Quotes of All Topics . Occasions . Authors
Partying and having all of those pictures taken distracts from the work that I do. It's not why I started acting. I didn't get into acting to be written about. It kind of just happened - so I accept that it's my life.
It's been fascinating watching all those pictures of me with a lot more hair Jeremy, and looking very young. And we've all got things we've said, twenty, thirty years ago, indeed the whole world has changed since then.
I was exposed to the public because my dad is an actor. My pictures went online at a young age. A lot of negativity came from there. Not just with me, but it happened with a lot of my friends who are in the public eye.
People don't really understand, but having people stare, and point, and take pictures, even if it is in a positive framework, is quite isolating; there's no two ways about it. You feel a little bit, you know, freakish.
This big part flies off on the floor. The other part goes like this and lands in my foot! Standing up! It's standing in my foot! Right in the side of my foot. The flute glass. I think I'm like in one of my own pictures.
This would be a distortion of their meaning, since the pictures are intimate and intense, and are the opposite of what is decorative; and have been painted in a scale of normal living rather than an institutional scale.
I think one of the main reason's Rick Rosenthal and Whitewater PIctures decided to 'get in bed with me' on 'Fat Kid' was because I came in with a strong business plan as well as a creative vision on how to make the film.
Every writer has their rituals. For me, it's morning walks along the beach. And then, in my study I have a huge painting of the Black Madonna hung over my desk, and quite a few pictures of Mary around me for inspiration.
We demand that people should be true to the pictures we have of them, no matter how repulsive those pictures may be: we prefer the true portrait in all its homogeneity, to one with a detail added which refuses to fit in.
We work in vertical and horizontal planes. We avoid depth characteristics as much as possible. This reduces the number of pictures in a five minute segment from 12,000 to 1,200. And the public likes the technique better.
Los Angeles is such a town of show business, and I'm a terrible celebrity. I find it difficult - it's the beast that must be fed. There's this big wheel of pictures and articles that goes around, and you get pinned on it.
Fantasy isn't something I put into the pictures; I don't try and inject them with a sense of play. But it's about being an honest photographer; a photograph is as much of a mirror of the photographer as it is the subject.
What ends up in your scrapbook? The pictures where you look like a good guy and a good family man, and the children look adorable - and they're screaming the next minute. I've never seen a family album of screaming people.
We all have our vanities. The retouching magazines like 'Vogue' do is the professional version of the retouching we do when we, for example, apply Instagram filters to the pictures we take and share on our social networks.
It's so vacuous, this job. You're constantly looking at pictures of yourself, talking about yourself. Then I come back home, and all my mates want to talk about is me because I've been hanging out with Elton John and stuff.
I don't know how much influence we really had, because we never put our pictures on the albums or anything and we never really promoted the Talking Heads connection, because we wanted to keep it separate from Talking Heads.
Pictures, abstract symbols, materials, and colors are among the ingredients with which a designer or engineer works. To design is to discover relationships and to make arrangements and rearrangements among these ingredients.
I show elements of the set in my pictures because it's not real. When I see movies, I often love the 'making of' more than the movie itself. It's not so final. When you have a woman just standing there, it doesn't mean much.
When I go to a cinema, I don't care if the film is made by a man or a woman as long as it tells me a story, as long as it offers pictures that shed light on my existence, characters I can identify with, jokes I can laugh at.
In the '80s, I can't say that Amy and I were aware of an independent film community. We could only get a certain amount of money for our pictures, which made them low budget movies, but they were distributed through studios.
If you live in Israel and you see the way life is there and then you go abroad and see the way Israel is reported on, the way that Israel gets reported on night after night is simply pictures of bombings or military actions.
Of course, Hollywood is still making some excellent pictures which reflect the great artistry that made Hollywood famous throughout the world, but these films are exceptions, judging from box office returns and press reviews.
I draw hundreds and hundreds of pictures of sort of gnarly looking men, so I don't know what that tells you. People who look like... they're waiting for a sandwich that's never going to come. I don't know what's wrong with me.
This camera works like photosynthesis. It is as if you were Xeroxing your own face. The pictures have such physicality: their surface is like fine leather, stained from chemicals. Each one has a body and is more than an image.
I'm a fan first and foremost. I get caught up in the drama, the emotion of what is happening, whether it's a boxing match, an MMA fight, a kickboxing contest, or a WWE matchup. I want to tell the story and paint more pictures.
Anyone can use these sites - companies and colleges, teachers and students, young and old all make use of networking sites to connect with people electronically to share pictures, information, course work, and common interests.
Digital technology has thrown a closed shop wide open, and there are more people out there snapping away than ever before. Some of the pictures are bad, some of them are good, and many of them need some seasoning and direction.
When I was doing 'Smile,' I was looking back at pictures of myself and going, 'Thank goodness I couldn't do the sprayed-bangs thing! Everybody's so embarrassed by that hairstyle now, but I was never cool enough to pull it off!'
When I was a kid, I was a bit of a space geek. I loved the space program and all things NASA. I would read books about our solar system; I had pictures of the Space Shuttle on my bedroom wall. And yes, I even went to Space Camp.
When I went to Jamia, I thought I wanted to be a cinematographer or photographer because I liked telling stories in pictures, but my teachers explained that if you want to tell your own stories then that is what a director does.
Tweets? That stuff kills conversation. And people taking pictures with their phone or recording you, sometimes surreptitiously, is creepy. They come up and just start talking to you, and you can see the red light on their phone.
I think it's sick that we even post pictures of people in their post-baby bodies or talk about it. It upsets me so much because not only does it make a woman feel bad if she hasn't lost all their baby weight, it's not realistic.
A strange thing is memory, and hope; one looks backward, and the other forward; one is of today, the other of tomorrow. Memory is history recorded in our brain, memory is a painter, it paints pictures of the past and of the day.
'Golf Digest' had all the old school swings, and my favorite swing, ever, was Nick Faldo's swing. And it had all the greats, Ernie Els and Nick Faldo and all that stuff, and I had the pictures of their swing sequences on my wall.
What makes people the world over stand in line for Van Gogh is not that they will see beautiful pictures but that in an indefinable way they will come away feeling better human beings. And that is exactly what Van Gogh hoped for.
Looking back across the years, so many pictures flash on the screen of my memory that just as I begin to see one clearly, another slides in, blotting out the first, itself to be pushed aside by the next and the next and the next.
I think that televisions are unnecessarily complex. The irony is that as the pictures get better and the choice of content gets broader, that the complexity of the experience of using the television gets more and more complicated.
I don't mind fans coming up in a friendly, respectful way. That's all part of the fun of being a top tennis player. But if people take pictures without permission, particularly if my children are in the shot, I feel uncomfortable.
On a shelf above my computer are five letters that spell out W-R-I-T-E. Just in case I forget why I'm there. I also have 'Wonder Woman' paraphernalia from when I wrote five issues of the comic, and pictures of my husband and kids.
I think a lot of African-American kids don't have fathers to teach them how to dress, so you end up being taught by pictures in magazine and movies. You see cowboys, Indians, old Hollywood films, Cary Grant. It has an effect on you.
You must intensify and render continuous by repeatedly presenting with suggestive ideas and mental pictures of the feast of good things, and the flowing fountain, which awaits the successful achievement or attainment of the desires.
Pictures get manipulated, pictures get dropped into accounts. We've asked an internet security firm and a law firm to take a hard look at this to come up with a conclusion about what happened and to make sure it doesn't happen again.
I prefer radio to television. Radio is a dialogue; television is a monologue. In radio, you have to interact - they put the words in your head; you build the pictures in your mind. To that extent, it is more engaging than television.
I don't end up playing a lot of likable characters, so I find myself living in a lot of unlikable skin. As a result of that, I don't always feel good. I get a lot more catharsis from taking pictures or painting or making short films.
The ratio of successful shots is one in God-knows-how-many. Sometimes you'll get several in one contact sheet, and sometimes it's none for days. But as long as you go on taking pictures, you're likely to get a good one at some point.
It was funny because on the day that I joined the club, the newspaper that broke the news was one that people don't always trust or believe. Then, when I signed, and there were pictures of me and Sir Alex Ferguson, people believed it.
I had always been kind of obsessed with making a home of my own and was always drawing rooms that I wanted to live in, down to pictures on the wall and the faces that would be in the photographs, and how the couches would be situated.
It is proper to take photographs or other kinds of pictures of persons to put them before us for sight or remembrance. But it is improper to make pictures and images of God and to take his likenesses therefrom to his great distortion.
I think when you're young and have that first burst of energy and make five or six pictures in a row that tell the stories of all the things in life you want to say... well, maybe those are the films that should have won me the Oscar.
You know it has to do with Kelley and drugs, and me... and there's like, what is it? I didn't read it. That's my thing. That's what I do, I don't read things if I don't think they're going to be good. I don't even look at the pictures.