," Kaise pointed out. "Why aren't you fat too, Sarene?

From the moment you put a piece of bread in your mouth you are part of the world. Who grew the wheat? Who made the bread? Where did it come from? You are in relationship with all who brought it to the table. We are least separate and most in common when we eat and drink.

As one gets older being sad and miserable can become a bit of a habit. To counteract this, she suggests making a point of savoring such things as the tastiness of a piece of fruit, or other small things we might have been prone to overlook during our younger, busier days.

It doesn't matter what one reveals or what one keeps to oneself. Everything we do, everything we are, rests on our personal power. If we don't have enough personal power the most magnificent piece of wisdom can be revealed to us and it won't make a damn bit of difference.

Truth has to be given in riddles. People can't take truth if it comes charging at them like a bull. The bull is always killed. You have to give people the truth in a riddle, hide it so they go looking for it and find it piece by piece; that way they learn to live with it.

I've tried to be totally present, so that when I'm finished with a piece of work, I'm finished. ... The work, once completed, does not need me. The work I'm working on needs my total concentration. The one that's finished doesn't belong to me anymore. It belongs to itself.

I'm a fan of designers and clothes that look beautiful, but more importantly, make me feel beautiful and confident. It's why I've always loved Stella McCartney, and more recently, Prabal Gurung. Their pieces are cool, yet timeless, and the fits are effortlessly flattering.

Every Bass Communion track is based on a single sound source. Increasingly I find that I'm really interested in taking a particular sound and it's almost like solving a problem. If I have a sound, the problem is how can I create a piece of music from this one sound source?

I'm more than comfortable just sitting back and scoring 21, 22 points or whatever and getting 10, 11 assists whatever the case might be. More than comfortable with that. It's just a matter of the pieces that you have around you and what you can do to elevate everybody else.

I had to use my wits or else I'd have been sunk - and nothings going to sink me. Everyone was always pulling at me, tugging at me, as if they wanted a piece of me. It was always, 'do this, do that,' and not just on the job but off, too. God, I've tried to stay intact, whole.

America is the only nation in the world that is founded on creed. That creed is set forth with dogmatic and even theological lucidity in the Declaration of Independence; perhaps the only piece of practical politics that is also theoretical politics and also great literature.

Today is International Women's Day, and there's a fantastic set of pieces running by an organization called ONE called "Poverty Is Sexist." It's a great way to quickly learn about what's actually going on for women in poverty around the world, and then do something about it.

Our Prime Minister, Gordon Brown has given the Government's support to the Human Fertilisation and Embryology Bill. It is difficult to imagine a single piece of legislation which, more comprehensively, attacks the sanctity and dignity of human life than this particular Bill.

Most of what has been written about me is one big blur, but I do remember being described in one simple word that I agree with. It was in a piece that tore me apart for my personal behavior, but the writer said that when the music began and I started to sing, I was "honest."

[Property] is a brilliant, chillingly revelatory piece of fiction, a work of craft, economy and such good merciless observation-one of those rare, crucial novels illuminating a history we think we know and understand so that after we've read it we'll never forget its truths.

When you snatch little pieces of other people's lives and try to palm them off as your own, that's more disgusting than anything. Robin Williams is a huge thief. Denis Leary is a huge thief. His whole stand-up career is based on Bill Hicks, a brilliant guy who died years ago.

To have your heart in pieces while every other aspect of your life couldn't go better is a traumatic experience. In appearance, life is fine. But as you put your day in focus, everything turns grey. What happened made me realise that complete, absolute happiness doesn't exist.

Whenever you see riot footage on TV - you know, someone throwing a brick in Pakistan or somebody throwing a fiery piece of pooh through a Starbucks window up in Seattle - you ever see anybody throwing anything underhand? I think it just takes all the aggression out of the act.

Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you

The joke's on them. One little hypodermic wont' be enough. Split a piece of wood, and they'll find me. Lift up a stone, and they'll find me. Look in the mirror, and they'll find me...If you really want to know what makes someone a killer, ask yourself what would make you do it.

We live in time, it bounds us and defines us, and time is supposed to measure history, isn't it? But if we can't understand time, can't grasp its mysteries of pace and progress, what chance do we have with history--even our own small, personal, largely undocumented piece of it?

There are so many steps you have to go through to reach a high level, so youre kind of building your own, I would say, mountain. You have to go piece by piece by piece. When youre young and really ambitious, you want to jump right up. It kind of teaches you a lesson, I would say.

As far as outlining is concerned, I don't outline humor. I might right down a word or two to remind myself of a punch line I thought of, but the actual structure of a piece I really don't. I don't think it would really help me because for me the process is joke, joke, joke, joke.

His lips slid over her ear. "My mind shares yours. If you're determined to go through with this, then know whatever this takes you, you won't be alone, Tansy. I'm strong. I'll find your mind and I'll bring you back." "Last time I broke into a million pieces." "I'll find each one.

People are building the software and so having the pieces be such that a single person understands all the tradeoffs and everything that's going on in a piece is extremely valuable. It avoids getting into an experimental mode where you're just trying things out. That never works.

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