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It was just something - I didn't agree with what the flag was representing at this time, and you know, if you look at the original picture where people addressed it, I was trying to sit behind the coolers and out of the way, 'cause I didn't want to interrupt anybody else's right to stand and hold attention to the flag.
Can you design a Rorschach test that's going to make everyone feel something every time - and that looks like a Rorschach test? It's easy to show a picture of a kitten or a car accident. The question is, how abstract can you get and still get the audience to feel something when they don't know what's happening to them?
The busyness of life can keep you running from one activity to the next. If you never step back to consider whether all those activities are really how you want to spend your time, you could miss out on building the kind of life you want. Devote at least 10 minutes each day to examining the bigger picture in your life.
A painter tries to convey to us a picture of the world as he sees it; an ophthalmologist tries to enable us to see the world as it really is. The logotherapist's role consists of widening and broadening the visual field of the patient so that the whole spectrum of potential meaning becomes conscious and visible to him.
Grown-ups and children are not readily encouraged to unearth the power of words. Adults are repeatedly assured a picture is worth a thousand of them, while the playground response to almost any verbal taunt is 'Sticks and stones may break my bones, but words will never hurt me.' I don't beg so much as command to differ.
The U.N. has brought peace and order to many places around the world. However, terrorism, violent extremism, violations of human rights, natural disasters caused by climate change - they all threaten the lives of people today. Add migration, insufficient health care, lack of education, and the picture gets even bleaker.
'Life, Love & Hope' is... I'm thinking 'larger picture.' I'm not trying to preach to anyone. We all get lost and caught up in our everyday problems. Your cellphone doesn't work or you got a parking ticket, you had a bad day at work. You can lose sight of the really important things in life; that's what the song is about.
As an African-American, as a woman, I think that I've been sensitized to the way in which history privileges the white male and the way in which certain aspects of history, the things that we are taught in school, the things that are handed down, never, never entered the picture though they might have been very important.
I think most Hollywood meetings are silly and I truly despise pitching. It's insane to expect someone to come in and tell you the story before they've written it, and buying an idea from someone who can explain it rather than write it is like choosing a mechanic based on his ability to draw a picture of your car's problem.
To be a champion, I think you have to see the big picture. It's not about winning and losing; it's about every day hard work and about thriving on a challenge. It's about embracing the pain that you'll experience at the end of a race and not being afraid. I think people think too hard and get afraid of a certain challenge.
I have a pretty clear picture of the whole weight of my life, and there are things that I've done that are good, and I'm proud of them. There are things that I'm really not proud of, and that they, you have to look at me with a perspective, and I try really hard to do that, to keep from thinking I'm cool and ever so smart.
I feel like I'd invested so much in the physical side of my life: running marathons - I brought a SEAL into my house - I have a trainer. But I've invested very little on the inner work, and in a world of distractions, I felt like to have the whole picture, I really had to spend a little time alone and work on being present.
After 50 years in the motion picture business, I'm still learning my trade. This recent shoot of 'Mandie and the Secret Tunnel' was a revelation. The two young directors, Joy Chapman and Owen Smith, represent a group of actors, directors, and cinematographers all over the country that never show up in New York or Hollywood.
Cyborg was the first superhero that I've ever seen whose parent was around but just was not there for him emotionally, mentally. I related to that in a big way because, growing up, it was my mother and grandmother that raised me and my brother and sisters. I'm the second youngest of five; my father was never in the picture.
When buyers see the pride of ownership - when they come in, and they're impressed by how clean the place is - they can picture their kids playing on the floor. They can picture the family sitting around the table. When they can picture their own family in that space, instantly you grab them, and they'll pay more money, too.
People who work with me think I should cut my hair. They say casting directors are less likely to hire me with long hair - that they don't have imaginations and can't picture me looking normal. People literally have conference calls about my head when I'm not around. I mean, obviously I would cut my hair for an amazing part.
The writing gets done away from the keyboard and away from the studio in my head, in solitude. And then I come in and hopefully have something, then I wrestle with sounds and picture all day long. But the ideas usually come from a more obscure place, like a conversation with a director, a still somebody shows you, or whatever.
Without touching my subject I want to come to the moment when, through pure concentration of seeing, the composed picture becomes more made than taken. Without a descriptive caption to justify its existence, it will speak for itself - less descriptive, more creative; less informative, more suggestive - less prose, more poetry.
My senior leadership team is half people who have been at GM for a long period of time like me, and others who have joined the company within the last five years from different industries, experiences, and countries. You have a better picture of the world. The diversity of thought is where you can make better business decisions.
Telling stories with visuals is an ancient art. We've been drawing pictures on cave walls for centuries. It's like what they say about the perfect picture book. The art and the text stand alone, but together, they create something even better. Kids who need to can grab onto those graphic elements and find their way into the story.
I found that gloss paint suited me entirely, and its qualities still intrigue me. It's viscous and fluid and feels like a pool. It's highly reflective, which means there are layers of looking. You look at the picture, and you look at the surface, then you look at the reflection in the surface behind you, then you look at yourself.
In my opinion, the motion picture is the greatest medium of expression ever invented. It embraces all the other arts. The films that have the greatest unity, the greatest overall strength, and give the most satisfaction to the viewer, have been those in which a guiding hand was imposed in every section of the film's many divisions.
I always catch and release and don't even eat trout. I think they are so majestic. I won't eat a trout even in a restaurant. They are beautiful and so much fun, and they give me such joy to catch them that it is my pleasure to take a picture with them, give them a kiss, sign a laminated autographed picture and put it in their mouth.
There's a different kind of comfort that comes from knowing that you are putting your best foot forward. It's called psychological comfort. Look at a picture of the Coney Island boardwalk in 1925. Men were in full-on three-piece suits, hats. They may have only had one suit. But they pressed it. They made it look as good as possible.
For the Negro, Andrew Johnson did less than nothing when once he realized that the chief beneficiary of labor and economic reform in the South would be freedmen. His inability to picture Negroes as men made him oppose efforts to give them land; oppose national efforts to educate them; and above all things, oppose their rights to vote.
It's very important for the parents of young autistic children to encourage them to talk, or for those that don't talk, to give them a way of communicating, like a picture board, where they can point to a glass of milk, or a jacket if they're cold, or the bathroom. If they want something, then they need to learn to request that thing.
At WhatsApp, our engineers spend all their time fixing bugs, adding new features and ironing out all the little intricacies in our task of bringing rich, affordable, reliable messaging to every phone in the world. That's our product, and that's our passion. Your data isn't even in the picture. We are simply not interested in any of it.
One of the things that's important for anybody adapting source material that is primarily a male buddy picture is to find ways to latch on to strong female characters in the piece and bring them to the forefront and celebrate their point of view alongside the men; otherwise, it becomes a sausage party, and it's a singular point of view.
When I am at a dinner table, I love to ask everybody, 'How long do you think our species might last?' I've read that the average age of a species, of any species, is about two million years. Is it possible we can have an average life span as a species? And do you picture us two million years more or a million and a half years, or 5,000?
From my point of view, it is not the coach who becomes world champion, it is a team. Not just the players who played, but the whole squad, and also the team behind the team. Because if you want to achieve success, the whole team has to work perfectly, like a machine, and all the pieces of the puzzle need to fit together into one picture.
I have always felt comedy and tragedy are roommates. If you look up comedy and tragedy, you will find a very old picture of two masks. One mask is tragedy. It looks like it's crying. The other mask is comedy. It looks like it's laughing. Nowadays, we would say, 'How tasteless and insensitive. A comedy mask is laughing at a tragedy mask.'
Sometimes I want to just pull the off switch, but you can't because if you go outside, you have to give people your all. You can't say, 'Oh, you know what? I'm not feeling good today.' No. No one's trying to hear that. When a woman comes up to you and says, 'Hey, my daughter's your biggest fan. Can we have a picture?' - you can't say no.
I was focused on building things from an early age. When I was about 3, our toilet broke, and my mother was ready to call the plumber. I told her I would fix it and asked her to get my Richard Scarry book 'How Things Work in Busytown.' Between the picture of a toilet and the text she read to me explaining how the parts worked, I fixed it.
I go out and I meet people after the show, I take every picture that they ask for, I sign every autograph that they want. You know, there's merchandise for sale, but people don't have to buy anything. I'll sign their tickets, I'll sign whatever they want me to, I'll get a picture with them and I'll stay there with them as long as they want.
You know, when you choose to make your living as an actor, it's all fine and good to look at it as some kind of artistic endeavor. At its best, it is that. But the fact is, most of the actors out there don't earn $3 million a picture and can't afford to take two years off between films and look for the right thing. Most of us are tradesmen.
I was walking down a street and after his death and saw a billboard on the side of a brick wall for Van's shoes. It was a picture of Hopper's face, and all it said was, 'Hopper Lives.' So I think he's still part of youth culture. There are lessons to be learned from Hopper about being a young person who wants to live the art life in America.
When coal came into the picture, it took about 50 or 60 years to displace timber. Then, crude oil was found, and it took 60, 70 years, and then natural gas. So it takes 100 years or more for some new breakthrough in energy to become the dominant source. Most people have difficulty coming to grips with the sheer enormity of energy consumption.
At the beginning, Edo was a photographer, and I was more of a talent scout and doing styling and modelling. Then all of a sudden, in 1977, he gave me a Polaroid camera, and I discovered that instead of having to go to a lab and develop the film, I could just take a click and get a picture! It was genius, and I was very good at manipulating it.
Mention the gothic, and many readers will probably picture gloomy castles and an assortment of sinister Victoriana. However, the truth is that the gothic genre has continued to flourish and evolve since the days of Bram Stoker, producing some of its most interesting and accomplished examples in the 20th century - in literature, film and beyond.
The more I come to know about the outside world's perception of China, the more I feel there are all sorts of misunderstandings, and to a certain extent, people do not get the full picture from the media. A lot of foreigners have few opportunities to visit China, and a lot of Chinese people do not have the chance to go to Europe or to the West.
You can't believe everything you read in a newspaper or everything that's coming out of the president's mouth. And you can't believe when someone posts a picture from their personal life, because most of the time, it's staged - we're showing each other these idealized versions of ourselves so that we seem better and other people will feel worse.
I don't think that people generally realize what the motion picture industry has done to the American Indian, as a matter of fact, all ethnic groups. All minorities. All non-whites. People just simply don't realize. They take it for granted that that's the way people are going to be presented and that these cliches are just going to be perpetuated.
Writing a short story is like painting a picture on the head of a pin. And just getting everything to fit is - sometimes seems impossible. Writing a novel, though, is - has its own challenges of scope. And I think of that as painting a mural, where the challenge is that if you are close enough to work on it, you're too close to see the whole thing.