A great deal of my mail comes from fans of the 'Oz' picture - fans of all ages. The scholarly, the curious, the disbelievers write and ask how? why? when? what for? did you fly? melt? scream? cackle? appear? disappear? produce? sky-write? deal with monkeys? etc., etc., etc.

My father was always very interested in space. I watch Star Trek and all those things, but I always had a different picture in my mind... maybe closer to Alien. I don't see it in space as much as I do see it in different planets, with each having its own strange characters.

In all our perceptions, from vision to hearing, to the pictures we build of people's character, our unconscious mind starts from whatever objective data is available to us - usually spotty - and helps to shape and construct the more complete picture we consciously perceive.

We tend to talk about the world in a myriad of ways - a microscopic world of elementary particles, a biological world of organisms and evolution, a social world of morality and meaning. But it's all the same underlying world. That's the underlying theme of 'The Big Picture.'

'Battleship' is not a film that Francois Truffaut would have made. Nor would any of those other namby-pamby European directors. Nope, this picture eschews that Continental obsession with small stories, set in quaint towns filled with pockmarked folk doing their banal things.

My father was a country music singer and a motion picture actor, Tex Ritter, and I sort of had a normal upbringing, except dad would come down in full regalia with the boots and the guns and the hats, and the horse would eat with us. But other than that, it was pretty normal.

I was pleased when the picture was over I fit in all right and I spoke well enough as I said before, cause I was scared to death there for a minute. I mean, you're doing a scene with somebody like that or they're watching you or something, you'd better come up with something.

We know even from ordinary life that we have to achieve a sufficient degree of attentiveness if we want to concentrate on an inner picture or an object of some kind; we must also have it in our power, though, to turn our soul away from something we have been concentrating on.

The first time I walked into the Olympic athlete village seeing the Visa ATM machine with my picture on it and the Chinese characters saying 'Destiny.' For some reason, it just boosted my confidence and it was before I had even worked out or had my first training or competed.

I happen to be extremely left-brained; my instinct is to draw a chart rather than a picture. I'm trying to get my right-brain muscles into shape. I actually think this shift toward right-brain abilities has the potential to make us both better off and better in a deeper sense.

I was walking around with the babies so much that when I got to the Sidney Lumet picture, I would be on set in between takes and I'd be rocking back and forth. Just standing like this rocking back and forth, and Sidney would say, Why are you walking like that in between takes?

I do not like bad photographs. I don't like to be badly lit. There is a fashion, particularly on stage, for very 'toppy' lighting, which makes a child look 50. Ten o'clock is very good. If someone is taking a picture, you say, 'Lamps at 10 o'clock,' then everybody looks lovely.

I am a micromanager, and I love being involved in every detail of my life, but in the big picture, you realize how little control you have. 'Air I Breathe' is about those moments of surrender where you get to something that is bigger than you, and you don't have answers for it.

Priorities have to be allocated by the government because they have a complete picture of the country's requirements. If priority is allocated to a manned space programme, I'm confident we can swing it. But it's going to be tremendously expensive - the infrastructure and so on.

Almost everybody agrees that the Academy has to become more diverse. Even the Academy of Motion Picture Arts and Sciences knows this, which is why, in 2013, it announced it would extend its membership quotas in an attempt to bring more women and minorities into the organization.

I think that one of the things that I can do is I seem to have the ability to zoom in super tight for very small details, but then jump back for sort of that big picture perspective. And I think that ultimately, that's one of my strengths, because you have - every detail matters.

Capitalism has been interpreted as an exclusively profit-centric human engagement. Some have been saying to bring people and planet into the picture. This can be a good change, but it is still not fully operationalized. Are you putting people, planet and profit at the same level?

You can't tell the story of the thousands of people whose lives were destroyed by Bernie Madoff because there are thousands of stories. What you can do is to start inside, and that's the picture that you do, which becomes like a Greek tragedy in that regard - that whole collapse.

The marketing costs are insane now. So even if you've got a picture like 'Flipped' which cost under $14 million, or $13.5 million, you're still going to spend on an national basis, if you release with a good national release, you're still going to spend, you know, $30-$40 million.

When I wrote the eight fairy tales that appear in 'Horse, Flower, Bird' I was working toward a completely new form of artistic expression, trying to create a new kind of tale that also felt vintage: innocent and childlike, but haunted. I tried to write a picture-less picture book.

In 'When They Call You a Terrorist,' I reflect on my time growing up in Van Nuys, California, surrounded by my devoted family and supportive friends, weaving our experiences into the larger picture of how predominantly marginalized neighborhoods are under constant systemic attack.

Sure, when you think 'World of Warcraft,' you might picture the nerdier set - those who may have sacrificed hygiene and sleep to reach one more experience level. But the truth is that 'WoW' is populated with players of all sorts of backgrounds, from rural housewives to NFL punters.

I felt that as an actor I continued to excel and felt really comfortable and confident in myself that I wanted to at least give it a go and picture myself doing other things. It was testament to 'Emmerdale' that they gave me the confidence and creativity to pursue other challenges.

I'm not a detail guy. I depend on accountants and administrators to do my detail stuff for me, but I do know the overall picture and I know that if you put business people together in a room, not just politicians, they could shrink the deficit tremendously by good business tactics.

March is Cerebral Palsy Awareness Month. Don't feel bad if you did not know that. I didn't, either, until someone recently slapped a picture of a green ribbon and a message wishing me a 'Happy CP Awareness Month' on my Facebook page. I always thought March was Women's History Month.

I slept in van Gogh's bed. I worked in the room where he painted. I saw the place where he was cared for when he cut off his ear. I lived in the jail cell where he stayed. And I looked out the window. You remember that picture of the cornfields through the bars? That was what I saw.

Please look at the response to Windrush, and the apology, in terms of trying to put things right and, secondly, the bigger picture about how this government has been committed to trying to deal with the injustices in society, some of which matter more to people from ethnic minorities.

'Jaws' was the first A-list picture that was released like an exploitation picture. They made a lot of money with that picture because they could save a lot of money on advertising. Instead of having a full-page ad in 'The New York Times' for one theater, they had it for 100 theaters.

We get divided generationally and in other ways - libertarians versus more traditional social conservatives, for example - and we've got to provide some flexibility there. But we don't need to have quite so many litmus tests. We need to have our big picture focused on economic issues.

Instagram is just a way of showing the world a little piece of what you're like. You're not really giving everything away - it's not like you're making videos every second; you're just giving a little picture of what's happening in your life. No one can really completely figure it out.

My son craves picture books about Transformers and Ninja Turtles and the Hulk; they show one fantastic creature smashing or zapping another into smithereens on page after page. They are dull and ugly and show no interesting stories or models of conflict resolution or character building.

Biggie was a lyrical genius: he was a musical painter with words. As he rapped, you would see the picture come to life as you heard his story. You hear a lot of rappers rap; you hear a lot of singers sing, but you don't see the movie in your head the way you do when you hear Biggie rap.

Given the tendency of many to picture God's realm as somewhere high above Earth - an idea that sounds suspiciously like the Greek stories of deities perched on inaccessible mountain tops - it may seem plausible to assume that astronomers have special insight. Well, of course they don't.

My music is more than me writing a flashy soul song. They're heartfelt songs about my family and true stories. I have also songs that aren't personal, but just painting a picture. I don't like being put under labels, but my music is going to continue to stay classic and timeless forever.

Red carpets seem so glamorous, but you're really just standing there sweating and worrying your hair is going to fall. And in the end, people are only going to see one picture of you. You just smile for one second and then you walk over to the side and check your phone. It's pretty weird.

Visual art and writing don't exist on an aesthetic hierarchy that positions one above the other, because each is capable of things the other can't do at all. Sometimes one picture is equal to 30 pages of discourse, just as there are things images are completely incapable of communicating.

I believe human beings mark a threshold in the development of the planet, of course, but it is only part of the picture. What Big History can do is show us the nature of our complexity and fragility and the dangers that face us, but it can also show us our power, with collective learning.

I had a terrible motorcycle accident, in San Francisco as matter of fact. Doing a picture called... oh, this is terrible. It's a very well-known film and I can't remember the name. That's what happens when you get older... I fell off a bridge in San Francisco and was laid up for two years.

Celebrate your child's achievement, then rotate it when the next mini-masterpiece comes along. Then chuck the old picture. Don't worry that you're throwing away a memory. Your children will remember your praise more than they will remember the picture with macaroni and glitter glued on it.

When I finally discovered the 'Sports Illustrated' swimsuit issue, I browsed through archives and saw a picture of an incredibly stunning model, Damaris Lewis. Her images inspired me, and I imagined being in the magazine myself. Never in a million years did I dream it would actually happen.

Sometimes you have to disconnect to stay connected. Remember the old days when you had eye contact during a conversation? When everyone wasn't looking down at a device in their hands? We've become so focused on that tiny screen that we forget the big picture, the people right in front of us.

Often, when cheating happens, we rush to place blame solely on one person - either the person who did the cheating, or more insidiously, if it happened to us, we blame ourselves for not being 'good enough' to keep them around. But putting it all on one person doesn't paint the entire picture.

Playing live was always definitely a lot more fun. You picture it: working alone in the studio eight or 10 hours a day with nobody else there, being frustrated and driven crazy by all of the things that you have to deal with, vs. thousands of people screaming and singing along with you playing.

The Screen Directors Guild was organized solely by and for the motion picture director... We are not anti-anything: The Guild being formed for the purpose of assisting and improving the director's work in the form of a collective body, rather than as an individual, as was necessary in the past.

Just because you're big doesn't mean you're going to be successful. The beauty of the motion picture business is that you can make a little movie like 'Driving Miss Daisy' or 'Rain Man' and go right through the roof. This business is still about creative juices, and size is no guarantee of that.

The funny thing is that I almost find it more difficult now to take a still picture than to be behind a moving camera. I'm just so much more inspired and comfortable and confident when I have that whole operation going. I feel more connected. Snapping a moment doesn't seem relevant to me anymore.

I don't mind being recognised, as long as people are nice. I do like meeting people; it's just that some people are a bit disrespectful... Sometimes it's like, I'm having a roast dinner, and someone's taking a picture of me. I don't mind taking pictures, but just ask. Otherwise, it's a bit weird.

While the finish given to our picture of the world by the theory of relativity has already been absorbed into the general scientific consciousness, this has scarcely occurred to the same extent with those aspects of the general problem of knowledge which have been elucidated by the quantum theory.

Almost every time I go to the ocean, I think about throwing my phone right into it. Sometimes, you pull that thing out of your pocket, you look at it, and you're like, 'What was I just going to do with this? Was I going to take a note? Was I going to check my email? Was I going to take a picture?'

Part of my responsibility as an officer was to oversee a team of analysts charged with synthesizing all of the data points on the map to see how one related to another. By bringing those data points together, a broader picture could be drawn and a strategy developed to counter the existing threat.

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