Piece Quotes - Page 19

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I'm a piece of work, man. I will do what I want, at all times, always. Nobody's going to persuade me one way or another. I can't be persuaded. I take criticism, I listen, I analyze, but at the end of the day, I make the decisions. Because that's the way I started, and that's the way I'm going to finish.

I think it's brought the world a lot closer together, and will continue to do that. There are downsides to everything; there are unintended consequences to everything. The most corrosive piece of technology that I've ever seen is called television - but then, again, television, at its best, is magnificent.

My work sells for £10,000-plus, but my most lucrative piece was a private project that was sold for more than six figures -dollars, that is. The process of the Lego can take weeks, months, or even days. Each one I deliver to specification to each gallery because they want them brought to them fully formed.

I've never felt particularly ambitious or driven, that's for sure, although I like to create stuff, whether it's a little doodle, a drawing, a small painting or a movie or a piece of music, so I suppose I'm driven by that. Everything I've done has felt very natural, and it's happened because it's happened.

De Palma is delicious! He respects music; he respects composers. For 'The Untouchables,' everything I proposed to him was fine, but then he wanted a piece that I didn't like at all, and of course we didn't have an agreement on that. It was something I didn't want to write - a triumphal piece for the police.

I've had my ups and downs, and I definitely have a sense - in America, especially - that once you've made your mark and gotten your Rolling Stone piece and your Grammy nomination, that they're on to the next piece of meat, and they don't necessarily like to follow the twists and turns of an artistic career.

'Zero Dark Thirty' is a great piece of filmmaking and does a valuable public service by raising difficult questions most Hollywood movies shy away from, but as of this writing, it seems that one of its central themes - that torture was instrumental to tracking down bin Laden - is not supported by the facts.

When I was going to high school, in the high school band we would play these kind of hour-long concerts for our parents. All the parents would come to the gymnasium, and the band would play an hour-long kind of orchestra piece. 'Synchestra' is supposed to be similar, like a high school band orchestra piece.

Until film is just as easily accessible as a pen or pencil, then it's not completely an art form. In painting, you can just pick up a piece of chalk, a stick, or whatever. In sculpture, you can get a rock. Writing, you just need a pencil and paper. Film has been a very elitist medium. It costs so much money.

All musicians practice ear training constantly, whether or not they are cognizant of it. If, when listening to a piece of music, a musician is envisioning how to play it or is trying to play along, that musician is using his or her 'ear' - the understanding and recognition of musical elements - for guidance.

If you fill your Agriculture Committee with representatives of commodity farmers, and you don't have urbanites, you don't represent eaters, okay? You don't have people from New York City on these committees, you are going to end up with the kind of farm bills we have: a piece of special interest legislation.

People ask me about 'The Hurt Locker' a lot, and it's an incredible piece of filmmaking - as are 'Band of Brothers' and 'Platoon' and 'Full Metal Jacket' and 'Apocalypse Now.' But they're not necessarily true to war in a literal sense. What they are, really, are brilliant movies about Hollywood's idea of war.

We had a lot of difficulty in getting the French to accept the pyramid. They thought we were trying to import a piece of Egypt until I pointed out that their obelisk was also from Egypt and the Place des Pyramides is around the corner. Then they accepted it. The pyramid at the Louvre, though, is just the tip.

I don't really remember, but I'm positive that whenever I cried, my mother gave me something to eat. I'm sure that whenever I had a fight with the little girl next door, or it was raining and I couldn't go out, or I wasn't invited to a birthday party, my mother gave me a piece of candy to make me feel better.

It would no doubt be very sentimental to argue - but I would argue it nevertheless - that the peculiar combination of joy and sadness in bell music - both of clock chimes, and of change-ringing - is very typical of England. It is of a piece with the irony in which English people habitually address one another.

You can be shattered, and then you can put yourself back together piece by piece. But what can happen over time is this: You wake up one day and realize that you have put yourself back together completely differently. That you are whole, finally, and strong - but you are now a different shape, a different size.

Think about when a digital business marries up with what I'll call 'digital intelligence.' It is the dawn of a new era about being a 'cognitive' business. When every product, every service, how you run your company can actually have a piece that learns and thinks as part of it, you will be a cognitive business.

The most extraordinary thing about trying to piece together the missing links in the evolutionary story is that when you do find a missing link and put it in the story, you suddenly need all these other missing links to connect to the new discovery. The gaps and questions actually increase - it's extraordinary.

You know, people call mystery novels or thrillers 'puzzles.' I never understood that, because when I buy a puzzle, I already know what it is. It's on the box. And even if I don't, if it's a 5,000-piece puzzle of the 'Mona Lisa', it's not like I put the last piece in and go, 'I had no idea it's the 'Mona Lisa'!'

Meat, to me, it's slightly boring. Hold on, I love meat too, but only once in a while. You get a piece of meat, and you put it in your mouth, you chew, the first five seconds, all the juices flow around your mouth, they're gone, and then you are 20 more seconds chewing something that is tasteless at this point.

I think you can make a gorgeous movie on any piece of equipment. Look at 'Tangerine,' which is a beautiful movie shot on an iPhone. You see so many movies that are impeccably shot but are vapid, and there's no audience for that except for other cinematographers who just like to watch two-hour-long music videos.

I like the relationship between the master and the student. Each piece has new problems, and each is different. They're all an indentured servitude. There's that subjugation that you have to put yourself under. It's a give and take. There is work involved, and during that time, the greatest things are revealed.

In 1998, Vanity Fair asked me to write a big piece for them on the 50th anniversary of the New York City Ballet. My life, to a great extent, had been spent at and with the New York City Ballet, and I decided to try it. It was very scary, writing about something I loved so much and had such strong opinions about.

Snoop Dogg eats terrible. That's another reason I had to leave him. I would have been dead of a heart attack. He literally eats at 7-11. That's where he does his grocery shopping or it's Roscoe's Chicken & Waffles, or it's Denny's delivery. There's not a piece of salad or vegetable within two miles of this dude.

Since Beau's death, I'm definitely shattered. I feel like a piece of china that's been glued back together again. The cracks may be imperceptible-but they're there. Look closely, and you can see the glue holding me together, the precarious edges that vein through my heart. I am not the same. I feel it every day.

'Flying In A Blue Dream' was quite automatic. I was working on another song, and I took a break and picked up my acoustic guitar, tuned it strangely, and instantly wrote the tune. It's funny how you can struggle with one piece and write a better one in a minute. Usually, when things come easy, it means it's good.

Everybody has a hacking capability. And probably every intelligence service is hacking in the territory of other countries. But who exactly does what? That would be a very sensitive piece of information. But it's very difficult to communicate about it. Because nobody wants to admit the scope of what they're doing.

The poem builds in my mind and sits there, as if in a register, until the poem, or a piece of a longer poem, is finished enough to write down. I can hold several lines in my head for quite some time, but as soon as they are written down, the register clears, as it were, and I have to work with what is on the paper.

I spend time editing and massaging each note. Then I start layering with different instruments, adding harmonies, counterpoint, and whatever the song calls for. Then I arrange it into a whole piece, and decide where I need to add live musicians. It takes a lot of time, but it is very satisfying once it is complete.

I love writing but hate starting. The page is awfully white, and it says, 'You may have fooled some of the people some of the time, but those days are over, giftless. I'm not your agent, and I'm not your mommy; I'm a white piece of paper. You wanna dance with me?' and I really, really don't. I'll go peaceable-like.

You're coaching Kentucky - and you have a chance to change lives. That's not what this is up there in the NBA. You have assets. You're trying to piece a team together. You're trying to win more games than the other guy. You're trying to advance in the playoffs, and if you don't, they'll find somebody else that can.

With 'Black Rain,' I spent a lot of time with homicide detectives, and I spent a lot of time with different brokers on 'Wall Street.' It helps get the rhythm of the piece and the tone, and how overplayed or underplayed it might be. That's also the magic of movies: You get to hang out and live these different lives.

When you use the language of 'fact checking' to talk about a film, I think you're sort of fundamentally misunderstanding how art works. You don't fact check Monet's 'Water Lilies.' That's not what water lilies look like; that's what the sensation of experiencing water lilies feel like. That's the goal of the piece.

That nice, soft pillow and the warm blanket, and it's all comfortable, and no one wants to leave that comfort - but if you can wake up early in the morning, get a head start on everyone else that's still sleeping, get productive time doing things that you need to do - that's a huge piece to moving your life forward.

A woman can be demure, lady-like and the most prim and proper character, and still have a toughness and resiliency as apparent as a superhero-type female character or a warrior or soldier type. It's all about the story, the character, and the course of events in that piece of work and how that character is presented.

I was a halfback on an American football team in Athens, Greece - the Kississia Colts - where I went to high school, and we took the Cup my senior year. The downside, and somewhat unfortunate piece of information I have to pass on, is there were only two teams in the league because of the limited amount of Americans.

Although it is hard to see why any sensible authority would feel threatened by the peaceful expression of one's point of view, there is a long history of trying to repress subversive depictions of political figures - back in the 19th century, for example, France's King Louis Philippe was depicted as a piece of fruit.

I write first drafts by hand. Never do I open an umbrella inside the house. I don't predict wins or losses. I used to stand on a certain piece of rug if my brothers and husband were watching football and their team got in trouble - but now the luck went out of that rug. If a circle is involved, I try to go clockwise.

So I go to my first book signing, and these two girls came up and gave me a piece of paper: '10 reasons you should date our dad. He climbed Mount Kilimanjaro. He's a lawyer.' He didn't know what was going on. He didn't even know me. They called him, and he came down and asked me out that day. Now I'm dating their dad!

Barack Obama winning the election had an instant impact on everything - race relations, national self-esteem, tolerance. It also had an instant affect on 'Frost/Nixon.' At a stroke, instead of being a piece that reminded people of the agony they were in, it became an uplifting message about the agony they had escaped.

I've been interested in the idea of forgiveness and the necessity of it. I think of it as the most critical piece of any relationship, whether that be business, or romantic, or familial. We fail each other. We make mistakes. If we contract to go on after those mistakes, forgiveness is involved. Forgiveness is required.

I write for myself; I'm trying to keep myself interested in the music. But at the same time, I want to make the songs relatable in a way; I want to keep melodies pretty simple and the lyrics open-ended so that people could maybe relate them to their own life in different ways. Something for everybody to have a piece of.

It's interesting that we assign the label 'political' to art that doesn't just fit a mould of status quo. Is 'Downton Abbey' not political? That's political! Every piece of art offers a perspective on the world. And what is politics if not a perspective on the world? 'Downton Abbey' is about class. It's also about race.

Look at a football field. It looks like a big movie screen. This is theatre. Football combines the strategy of chess. It's part ballet. It's part battleground, part playground. We clarify, amplify and glorify the game with our footage, the narration and that music, and in the end create an inspirational piece of footage.

The primary thing writing and basketball share is the sense that each time you go out, each time you play or begin a piece, it's a new day. You can score 40 points one game, but the next game, those points don't count. You can win the Nobel Literature Prize, but that doesn't make the next sentence of the next book appear.

When any young director gets hired by a studio to do a $125 million film based on a preexisting piece of intellectual property, they're climbing into the meat grinder. And what you're coming out with on the other side is a generic, heavily studio-controlled pile of garbage that ends up on the side of Burger King wrappers.

Criticism does demand a certain kind of authority, but what about the authority of not really being sure what you think? What about the authority, the authenticity that comes from bringing all your intellectual, emotional and spiritual equipment to a piece of art or entertainment whilst still being uncertain and confused?

Art is interesting because there can be so many different perspectives in a piece of art. The way I see it may be completely different than the way somebody else sees it. It's interesting to hear what somebody sees in a piece of art compared to somebody else. It could be completely different, and that's interesting to me.

When I first began choreographing, I never thought of it as choreography but as expressing feelings. Though every piece is different, they are all trying to get at certain things that are difficult to put into words. In the work, everything belongs to everything else - the music, the set, the movement and whatever is said.

Paper is no longer a big part of my day. I get 90% of my news online, and when I go to a meeting and want to jot things down, I bring my Tablet PC. It's fully synchronized with my office machine, so I have all the files I need. It also has a note-taking piece of software called OneNote, so all my notes are in digital form.

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